Tropical Gangsters | ||||
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Studio album by | ||||
Released | May 10, 1982 | |||
Recorded | 1981–1982 | |||
Studio | Blank Tapes, New York City; Electric Lady Studios, New York City | |||
Genre | Latin, funk, tropical | |||
Length | 40:29 (original album) 72:28 (with bonus tracks) | |||
Label | ZE Records/Island (UK & Europe) ZE Records/Sire Records (US & Canada) | |||
Producer | August Darnell | |||
Kid Creole and the Coconuts chronology | ||||
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Alternative cover | ||||
Singles from Tropical Gangsters | ||||
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Tropical Gangsters is the third album by Kid Creole and the Coconuts,released on May 10,1982. [1] Originally conceived as a solo album by band leader August Darnell and titled Wise Guy,his label ZE Records pressured him to change it to a Kid Creole and the Coconuts record and to make it more commercial sounding in order to relieve the label's financial problems. Despite the tensions this caused within the band and Darnell's complaint that the subsequent record was a "cop-out", [2] the more dance-pop oriented sound helped it reached number 145 on the Billboard 200 album chart,representing the group's commercial breakthrough in their home country (the album kept the title of Wise Guy in the US and Canada,with a different cover). However,to the surprise of Darnell and his record company Tropical Gangsters was a huge success in Australia and New Zealand,Europe,and in particular the UK,where the album peaked at number three in the UK Albums Chart and yielded three top ten singles. [3] Tropical Gangsters made Darnell a worldwide star,and the album remains both his and the ZE label's most successful record by far.
Following promotional work for the second Kid Creole and the Coconuts album Fresh Fruit in Foreign Places ,Darnell gave an interview to the UK music magazine Melody Maker in December 1981 in which he spoke enthusiastically of the forthcoming solo album he was planning called Wise Guy,and told the magazine about three songs he already had written for the record titled "I'm a Wonderful Thing","Stool Pigeon" (originally titled "Jive Talking") and "Imitation". [4] When it became apparent a few months later,however,that the record would no longer be a solo album and that it would be significantly different in style musically from the previous records,Darnell told interviewers at the time that it was "a chance to do some other things",but in reality he felt he was being forced to do "a cop-out album,an R&B album" in order to ease ZE's considerable financial difficulties with their parent label in the US,Sire Records. [2] By the time of the album's release in May 1982,Darnell acknowledged that his record company had put pressure on him and that the record had not turned out how he had wanted:"Make no mistake about it,this album is a compromise. It's much more steeped in R&B than Kid Creole should be. That's why it originally was supposed to be an August Darnell solo album. But because of the problems we ran into in the [record] company,and the company not believing in Kid Creole enough,this had to be turned into a Kid Creole album." [5]
The same article also interviewed Darnell's long-time friend and musical director in the Coconuts,Andy "Coati Mundi" Hernandez,where he expressed his own grievances and feelings of being left out of the recording process:"The Kid Creole album that's coming out,I wasn't originally involved in it. It was going to be an August Darnell solo album,and the powers that be decided to make it a Kid Creole album without taking my interest into consideration. That's when the trouble started for me." Hernandez was upset that after apparently being told he could contribute three songs to the album,in the end only one of his compositions ("I'm Corrupt") made it onto the final record,and even then in an almost lyric-free version because "they felt it wasn't in the concept of the album so they decided to put it on as an instrumental". He was also critical of the way Darnell had fired Hernandez's friend Lori Eastside from the band,after she had shared lead vocals with Darnell on the first two albums. [5] The disagreements opened up a rift between Darnell and Hernandez which was never completely healed,and Hernandez eventually left the band a few years later.
