Age Of | ||||
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Studio album by | ||||
Released | June 1, 2018 | |||
Recorded | 2016–2018 | |||
Genre | ||||
Length | 42:32 | |||
Label | Warp | |||
Producer |
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Oneohtrix Point Never chronology | ||||
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Singles from Age Of | ||||
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Age Of is the eighth studio album by American electronic producer Oneohtrix Point Never, released on June 1, 2018, on Warp Records. Recorded over two years, it is the first Oneohtrix Point Never album to prominently feature Daniel Lopatin's own vocals. The album was accompanied by the MYRIAD tour, which premiered as a "conceptual concertscape" in 2018 at the Park Avenue Armory and ended its run in 2019.
It features contributions from James Blake (who additionally produced and mixed the album), Anohni, Prurient, Kelsey Lu and Eli Keszler. The artwork, which employs Jim Shaw's "The Great Whatsit" as a central image, was designed by David Rudnick. [3] While not entering the official United States Billboard 200 chart, it peaked at number 59 on the magazine's Top Current Albums chart.
Lopatin produced Age Of in parts of a two-year period, during which he was also producing for other artists, including Anohni, FKA Twigs, Iggy Pop, and David Byrne. [4] After composing the soundtrack for the Safdie Brothers' 2017 film Good Time , [5] Lopatin moved to an Airbnb lodge in South Central Massachusetts, derived from his aspiration to live out the modern cliche of musicians moving to the woods to record albums; the eerie atmosphere in the lodge at nighttime influenced his desire to make "weird, little nightmare ballads". [5]
In addition to Lopatin's own singing, the album also features vocal performances from Anohni and Prurient, while instrumentalists Kelsey Lu and Eli Keszler contribute to several tracks. When the record was nearly finished, Lopatin reached out to musician James Blake to contribute to the mixing process, eventually traveling to Los Angeles to complete the album. [4]
The track "The Station" was originally composed as a demo for R&B singer Usher which was ultimately not used. [3] On July 9, 2018, Lopatin released the original topline (vocal melody) demo for The Station through Sendspace. [6] The track "Toys 2" imagines a theoretical sequel to the 1992 film Toys where actor Robin Williams' image has been recreated with CGI (as his will specifically forbade any usage of his image after his death), and pokes fun at the common electronic music trope of composing a soundtrack to a theoretical film (which Lopatin described as "horribly cliché"). [5]
Influences on Age Of included Stanley Kubrick's 1968 film 2001: A Space Odyssey , which inspired the narrative of album's accompanying performance installation and tour MYRIAD, as well as William Strauss's The Fourth Turning , a favorite book of former White House Chief Strategist Steve Bannon, which Lopatin described as "insidious, like the voice of a computer insisting on the truth about history without any sensitivity given to how complex and non-linear systems might be"; [3] Lopatin was subsequently inspired to "[use] that sort of taxonomy as a kind of farce to then create these little frameworks for understanding". [3] Other inspirations included the writings of the 1990s multidisciplinary collective Cybernetic Culture Research Unit and the works of singer-songwriters such as Bruce Cockburn, Bob Dylan, and Paul Simon. [4]
Around the time Lopatin began finalizing Age Of in his Airbnb lodge, he began working on the concept for MYRIAD, a conceptual concert performance which premiered at Park Avenue Armory. [4] He described the concept as a four-part "epochal song cycle" showcasing the idiocy of previous generations of living organisms. [4] The loose story concerns a group of artificial intelligences near the end of time named a "Limitless Living Informational Intelligence" (represented in the MYRIAD logo as nine squares) which, for leisurely purposes, attempt to replicate the cultures and behaviors of the previously existent human species. It does this by determining an "average" of human experiences through the species' "recorded output", and does so through imperfect, heuristic techniques. [4] The show was consequently divided into four sections, each representing an epoch of the cycle concept loosely inspired by the Strauss–Howe generational theory: the Age of Ecco, the Age of Harvest, the Age of Excess, and the Age of Bondage. [7] Ecco is "a phase of pre-evolutionary ignorance", Harvest is "living in agrarian harmony with the world", Excess is "the age of unchecked industrial ambition", and Bondage is "an era of engorgement, wherein "we keep making more and more shit until there's no space left."" [8]
