Humphrey DeForest Bogart, nicknamed Bogie, was an American actor. His performances in classic Hollywood cinema films made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema.
Fredric March was an American actor, regarded as one of Hollywood's most celebrated stars of the 1930s and 1940s. As a performer he was known for his versatility. He received numerous accolades including two Academy Awards, a Golden Globe Award, and two Tony Awards as well as nominations for three BAFTA Awards and three Emmy Awards.
Dr. Jekyll and Mr. Hyde is a 1931 American pre-Code horror film, directed by Rouben Mamoulian and starring Fredric March, who plays a possessed doctor who tests his new formula that can unleash people's inner demons. The film is an adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, the 1886 Robert Louis Stevenson tale of a man who takes a potion which turns him from a mild-mannered man of science into a homicidal maniac.
John Arthur Kennedy was an American stage and film actor known for his versatility in supporting film roles and his ability to create "an exceptional honesty and naturalness on stage", especially in the original casts of Arthur Miller plays on Broadway. He won the 1949 Tony Award for Best Featured Actor in a Play for Miller's Death of a Salesman. He also won the Golden Globe for Best Supporting Actor for the 1955 film Trial, and was a five-time Academy Award nominee.
Joan Geraldine Bennett was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
The Petrified Forest is a 1936 American crime drama film directed by Archie Mayo and based on Robert E. Sherwood's 1934 drama of the same name. The motion picture stars Leslie Howard, Bette Davis and Humphrey Bogart. The screenplay was written by Delmer Daves and Charles Kenyon, and adaptations were later performed on radio and television. The film is set in Petrified Forest National Park in Arizona.
Raoul Walsh was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese.
Raymond Thomas Bailey was an American actor on the Broadway stage, films, and television. He is best known for his role as greedy banker Milburn Drysdale in the television series The Beverly Hillbillies.
Dark Passage is a 1947 American film noir directed by Delmer Daves and starring Humphrey Bogart and Lauren Bacall. The film is based on the 1946 novel of the same title by David Goodis. It was the third of four films real-life couple Bacall and Bogart made together.
We're No Angels is a 1955 Christmas comedy film directed by Michael Curtiz, starring Humphrey Bogart, Peter Ustinov, Aldo Ray, Joan Bennett, Basil Rathbone, Leo G. Carroll, and Gloria Talbott. Shot in both VistaVision and Technicolor, the film was a Paramount Pictures release.
The Desperate Hours is a 1955 play by Joseph Hayes, adapted from his 1954 novel of the same title. It is a three-act melodrama, with a medium-sized cast and tense pacing. The story concerns a family of four, living in a suburb of Indianapolis, whose quiet home is invaded by three convicts recently escaped from prison.
Mary Murphy was an American film and television actress of the 1950s, 1960s and 1970s.
Up the River is a 1930 American pre-Code comedy film directed by John Ford, and starring Claire Luce, Spencer Tracy and Humphrey Bogart. The plot concerns escaped convicts, as well as a female convict. It was the feature film debut role of both Tracy and Bogart. Despite Bogart being billed fourth, Tracy's and Bogart's roles were almost equally large, and this is the only film in which they appeared together. Up the River is also Bogart's only film directed by John Ford. Bogart's image is featured with Luce on some of the film's posters rather than Tracy's since Bogart was the romantic lead with Luce. Fox remade the film in 1938 starring Preston Foster and Tony Martin playing their roles.
Roy Paul Harvey was an American character actor who appeared in at least 177 films.
Dewey Dallas Martin was an American film and television actor.
Arthur Hopkins was an American Broadway theatre producer in the early twentieth century. Between 1912 and 1948, he produced and staged more than 80 plays – an average of more than two per year – occasionally writing and directing as well. His repertoire included plays by playwrights in American Expressionist theater, including Elmer Rice, Sophie Treadwell, and Eugene O'Neill.
The Night Holds Terror is a 1955 American crime film noir based on a true incident, written and directed by Andrew L. Stone and starring Vince Edwards, John Cassavetes and Jack Kelly.
The Big Shot (1942) is an American film noir crime drama film starring Humphrey Bogart as a crime boss and Irene Manning as the woman he falls in love with. Having finally reached stardom with such projects as The Maltese Falcon (1941), this would be the last film in which former supporting player Bogart would portray a gangster for Warner Bros..
Time, Inc. v. Hill, 385 U.S. 374 (1967), is a United States Supreme Court case involving issues of privacy in balance with the First Amendment to the United States Constitution and principles of freedom of speech. The Court held 6–3 that the latter requires that merely negligent intrusions into the former by the media not be civilly actionable. It expanded that principle from its landmark defamation holding in New York Times v. Sullivan.
The Desperate Hours is a 1967 TV film. It was an adaptation of the 1954 novel The Desperate Hours.
