"The Queen Is Dead" | ||||
---|---|---|---|---|
Song by The Smiths | ||||
from the album The Queen Is Dead | ||||
Released | June 1986 | |||
Recorded | October–November 1985 | |||
Studio | Jacobs Studios (Farnham) | |||
Genre | Alternative rock | |||
Length |
| |||
Label | Rough Trade | |||
Songwriter(s) | ||||
Producer(s) |
| |||
The Smiths singles chronology | ||||
|
"The Queen Is Dead" is a 1986 song by English alternative rock band the Smiths, appearing on their third studio album of the same name. Written by Morrissey and Johnny Marr, the song features anti-monarchist lyrics that attracted controversy in the UK music press. Musically, the song was a result of experimentation and jamming, with Marr and rhythm section Andy Rourke and Mike Joyce using technology in the studio to enhance their performances.
Though not released as a single until 2017, "The Queen Is Dead" attracted notoriety in its time and made several appearances in the band's live setlist. In the years since its release, it has since seen critical acclaim for Morrissey's savage lyrics and the band's aggressive instrumental performance.
The origins of "The Queen Is Dead" date to a live performance of the band's 1985 song "Barbarism Begins at Home", where Smiths frontman and lyricist Morrissey ad-libbed the lyrics "the queen is dead", a phrase from the novel Last Exit to Brooklyn (1964). [1] [2] Morrissey later decided to revisit the phrase for the lyric of a new song. Inspired by the political tone of the lyric, Smiths guitarist Johnny Marr wrote the music by drawing on MC5 and the Velvet Underground's "I Can't Stand It", [3] a song which had been unreleased by the band until it appeared on an archival compilation in 1985. [1] Much of the song's composition resulted from extensive jamming in the studio. As bassist Andy Rourke recalled:
Sometimes you can go into the studio and you can play for a whole day and nothing will happen. That day magic happened and we came up with this amazing song that became the theme of the whole album. [1]
Rourke composed the song's bassline in the studio, a performance Marr described as an accomplishment "that [other] bass players still haven't matched". [2] Upon Rourke's death in 2023, Marr added: "Watching him play bass on the song The Queen is Dead was so impressive that I said to myself 'I'll never forget this moment.'" [4]
Marr also developed his guitar line in the studio, manipulating the note of a harmonic with the angle of his wah-wah pedal. [2] Mike Joyce's layered drum intro was the result of a looped sample that Joyce recorded. According the band's engineer Stephen Street, "We had this very antiquated sampler ... you could only record for so long but you could loop it. We got Mike to play this rumbling rhythm and then sampled a small section of it." [2]
Lyrically, the song explores Morrissey's antipathy for the monarchy, an institution he has since described as an "unequal and inequitable social system". [5] [nb 2] Morrissey additionally makes camp references to the double meaning of queen: as he noted in the press, "There's a safety net in the song that the 'old queen' is me". [1] The song also draws for lyrical inspiration upon the incident when Michael Fagan trespassed in Buckingham Palace and encountered Queen Elizabeth II. [2] According to author Tony Fletcher, the lyric "When you're tied to your mother's apron, no one talks about castration" was a reference to Morrissey's close relationship with his mother when growing up. [1]
Per Morrissey's request, the song begins with a snippet of "Take Me Back to Dear Old Blighty", sung by actress Cicely Courtneidge in the 1962 film The L-Shaped Room . [1] [2] At the suggestion of Street, about a minute of the song's jam was cut from the final recording. Originally, the band had planned for the song to fade out. [1]
"The Queen Is Dead" was first released as the opening track on the band's 1986 studio album of the same name. It was not released as a single at the time, though a video was produced. The song's lyrics attracted controversy in the music press—Morrissey recalled an incident where a magazine, much to his dismay, falsely reported that he apologized to the Queen. [6]
