Strangeways, Here We Come | ||||
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Studio album by | ||||
Released | 28 September 1987 | |||
Recorded | March–April 1987 | |||
Studio | The Wool Hall (Beckington, Somerset) | |||
Genre | ||||
Length | 36:37 | |||
Label | Rough Trade | |||
Producer | ||||
The Smiths chronology | ||||
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Singles from Strangeways, Here We Come | ||||
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Strangeways, Here We Come is the fourth and final studio album by the English rock band the Smiths. It was released on 28 September 1987 by Rough Trade Records, several months after the group disbanded. All of the songs were composed by Johnny Marr, with lyrics written and sung by Morrissey.
The album reached number two on the UK Albums Chart, staying in the chart for 17 weeks. [1] The album also became an international success, peaking at number 16 in the European Albums Chart; from sales covering the 18 major European countries, [2] staying in that chart for nine weeks. [3] It rose to No. 55 on the US Billboard 200. The album was certified gold by the British Phonographic Industry (BPI) on 1 October 1987 and also by the Recording Industry Association of America (RIAA) on 19 September 1990.
The Smiths recorded what was to be their final studio album at the Wool Hall studios in Beckington, Somerset, England (established and then-owned by the band Tears for Fears). Between the album's recording in March and its release in September 1987, Johnny Marr left the group, ending the band. Strangeways is the only Smiths album to feature Morrissey playing a musical instrument: piano, on the song "Death of a Disco Dancer". [4]
Marr felt the band was ready to enter a new musical phase, and was determined to avoid a formula and move away from their previous "jingle jangle" sound. [5] He started to look for different influences, finding an interest in the Beatles' self-titled 1968 album. [5] Marr further stated that he intended Strangeways as an homage to early records by the Walker Brothers. [6] The band's instrumentation branched out as well, including synthesised saxophone, string arrangements on keyboards, and drum machine additions.
Recording in the Wool Hall made the sessions more relaxed, as the wine cellar was fully stocked and producer Stephen Street came slowly to understand the idea that the writing partners Morrissey and Marr were trying to put forth. Street (who engineered previous Smiths efforts) later said that there would always be late-night drinking following the recording sessions. "That was always after Morrissey had gone to bed ... it wasn't really his bag. We'd carry on finishing overdubs and then the records would come out. We'd be partying all hours". Ed Power wrote in The Independent that "Everyone else was more than willing to join [Marr] in this new love affair. Parties at Wool House became a nightly event. With Morrissey tucked up in bed with his favourite Sylvia Plath anthology, the musicians would cover their favourite Spinal Tap songs into the wee hours". [7]
Morrissey and Marr have stated that the album is the band's best, with Morrissey adding, "We say it quite often. At the same time. In our sleep. But in different beds". [8] Drummer Mike Joyce also named the album as the band's best. [9]
Two final songs were recorded in May 1987 to provide B-sides for the album's lead single, "Girlfriend in a Coma". These were the Smiths' last recordings together. Three more singles were taken from Strangeways, Here We Come; their B-sides were drawn from archival recordings.
The sleeve for Strangeways, Here We Come, which was designed by Morrissey, features a murky shot of actor Richard Davalos, best known for appearing in the 1955 film East of Eden . [10] In the photo, Davalos is looking at his costar in that film, James Dean, who is cropped from the image. Dean was a hero of Morrissey's, about whom the singer wrote a book called James Dean Is Not Dead. [10] Five years later, when designing the sleeves for the U.S. release of WEA's Best... I compilation, Morrissey again chose Davalos as a cover star, and Davalos is looking at Dean, who is once again cropped.
As revealed in Jo Slee's collection of Smiths and Morrissey sleeve artwork, Peepholism, Davalos was not the original choice for cover star. Morrissey wanted to use a still of Harvey Keitel in Martin Scorsese's 1967 film I Call First (also known as Who's That Knocking at My Door ), but Keitel declined to allow him to use the image. In 1991, Keitel relented, and the image was used on T-shirts and stage backdrops for Morrissey's 1991 Kill Uncle Tour.
