"Tryin' to Get to Heaven" | |
---|---|
Song by Bob Dylan | |
from the album Time Out of Mind | |
Released | September 30, 1997 |
Recorded | January 1997 |
Studio | Criteria Studios (Miami, FL) |
Length | 5:21 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Daniel Lanois |
Time Out of Mind track listing | |
11 tracks
|
"Tryin' to Get to Heaven" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the fifth track on his album Time Out of Mind . The recording was produced by Daniel Lanois.
The song is a medium-tempo folk-rock ballad whose narrator has traveled "all around the world" and, in the song's memorable refrain, is "trying to get to heaven before they close the door". [1] It is notable for being the only song on Time Out of Mind on which Dylan plays the harmonica. [2] In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon call the song "hypnotic" and compare its sound to the work of Bruce Springsteen and Phil Spector. They note that Dylan's harmonica solo, which "requires several hearings to appreciate", achieves an unusual "electric" effect because of the way engineer Mark Howard ran it through a distortion box. [3] The song is performed in the key of A major. [4]
Dylan scholar Jochen Markhorst ranks the song among the author's "most beautiful works," noting that it's similar to but "more accessible" than the celebrated "Not Dark Yet" because it offers the "prospect of redemption in an afterlife". [5]
Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the '90s". In an article accompanying the list, critic David Harris calls it "one of the many triumphs" on Time Out of Mind and notes, "More than anything, “'Tryin'’ to Get to Heaven' sounds like an aging songwriter taking stock, reliving glories of travel and sexual conquests before he skips off this mortal coil". [6]
A 2021 article in the Irish Independent named it one of the "all-time top 10 tracks by Bob Dylan", noting that, "as Dylan said of one of his own favourites, Neil Young’s 'Only Love Can Break Your Heart', you just want it to go on for ever". [7]
The Bootleg Series Vol. 17: Fragments - Time Out Of Mind Sessions (1996-1997) , released on January 27, 2023, contains a version of the original album track remixed by Michael Brauer as well as two studio outtakes of the song and a live version from 2000. [8]
Between 1999 and 2019, Bob Dylan performed the song 335 times in concert on the Never Ending Tour. [9] A live version from October 5, 2000 in London, done in a jazz arrangement and with a slower tempo, was officially released on The Bootleg Series Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006 . [10] Another live performance, from a concert in Birminham, England on September 20, 2000, was included on The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997) . [11] The live debut occurred in Lisbon, Portugal on April 7, 1999, a performance that was made available to stream on Dylan's official website in August 1999. [12] Another live version, performed in Washington, D.C., on April 4, 2004, was made available to stream on Dylan's site that same month. [13] The last performance to date took place at The Anthem in Washington, D.C., on December 8, 2019. [14]
Jordan Tice regularly performs the song live.
David Bowie's version, originally recorded in 1998, was officially released as a single on January 8, 2021. [15]
Robyn Hitchcock covered it on his 2004 album Spooked.
Joan Osborne covered it on her 2017 album Songs of Bob Dylan. [16]
Lucinda Williams has officially released two cover versions of the song: one on the Chimes of Freedom compilation album in 2012 and another for her 2020 live album Lu's Jukebox Vol. 3 - Bob's Back Pages: A Night Of Bob Dylan Songs.
Phosphorescent released a cover as a single in December 2022 as part of their "full moon project". [17]
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
"Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.
"Love Sick" is a minor-key love song by American musician and Nobel laureate Bob Dylan. It was recorded in January 1997 and appears as the opening track on his 30th studio album Time Out of Mind (1997). It was released as the second single from the album in June 1998 in multiple CD versions, some of which featured Dylan's live performance of the song at the 1998 Grammy Awards. The song was produced by Daniel Lanois.
"Not Dark Yet" is a song by Bob Dylan, recorded in January 1997 and released in September that year as the seventh track on his album Time Out of Mind. It was also released as a single on August 25, 1997 and later anthologized on the compilation albums The Essential Bob Dylan in 2000, The Best of Bob Dylan in 2005 and Dylan in 2007. The song was produced by Daniel Lanois.
