"How Soon Is Now?" is a song by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. Originally a B-side of the 1984 single "William, It Was Really Nothing", "How Soon Is Now?" was subsequently featured on the compilation album Hatful of Hollow and on US, Canadian, Australian, and Warner UK editions of Meat Is Murder. Belatedly released as a single in the UK in 1985, it reached No. 24 on the UK Singles Chart. When re-released in 1992, it reached No. 16.
In 2007, Marr said "How Soon Is Now?" is "possibly [the Smiths'] most enduring record. It's most people's favourite, I think."[3] Despite its prominent place in the Smiths' repertoire, it is not generally considered to be representative of the band's style.[2] Although a club favourite, it did not chart as well as expected. Most commentators put this down to the fact that the song had been out on vinyl in a number of forms before being released as a single in its own right. The original track runs for nearly seven minutes; the 7-inch single edit cut the length down to under four minutes. The complete version is generally used on compilations.
A cover of the song by Love Spit Love was used in the soundtrack for the 1996 film The Craft and later appeared as the theme song of the television series Charmed for eight seasons.
Origin and recording
Smiths guitarist Johnny Marr wrote "How Soon Is Now?" along with "William, It Was Really Nothing" and "Please, Please, Please, Let Me Get What I Want" during a four-day period at Earl's Court in London in June 1984.[4] His demo was originally called "Swamp". In contrast to the frequent chord changes he had employed in most Smiths' songs, Marr wanted to explore building a song around a single chord (in this case, F♯) as much as possible, which also appealed to producerJohn Porter.[5]
Marr recorded the song with bandmates Andy Rourke and Mike Joyce that July at London's Jam Studios. After a night out celebrating the session for "William, It Was Really Nothing" and "Please Please Please Let Me Get What I Want", the trio had reconvened the following afternoon to record what became "How Soon Is Now?" Porter was impressed by the basic riff Marr showed him, but felt the song needed something else. Their discussion turned to the early recordings of Elvis Presley, which led to an impromptu jam session of the song "That's All Right". During the jam, Marr worked on his chord progression for "Swamp", which inspired the arrangement.[6]
They recall the session as being accompanied by heavy cannabis use. "We used to smoke dope from when we got out of bed to when we got back to bed", recalls Porter, and Marr concurred: "You're from Manchester, you smoke weed till it comes out of your ears." Joyce said the band even replaced the studio's light bulbs with red ones for ambience.[5]
Porter recorded the first takes with microphones set up at varying distances from the band to better create a "swampy" mood. Marr was able to keep the F♯ chord going for as long as 16 bars at a time. Despite only doing a few takes, they had filled an entire reel of tape, as one had gone on for 15 minutes.[5]
Marr and Porter decided to add a tremolo effect to the guitar part. He was inspired by Bo Diddley's distinctive syncopatedshuffle guitar style, Hamilton Bohannon's "Disco Stomp" and the two guitars in the instrumental break of Can's "I Want More". The effect was created by running the original guitar track through the studio desk into three separate FenderTwin Reverb amplifiers, each with the tremolo control set to a different oscillation speed. Marr and Porter would adjust each by hand while the music played to keep it in rhythm; when they failed, engineer Mark Wallis would rewind the tape and start them again. Some of these segments were no longer than ten seconds.[5]
To make sure the beat was the same throughout the song, Porter took a noise gate and set it to be triggered by a drum machine, using percussion instruments Joyce typically did not, set to 16th notes. This created what he called "a swirling signal" that balanced the analog tremolo effect and made sure the whole song stayed on the same beat. The guitar tracks were then "bounced" down to three of the master recording's 24 available tracks, and the 15-minute version was cut down to eight minutes. This was longer than any previous Smiths song had been. But, Porter told Tony Fletcher, "we looked at each other and said, 'It sounds fucking great; let's keep it like that.'"[5]
The rhythm has been compared to Diddley's "Mona", later covered by the Rolling Stones.[7][8] After a break, Marr and Porter added a few overdubs, including a slide guitar part that "gave [the song] real tension", according to Marr.[7] It was created using an early harmonizer that was also able to cache 1.2 seconds of delay, a very large amount for the time. Artists had been using it as a sampler; Porter says that he recorded the delay rather than the original to give it some "weirdness". He also says that he played one of the slide guitars; Marr disputes this but gives him credit for his leadership in recording the song.[5]