"The Queen Is Dead" appeared in the band's live setlists during this period, with Joyce reproducing the song's artificial drum intro live without tapes. [2] A live version of the song appears on the band's 1988 live album Rank . Billboard described this version of the song as "snarling". [7]
To promote the 2017 collector's edition rerelease of The Queen Is Dead, the title track was released exclusively as a limited-edition vinyl single in seven and twelve-inch forms. [8] Morrissey criticized record retailer HMV for placing stickers on the singles limiting them to one per customer, imploring fans to don "seven variable wigs" and other disguises in order to "buy as many copies of 'The Queen Is Dead' at HMV as you desire". [9] This 2017 single reached number 85 on the UK charts. After the death of Queen Elizabeth II on 8 September 2022, "The Queen Is Dead", saw a 1,687% uptick in streaming numbers. [10] [11]
"The Queen Is Dead" has seen critical acclaim since its release. Spin called the track "exciting" and acknowledged, "You gotta admire a guy who can rhyme 'rusty spanner' with 'play pianner'." [12] Mark Coleman of Rolling Stone praised the song for "parod[ying] media fascination with the royal family over bombastic guitar bursts and an aggressive bass line". [13] Stephen Thomas Erlewine of AllMusic described the song as "storming", [14] while the same site's Stewart Mason lauded Morrissey's lyrics as "both savage and hilarious" and named the song "one of the band's masterpieces". [15]
Blender noted the song as a key track to download from the album. [16] Rolling Stone ranked the song as the seventh-best Smiths song, writing, "By the time the Smiths are finished beating up on 'The Queen Is Dead', England is theirs". [17] NME named it the band's ninth-best, [18] while Consequence of Sound ranked the song as the band's tenth-best, calling it the "best start of any Smiths record". [19] Billboard also ranked it as the tenth-best Smiths song, concluding, "Yes, the Smiths can kick ass". [7]
Chart (2017) | Peak position |
---|---|
UK Singles (OCC) [20] | 85 |
The Smiths were an English rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
John Martin Marr is a musician, songwriter and singer. He first achieved fame as the guitarist and co-songwriter of the Smiths, who were active from 1982 to 1987. He has since performed with numerous other bands and embarked on a solo career.
The Queen Is Dead is the third studio album by the English rock band the Smiths, released on 16 June 1986, by Rough Trade Records. The album was produced by the band's singer, Morrissey, and their guitarist, Johnny Marr, working predominantly with engineer Stephen Street who engineered the Smiths' previous album, Meat Is Murder (1985). Marr wrote several songs while the Smiths toured Britain in early 1985, working out arrangements with bassist Andy Rourke and drummer Mike Joyce during soundchecks. The album title is taken from American writer Hubert Selby Jr.'s 1964 novel, Last Exit to Brooklyn. The cover art features the French actor Alain Delon in the 1964 film L'Insoumis.
Strangeways, Here We Come is the fourth and final studio album by the English rock band the Smiths. It was released on 28 September 1987 by Rough Trade Records, several months after the group disbanded. All of the songs were composed by Johnny Marr, with lyrics written and sung by Morrissey.
Meat Is Murder is the second studio album by English rock band the Smiths, released on 11 February 1985 by Rough Trade Records. It became the band's only studio album to reach number one on the UK Albums Chart, and stayed on the chart for 13 weeks. The album was an international success: it spent 11 weeks in the European Top 100 Albums chart, peaking at number 29. It also reached number 110 on the US Billboard 200 in the United States.
Rank is the only official live album by English band The Smiths. It was released a year after the band’s breakup, in September 1988, through Rough Trade Records, and reached No. 2 in the British charts. In the United States, the album was released on Sire Records and made No. 77.
Andrew Michael Rourke was an English musician best known as the bassist of the 1980s indie rock band the Smiths. Regarded as one of the greatest bassists of his generation, he was known for his melodic and funk-inspired approach to bass playing.