The album takes its title from Manchester's notorious Strangeways Prison (now called HM Prison Manchester), whilst the line "Borstal, here we come" is taken from the novel Billy Liar . "Strangeways, of course, is that hideous Victorian monstrosity of a prison operating 88 to a cell," Morrissey has said. [11]
Marr has said "I've learned to love the title ... it was a bit overstating things somewhat. A little bit obvious. But it's OK. I was always intrigued by the word Strangeways. I remember as a kid, when I first heard that the prison was really called that, I wondered had it not occurred to anybody to change the name? It's still befuddling, really". Morrissey has also stated, "Really it's me throwing both arms to the skies and yelling 'Whatever next?'" [11]
Review scores | |
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Source | Rating |
AllMusic | [12] |
Blender | [13] |
Chicago Tribune | [14] |
The Encyclopedia of Popular Music | [15] |
Los Angeles Times | [16] |
Pitchfork | 8.3/10 [17] |
Q | [18] |
The Rolling Stone Album Guide | [19] |
Select | 4/5 [20] |
Uncut | [21] |
The Village Voice | B [22] |
The album ranked number 3 among "Albums of the Year" for 1987 in the annual NME critics' poll, and "Girlfriend in a Coma" ranked number 11 among songs. [23] In 2000 it was voted number 601 in Colin Larkin's All Time Top 1000 Albums . [24]
Rolling Stone said the record "stands as one of their best and most varied". [25] Slant Magazine listed the album at No. 69 on its list of "Best Albums of the 1980s", writing that "Whether or not Strangeways, Here We Come ended the Smiths' brief career with their best album has been the subject of considerable debate for nearly a quarter century, but it definitively stands as the band's most lush, richest work." [26]
Reviewing the album for AllMusic, Stephen Thomas Erlewine said it was "a subtly shaded and skilled album, one boasting a fuller production than before ... while it doesn't match The Queen Is Dead or The Smiths , it is far from embarrassing and offers a summation of the group's considerable strengths." [12]
All tracks are written by Morrissey and Johnny Marr
No. | Title | Length |
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1. | "A Rush and a Push and the Land Is Ours" | 3:00 |
2. | "I Started Something I Couldn't Finish" | 3:47 |
3. | "Death of a Disco Dancer" | 5:26 |
4. | "Girlfriend in a Coma" | 2:03 |
5. | "Stop Me If You Think You've Heard This One Before" | 3:32 |
No. | Title | Length |
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6. | "Last Night I Dreamt That Somebody Loved Me" | 5:03 |
7. | "Unhappy Birthday" | 2:46 |
8. | "Paint a Vulgar Picture" | 5:35 |
9. | "Death at One's Elbow" | 2:01 |
10. | "I Won't Share You" | 2:48 |
Total length: | 36:37 |
The Smiths
Additional musicians
Technical
Chart (1987) | Peak position |
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Australian Albums [32] | 28 |
European Top 100 Albums [2] | 16 |
Dutch Albums [33] | 20 |
German Albums [34] | 33 |
New Zealand Albums [35] | 14 |
Swedish Albums [36] | 13 |
UK Albums Chart [37] | 2 |
US Billboard 200 [38] | 55 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [39] | Gold | 100,000^ |
United States (RIAA) [40] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
The Smiths were an English rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
John Martin Marr is an English musician, songwriter and singer. He first achieved fame as the guitarist and co-songwriter of the Smiths, who were active from 1982 to 1987. He has since performed with numerous other bands and embarked on a solo career.
The Queen Is Dead is the third studio album by the English rock band the Smiths, released on 16 June 1986, by Rough Trade Records. The album was produced by the band's singer, Morrissey, and their guitarist, Johnny Marr, working predominantly with engineer Stephen Street who engineered the Smiths' previous album, Meat Is Murder (1985). Marr wrote several songs while the Smiths toured Britain in early 1985, working out arrangements with bassist Andy Rourke and drummer Mike Joyce during soundchecks. The album title is taken from American writer Hubert Selby Jr.'s 1964 novel, Last Exit to Brooklyn. The cover art features the French actor Alain Delon in the 1964 film L'Insoumis.
The World Won't Listen is a compilation album by English rock band the Smiths, released on 23 February 1987 by Rough Trade Records. The album is the second of three compilation albums—the others being Hatful of Hollow and Louder Than Bombs—released by the Smiths while they were still an active band. It reached No. 2 on the UK Albums Chart, staying on the charts for 15 weeks. In the United States Louder Than Bombs was released in place of The World Won't Listen.
Louder Than Bombs is a compilation album by English rock band the Smiths, released as a double album in March 1987 by their American record company, Sire Records. It peaked at number 62 on the US Billboard 200 album chart. Popular demand prompted their British record company, Rough Trade, to issue the album domestically as well. Upon its release in the UK in May 1987, it reached No. 38 on the British charts. In 2003, the album was ranked No. 365 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, and ranked No. 369 on a 2012 revised list. The album was certified Gold by the RIAA in 1990.
Best... I is a compilation album by the Smiths. It was released in August 1992 by the new owner of their back catalogue, WEA. It reached number one on the UK Albums Chart; it reached No. 139 on the US Billboard 200. Warner UK used a photograph taken by actor Dennis Hopper titled "Biker Couple, 1961" for the artwork of the two 1992 "best of" compilations by The Smiths.