Marr's other lead guitar part was the harmoniclick after each verse. This is almost a direct quote of a synthetic vibraphone part heard on rapper Lovebug Starski's "You've Gotta Believe", from the previous year. Marr meant it as a direct response to some critics who had pigeonholed the Smiths as 1960s revivalists.[5]
That night Porter sent singer Morrissey a rough mix of the song in the mail. The following morning Morrissey arrived and laid down his vocals, culling lyrics from various works in progress in his notebook. According to Porter, Morrissey completed his vocals in two takes.[9]
Music and lyric
The song contains only one verse, which is repeated twice, plus a chorus and a bridge. The subject is an individual who cannot find a way to overcome his crippling shyness and find a partner. Two passages from the lyric are well known in pop culture - the opening to the verse:
I am the son, and the heir, of a shyness that is criminally vulgar I am the son and heir, of nothing in particular
and the chorus:
You shut your mouth How can you say I go about things the wrong way I am human and I need to be loved Just like everybody else does.
The opening was adapted from a line in George Eliot's novel Middlemarch: "To be born the son of a Middlemarch manufacturer, and inevitable heir to nothing in particular".[9] Music journalist Jon Savage commented the song's lyric was evocative of contemporary Manchester gay club culture.[10]
The tune is built around a guitar chord that rapidly oscillates in volume. Explaining how the distinctive resonant sound was achieved, Marr gave the following account in 1990:
The vibrato [tremolo] sound is incredible, and it took a long time. I put down the rhythm track on an Epiphone Casino through a Fender Twin Reverb without vibrato. Then we played the track back through four old Twins, one on each side. We had to keep all the amps vibrating in time to the track and each other, so we had to keep stopping and starting the track, recording it in 10-second bursts... I wish I could remember exactly how we did the slide part – not writing it down is one of the banes of my life! We did it in three passes through a harmonizer, set to some weird interval, like a sixth. There was a different harmonization for each pass. For the line in harmonics, I retuned the guitar so that I could play it all at the 12th fret with natural harmonics. It's doubled several times.[11]
Release
When Rough Trade owner Geoff Travis first heard "How Soon Is Now?", he felt it was too unrepresentative of the Smiths' sound to be released as a single. Despite pressure from Porter to save the song for a later single release as an A-side, "How Soon Is Now?" was included as B-side on the 12-inch single release of "William, It Was Really Nothing" in August 1984.[12] According to Porter: "I thought 'This is it!' ... but I don't think the record company liked it ... They totally threw it away, wasted it."[13] Night-time British radio picked up on the song almost immediately, however, and by autumn it had become the most-requested track on request shows by DJs John Peel, Janice Long, and Annie Nightingale.[14] It was subsequently included on the Smiths' compilation albumHatful of Hollow, released on 12 November 1984. The song was also featured on the soundtrack of the 1986 film Out of Bounds, but was not included on the accompanying soundtrack album.[15]
The song was released on Sire Records in the United States, backed with "Girl Afraid", in November 1984. It was expected to sell well and, for the first time, a video was made to promote one of the band's tracks. However, the song failed to chart. Rough Trade boss Geoff Travis blamed poor promotion: "I can't understand why 'How Soon Is Now?' wasn't a top 10 single, but perhaps I'm being naive. If only their singles had been played on the radio."[16] Morrissey expressed his disappointment in an interview with Creem magazine: "It's hard to believe that 'How Soon Is Now?' was not a hit. I thought that was the one..."[17] "How Soon Is Now?" was released as an A-side in the United Kingdom on 28 January 1985. The 7-inch features an edited version of the track, and the B-side was "Well I Wonder", from the then-about-to-be-released Meat Is Murder album. The 12-inch single includes a new instrumental track, "Oscillate Wildly". It peaked at No. 24 on the UK Singles Chart, a lower placing than the band's three previous singles, which had all hit the Top 20; according to John Porter, "Everybody knew the Smiths' fans already had it."[18]
Following the acquisition of the Rough Trade catalogue by Warner Bros. Records, "How Soon Is Now?" was issued again as a single in the United Kingdom in September 1992. A 7" single and cassette featured the edited version, backed with a live version of "Handsome Devil", recorded at The Haçienda on 4 February 1983 (this had originally been the B-side to the Smiths' first single "Hand in Glove"). Two CD singles featured tracks from the Smiths' back-catalogue which were, following the demise of Rough Trade, unavailable in the United Kingdom at that time. The re-issue reached No. 16 on the UK Singles Chart.