"Sugar Baby" is a song written and performed by the American singer-songwriter Bob Dylan, released in 2001 as the 12th and final track on his album Love and Theft. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"High Water " is a song written and performed by the American singer-songwriter Bob Dylan, released as the seventh track on his 31st studio album "Love and Theft" in 2001 and anthologized on the compilation album Dylan in 2007. Like much of Dylan's 21st century output, he produced the track himself under the pseudonym Jack Frost.
"Mississippi" is a medium-tempo country-rock song by the American singer-songwriter Bob Dylan that appears as the second track on his 2001 album Love and Theft. The song was originally recorded during the Time Out of Mind sessions, but was ultimately left off the album. Dylan rerecorded the song for Love and Theft in May 2001.
"Simple Twist of Fate", a song by American singer-songwriter Bob Dylan, was recorded on September 19, 1974, and was released in 1975 as the second song on his 15th studio album Blood on the Tracks.
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks, in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track.
"Summer Days" is an uptempo twelve-bar blues/rockabilly song written and performed by American singer-songwriter Bob Dylan that appears as the third song on his 2001 album Love and Theft. It was anthologized on the compilation album The Best of Bob Dylan in 2005. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Standing in the Doorway" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the third track on his album Time Out of Mind. The song was produced by Daniel Lanois.
"Highlands" is a blues song written and performed by Bob Dylan, and released as the 11th and final track on his 30th studio album Time Out of Mind in 1997. It is Dylan's second longest officially released studio recording at sixteen minutes and thirty-one seconds, surpassed only by "Murder Most Foul", which runs twenty-five seconds longer. The song was produced by Daniel Lanois.
"Señor " is a minor-key ballad written and performed by American singer-songwriter Bob Dylan and released as the sixth track of his 18th studio album Street-Legal (1978). The song was produced by Don DeVito and later anthologized on the Biograph box set in 1985. Street-Legal was remixed and remastered for a 1999 compact disc release, with a further 5.1 remix done for a Super Audio CD release in 2003. Both re-releases featured the song.
"Everything is Broken" is an uptempo rock song written and recorded by American singer-songwriter Bob Dylan, and released as the first single from his 1989 album Oh Mercy, where it appears as the third track. It was later anthologized on the compilation albums The Essential Bob Dylan in 2000 and Dylan in 2007. The song spent eight weeks on Billboard's "Mainstream Rock Songs" chart, peaking at number eight on October 27, 1989. It was produced by Daniel Lanois.
"Man in the Long Black Coat" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fifth track on his album Oh Mercy. It is a minor-key folk ballad, often described as "haunting" and frequently cited as a highlight of the album. The song was produced by Daniel Lanois.
"Silvio" is a folk rock song written by Bob Dylan and Robert Hunter and released by Dylan as the seventh track of his 1988 album Down in the Groove. Performed alongside the Grateful Dead, the song was released as the album's only single and spent eight weeks on Billboard's Mainstream Rock chart, peaking at #5 on July 1, 1988.
"I and I" is a song by Bob Dylan that appears as the seventh track of his 1983 album Infidels. Recorded on April 27, 1983, it was released as a single in Europe in November of that year, featuring a version of Willie Nelson's "Angel Flying Too Close to the Ground" as its B-side. The song was produced by Dylan and Dire Straits frontman Mark Knopfler.
"Lonesome Day Blues" is a twelve-bar blues song written and performed by Bob Dylan that appears as the fifth song on his 2001 album Love and Theft. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Ring Them Bells" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fourth track on his album Oh Mercy. It is a piano-driven, hymn-like ballad that is considered by many to be the best song on Oh Mercy and it is the track from that album that has been covered the most by other artists.
"Pressing On" is a gospel song written and performed by the American singer-songwriter Bob Dylan and released as the sixth track on his 1980 album Saved. When the album was released it was considered by many critics to be "one of the few bright spots on the album" and has stood the test of time by being covered by more than half a dozen artists in the 21st century. The song was produced by Jerry Wexler and Barry Beckett.
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