MYRIAD mainly featured "three-hundred pound sculptures that hang from the ceiling like kebabs that secrete ooze", and a full ensemble that toured to perform songs from Age Of, including Eli Keszler, Kelly Moran and Aaron David Ross. [5] The sculptures, as well as the visuals displayed on five polygon panels, were created by frequent Oneohtrix Point Never collaborator Nate Boyce. [7] Initially, Lopatin planned for each of the album's four epoches to be represented by fragrances, the more noisy epochs being pleasant to the nose to make a "weird dissonance". [7] However, due to lack of time and resources, that part of the plan was scrapped. [7]
Whereas previous Oneohtrix Point Never albums followed musical styles from only distinctive eras, Age Of is the first album by Lopatin to incorporate elements of unique genres from a variety of periods, hence the "incompleteness" of its title according to reviewer Heather Phares, [9] and his first pop-song-oriented release since his work for Ford & Lopatin. [1]
The sound palettes it uses are those from a variety of styles such as chamber pop, [1] "android"-like folk and country music, [9] [10] [1] yacht rock, [11] smooth jazz, [11] R&B, [9] [1] Future-style soul, [12] black metal, [12] new age, [13] and stadium pop, [12] [13] as well as post-industrial sounds on tracks like "Warning", "We'll Take It" and "Same", and, in particular, baroque music and medieval music on the opening title track, "Age Of". [13] [10] Critics also noted elements of Lopatin's past discography being present on Age Of. [9] [13] [10]
The instrumentation of Age Of is made up of MIDI harpsichords, guitars, pianos, brass and vocals, as well as Lopatin's trademark unorthodox sound design, samples and synth presets. [4] The LP's use of the harpsichord shows its similarities "with Eastern instruments such as the koto and with rapid-fire electronic melodies", wrote Phares. [9]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.8/10 [14] |
Metacritic | 83/100 [15] |
Review scores | |
Source | Rating |
AllMusic | [9] |
The A.V. Club | A− [1] |
Consequence of Sound | B+ [11] |
Mixmag | 9/10 [16] |
Mojo | [17] |
The Observer | [18] |
Pitchfork | 7.8/10 [19] |
Q | [20] |
Resident Advisor | 4.0/5 [10] |
Uncut | 6/10 [21] |
Age Of was critically well-received upon its distribution. [15] [14] Some reviewers praised the album's use of collaborators. [13] [9] [11] Reviewing the album for AllMusic, Heather Phares called Age Of a "landmark work" for Lopatin. [9] She praised it as his "widest-ranging" release, elaborating that he "matches the album's ambition with plenty of emotion" and "gives his music exciting new shapes." [9] Ross Devlin of The Skinny , in a five-star review of the record, also highlighted the album's amount of ambition, particularly the "wealth of exquisitely baroque moments, exploring history as a pliable, multi-dimensional rift", that gave it "exceptional sonic depth". [13] The Observer praised Age Of for continuing the "off-kilter composition and unexpected instrumentation" of Lopatin's previous releases, [18] and critic Matt McDermott highlighted that the producer increased his musical range with the record: "It's a dizzying trip meant to shore up Lopatin's status as an avant-garde auteur while aiding his forays into mainstream pop culture." [10]
Age Of was ranked the 15th best release of the year in The Wire magazine's annual critics' poll. [22]
All tracks are written by Daniel Lopatin
No. | Title | Length |
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1. | "Age Of" | 3:24 |
2. | "Babylon" | 3:04 |
3. | "Manifold" | 1:49 |
4. | "The Station" | 4:19 |
5. | "Toys 2" | 4:38 |
6. | "Black Snow" | 3:40 |
7. | "Myriad Industries" | 1:07 |
8. | "Warning" | 2:38 |
9. | "We'll Take It" | 3:45 |
