The Goldfinch (novel)

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The Goldfinch
The goldfinch by donna tart.png
First edition
Author Donna Tartt
Cover artistThe painting used on the cover is
The Goldfinch (1654)
by Carel Fabritius
LanguageEnglish
Genre Literary fiction
PublishedSeptember 23, 2013 (2013-09-23)
Publisher Little, Brown and Company
Publication placeUnited States
Media typePrint, e-book, audiobook
Pages771
ISBN 9781408704950

The Goldfinch is a novel by the American author Donna Tartt. It won the 2014 Pulitzer Prize for Fiction, among other honors. [1] Published in 2013, it was Tartt's first novel since The Little Friend in 2002. [2]

Contents

The Goldfinch centers on 13-year-old Theodore Decker, and the dramatic changes his life undergoes after he survives a terrorist attack at the Metropolitan Museum of Art that kills his mother and results in him coming into possession of Carel Fabritius's painting The Goldfinch .

Plot introduction

The novel is a coming-of-age tale told in the first person. The protagonist, 13-year-old Theodore Decker, survives a terrorist bombing at an art museum where his mother is killed. While staggering through the debris, he takes with him a small Dutch Golden Age painting called Het Puttertje (Dutch for The Goldfinch ). Having previously been abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who do not know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: the small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

The painting is one of the few surviving works by Rembrandt's most promising pupil, Carel Fabritius (almost all of Fabritius's works were destroyed in the Delft explosion of 1654, in which the artist himself was killed).

Plot

The titular painting, The Goldfinch (1654), by Carel Fabritius Fabritius-vink.jpg
The titular painting, The Goldfinch (1654), by Carel Fabritius

The Goldfinch is told in retrospective first-person narration by Theodore "Theo" Decker. As a thirteen-year-old boy, Theo's life is turned upside down when he and his mother visit the Metropolitan Museum of Art to see an exhibition of Dutch masterpieces, including a favorite painting of hers, Carel Fabritius's The Goldfinch. There, he becomes intrigued by a red-headed girl with an elderly man. A bomb explodes in the museum, killing his mother and several other visitors.

In the rubble, Theo encounters the old man who gives him a ring and delivers an enigmatic message before dying. Believing that the man is pointing at The Goldfinch, Theo takes it during his panicked escape. He moves in with a school friend, Andy Barbour, and his wealthy family in their Park Avenue apartment. He carries out the old man's last wishes and returns the ring to his business partner, James "Hobie" Hobart. Theo learns that the old man's name was Welton "Welty" Blackwell, and that he and Hobie ran an antiques shop together. He becomes friends with Hobie and encounters the red-haired girl, Pippa, who lived with Welty and Hobie after her mother (Welty's half-sister) died of cancer.

Theo's life is disrupted when his deadbeat father arrives with his new girlfriend and whisks him away to Las Vegas. He takes the painting with him, and in Las Vegas, makes a new friend, Boris Pavlikovsky, the cosmopolitan son of a Ukrainian émigré. The two boys, both with absentee parents, spend most of their afternoons drinking, smoking marijuana, and using other illegal drugs. According to Boris, Theo was a blackout drunk and would forget practically everything. Theo had forgotten a multitude of things he and Boris did like having intercourse and being disruptive at McDonald’s, yet Theo continues to deny this. While hounded by a loan-shark, Theo's father gets drunk and dies in a car crash. Fearful of what his father's death may mean to his living situation, Theo flees to New York via cross-country bus. With nowhere to stay, he heads to Hobie's, who welcomes him. Pippa, now enrolled in a school for troubled teens in Switzerland, is visiting on break.

The narrative skips ahead eight years. Theo has become a full partner in Hobart's business. He has concealed The Goldfinch because he is afraid of being accused of theft. He is engaged to a childhood friend but is still confused and obsessed with this "love" for Pippa, who is living in London with her boyfriend. Over the years, he becomes addicted to prescription medication and saves Hobie from bankruptcy by selling fake antiques.