"Morrissey and co have once again delved into their Sixties treasure-trove, and produced a visceral power capable of blowing the dust off Eighties inertia. The majestic ease of Morrissey's melancholic vocals are tinted with vitriol, as they move through vistas of misery with plaintive spirals around the pulse of Johnny Marr's tremolo guitar. The string's muted strains conjure wistful signs that bridge the schism between crass sentimentality and callous detachment. Each repeated phrase intensifies the hypnotic waves, with results that outflank anything since 'This Charming Man'. Catharsis has rarely been tinged with so much regret, and shared with so much crystalline purity." – Melody Maker, 2 February 1985
"For the most part, Morrissey is the Hilda Ogden of pop, harassed and hard done-by. I guess what seems like meat to one man sounds like murder to another." – Gavin Martin, New Musical Express, 9 February 1985
"The tremolo pulse that opens 'How Soon Is Now?' is the kind of sound musicians and listeners spend a lifetime chasing after: something never heard before and never successfully replicated since." – Philip Sherburne, Pitchfork, 24 August 2015.[20]
The single's cover art was a still from the film Dunkirk (1958) featuring British actor Sean Barrett, praying but looking sufficiently as though he was holding his crotch to have the sleeve altered in the United States,[35] where a photograph of the band backstage at the 1984 Glastonbury Festival, which had previously appeared on the gatefold inside the Hatful of Hollow compilation, was used instead. It is the only time a portrait of the band has appeared on the cover of one of their releases.[36] Morrissey called it "an abhorrent sleeve– and [given] the time and the dedication that we put into the sleeves and artwork, it was tearful when we finally saw the record..."[37]
Music video
Sire Records made an unauthorised music video to promote the song. It intercut clips of the band playing live (including a shot of Johnny Marr showing Morrissey how to play the guitar), an industrial part of a city, and a girl dancing.[38][39] The identity of the girl is unknown. This clip uses the US single edit of the song by Phil Brown, which is different to and slightly longer than the UK single edit.
The band were not pleased by the result. Morrissey told Creem in 1985, "We saw the video and we said to Sire, 'You can't possibly release this... this degrading video.' And they said, 'Well, maybe you shouldn't really be on our label.' It was quite disastrous".[37] Nonetheless, the video has been credited with helping make the song their most famous in the United States, along with heavy exposure on college radio.[40]
Live versions
"How Soon Is Now?" was considered a "major problem" to play in concert by the Smiths, and live versions by the Smiths are relatively rare.[41] One live Smiths performance was recorded during the concerts for the live album Rank (1988), but was not used. Instead, a raw version of this song (and entire concert) appeared on the bootleg A Bad Boy from a Good Family, and other versions have appeared on bootleg records such as A Kind of Loving (a rip of a performance in Oxford recorded and broadcast by the BBC). Morrissey revived the song in his own concerts as a solo artist, and it has been a live staple on all of his tours since 2004.[42] A live recording was used to open Morrissey's album Live at Earls Court (2005) and another was to be included on the aborted performance DVD Live at the Hollywood Bowl. The song has also been performed live by Johnny Marr, both solo and with his band the Healers.
‡ Sales+streaming figures based on certification alone.
