The Three Eldest Children of Charles I is an oil painting on canvas of 1635 by Anthony van Dyck in the Galleria Sabauda in Turin. [1] [2]
It shows Charles II, Mary and James II, the three eldest children of Charles I and his wife Henrietta Maria of France, with a spaniel to the left. [3] It was commissioned by their mother to send to her sister Christine of France in Turin. [4] [5]
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Savoy Gallery is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.
Isabella Brant was the first wife of the Flemish painter Peter Paul Rubens, who painted several portraits of her.
Charles I at the Hunt, also known under its French title Le Roi à la chasse, is an oil-on-canvas portrait of Charles I of England by Anthony van Dyck, dated to c. 1635, and now in the Louvre Museum in Paris. It depicts Charles in civilian clothing and standing next to a horse as if resting on a hunt, in a manner described by the Louvre as a "subtle compromise between gentlemanly nonchalance and regal assurance".
Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
Theodosius and Saint Ambrose is a painting by Peter Paul Rubens, with assistance from his main pupil Anthony van Dyck, executed c. 1615–1616. It is now in the Kunsthistorisches Museum in Vienna. Rubens created the preparatory drawing, with the painting almost entirely done by van Dyck, who painted his own similar version of the subject a few years later. In the Rubens version, the architectural background is less defined, Theodosius is bearded and the spear and halberd in van Dyck's own version are omitted.
Saint Ambrose barring Theodosius from Milan Cathedral is a painting of c. 1619–20 by Anthony van Dyck in the National Gallery, London.
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection.
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck. It is now in the British Royal Collection and shown in Kensington Palace.
Madonna and Child is a 1621–1627 painting by Anthony van Dyck, now in the Galleria nazionale di Parma.
Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre, in Paris.
Rest on the Flight into Egypt is a 1630 painting by Anthony van Dyck, probably commissioned by a layman. Featuring the Holy Family of Joseph, Mary, and Jesus, it was owned by Maximilian II Emanuel, Elector of Bavaria and is now in the Alte Pinakothek in Munich. The Rest on the Flight into Egypt was a popular subject in art.
The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art.
Self-portrait with Sir Endymion Porter is a self-portrait by Anthony van Dyck, showing him with his patron Sir Endymion Porter.
Self-Portrait with a Sunflower is a self-portrait by Anthony van Dyck, a Flemish Baroque artist from Antwerp, then in the Spanish Netherlands. The oil on canvas painting is generally between 1632 and 1633. His successful ventures in the Spanish Netherlands and Italy propelled van Dyck into a career as court painter. Van Dyck was serving as "principal Paynter in order to their Majesties" at the court of Charles I of England when he created this self-portrait. The symbolism behind the sunflower and gold chain have been a point of contention amongst various art historians. Van Dyck's dedication to capturing the likeness of his models was the basis for his strong influence over the art of portraiture long after his death in 1641. His portrait technique evolved into what is referred to as his Late English period as seen in Self-Portrait with a Sunflower. This work is now in the private collection of the Duke of Westminster, housed at Eaton Hall in Cheshire.
The Triple Portrait of a Goldsmith or Portrait of a goldsmith from three angles is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, created c. 1530 and now held in the Kunsthistorisches Museum in Vienna. It was previously attributed to other artists such as Titian until it was identified with a painting of the same description described in various collection inventories as by the hand of Lotto. In 1627 it was in the collection of Vincenzo II Gonzaga, who sold it to Charles I of Great Britain, upon whose execution it was auctioned to Philip IV of Spain. It eventually entered the Habsburg collections in Austria via inheritance. Inventories show it has been in Vienna since at least 1733.
Equestrian Portrait of Thomas Francis, Prince of Carignano is a 1634 painting by Anthony van Dyck, now in the Galleria Sabauda in Turin. It shows Thomas Francis, Prince of Carignano on a prancing horse, as an allegory of his holding the reins of command even in difficult moments. He is shown wearing the insignia and red sash of the Supreme Order of the Most Holy Annunciation, conferred on him in 1616 by his father Charles Emmanuel I, Duke of Savoy. In 1742 the work was sold to the King of Sardinia.
The Three Eldest Children of Charles I is an oil painting on canvas by Anthony van Dyck, produced between November 1635 and March 1636 and still in the Royal Collection. Numerous studio copies were made of this painting.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