Theo is racked by guilt and fear over the fakes and The Goldfinch. Boris reappears, now a wealthy man thanks to dubious unspecified activities. To Theo's astonishment, Boris reveals that he had stolen The Goldfinch from Theo while they were in high school; the painting has since been used as collateral by criminals and drug dealers. Boris feels guilty and has devoted himself to recovering the painting and returning it to Theo. At Theo's engagement party, Boris appears with a plan to retrieve The Goldfinch. They fly to Amsterdam to meet with the dealers who have the painting. Boris and his associates steal it back but the plan goes awry when armed henchmen confront them. In the resulting conflict, Boris is shot in the arm and Theo kills Boris's attacker while one of the dealers escapes with the painting.

Boris disappears, leaving Theo in his hotel room, where he drinks, takes drugs, and recovers from illness, and is afraid that police will discover him. Unable to return to New York because Boris has his passport, Theo feels trapped and contemplates suicide. After several days, Boris returns and reveals that he has resolved the situation by phoning the art recovery police to inform on the dealers. Not only has the painting been saved for the museum, but Boris has received a huge reward, which he shares with Theo.

After arriving in the United States, Theo travels the country, using the reward money to buy back the fake antiques from customers. He realizes that Pippa does love him, but she would not openly reciprocate his feelings because she believes they share the same injury and flaws, both having survived the trauma of the museum explosion and both self-medicating to ease their psychological scars. In a lengthy reflection, Theo wonders how much of his experiences were unavoidable due to fate or his character, and contemplates The Goldfinch and "the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire". The novel ends on a curious note, inasmuch as Theo's contemplation demonstrates both a hard fate still ahead and a sort of redeeming immortality through the admiration of beauty.

Reception

Critical reception of the novel was polarized. [3] [4] On Book Marks, the book received a "positive" consensus, based on fourteen critic reviews: eleven "rave" and two "mixed" and two "pan". [5] Culture Critic assessed critical response as an aggregated score of 75% based on British and American press reviews. [6] On The Omnivore, based on British press reviews, the book received an "omniscore" of 3.5 out of 5. [7] [8] On Bookmarks January/February 2014 issue, a magazine that aggregates critic reviews of books, the book received a Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg (5.0 out of 5) based on critic reviews. [9] Globally, Complete Review saying on the consensus "Entertaining, and many very impressed -- but not all". [10]

Early on, the trade publications Kirkus Reviews and Booklist both gave the novel "starred" reviews. [11] Booklist wrote, "Drenched in sensory detail, infused with Theo's churning thoughts and feelings, sparked by nimble dialogue, and propelled by escalating cosmic angst and thriller action, Tartt's trenchant, defiant, engrossing, and rocketing novel conducts a grand inquiry into the mystery and sorrow of survival, beauty and obsession, and the promise of art." [12]

Stephen King praised the novel and called Tartt "an amazingly good writer". [13] In The New York Times , Michiko Kakutani pointed out what she saw as the novel's Dickensian elements, writing, "Ms. Tartt has made Fabritius's bird the MacGuffin at the center of her glorious, Dickensian novel, a novel that pulls together all her remarkable storytelling talents into a rapturous, symphonic whole and reminds the reader of the immersive, stay-up-all-night pleasures of reading." [14] Woody Brown, writing in Art Voice, described The Goldfinch as a "marvelous, epic tale, one whose 773 beautiful pages say, in short: 'How can we? And yet, we do.'" [15]

In mid-2014, Vanity Fair reported that the book had "some of the severest pans in memory from the country's most important critics and sparked a full-on debate in which the naysayers believe that nothing less is at stake than the future of reading itself." Both The New Yorker 's James Wood and the London Review of Books claimed the book was juvenile in nature, the former arguing that the novel's "tone, language, and story belong in children's literature" while the latter called The Goldfinch a "children's book" for adults. The Sunday Times of London said that "no amount of straining for high-flown uplift can disguise the fact that The Goldfinch is a turkey", and The Paris Review stated, "A book like The Goldfinch doesn't undo any clichés—it deals in them." [3]

The novel was 15th in the decade-end list of Paste, with Josh Jackson writing, "'Literary fiction' can sometimes be code for 'lightly plotted,' but every so often a book comes around that is as engagingly told as it is beautifully written. Donna Tartt's The Goldfinch is such a novel." [16] Ema O'Connor strongly criticized the portion in which Theo is outside of New York, but lauded the first hundred pages highly and chose the book as one of the decade's 24 best: "It's a crime novel, an art history thesis, an LGBTQ coming-of-age story, and a meditation on toxic masculinity all wrapped up in 976 pages." [17] Patrick Rapa of The Philadelphia Inquirer listed it as one of the decade's 20 best. [18] Kakutani listed the book as one of the greatest of the 21st century as part of a poll by Vulture, arguing, "In the hands of a lesser novelist, [its] developments might feel contrived, but Tartt writes with such authority and verve and understanding of character that her story becomes just as persuasive as it is suspenseful." [19]