"Panic" is a song by the English rock band the Smiths, released in 1986 and written by singer Morrissey and guitarist Johnny Marr. The first recording to feature new member Craig Gannon, "Panic" bemoans the state of contemporary pop music, exhorting listeners to "burn down the disco" and "hang the DJ" in retaliation. The song was released by Rough Trade as a single and reached No. 7 on the Irish Singles Chart and No. 11 in the UK Chart. Morrissey considered the song's appearance on daytime British radio a "tiny revolution" in its own way, as it aired amongst the very music it criticised.
"There Is a Light That Never Goes Out" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and lead vocalist Morrissey. Featured on the band's third studio album The Queen Is Dead (1986), it was not released as a single in the United Kingdom until 1992, five years after their split, to promote the compilation album ...Best II. It peaked at No. 25 on the UK Singles Chart and No. 22 on the Irish Singles Chart. The song has received considerable critical acclaim; in 2014, NME listed it as the 12th-greatest song of all time. In 2021, it was ranked at No. 226 on Rolling Stone's list of the "500 Greatest Songs of All Time".
"The Last of the Famous International Playboys" is a 1989 song by British vocalist Morrissey.
"Interesting Drug" is a song by English singer-songwriter Morrissey, released as a non-album single on 17 April 1989. Co-written by Morrissey and former Smiths producer Stephen Street, the song was Morrissey's fourth release after the Smiths break-up. Morrissey was inspired lyrically by the drug culture in the English lower class, which he felt was being clamped down on by the power-hungry Thatcher government. These political themes were further explored in its music video. The single was the second and final Morrissey solo single to feature his former Smiths bandmates Andy Rourke, Mike Joyce, and Craig Gannon.
"Hand in Glove" is the debut single by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was released in May 1983 on independent record label Rough Trade. It peaked at No. 3 on the UK Indie Chart but did not make the top 75 of the UK Singles Chart, settling outside at No. 124.
"Bigmouth Strikes Again" is a 1986 song by the English rock band the Smiths from their third album The Queen Is Dead. Written by Johnny Marr and Morrissey, the song features self-deprecating lyrics that reflected Morrissey's frustrations with the music industry at the time. Musically, the song was inspired by the Rolling Stones' "Jumpin' Jack Flash" and centres around a guitar riff that Marr wrote during a 1985 soundcheck.
"I Know It's Over" is a power ballad song by the English rock band the Smiths. Recorded in 1985, it is the third track on their third studio album The Queen Is Dead.
"Cemetry Gates" is a 1986 song by English alternative rock band the Smiths from The Queen Is Dead, their third album. Written by Morrissey and Johnny Marr, the song centres around a guitar riff that Marr initially thought was too uninteresting to base a song around. However, Morrissey liked it and convinced Marr that they could complete the song.
"Some Girls Are Bigger Than Others" is a song by the English rock band the Smiths. Recorded in autumn 1985, it was first released on their third studio album The Queen Is Dead in June 1986. It was also released as a single in Germany.
"I Started Something I Couldn't Finish" is a song by the English rock band The Smiths, written by singer Morrissey and guitarist Johnny Marr and released on the group's 1987 album Strangeways, Here We Come. Featuring a glam rock-inspired guitar riff, the song emerged from a jam during the "Sheila Take a Bow" sessions.
"Stop Me If You Think You've Heard This One Before" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. The song was first released on the group's 1987 album Strangeways, Here We Come. Marr's music features a larger sound, courtesy of a 12-string Gibson ES-335, and one of his few guitar solos with the Smiths. Morrissey's lyrics allude to alcohol and deception.
"How Soon Is Now?" is a song by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. Originally a B-side of the 1984 single "William, It Was Really Nothing", "How Soon Is Now?" was subsequently featured on the compilation album Hatful of Hollow and on US, Canadian, Australian, and Warner UK editions of Meat Is Murder. Belatedly released as a single in the UK in 1985, it reached No. 24 on the UK Singles Chart. When re-released in 1992, it reached No. 16.
"Barbarism Begins at Home" is a song by the English rock band the Smiths. Featured on their second studio album, Meat Is Murder (1985), the song has a lyric condemning child abuse and a funk-inspired track based around Andy Rourke's bass line.