10. | "Same" | 2:01 |
11. | "RayCats" | 3:40 |
12. | "Still Stuff That Doesn't Happen" | 4:21 |
13. | "Last Known Image of a Song" | 4:06 |
No. | Title | Length |
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14. | "Trance 1" | 3:54 |
Notes
Sample credits [23]
Publication | Accolade | Rank | Ref. |
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Exclaim! | Top 10 Dance and Electronic Albums | 5 | |
Highsnobiety | Top 25 Albums of 2018 | 21 | |
Mixmag | Top 50 Albums of 2018 | 22 | |
Spin Magazine | Top 51 Albums of 2018 | 10 | |
The 405 | Top 50 Albums of 2018 | 4 | |
The Wire | Top 50 Albums of 2018 | 15 |
Chart (2018) | Peak position |
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Belgian Albums (Ultratop Flanders) [30] | 121 |
Japanese Albums (Oricon) [31] | 109 |
Scottish Albums (OCC) [32] | 72 |
UK Dance Albums (OCC) [33] | 11 |
UK Independent Albums (OCC) [34] | 13 |
US Top Current Albums ( Billboard ) [35] | 59 |
US Heatseekers Albums (Billboard) [36] | 4 |
US Top Dance/Electronic Albums (Billboard) [37] | 8 |
Daniel Lopatin, best known as Oneohtrix Point Never or OPN, is an American experimental electronic music producer, composer, singer, and songwriter. His music has utilized tropes from various musical genres and eras, sample-based composition, and complex MIDI production.
Returnal is the fourth studio album by American electronic musician Daniel Lopatin under the alias Oneohtrix Point Never, released on June 22, 2010 by Mego Records. It develops the synthesizer-based compositions of Lopatin's previous work, while also incorporating elements of noise music and his own processed vocals. The album received positive reviews from critics, and was named among the best albums of 2010 by several publications, including Fact, The Wire, and Tiny Mix Tapes.
Replica is the fifth studio album by American electronic musician Daniel Lopatin under the stage name Oneohtrix Point Never, released on November 8, 2011 via Mexican Summer and Software. It features co-production by Joel Ford and Al Carlson, and was Lopatin's first work to be recorded in a studio. Stylistically, the album marks a shift away from Lopatin's previous synth-based works under the alias, instead showcasing a sample-based approach utilizing audio from 1980s and 1990s television advertisements.
James Ferraro is an American experimental musician, producer, composer, and contemporary artist. He has been credited as a pioneer of the 21st century genres hypnagogic pop and vaporwave, with his work exploring themes related to hyperreality and consumer culture. His music has drawn on diverse styles such as 1980s electronic music, easy listening, drone, lo-fi, sound collage, and R&B.
R Plus Seven is the sixth studio album by American electronic musician Oneohtrix Point Never, released on September 30, 2013, as his debut album on Warp Records. The album's musical palette draws heavily on the synthetic sounds of MIDI instruments, 1980s synth presets, and VSTs.
Eli Keszler is an American percussionist, composer, and visual artist based in New York City. Known for his complex and intricate style of drumming, as well creating sound installations involving piano wire and other mechanisms to accompany his live performances, his shows have involved visual elements such as Keszler's drawings, diagrams, screen prints, and writings. In 2012, Pitchfork wrote that "Keszler deserves recent attention for his large-scale sound art installations, which not only force musical ideas to interact with an acoustic environment but, in turn, for flesh-and-bone musicians to interact with both of them."
Channel Pressure is the debut studio album of electronic music duo Ford & Lopatin, consisting of producers Daniel Lopatin and Joel Ford. Following the group's abandonment of their previous name "Games" for legal reasons, they recorded the album at Gary's Electric Studios in Brooklyn, New York. It was released on June 7, 2011 as the first album to be issued on Software, Lopatin's own label under the Mexican Summer imprint.
That We Can Play is the debut EP of the American electronic-music project Games, consisting of producers Daniel Lopatin and Joel Ford. Lopatin and Ford produced That We Can Play in an apartment studio, using vintage synthesizers and sequencers to recapture the sound and style of 1980s power pop.