European reception

The Goldfinch was described as "a great bewitching novel" by Le Monde [20] and "masterful" by Télérama . [21] Belgian weekly magazine HUMO called it the "book of the year," [22] while Le Point enthused that "[c]omic and tragic, cruel and tender, intimate and vast, Le Chardonneret is one of those rare novels that require cancelling any social obligation." [23] Tartt herself was praised as "a novelist at the top of her art" by Le Journal du Dimanche [24] and as a "writing magician who is generous with detours, reflections and characters" by the news website NU.nl. [25]

The Dutch newspaper de Volkskrant printed a five-star review and called it "a Bildungsroman written in a beautiful and often scintillating style. ... A rich novel and an impressive reflection on sadness and solace. And about the crucial, timeless role of art therein". [26] De Limburger [27] Cutting Edge [28] also gave it a five-star review and suggested that Tartt had "written the best novel of 2013. It will completely blow you away." [27] Their sentiment was echoed in De Telegraaf , which argues that The Goldfinch is a "rich, very readable novel", [29] as well as in Financiele Dagblad's assessment that "Donna Tartt is an extraordinary writer and Het puttertje is a beautiful and rich novel." [30] Another Dutch newspaper, Het Parool, sums it up as a "beautiful, exciting novel, filled with fascinating characters." [31]

Other Dutch reviews were more mixed in their reception. NRC Handelsblad rated the book two out of five stars, [32] writing that it was "like reading a twenty-first-century variant on Dickens", with the characters being "cliché" and not fleshed out. [33] Vrij Nederland and De Groene Amsterdammer were also critical, arguing that the book was too drawn out. [34]

Awards and honors

The Goldfinch was awarded the Pulitzer Prize for Fiction in 2014. [35]

Amazon selected the novel as the 2013 Best Book of the Year. [36] It was shortlisted for 2013 National Book Critics Circle Award [37] and the Baileys Women's Prize for Fiction. [38] It was awarded the Andrew Carnegie Medal for Excellence in Fiction for 2014. [39] The book was selected as one of the 10 Best Books of 2013 by the editors of the New York Times Book Review . [40] In 2024, it was ranked 46th in the New York Times list of the 100 best books of the 21st century, and 4th on the list of readers picks. [41] [42]

Sales

The novel spent over thirty weeks on the New York Times bestseller list [43] in the U.S. and on the Sunday Times hardcover fiction bestseller list in the UK. [44] It attained the number one position for Editions Plon [23] in France in January 2014, [45] and in Italy the novel reached number ten on the list of bestsellers. [46] It was a number one bestseller in Finland in June 2014 [47] and in Germany, The Goldfinch reached number two on the Der Spiegel bestseller list. [48]

Film adaptation

John Crowley directed a 2019 film adaptation for Warner Bros. and Amazon Studios. [49] Ansel Elgort and Oakes Fegley share the main role of Theo, [50] and Aneurin Barnard and Finn Wolfhard share the role of Boris. [50] [51]