The album was recorded over four weeks at Blank Tapes and Electric Lady Studios in New York City. [2] Reflecting on the album in 2008,Darnell maintained that the album had been compromised but was philosophical about what its success had brought him:
I couldn't listen to that album for a long time because I thought it was a cop-out. It was a compromise but then you get massive success, money, lots of travelling and great lifestyle and you say: 'if this is what it takes...' [2]
After reluctantly giving in to his record label's request to make the album a Kid Creole and the Coconuts record rather than a solo album, Darnell felt the most appropriate thing to do was to continue the concept of the first two Kid Creole albums, about the adventures of the band shipwrecked on the imaginary island of B'Dilli Bay. Darnell told NME about the album's theme, and also explained away the change of musical style from the first two albums, saying, "What this album is, is a continuation of the Fresh Fruit ... idea. Only it's a flashback, it all takes place on B'Dilli Bay ... It's a flashback story of what exactly happened for the 21 days that Creole and his crew stayed on that island, with the scum of the earth, the prostitutes, whores and pimps ... Creole is on B'Dilli Bay looking for Mimi and he had to spend time there, he had to buy his time there. Because the music of B'Dilli Bay was R&B. And Creole was forced to play the music to stay there." [5]
"I'm a Wonderful Thing, Baby" was started by the Coconuts' keyboard player Peter Schott and originally titled "It's a Wonderful Thing". Darnell decided to change the first word to "I'm" and create a song about an egocentric character. [4]
"Imitation" was Darnell's response to people who were constantly telling him about new British bands they felt were ripping off Kid Creole's music, and also a riposte to ZE label boss Michael Zilkha who had told him to write something less obviously Latin-sounding and "more funky": "As I explained to Zilkha later I'd been inspired by funk, just like I'd been inspired by salsa, but you don't find me writing pure cha-cha's or pure reggae because why should I do that? ... I'd rather take pride in knowing I've created a fusion of those worlds ... My motto has been 'Emulation not imitation is the healthy way to go'." [4]
"Stool Pigeon" was inspired by a newspaper article Darnell had read about a former Mafia boss who had been let out of jail after providing information about his former colleagues, and had now had his identity changed and protected by the FBI. Darnell said, "I actually had compassion for the guy. I thought, wow, what a way to go. And I could understand why he did it. He sold out for the money and the comfort, I guess the very things that had brought him into the underworld." [4] The song also features Darnell's attempt at the then newly fashionable art of rapping—he later confessed, "That's just me goofing at being a rapper, which was the last thing I ever wanted to do". [2]
Three singles were taken from the album, "I'm a Wonderful Thing, Baby", "Stool Pigeon" and "Annie I'm Not Your Daddy". The band also undertook a tour of the UK and Europe which lasted several months, and consisted of a spectacular stage show that included dancers, black Japanese Al Mack, and a fire-eater named Eddie Magic. [5] Coupled with the success of the singles the group's high-profile ensured that Tropical Gangsters sold consistently throughout Europe during the rest of 1982. "I'm a Wonderful Thing, Baby" also briefly hit the US dance charts.
The album was reissued in Europe on CD in 2002 with six bonus tracks of rare 12" versions and B-sides, notably "Double on Back" from the flipside of the "Stool Pigeon" 12" release.
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Q | [7] |
Spin Alternative Record Guide | 9/10 [8] |
The Village Voice | A [9] |
Reaction to the album at the time was mixed, with some former fans disappointed at the new commercial direction. In the UK, Gavin Martin of NME complained that "there's a feeling of going through the motions on many of the songs, playing out scenes and sending up manners and mores in an almost identikit fashion. Perhaps the most disappointing thing about this LP is the lack of vision and imagination in Darnell's songwriting ... Tropical Gangsters doesn't exactly stink, but there is a mighty stale whiff about it." [10] However, in Melody Maker Paolo Hewitt was more positive, saying, "Gone is the musical exotica of Fresh Fruit ..., the last LP, to be replaced by a leaner, harder sound, characterised by an emphasis on percussion and rhythm guitar ... Far from being a collection of 'dull, insipid disco songs', as Sounds would have it, this album is packed with wit, humour, tunes and a clear sense of direction." [11]