Garden of Delete is the seventh studio album by American electronic musician Oneohtrix Point Never, released on November 13, 2015 on Warp Records. The album—which critics regarded as being radically stylistically different from his previous releases—was preceded by an enigmatic Internet-based promotional campaign, and draws on musical influences such as grunge music, nu metal and popular electronic dance music, as well as themes of adolescence, mutation and abjection. It received generally positive critical reception and was included on year-end lists by several publications, including PopMatters, Fact and The Quietus.
Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources. It was used as an initial template for the vaporwave internet microgenre.
Rifts is a 2009 compilation album by Oneohtrix Point Never, the solo alias of Brooklyn electronic musician Daniel Lopatin. The album collects Lopatin's early synth-based recordings under the moniker dating back to 2003, including the three limited-run LPs Betrayed in the Octagon (2007), Zones Without People (2009) and Russian Mind (2009), as well as several additional cassette and CD-R releases. It was originally released on No Fun Productions in 2009 as a 2 disc set.
Hopelessness is the debut solo album by British-American artist Anohni, frontwoman of Anohni and the Johnsons, released on 6 May 2016 on Secretly Canadian, Rough Trade, and Hostess. Featuring co-production by Hudson Mohawke and Oneohtrix Point Never, the album departs from the chamber pop style of her previous work, instead exploring an electronic sound and engaging directly with political and environmental themes in the form of protest songs.
Daniel Lopatin is a Brooklyn-based experimental musician who records primarily under the pseudonym Oneohtrix Point Never. Early in his career as both a solo artist and as a member of several groups, he released a number of LPs and extended plays on a variety of independent labels. In 2010, he signed to Editions Mego and released Returnal. In 2011, he founded the record label Software. In 2013, Lopatin signed to British electronic label Warp Records and released his label debut R Plus Seven.
Paradise is an extended play (EP) by British-American musician Anohni, released on 17 March 2017 by Secretly Canadian. The lead single, also titled "Paradise", was released on 26 January 2017. As with Anohni's previous album, Hopelessness, Paradise features collaborations with Hudson Mohawke and Oneohtrix Point Never.
Commissions I is a compilation extended play by American electronic musician Daniel Lopatin, known by his stage name Oneohtrix Point Never. It was released as a limited 12" vinyl edition of 1,000 copies on Record Store Day 2014 by the English label Warp. It is a collection of three tracks Lopatin commissioned for art pieces, films and live performance events: "Music for Steamed Rocks," "Meet Your Creator," and "I Only Have Eyes For You." These commissions were mixed and engineered for the EP by Paul Corley and mastered by Valgeir Sigurðsson. The record was well received by music journalists, landing at number nine on a list of the best EPs of 2014 by Pretty Much Amazing.
Good Time (Original Motion Picture Soundtrack) is a soundtrack album by American electronic musician Oneohtrix Point Never, containing the score for the Safdie brothers' 2017 film Good Time. It was released on August 10, 2017 via Warp Records.
"The Station" is a song by American electronic producer and singer-songwriter Oneohtrix Point Never from his eighth studio album, Age Of.
Uncut Gems is a soundtrack album by electronic musician Daniel Lopatin, containing the original score for the Safdie brothers' 2019 film Uncut Gems. It was released via Warp on December 13, 2019. It received positive reviews from critics. It peaked at number 44 on the UK Soundtrack Albums Chart.
Magic Oneohtrix Point Never is the ninth studio album by American electronic producer Daniel Lopatin, under his alias Oneohtrix Point Never, released on October 30, 2020, via Warp. The album draws on a psychedelic radio aesthetic strongly inspired by Magic 106.7, the mondegreen namesake of Lopatin's project, and was recorded during COVID-19 lockdowns, between March and July 2020.
Again is the tenth studio album by American electronic producer Daniel Lopatin, under his alias Oneohtrix Point Never. It was released on September 29, 2023, via Warp.
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