Trumpetent

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Karlheinz Stockhausen in 1996 Stockhausen Studio (1996).jpg
Karlheinz Stockhausen in 1996

Trumpetent is a quartet for four trumpets by the German composer Karlheinz Stockhausen, written in 1995. It is Number 73 in his catalogue of works and one of four independent compositions related to his opera, Mittwoch aus Licht . A performance lasts about 16 minutes.

Karlheinz Stockhausen German composer

Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. A critic calls him "one of the great visionaries of 20th-century music". He is known for his groundbreaking work in electronic music, for introducing controlled chance into serial composition, and for musical spatialization.

<i>Mittwoch aus Licht</i> opera

Mittwoch aus Licht is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle Licht: die sieben Tage der Woche, and the last to be staged. It was written between 1995 and 1997, and first staged in 2012.

Contents

History

Trumpetent was written in October 1995 for Markus Stockhausen, Achim Gorsch, Andreas Adam, and Marco Blaauw, who gave the first performance on 31 May 1996 at the Philharmonic Hall in Cologne. The score is dedicated to these four performers, and to "all trumpeters who play in the spirit of Michael" ( Stockhausen 2007 , 16, 29).

Markus Stockhausen German trumpeter

Markus Stockhausen is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen.

Marco Blaauw is a Dutch trumpeter.

Analysis

Philharmonic Hall in Cologne, the space in which Trumpetent was premiered Koelner philharmonie panorama.jpg
Philharmonic Hall in Cologne, the space in which Trumpetent was premiered

The work is based on the superformula for Mittwoch aus Licht, which is played at the end of Trumpetent in its simplest form from inside the tent, starting in bar 34 ( Stockhausen 2007 , 16, 29). It is one of several independent works built in various ways from the Mittwoch superformula. The others are Europa-Gruss , Klavierstück XVIII , and Mittwoch Formel for percussion trio ( Frisius 2013 , 33, 390–94, 398).

Formula composition is a serially derived technique encountered principally in the music of Karlheinz Stockhausen, involving the projection, expansion, and Ausmultiplikation of either a single melody-formula, or a two- or three-voice contrapuntal construction.

<i>Europa-Gruss</i>

Europa-Gruss is a composition by Karlheinz Stockhausen for wind ensemble with optional synthesizers, and is assigned Number 72 in the composer's catalogue of works. It has a duration of about twelve-and-a-half minutes.

A white, pyramidal tent is set up on the stage at the front of the auditorium with two sides facing the audience. There are four round holes—two in each of the visible sides—a little larger than the bell of a trumpet cut in the walls of the tent. The composition falls into four sections, defined in part through the movement of the performers through and around the audience ( Stockhausen 2007 , 16–18, 30–31):

The pitch structure consists of the three strands of the Wednesday formula (Lucifer formula beginning on A, Eve formula beginning on D, Michael formula beginning and ending on E), rotating among the four trumpets together with a fourth strand compositionally embellished from various parts of the formulas. Durations are serially disposed in sets of 7 + 5 + 6 minims (14 + 10 + 12 crotchets) ( Frisius 2013 , 399–400).

Discography

Suzanne Stephens American musician

Suzanne Stephens is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn".

Kathinka Pasveer Dutch musician

Kathinka Pasveer is a Dutch flautist.

Related Research Articles

<i>Licht</i> cycle of seven operas composed by Karlheinz Stockhausen

Licht (Light), subtitled "Die sieben Tage der Woche", is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week." Licht consists of 29 hours of music.

<i>Helikopter-Streichquartett</i> composition for string quartet

The Helikopter-Streichquartett is one of Karlheinz Stockhausen's best-known pieces, and one of the most complex to perform. It involves a string quartet, four helicopters with pilots, as well as audio and video equipment and technicians. It was first performed and recorded in 1995. Although performable as a self-sufficient piece, it also forms the third scene of the opera Mittwoch aus Licht.

<i>Klavierstücke</i> (Stockhausen) series of compositions by Karlheinz Stockhausen.

The Klavierstücke constitute a series of nineteen compositions by German composer Karlheinz Stockhausen.

Sirius: eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. It is Nr. 43 in the composer's catalogue of works, and lasts 96 minutes in performance.

<i>Klang</i> (Stockhausen)

KlangDie 24 Stunden des Tages is a cycle of compositions by Karlheinz Stockhausen, on which he worked from 2004 until his death in 2007. It was intended to consist of 24 chamber-music compositions, each representing one hour of the day, with a different colour systematically assigned to every hour. The cycle was not yet finished when the composer died, so that the last three "hours" are lacking. The 21 completed pieces include solos, duos, trios, a septet, and Stockhausen's last entirely electronic composition, Cosmic Pulses. The fourth composition is a theatre piece for a solo percussionist, and there are also two auxiliary compositions which are not part of the main cycle. The completed works bear the work (opus) numbers 81–101.

<i>Montag aus Licht</i> opera

Montag aus Licht is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the third of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. The libretto was written by the composer.

In Freundschaft is a composition by Karlheinz Stockhausen, number 46 in his catalogue of works, which is playable on a wide variety of solo instruments.

<i>Sonntag aus Licht</i> opera

Sonntag aus Licht is an opera by Karlheinz Stockhausen in five scenes and a farewell, to a libretto written and compiled by the composer. It is the last-composed of seven operas that comprise the cycle Licht (Light). Its stage premiere in 2011 was posthumous, more than three years after the composer's death.

<i>Donnerstag aus Licht</i> opera

Donnerstag aus Licht is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. It was written between 1977 and 1980, with a libretto by the composer.

<i>Dienstag aus Licht</i> opera

Dienstag aus Licht is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle Licht: die sieben Tage der Woche. It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer.

<i>Strahlen</i>

Strahlen (Rays) for a percussionist and ten-channel sound recording is a composition by Karlheinz Stockhausen, and is Nr. 80½ in his catalog of works. Its performing duration is 35 minutes.

<i>Oktophonie</i>

Oktophonie (Octophony) is a 1991 octophonic electronic-music composition by Karlheinz Stockhausen. A component layer of act 2 of the opera Dienstag aus Licht, it may also be performed as an independent composition. It has a duration of 69 minutes.

<i>Rotary</i> Wind Quintet

The Rotary Wind Quintet is a chamber-music composition by Karlheinz Stockhausen, the last of his three wind quintets and is Nr. 70½ in his catalogue of works. A performance lasts about 8½ minutes.

<i>Litanei 97</i>

Litanei 97 is a choral work by German composer Karlheinz Stockhausen, written in 1997. Although the words are taken from the text-composition cycle Aus den sieben Tagen and the conductor sings and plays elements from the Michael formula used in the composer's Licht cycle of operas, it is an independent work assigned the number 74 in Stockhausen's catalogue of works. It lasts about twenty minutes in performance.

References