According to the Book of Revelation in the New Testament of the Christian Bible, Armageddon is the prophesied location of a gathering of armies for a battle during the end times, which is variously interpreted as either a literal or a symbolic location. The term is also used in a generic sense to refer to any end-of-the-world scenario. In Islamic theology, Armageddon is also mentioned in Hadith as the Greatest Armageddon or Al-Malhama Al-Kubra.
The Book of Revelation, also erroneously called the Book of Revelations, is the final book of the New Testament. Written in Koine Greek, its title is derived from the first word of the text: apokalypsis, meaning 'unveiling' or 'revelation'. The Book of Revelation is the only apocalyptic book in the New Testament canon. It occupies a central place in Christian eschatology.
Sir Joshua Reynolds was an English painter who specialised in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Babylon the Great, commonly known as the Whore of Babylon, refers to both a symbolic female figure and place of evil mentioned in the Book of Revelation in the Bible. Her full title is stated in Revelation 17 as "Mystery, Babylon the Great, the Mother of Harlots and Abominations of the Earth". Revelation 17 identifies the woman as a representation of "the great city which reigneth over the kings of the earth".
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933, when he was 10 years old, to escape the rise of Nazism. He became a British naturalized citizen in 1939. From 1942 to 1943 he attended Goldsmiths' College, London. He served at sea with the British Merchant Navy during the Second World War.
John Egerton Christmas Piper CH was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career.
John Martin was an English painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general public, with Thomas Lawrence referring to him as "the most popular painter of his day". He was also lambasted by John Ruskin and other critics.
In the Book of Ezekiel in the Hebrew Bible, New Jerusalem is Ezekiel's prophetic vision of a city centered on the rebuilt Holy Temple, the Third Temple, to be established in Jerusalem, which would be the capital of the Messianic Kingdom, the meeting place of the twelve tribes of Israel, during the Messianic era. The prophecy is recorded by Ezekiel as having been received on Yom Kippur of the year 3372 of the Hebrew calendar.
James Ward was an English painter, particularly of animals, and an engraver.
Michael James Andrews was a British painter.
In Christian eschatology, historicism is a method of interpretation of biblical prophecies which associates symbols with historical persons, nations or events. The main primary texts of interest to Christian historicists include apocalyptic literature, such as the Book of Daniel and the Book of Revelation. It sees the prophecies of Daniel as being fulfilled throughout history, extending from the past through the present to the future. It is sometimes called the continuous historical view. Commentators have also applied historicist methods to ancient Jewish history, to the Roman Empire, to Islam, to the Papacy, to the Modern era, and to the end time.
The events of Revelation are the events that occur in the Book of Revelation of the New Testament. An outline follows below, chapter by chapter.
Philip Hermogenes Calderon was a British painter of French birth (mother) and Spanish (father) ancestry who initially worked in the Pre-Raphaelite style before moving towards historical genre. He was Keeper of the Royal Academy in London.
Belshazzar's Feast is an oil painting by British painter John Martin (1789–1854). It was first exhibited at the British Institution in February 1821 and won a prize of £200 for the best picture. It was so popular that it needed to be protected from the crowds by a railing, and established Martin's fame. In the words of Martin's biographer William Feaver, he "turned literary references to visual reality". Martin published mezzotint engravings in 1826 and 1832. The original painting is now held in a private collection; two smaller contemporaneous "sketches" are held by the Yale Center for British Art in New Haven, Connecticut and the Wadsworth Atheneum in Hartford, Connecticut.
The Destruction of Pompeii and Herculaneum is a large 1822 painting by English artist John Martin of the eruption of Mount Vesuvius in 79 AD. It follows the pattern set by his previous successful painting, Belshazzar's Feast, which was another depiction of a dramatic scene from history delivered from an esoteric point of view. The work appeared to be lost from the Tate Gallery storerooms soon after it was damaged by the 1928 Thames flood, however it was rediscovered in 1973 and subsequently restored in 2011.
The Last Judgement is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation. The paintings, The Plains of Heaven, The Last Judgement, and The Great Day of His Wrath, are generally considered to be among Martin's most important works, and have been described by some art critics as his masterpiece.
Revelation 19 is the nineteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, but the precise identity of the author remains a point of academic debate. In this chapter, heaven exults over the fall of Babylon the Great.
The Destruction of Sodom and Gomorrah is a painting by the English painter John Martin from 1852.
Death on the Pale Horse is the title of three different versions of a work by Benjamin West. The first of these is a large drawing from 1783, which has been in the collection of the Royal Academy of Art in London since 1784. The second version is a painting from 1796, now in the Detroit Institute of Art. The third version is a 25-foot wide painting that West exhibited in 1817 in a special gallery on the street of Pall Mall, where he charged admission for visitors who wished to see it. This version was acquired by the Pennsylvania Academy of the Fine Arts in Philadelphia in 1835. All three versions of Death on the Pale Horse were inspired by apocalyptic imagery from the Book of Revelation. They are significant examples of the Sublime in British painting.