Cover versions
Love Spit Love version
Near the end of 1995, Psychedelic Furs splinter group Love Spit Love was approached by the music supervisor of the movie The Craft, who inquired if the band might record a cover of the Smiths' "How Soon Is Now?" After initial reluctance,[citation needed] the band recorded the song, and it was released as a single from the movie's soundtrack in 1996.
The song became popular after The WB Television Network utilised the band's cover as the theme song for the witchcraft-themed television series Charmed.[45] It was re-mixed for the show, with different instrumentation and vocals. The song went on to appear on Charmed: The Soundtrack (2003) and as a UK and Australian bonus track on Charmed: The Book of Shadows (2005). Both soundtrack albums charted well in the US, with both reaching the top ten on the Billboard Top Soundtracks chart.
Inner Sanctum version
A cover by Inner Sanctum reached number six on the Canadian Dance charts in November 1998.[46]
On June 5, 2000, the American industrial rock band Snake River Conspiracy released a cover version of “How Soon Is Now?” as the second single from their debut (and only) full-length album, Sonic Jihad, which charted in the US and the UK.
The single was promoted with an alleged quote from Morrissey praising the song as "Better than the original".[48] Morrissey appeared to confirm this after being sighted at a Snake River Conspiracy concert at the Whiskey a Go Go in late 2000, after which he met the band's singer Tobey Torres.[49] However, he later went on to "sardonically" praise the song as such in an April 2001 interview with Mojo magazine.[50] In response to the Mojo article, "How Soon Is Now?" was reissued as a single in the UK on July 2, 2001.[51]
Reception
Kerrang! awarded Snake River Conspiracy's cover of "How Soon Is Now?" four stars out of five.[52]
The song was released in Europe on 23 May 2003 as the third single from the album.[58] It was not originally the choice for the group's third single. Interscope Records penned the group's "Show Me Love" as the album's third single, however after short notice, the song was dropped for unknown reasons.
The song was available in different formats. The maxi-CD single was released with the group's Eurovision entry, "Ne Ver', Ne Boysia", plus remixes of "30 Minutes" and "Not Gonna Get Us"; this version was released in Australia on 30 June 2003.[59] A promo CD was released in Japan, including "Ya Soshla S Uma" and a remix of "All the Things She Said". It was never commercially released in the United States.
The cover charted in the top ten in Finland (No. 8) and Sweden (No. 10). It debuted at No. 37 in Australia and fell out at No. 43 the next week. An accompanying music video was issued for the group, featuring them performing the song in behind-the-scenes sessions and live performances.
t.A.T.u.'s cover of "How Soon Is Now?" received mixed reviews from music critics, who felt it lacked originality, though compared to other covers, they praised this version as best. Stephen Thomas Erlewine of Allmusic said the song was one of the highlights of 200 km/h in the Wrong Lane.[60] A reviewer from entertainment.ie said that though the song was a success, "their rather dour delivery suggests that the humour of the original completely passed them by."[61] James Martin from PopDust noted that reactions to t.A.T.u.'s cover were that it was "either completely hideous and should have remained untouched or the best cover the song has ever received".[62]
Todd Burns from Stylus Magazine stated that though it "fails as an independent entity", he found it a highlight and said it was worth a download.[63] Matt Cibula from Popmatters was similar to the PopDust publication, questioning if "people fall all over themselves to either praise or damn the t.A.T.u cover of the Smiths' 'How Soon Is Now', but I can't get worked up one way or the other about it." Cibula concluded that though it's "super-cheesy, which is a good thing", he found it "not as passionate as some people have claimed", criticising the band's vocals.[64]
Of the original creators, Marr found t.A.T.u.'s version "just silly",[3] but Morrissey appeared to view it much more favourably:
Interviewer: Did you hear t.A.T.u's version of 'How Soon Is Now'?
Morrissey: Yes, it was magnificent. Absolutely. Again, I don't know much about them.
Interviewer: They're the teenage Russian lesbians.