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References

  1. ↑ "The Pulitzer Prizes - Citation". pulitzer.org.
  2. ↑ Flood, Alison (13 February 2013). "Donna Tartt to publish first novel for 11 years". The Guardian. Retrieved 10 October 2013.
  3. 1 2 Peretz, Evgenia (July 2014), It's Tartt—But Is It Art?, Vanity Fair, retrieved 27 January 2014
  4. ↑ "The Goldfinch". Critics & Writers. Archived from the original on 9 Nov 2016. Retrieved 12 July 2024.
  5. ↑ "The Goldfinch". Book Marks. Retrieved 16 January 2024.
  6. ↑ "Donna Tartt - The Goldfinch". Culture Critic. Archived from the original on 16 Dec 2013. Retrieved 12 July 2024.
  7. ↑ "The Goldfinch by Donna Tartt". The Omnivore. Retrieved 17 February 2024.
  8. ↑ "The Goldfinch". The Omnivore. Retrieved 17 February 2024.
  9. ↑ "The Goldfinch". Bookmarks. Retrieved 14 January 2023.
  10. ↑ "The Goldfinch". Complete Review. 2023-10-04. Retrieved 2023-10-04.
  11. ↑ Donna Tartt. "THE GOLDFINCH". Kirkus Reviews.
  12. ↑ "Goldfinch, by Donna Tartt - Booklist Online". booklistonline.com.
  13. ↑ "Stephen King slams 'Twilight' as 'tweenager porn'". NY Daily News. Archived from the original on 2013-10-13. Retrieved 2013-10-14.
  14. ↑ Kakutani, Michiko (7 October 2013). "'The Goldfinch,' a Dickensian Novel by Donna Tartt". The New York Times. Retrieved 29 April 2017– via NYTimes.com.
  15. ↑ Brown, Woody (2014). "Book Review: The Goldfinch, by Donna Tartt". Art Voice. 13 (8). Archived from the original on February 27, 2014. Retrieved February 20, 2014.
  16. ↑ Jackson, Frannie; Paste Books Staff (2019-10-14). "The 40 Best Novels of the 2010s". Paste. Retrieved 2021-01-20.
  17. ↑ "The 24 Best Books Of The Decade". BuzzFeed News. 2019-12-16. Retrieved 2021-01-20.
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  19. ↑ "A Premature Attempt at the 21st Century Literary Canon". Vulture. 2018-09-17. Retrieved 2021-01-20.
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  22. ↑ "Donna Tartt schrijft het boek van het jaar". Humo. 24 September 2013.
  23. 1 2 "Ouvrage | Plon" (in French). Plon.fr. 2014-04-15. Retrieved 2014-06-24.
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  27. 1 2 "Nederlandse primeur voor nieuwste Donna Tartt - Dagblad De Limburger - Limburgs Dagblad". limburger.nl.
  28. ↑ "Cutting Edge - Donna Tartt, 'Het puttertje'". cuttingedge.be.
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  31. ↑ Arensman, D. "Tartt op haar best, met een grande finale," Het Parool, September 26, 2013
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  33. ↑ "NRC Handelsblad van zaterdag 21 september 2013 - Digitale editie". nrc.nl.
  34. ↑ Nieuwenhuis, Roderick (27 September 2013). "Nieuwe Donna Tartt een hype. Alle Nederlandse interviews en recensies op een rij / Deel 2". nrc.nl.
  35. ↑ "2014 Pulitzer Winners in Journalism and Arts". ABC News . 14 April 2014. Retrieved April 14, 2014.
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  38. ↑ Mark Brown (7 April 2014). "Donna Tartt heads Baileys women's prize for fiction 2014 shortlist". The Guardian . Retrieved April 11, 2014.
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  40. ↑ New York Times (2013). "The 10 Best Books of 2013". The New York Times. Retrieved 7 December 2013.
  41. ↑ "The 100 Best Books of the 21st Century". The New York Times. 8 July 2024. Retrieved 10 July 2024.
  42. ↑ Staff, The New York Times Books (2024-07-18). "Readers Pick Their 100 Best Books of the 21st Century". The New York Times. ISSN   0362-4331 . Retrieved 2024-07-18.
  43. ↑ Taylor, Ihsan. "Best Sellers - The New York Times". The New York Times . Retrieved 2014-06-24.
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  47. ↑ "Mitä Suomi lukee?". Kirjakauppaliitto.fi. Retrieved 2014-06-24.
  48. ↑ "DER SPIEGEL 20/2014 - Belletristik". Spiegel.de. Retrieved 2014-06-24.
  49. ↑ Fleming, Mike Jr. (July 20, 2016). "'Brooklyn' Helmer John Crowley To Direct Donna Tartt's Pulitzer Novel 'Goldfinch'". Deadline. Retrieved July 20, 2016.
  50. 1 2 Kroll, Justin (2017-10-12). "'Dunkirk' Actor Aneurin Barnard Lands Boris Role in 'Goldfinch' Adaptation – Variety". Variety.com. Retrieved 2019-09-10.
  51. ↑ "'The Goldfinch' Movie Now Has A Cast & You're Going To Love Every Single Person In It". Bustle. 12 January 2018. Retrieved April 17, 2018.
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