Big Audio Dynamite were an English band, formed in London in 1984 by Mick Jones, former lead guitarist and co-lead vocalist of the Clash. The band mixed various musical styles, incorporating elements of punk rock, dance music, hip hop, reggae, and funk. After releasing a number of well-received studio albums and touring extensively throughout the 1980s and 1990s, Big Audio Dynamite broke up in 1997. In 2011, the band embarked on a reunion tour.
The Clash is the debut studio album by English punk rock band, The Clash. It was released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200. The album is tied with Combat Rock (1982) for being the highest-charting album for the Clash in their native United Kingdom.
Combat Rock is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by drummer Topper Headon's "Rock the Casbah" which became a staple on the newly launched MTV. Combat Rock continued the influence of funk and reggae like previous Clash albums, but also featured a more radio friendly sound which alienated Clash fans. While the recording process went smoothly, the producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band while Strummer and bassist Paul Simonon reinstated Bernie Rhodes as manager, a move unwelcomed by Jones. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio friendly sound of Combat Rock. Lyrically, Combat Rock focuses on the Vietnam War, postcolonialism, the decline of American society, and authoritarianism.
Super Black Market Clash is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite.
Michael Geoffrey Jones is a British musician, singer, songwriter, and record producer best known as the co-founder of the Clash, and as that group's guitarist until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band.
Dreadzone are a British electronic music group formed in 1993 in London by ex-Big Audio Dynamite drummer Greg Roberts and musician Tim Bran. They have released eight studio albums, two live albums, and two compilations.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
Donovan Letts is a British film director, disc jockey (DJ) and musician. Letts first came to prominence as the videographer for the Clash, directing several of their music videos. In 1984, Letts co-founded the band Big Audio Dynamite with former Clash lead guitarist and co-lead vocalist Mick Jones, acting as the band's sampler and videographer before departing the band in 1990.
No. 10, Upping St. is the second studio album by the English band Big Audio Dynamite, led by Mick Jones, the former lead guitarist and co-lead vocalist of the Clash. The album's title is a pun on 10 Downing Street, the headquarters of the Government of the United Kingdom. The album reunited Jones for one album with former Clash bandmate Joe Strummer, who was a co-producer of the album and co-writer of 5 of its 9 songs.
Megatop Phoenix is the fourth and final studio album by the original line-up of English band Big Audio Dynamite, released on 4 September 1989 by CBS Records. Mick Jones and Bill Price produced the album. It was recorded at the Kinks' Konk Studios in Hornsey, London, who were considered an inspiration in the album's liner notes.
Tighten Up Vol. 88 is the third studio album by the English band Big Audio Dynamite, released in June 1988 by Columbia Records. The album peaked at No. 33 on the UK Albums Chart and at No. 102 on the Billboard 200 but was their first not to receive a certification.
"E=MC2" is a 1986 single by English band Big Audio Dynamite, released as the second single from their debut studio album This Is Big Audio Dynamite (1985). The song was the band's first Top 40 hit on the UK Singles Chart, peaking at number 11. Additionally, it peaked at number 37 on the Billboard Hot Dance Club Play chart in the United States. The song features prominent dialogue samples from the 1970 film Performance. The song is also played during the opening titles of the French movie Forces spéciales (2011).
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their debut album, The Clash (1977). The song is named after Janie Jones, a cabaret singer who organised sex parties at her Kensington home.
Planet B.A.D. is a compilation album by Big Audio Dynamite. The album was released 12 September 1995.
Super Hits is a compilation album by Big Audio Dynamite. The album was released on 4 May 1999.
"V. Thirteen" is a song by English band Big Audio Dynamite, released as both a 7" and 12" single from their second studio album, No. 10, Upping St. (1986). "V. Thirteen" was one of 5 tracks that former Clash lyricist and lead vocalist Joe Strummer co-wrote with Mick Jones on the album who also co-produced the album, including this single, with Jones. Following the disappointing sales of "C'mon Every Beatbox", "V. Thirteen" was released as the second single from the album, charting slightly higher by peaking at No. 49 on the UK Singles Chart, and No. 15 on Billboard's Dance Club Songs.
"C'mon Every Beatbox" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their second studio album, No. 10, Upping St. (1986). Written by Mick Jones and Don Letts, "C'mon Every Beatbox" was released as the lead single from the album, peaking at No. 51 on the UK Singles Chart, and No. 19 on Billboard's Dance Club Songs. The single features the non-album track, "Badrock City" as its B-side, which was later included as a bonus track on the US CD of the No. 10, Upping St. album.
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones, his debut single with a band singing lead vocals since being fired from the Clash in 1983. Whilst not a hit in their home country, peaking at No. 97 on the UK Singles Chart, it was a Top 40 hit in Australasia, peaking at No. 34 on Australia's ARIA Singles Chart, and No. 38 on New Zealand's Recorded Music NZ chart.
"Medicine Show" is a song by English band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). Written by Mick Jones and Don Letts about a fictitious medicine show, and following the success of "E=MC2", "Medicine Show" was released as the third and final single from the album, peaking at No. 29 on the UK Singles Chart, and No. 42 on Billboard's Modern Rock Tracks chart. It was their final top 40 single in the UK with the original line-up.
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