"How Soon Is Now?" has been covered by various artists. The guitar track was sampled, with the Smiths' approval, in 1990 by indie-dance band Soho on their UK Top 10 single "Hippychick". Artists to have covered the song include UK indie band Hundred Reasons, US post-hardcore band Quicksand (bonus track on their Slip album) in 1993, US post-grunge band Everclear, and US punk band Meatmen (on the compilation "The World Still Won't Listen").
British metal band Paradise Lost covered the song as a bonus track on the Japanese edition of their album One Second and it was also released on their single "Say Just Words" from the album as well. The song was also covered by Seattle-based alternative rock band The Crying Spell on their debut album Through Hell to Heaven.[75]
A new cover version by AG feat. Dresage (The Smiths) popped up in the season 4 trailer for the Netflix-series The Crown, bringing this song back to the spotlight after the success of t.A.T.u.'s version.[76][77]
English singer-songwriter Emma Blackery covered the song for her second studio album, Girl in a Box. The lyrics to the song stayed the same; speaking on X, Emma said she first heard the cover by t.A.T.u in 2002 and she loves the line “I am human and I need to be loved just like everybody else does” and spoke about how it takes on another meaning when you put yourself in the public eye.
↑ "Rolling Stone – The Greatest Guitar Songs of All Time". Rolling Stone. Archived from the original on 30 May 2008. Retrieved 5 April 2017.. Retrieved 24 January 2011. "Trading guitarist Johnny Marr's spidery technique for a sobbing oscillation on a few extended chords and a tone-bending wail that sounds like the world racing by, this song became a club standard, opening the passageways between underground rock and dance music."
The Smiths were an English rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
Hatful of Hollow is a compilation album by English rock band the Smiths, released on 2 November 1984 by Rough Trade Records. The album features tracks from BBC Radio 1 sessions, their first single "Hand in Glove" and two new singles and their B-sides. It was eventually released in the United States on 9 November 1993 by Sire Records, who had initially declined to release the album in the US. Sire instead released Louder Than Bombs in the US in 1987—which is effectively a hybrid of Hatful of Hollow and a subsequent UK compilation album The World Won't Listen plus some tracks which do not appear on either.
The Smiths is the debut studio album by English rock band the Smiths, released on 20 February 1984 by Rough Trade Records. After the original production by Troy Tate was felt to be inadequate, John Porter re-recorded the album in London, Manchester and Stockport during breaks in the band's UK tour during September 1983.
The World Won't Listen is a compilation album by English rock band the Smiths, released on 23 February 1987 by Rough Trade Records. The album is the second of three compilation albums—the others being Hatful of Hollow and Louder Than Bombs—released by the Smiths while they were still an active band. It reached No. 2 on the UK Albums Chart, staying on the charts for 15 weeks. In the United States Louder Than Bombs was released in place of The World Won't Listen.
Louder Than Bombs is a compilation album by English rock band the Smiths, released as a double album in March 1987 by their American record company, Sire Records. It peaked at number 62 on the US Billboard 200 album chart. Popular demand prompted their British record company, Rough Trade, to issue the album domestically as well. Upon its release in the UK in May 1987, it reached No. 38 on the British charts. In 2003, the album was ranked No. 365 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, and ranked No. 369 on a 2012 revised list. The album was certified Gold by the RIAA in 1990.
Best... I is a compilation album by the Smiths. It was released in August 1992 by the new owner of their back catalogue, WEA. It reached number one on the UK Albums Chart; it reached No. 139 on the US Billboard 200. Warner UK used a photograph taken by actor Dennis Hopper titled "Biker Couple, 1961" for the artwork of the two 1992 "best of" compilations by The Smiths.
...Best II is a compilation album by the Smiths. It was released on November 2, 1992, by the new owner of their back catalogue, WEA. Its highest British chart position was #29; it did not chart in the U.S.
Singles is the seventh compilation album by the English rock band the Smiths, pitched as a compilation of previously issued singles. It was released in February 1995 by the new owner of their back catalogue, WEA. Its highest British chart position was #5; it did not chart in the United States. Blender magazine listed the album among the "500 CDs You Must Own" on their website.