In The Guardian , Robin Denselow noted that there were fewer influences from Latin or Caribbean music than on the band's previous album Fresh Fruit in Foreign Places , and instead more emphasis on "straightforforward R&B and jangling funk". He stated, "A few tracks like the jangling, lumbering 'Stool Pigeon' do seem to have been included with the commercial disco market in mind but thankfully most tracks echo just a little of Darnell's gloriously eclectic taste and wit." He concluded, "It's an enjoyable album but it doesn't show what The Kid is capable of." [12]
More recent reviews have been kinder to the album: Sharon Mawer of AllMusic said the songs on the album were "totally irresistible, danceable, easy to sing along to, and guaranteed to bring a smile to the face of pop dominated at the time by synthesizers and good-looking young men who looked more like girls". [6]
In the UK Tropical Gangsters was placed at number 12 in the NME critics' list of the best albums of 1982, [13] and also included as one of Sounds' top twenty albums of the year. [14] In 1989 Record Mirror placed the album at number 48 in their list of the 'Top 100 Albums of the Decade'. [15]
All tracks are written by August Darnell, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Annie, I'm Not Your Daddy" | 6:16 | |
2. | "I'm a Wonderful Thing, Baby" | music by Peter Schott, lyrics by August Darnell | 5:15 |
3. | "Imitation" | 4:11 | |
4. | "I'm Corrupt" | Andy Hernandez | 4:11 |
No. | Title | Length |
---|---|---|
5. | "Loving You Made a Fool Out of Me" | 4:50 |
6. | "Stool Pigeon" | 5:00 |
7. | "The Love We Have" | 5:13 |
8. | "No Fish Today" | 4:56 |
No. | Title | Writer(s) | Length |
---|---|---|---|
9. | "Christmas on Riverside Drive" (from A Christmas Record ) | 4:20 | |
10. | "You Had No Intention" (B-side of "Annie, I'm Not Your Daddy") | 4:48 | |
11. | "Annie, I'm Not Your Daddy" (Remix) | 6:27 | |
12. | "I'm a Wonderful Thing, Baby" (Original 12" Mix) | music by Peter Schott, lyrics by August Darnell | 6:12 |
13. | "Stool Pigeon" (12" Mix) | 6:22 | |
14. | "Double on Back" (B-side of "Stool Pigeon" 12") | 4:27 |
Kid Creole and the Coconuts:
Additional personnel
Additional credits
Tropical Gangsters
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United Kingdom | May 10, 1982 | ZE Records/Island | LP | ILPS 7016 |
cassette | ICT 7016 | |||
1989 | CD | CID 7016 | ||
United Kingdom & Europe | July 29, 2002 | Island/Universal | Remastered CD with bonus tracks | 586 461–2 |
Wise Guy
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United States | 1982 | ZE Records/Sire Records | LP | SRK 3681 |
Canada | XSR 3681 | |||
United States | August 2, 2005 | Wounded Bird Records | CD | WOU 3681 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Netherlands (NVPI) [27] | Gold | 50,000^ |
United Kingdom (BPI) [28] | Platinum | 300,000^ |
^ Shipments figures based on certification alone. |
Kid Creole and the Coconuts is an American musical group created by August Darnell with Andy Hernandez and Adriana Kaegi. Its music incorporates a variety of styles and influences, in particular a mix of disco and Latin American, Caribbean, and Calloway styles conceptually inspired by the big band era. The Coconuts are a trio of female backing vocalists/dancers, founded and originally choreographed and costumed by Kaegi.
Cristina Monet Zilkha, known during her recording career simply as Cristina, was an American singer and writer, best known for her no wave recordings made for ZE Records in the late 1970s and early 1980s in New York City. She "was a pioneer in blending the artsiness and attitude of punk with the joyful energy of disco and pop.... [which] helped pave the way for the massive successes of her contemporaries, like Madonna and Cyndi Lauper, and anticipated the rise of confrontational but danceable alt-pop acts..." in a mode that was at once "campy, self-aware, and infectious."
Dr. Buzzard's Original Savannah Band was a big band- and swing-influenced disco band that was formed in the Bronx, New York. The band is best known for its number-one US dance hit "Cherchez La Femme/C'est si bon", from its self-titled debut album.
Thomas August Darnell Browder, known professionally as August Darnell and under the stage name Kid Creole, is an American musician, singer and songwriter. He co-founded Dr. Buzzard's Original Savannah Band and subsequently formed and led Kid Creole and the Coconuts.
Andy Hernandez, better known by his stage name Coati Mundi, is an American musician, percussionist, notably playing the vibraphone, and a member of Dr. Buzzard's Original Savannah Band, then of Kid Creole and the Coconuts. He scored the Top 40 UK hit "Me No Pop I" in 1981, just before the release of Tropical Gangsters. He produced and arranged an album by "Don Armando Second Avenue Rhumba Band", which spurred the disco hit song "Deputy of Love".
Fresh Fruit in Foreign Places is the second album by Kid Creole and the Coconuts, released in 1981.
