| Tranquilizer | ||||
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| Studio album by | ||||
| Released | November 17, 2025 | |||
| Length | 58:26 | |||
| Label | Warp | |||
| Oneohtrix Point Never chronology | ||||
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| Singles from Tranquilizer | ||||
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Tranquilizer is the upcoming eleventh studio album by American electronic musician Daniel Lopatin, under his alias Oneohtrix Point Never. It is set to be released on November 17, 2025 through Warp Records. The album's sound is derived from a removed sample library on the Internet Archive. On October 20, 2025, the first three tracks and a music video for "Lifeworld" were released. Following singles would be released weekly.
Tranquilizer derives its sound palette from an archive of 1990s sample libraries which Lopatin found on the Internet Archive, in addition to presets from romplers. [1] [2] He had initially intended to revolve a musical project around the contents of the archive, but began focusing on it only after the original upload was deleted. [3] [4]
In October 2025, Lopatin announced the upcoming release of Tranquilizer on November 17 digitally, and for physical issues on November 21, through Warp Records. [5] New music from him would be released weekly. [6] On October 20, the first three tracks, "For Residue", "Bumpy", and "Lifeworld", were released. On Spotify, the tracks were released as an extended play (EP) named tra. Alongside, a music video for "Lifeworld" was posted. It was directed by Lopatin and Aidan Zamiri, who was a director for Charli XCX's music video for "Guess". [7] [6] On October 27, "Measuring Ruins" was released, with a music video of it directed by Yoshi Sodeoka. [8] "Cherry Blue", the eighth track, and its music video was released on November 3. The music video was directed by Pol Taburet, and – according to Pitchfork – depicts surrealism to show "the gaps between life and death, body and spirit, and decay and renewal". [9] Lopatin will tour throughout Europe from November 7 to 13, in support of Tranquilizer. [3]
The cover art of Tranquilizer is a piece entitled Blue Interval, painted in 1972 by Abner Hershberger. [10] When asked why Lopatin used it for the cover, he said: "I really liked the symmetry of the blades, as if to suggest distinct metronomic time. And then the chaos of what I think of as lime-green grass – or the tilling of the field – underneath it." [11]
All tracks are written by Daniel Lopatin.
| No. | Title | Length |
|---|---|---|
| 1. | "For Residue" | 2:11 |
| 2. | "Bumpy" | 4:05 |
| 3. | "Lifeworld" | 3:47 |
| 4. | "Measuring Ruins" | 3:04 |
| 5. | "Modern Lust" | 5:03 |
| 6. | "Fear of Symmetry" | 4:21 |
| 7. | "Vestigel" | 4:42 |
| 8. | "Cherry Blue" | 4:19 |
| 9. | "Bell Scanner" | 1:25 |
| 10. | "D.I.S." | 3:32 |
| 11. | "Tranquilizer" | 2:46 |
| 12. | "Storm Show" | 4:33 |
| 13. | "Petro" | 2:52 |
| 14. | "Rodl Glide" | 6:05 |
| 15. | "Waterfalls" | 5:41 |
| Total length: | 58:26 | |
| No. | Title | Length |
|---|---|---|
| 16. | "For Residue" (Extended) |