...Best II is a compilation album by the Smiths. It was released on November 2, 1992, by the new owner of their back catalogue, WEA. Its highest British chart position was #29; it did not chart in the U.S.
Stop Me is a Japanese exclusive compilation album by English band The Smiths. It compiles the band's then-latest three singles and their B-sides in reverse-chronological order. Stop Me was released in January 1988 by their Japanese record label, RCA Victor.
"Panic" is a song by the English rock band the Smiths, released in 1986 and written by singer Morrissey and guitarist Johnny Marr. The first recording to feature new member Craig Gannon, "Panic" bemoans the state of contemporary pop music, exhorting listeners to "burn down the disco" and "hang the DJ" in retaliation. The song was released by Rough Trade as a single and reached No. 7 on the Irish Singles Chart and No. 11 in the UK Chart. Morrissey considered the song's appearance on daytime British radio a "tiny revolution" in its own way, as it aired amongst the very music it criticised.
"There Is a Light That Never Goes Out" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and lead vocalist Morrissey. Featured on the band's third studio album The Queen Is Dead (1986), it was not released as a single in the United Kingdom until 1992, five years after their split, to promote the compilation album ...Best II. It peaked at No. 25 on the UK Singles Chart and No. 22 on the Irish Singles Chart. The song has received considerable critical acclaim; in 2014, NME listed it as the 12th-greatest song of all time. In 2021, it was ranked at No. 226 on Rolling Stone's list of the "500 Greatest Songs of All Time".
"Ask" is a song recorded by the English rock band the Smiths. It was released as a single on 20 October 1986 through Rough Trade Records. Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an ostensibly upbeat, positive pop song built around major chords. Its lyrics discuss shyness and encourage listeners to overcome their inhibitions. Its multiple guitar parts and complex production led to disagreements regarding its final mix. Craig Gannon, who at the time was rhythm guitarist for the group, has claimed he wrote – and was denied credit for – the song's chord structure.
"Hand in Glove" is the debut single by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was released in May 1983 on independent record label Rough Trade. It peaked at No. 3 on the UK Indie Chart but did not make the top 75 of the UK Singles Chart, settling outside at No. 124.
"Girlfriend in a Coma" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was the first of three UK singles from the band's fourth and final studio album, Strangeways, Here We Come. Inspired by the song "To Be Young, Gifted and Black", "Girlfriend in a Coma" features a lilting acoustic guitar line performed by Marr and lyrics about a hospital-bound lover sung by Morrissey.
"Sheila Take a Bow" is a song by the English rock band the Smiths, written by Morrissey and Johnny Marr. Featuring a glam rock-style beat and guitar riff, the song was originally planned to feature Sandie Shaw on backing vocals, but Shaw's distaste for the song and Morrissey's illness during her session resulted in the vocals not being used.
"I Started Something I Couldn't Finish" is a song by the English rock band The Smiths, written by singer Morrissey and guitarist Johnny Marr and released on the group's 1987 album Strangeways, Here We Come. Featuring a glam rock-inspired guitar riff, the song emerged from a jam during the "Sheila Take a Bow" sessions.
"Last Night I Dreamt That Somebody Loved Me" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It appears as the sixth track on the band's final album Strangeways, Here We Come (1987). It features a backdrop of crowd noises from the miners' strike of 1984–85. The song is a favourite of both Morrissey and Marr.
"Stop Me If You Think You've Heard This One Before" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. The song was first released on the group's 1987 album Strangeways, Here We Come. Marr's music features a larger sound, courtesy of a 12-string Gibson ES-335, and one of his few guitar solos with the Smiths. Morrissey's lyrics allude to alcohol and deception.
"A Rush and a Push and the Land Is Ours" is a 1987 song by English alternative rock band the Smiths, which appeared as the opening track for the band's 1987 final album, Strangeways, Here We Come. Written by Morrissey and Johnny Marr, the song features no guitar and was inspired musically by Reparata's "Shoes" and lyrically by Oscar Wilde's mother, Jane Wilde.
The English alternative rock band the Smiths released four studio albums, one live album, 10 compilation albums, three extended plays (EPs), 24 singles, one video album and 13 music videos on the Rough Trade, Sire and WEA record labels. The band was formed in 1982 in Manchester by vocalist Morrissey, guitarist Johnny Marr, bass player Andy Rourke and drummer Mike Joyce.
"How Soon Is Now?" is a song by English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. Originally a B-side of the 1984 single "William, It Was Really Nothing", "How Soon Is Now?" was subsequently featured on the compilation album Hatful of Hollow and on US, Canadian, Australian, and Warner UK editions of Meat Is Murder. Belatedly released as a single in the UK in 1985, it reached No. 24 on the UK Singles Chart. When re-released in 1992, it reached No. 16.