The Wheel Keeps on Rollin' | ||||
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Studio album by | ||||
Released | November 21, 1995 | |||
Recorded | March 1995 | |||
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Length | 36:20 | |||
Label | Capitol Nashville | |||
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Asleep at the Wheel chronology | ||||
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Singles from The Wheel Keeps on Rollin' | ||||
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The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Following the critical and commercial success of Tribute to the Music of Bob Wills and the Texas Playboys in 1993, Asleep at the Wheel recorded The Wheel Keeps on Rollin' for Capitol in 1995. Primarily made up of original material, it features three cover versions including a recording of Eric Clapton's "Lay Down Sally", which was released as a single in January 1996. Guest performers on the album include steel guitarist Lloyd Maines, bassist Dave Pomeroy and drummer Chad Cromwell.
The Wheel Keeps on Rollin' received positive reviews from the majority of critics, many of whom praised its mix of "classic" Western swing and more radio-friendly country music. Some commentators, however, criticised's Benson vocal performances on the record. The album did not chart in the US, but was the band's first to reach the top ten of the RPM Country Albums chart in Canada when it peaked at number 3 in 1996. It was the band's last studio album to feature pianist Tim Alexander.
The Wheel Keeps on Rollin' was produced to mark 25 years since Asleep at the Wheel's formation. Reflecting on the anniversary, the band's frontman Ray Benson stated that "Milestones are a funny thing. They give you a chance to pause and reflect," describing the album as the first of potentially "plenty more celebrations". [1] Benson went on to claim that the 1995 release was potentially more radio-friendly than its predecessors, noting that "We have gotten a reputation as a nonradio band, but we've had some hits. We can make radio records, and I really wanted to, because I love radio records. So I'm jazzed about this album." [1]
Following the critical and commercial success of 1993's Tribute to the Music of Bob Wills and the Texas Playboys , Benson and Asleep at the Wheel deliberately decided to focus more on modern radio-friendly country music than old-school Western swing for The Wheel Keeps on Rollin', although the frontman admits that pressure from record label Capitol Records also played a part in this change. [2] Speaking to Texas Monthly reporter Gary Cartwright about the decision to record Eric Clapton's "Lay Down Sally", Benson admitted that "Frankly, I put it on [the album] hoping it would get a lot of radio time ... We still have to make a living." [3]
A music video for "Lay Down Sally", directed by Mark Shuman, [4] was released in October 1995. [5] The single followed in January 1996. [6] It did not chart in the US, but was the band's first song to reach the top ten of the Canadian RPM Country Tracks chart, peaking at number 3 in April. [7] To promote the album, the band worked with an Austin, Texas-based company called Aztec to produce an "interactive CD-ROM" containing the album, the "Lay Down Sally" video, the electronic press kit and other content; speaking about the release, Benson commented that "I think it's revolutionary. I've always wanted to do something like this." [8]
The Wheel Keeps on Rollin' was Asleep at the Wheel's first studio album since 1985's Pasture Prime not to register on the US Billboard Top Country Albums chart. Speaking about its lack of commercial success, frontman Ray Benson complained that "It's just our bad luck that the album came out at the same time as Garth Brooks' Fresh Horses album and the Beatles' new album [ Anthology 1 ]". [6] The album was popular in Canada, however, spending several weeks on the RPM Country Albums Chart in early 1996 and peaking at number 3, the highest position achieved by the group. [9]
Review scores | |
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Source | Rating |
AllMusic | [10] |
Media response to The Wheel Keeps on Rollin' was mixed. Reviewing the album for Cash Box magazine, Wendy Newcomer hailed it as "an amazingly fresh batch of new material that keeps jazzy country swing alive," praising original recordings "Meanwhile, Back at the Ranch", "She Came to Dance" and "The Wheel Keeps on Rollin'" as "outstanding". [11] Entertainment Weekly contributor Alanna Nash claimed that the album "runs the gamut from two-steppin', line-dancin' fare to '40s-style big-band romps," describing the collection as "mighty fine". [12] The San Francisco Examiner suggested upon the album's release that "the band is on an unstoppable roll". [13]
AllMusic editor Stephen Thomas Erlewine published a more balanced retrospective review of the album for the website, noting that "It might not have the conceptual power of their previous Tribute to the Music of Bob Wills and the Texas Playboys , nor is it as raw their earliest recordings, but it is an album that will satisfy their dedicated fans." [10] On a similar note, the St. Louis Post-Dispatch went as far as to claim that The Wheel Keeps on Rollin' "can't follow" the Bob Wills tribute, criticising Benson as a "subpar singer". [14] Dan Kuchar of Country Standard Time also highlighted the frontman's "lacklustre vocals", but praised the backing vocals and instrumentation (especially of steel guitarist Cindy Cashdollar) as "superb". [2]
Asleep at the Wheel won its sixth Grammy Award, and fifth for Best Country Instrumental Performance, for the song "Hightower" at the 38th Annual Grammy Awards. [15]
No. | Title | Writer(s) | Length |
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1. | "Meanwhile, Back at the Ranch" | 3:03 | |
2. | "That's How the West Was Swung" (originally recorded by Roy and the Kentucky Headhunters) |
| 2:41 |
3. | "Lay Down Sally" (originally recorded by Eric Clapton ) | 3:19 | |
4. | "The Wheel Keeps on Rollin'" | Ray Benson | 3:35 |
5. | "Hightower" |
| 4:10 |
6. | "If I Could" | Tim Carroll | 2:21 |
7. | "Smoke! Smoke! Smoke! (That Cigarette)" (originally recorded by Tex Williams ) | 3:12 | |
8. | "Rockin' Rodeo" | Benson | 3:02 |
9. | "She Came to Dance" | Benson | 3:18 |
10. | "In My Dreams" | 3:08 | |
11. | "Lay Down Sally" (extended mix) |
| 4:31 |
Total length: | 36:20 |
Asleep at the Wheel
Additional personnel
| Guest musicians
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Chart (1996) | Peak position |
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Canadian Country Albums ( RPM ) [9] | 3 |
Asleep at the Wheel is an American country music group that was formed in Paw Paw, West Virginia, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.
"Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the Billboard Hot 100 chart.
Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
Texas Gold is the third album by American country band Asleep at the Wheel. Produced by Tommy Allsup primarily at Jack Clement Studios in Nashville, Tennessee, it was released in August 1975 as the group's first album on Capitol Nashville. The album was the band's first commercial success, charting on the US Billboard 200 and reaching the top ten of the Top Country Albums chart. Lead single "The Letter That Johnny Walker Read" also reached the Hot Country Songs top ten.
Wheelin' and Dealin' is the fourth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Woodland Sound Studio in Nashville, Tennessee, it was released in July 1976 as the group's second album on Capitol Nashville. It is the band's first album to feature a second fiddler, Bill Mabry, as well as saxophonist Link Davis Jr. The album was a commercial success, charting on the US Billboard 200 and reaching the top 20 of the Top Country Albums chart.
The Wheel is the fifth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Sumet-Bernet Studios in Dallas, Texas, it was released on March 14, 1977 as the group's third album on Capitol Nashville. Unlike the band's previous releases, all of which included covers of songs originally recorded by popular country and jazz artists, The Wheel features entirely original material, most of which was written by band member LeRoy Preston.
Collision Course is the sixth album by American country band Asleep at the Wheel. Produced by Joel Dorn at Regent Sound Studios in New York City, it was released in June 1978 as the group's fourth and final studio album on Capitol Nashville. After 1977's The Wheel featured all original material, Collision Course features only two tracks written by members of the band. The remaining recordings are covers of compositions originally by popular Western swing, Cajun and jazz artists.
Served Live is the first live album by American country band Asleep at the Wheel. Recorded over two nights at the Austin Opry House in Austin, Texas in January 1979, it was produced by the band's frontman Ray Benson with Chuck Flood, and released on June 11, 1979 as the group's final album on Capitol Nashville. Neither the album nor its sole single, "Choo Choo Ch'Boogie", registered on the US Billboard record charts – the band's first album since 1974 not to do so.
Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980, as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Keepin' Me Up Nights is the 11th studio album by American western swing band Asleep at the Wheel. Recorded primarily in Nashville, Tennessee, it was produced by the band's frontman Ray Benson with Barry Beckett, Tim DuBois and Scott Hendricks, and released in July 1990 as the group's first album on Arista Records. Unlike its 1988 predecessor Western Standard Time, Keepin' Me Up Nights features almost all original material, with just one cover version included.
Greatest Hits: Live & Kickin' is the second live album by American country band Asleep at the Wheel. Recorded on August 9, 1991, at the 30th annual Austin Aqua Festival, which was held at Auditorium Shores in Austin, Texas, it was produced by the band's frontman Ray Benson and released on March 24, 1992, as the group's second and final album on Arista Records. The album was supported by the release of "(Get Your Kicks on) Route 66" as its one single.
Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993, by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.
Back to the Future Now: Live at Arizona Charlie's, Las Vegas is the third live album by American country band Asleep at the Wheel. Recorded on December 6 and 7, 1996, at Arizona Charlie's Decatur in Las Vegas, it was produced by the band's frontman Ray Benson with Blake Chancey and released on May 20, 1997, by Sony Music imprint Lucky Dog. The album did not chart, spawned no single releases, and received mixed reviews from critics.
Merry Texas Christmas, Y'all is the 14th studio album and first Christmas album by American western swing band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released on September 30, 1997, by High Street Records. The album includes a mix of traditional and original songs, which feature guests including Willie Nelson, fiddler Johnny Gimble and former Asleep at the Wheel pianist Floyd Domino.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
The Very Best of Asleep at the Wheel is the 16th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas and Bradley's Barn in Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on June 5, 2001, by Relentless Nashville, an imprint of Madacy Entertainment Group. The album was issued in the United Kingdom in 2003 by Evangeline Records under the title Take Me Back to Tulsa.
The discography of Asleep at the Wheel (AATW), an American country band, consists of 26 studio albums, 16 live albums, 21 compilation albums, seven extended plays (EPs), 40 singles, four video albums and 19 music videos.