Doppelganger is the fourth studio album by Kid Creole and the Coconuts, released in 1983. The album was a relative commercial and critical disappointment following the group's most popular album Tropical Gangsters/Wise Guy. The album was released on LP and cassette in September 1983 and peaked at #21 in the UK, and to moderate success throughout Europe but did not chart in the US. The album includes the singles "There's Something Wrong in Paradise", "The Lifeboat Party", and in the US "If You Wanna Be Happy". It was reissued by Universal Island Records with bonus tracks added to album in 2002.
Off the Coast of Me is the debut album by Kid Creole and the Coconuts, released in 1980. The album was reissued in 2003 with additional bonus tracks by Universal Island Records.
Adriana Kaegi is a Swiss-born American actress, producer, and former singer.
Ronald Bruce Rogers , better known as Ron Rogers or Ronnie Rogers, is a songwriter, composer, recording artist and record producer from New York City. His career spanned from the late 1970s until the 1990s.
Michel Antoine Gaston Esteban is a French record producer, record company executive, cultural center director and former magazine editor, who founded the Paris shop Harry Cover in 1973, was influential in the early development of punk rock, and, together with Michael Zilkha, established the New York–based record label ZE Records in 1978.
A Christmas Record is an LP originally released in 1981 by ZE Records. It was recorded by various musicians from that label's roster, including Was, August Darnell, Material, Suicide, Cristina, and The Waitresses, all performing original seasonal songs. The album was reissued in 1982, as a "Special Edition", with a revised track listing. In 2004, a further revised version was issued on CD, as ZE Xmas Record Reloaded 2004. The 2004 version was remastered and re-released again in 2016 under its original title and artwork, with one of the 1982 "Special Edition" songs restored.
ZE Records was a New York–based record label, started in 1978 by Michael Zilkha and Michel Esteban, and closed in 1984.
The discography of American musical group Kid Creole and the Coconuts created and led by August Darnell includes fourteen studio albums, one live album, seven compilations, one extended play and twenty-seven singles. The small discography of The Coconuts – Kid Creole's backing singers – consisting of two studio albums and three singles is included on this page.
In Praise of Older Women... and Other Crimes is the fifth studio album released by the American musical group Kid Creole and the Coconuts. It was released in 1985 and includes the singles "Endicott" and "Caroline Was a Drop-Out". The album and its lead single "Caroline Was a Drop-Out" did not chart in any territory, but the second single "Endicott" became one of the group's better known songs in the US, where it peaked at #21 on the Hot Dance Club Play chart. The single also reached the top 30 in France and the Netherlands.
Private Waters in the Great Divide is the seventh studio album by the American musical group Kid Creole and the Coconuts, released in 1990. It includes the singles "The Sex of It" and "I Love Girls".
Cre~Olé: The Best of Kid Creole & the Coconuts is the first compilation album released by the American musical group Kid Creole and the Coconuts. It was released on LP and Cassette in 1984 and reached number twenty-one on the UK Albums Chart. A CD edition was released in 1990. The compilation was the group's last record released by Island Records in the UK. The group's following two album's were released by Sire Records in the UK and the US. It includes the single "Don't Take My Coconuts".
"Annie, I'm Not Your Daddy" is a song written by August Darnell and first recorded by his band Kid Creole and the Coconuts. It was released in 1982 as the third and final single from their album Tropical Gangsters. It is Kid Creole and the Coconuts' highest charting single on the UK Singles Chart, reaching a peak of no. 2. It also reached no. 18 on the U.S. Club Play Chart.
"Stool Pigeon" is a 1982 song by Kid Creole & The Coconuts. It was the second single to be released from the group's third studio album Tropical Gangsters. It reached a peak of #7 on the UK Singles Chart and #25 on the US US Club Play Chart. August Darnell, the lead singer of Kid Creole & The Coconuts, was a great fan of the 1940s dress style, which for gangsters was double breasted pinstriped suits and hats. "Stool Pigeon", which Darnell wrote, was a tribute to this whole genre.
"I'm a Wonderful Thing, Baby" is a 1982 song by Kid Creole and the Coconuts from their album Tropical Gangsters. It was the first single released from Tropical Gangsters and their first major hit reaching a peak of no. 4 in the UK Singles Chart. It also reached no. 18 on the US Club Play chart.
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