The Very Best of The Smiths is a compilation album by English rock band The Smiths. It was released in June 2001 by WEA in Europe, without consent or input from the band. It reached number 30 on the UK Albums Chart. The album was not released in the United States.
Stop Me is a Japanese exclusive compilation album by English band The Smiths. It compiles the band's then-latest three singles and their B-sides in reverse-chronological order. Stop Me was released in January 1988 by their Japanese record label, RCA Victor.
"Shoplifters of the World Unite" is a song by the English rock band the Smiths, written by Morrissey and Johnny Marr. Morrissey's lyrics, which endorsed shoplifting and referenced Karl Marx, were controversial at the time of the song's release. Musically, the song continues the glam rock styling of other Smiths singles during the period and includes a short guitar solo from Marr.
"Panic" is a song by the English rock band the Smiths, released in 1986 and written by singer Morrissey and guitarist Johnny Marr. The first recording to feature new member Craig Gannon, "Panic" bemoans the state of contemporary pop music, exhorting listeners to "burn down the disco" and "hang the DJ" in retaliation. The song was released by Rough Trade as a single and reached No. 7 on the Irish Singles Chart and No. 11 in the UK Chart. Morrissey considered the song's appearance on daytime British radio a "tiny revolution" in its own way, as it aired amongst the very music it criticised.
"There Is a Light That Never Goes Out" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and lead vocalist Morrissey. Featured on the band's third studio album The Queen Is Dead (1986), it was not released as a single in the United Kingdom until 1992, five years after their split, to promote the compilation album ...Best II. It peaked at No. 25 on the UK Singles Chart and No. 22 on the Irish Singles Chart. The song has received considerable critical acclaim; in 2014, NME listed it as the 12th-greatest song of all time. In 2021, it was ranked at No. 226 on Rolling Stone's list of the "500 Greatest Songs of All Time".
"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.
"Ask" is a song recorded by the English rock band the Smiths. It was released as a single on 20 October 1986 through Rough Trade Records. Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an ostensibly upbeat, positive pop song built around major chords. Its lyrics discuss shyness and encourage listeners to overcome their inhibitions. Its multiple guitar parts and complex production led to disagreements regarding its final mix. Craig Gannon, who at the time was rhythm guitarist for the group, has claimed he wrote – and was denied credit for – the song's chord structure.
"Hand in Glove" is the debut single by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was released in May 1983 on independent record label Rough Trade. It peaked at No. 3 on the UK Indie Chart but did not make the top 75 of the UK Singles Chart, settling outside at No. 124.
"Girlfriend in a Coma" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was the first of three UK singles from the band's fourth and final studio album, Strangeways, Here We Come. Inspired by the song "To Be Young, Gifted and Black", "Girlfriend in a Coma" features a lilting acoustic guitar line performed by Marr and lyrics about a hospital-bound lover sung by Morrissey.
"Sheila Take a Bow" is a song by the English rock band the Smiths, written by Morrissey and Johnny Marr. Featuring a glam rock-style beat and guitar riff, the song was originally planned to feature Sandie Shaw on backing vocals, but Shaw's distaste for the song and Morrissey's illness during her session resulted in the vocals not being used.
"That Joke Isn't Funny Anymore" is a song by the English rock band the Smiths. The full-length version of the song appears on the album Meat Is Murder. It was the sole track from the album to be released, in edited form, as a UK single. The song was composed by guitarist Johnny Marr and singer Morrissey. Marr has cited it as one of his favourite Smiths songs.
"Last Night I Dreamt That Somebody Loved Me" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It appears as the sixth track on the band's final album Strangeways, Here We Come (1987). It features a backdrop of crowd noises from the miners' strike of 1984–85. The song is a favourite of both Morrissey and Marr.
References
Fletcher, Tony (2013). A Light That Never Goes Out: the Enduring Saga of the Smiths. London: Windmill Books. ISBN9780099537922.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
