We'll Never Turn Back | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 24, 2007 | |||
Recorded | August 2006–2007 | |||
Studio | Sound City Studio, Van Nuys, California | |||
Genre | Gospel, soul, blues | |||
Length | 57:48 | |||
Label | ANTI- | |||
Producer | Ry Cooder | |||
Mavis Staples chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Chicago Sun-Times | [2] |
Entertainment Weekly | B+ [3] |
The Guardian | [4] |
The Independent | [5] |
MSN Music (Consumer Guide) | A− [6] |
The New York Times | (favorable) [7] |
PopMatters | 7/10 [8] |
USA Today | [9] |
The Washington Post | (favorable) [10] |
We'll Never Turn Back is the seventh studio album by American gospel and soul singer Mavis Staples, released April 24, 2007 on ANTI- Records. Recorded in 2007 and produced by roots rock and blues musician Ry Cooder, it is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s. Upon its release, We'll Never Turn Back received positive reviews from most music critics. It was also named one of the best albums of 2007 by several music writers and publications.
The cover photo shows two young black women at a civil rights demonstration in the South, early 1960s. [11]
We'll Never Turn Back received positive reviews from most music critics. [12] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 14 reviews, which indicates "generally favorable reviews". [12] Allmusic writer Thom Jurek gave it three-and-a-half out of five stars and commended Staples for her vocal ability and performance, while calling it "the kind of album we need at the moment, one that doesn't flinch from the tradition but doesn't present it as a museum piece either". [1] The Boston Globe 's Renée Graham praised Staples's singing and additional songwriting on the album, stating "Mavis Staples doesn't so much sing a song as baptize it in truth". [13] Caroline Sullivan of The Guardian praised her performance, stating "Staples is magnificent… Her voice is in tatters by the closing 'Jesus Is On the Mainline', and the memory lingers long after those ragged final notes". [4] Entertainment Weekly 's Will Hermes gave We'll Never Turn Back a B+ rating and described Staples's voice as "rich, weathered, and full of fire". [3] Evening Standard writer Pete Clark gave it four out of four stars and praised Ry Cooder's production. [14]
Jon Pareles of The New York Times called the album "bluesy, unvarnished, gutsy and knowing", and he described its music as "righteous, not self-righteous, and never far from roots in the Mississippi mud". [7] However, PopMatters writer Lester Feder expressed that its "musical sophistication" can overshadow Staples's lyrics, stating "the album’s sound is so easy on the ears that it is extremely tempting to let it drown out the challenging sentiments of her words". [8] In his consumer guide for MSN Music, music critic Robert Christgau gave We'll Never Turn Back an A− rating, [6] indicating "the kind of garden-variety good record that is the great luxury of musical micromarketing and overproduction. Anyone open to its aesthetic will enjoy more than half its tracks". [15] Christgau praised Staples's performance and wrote "she doesn't merely revive rousing old songs--she brings their moral passion into the present". [6] Both USA Today and the Chicago Sun-Times gave it ratings of three-and-a-half out of four stars. [2] [9] Jim DeRogatis of the latter publication wrote that Staples "infuses the material with a passion and urgency undiminished by the passing of time", [2] and he discussed the relevance of the album's themes to current events, stating:
In many corners, from grammar school social studies classes to the studio occupied until only recently by Don Imus, the Civil Rights movement of the early '60s is ancient history. But as the federal response to Hurricane Katrina sadly illustrated, institutionalized racism has hardly disappeared. Rather than an exercise in nostalgia, the eighth solo album of Mavis Staples' long and storied career is therefore as vital and relevant as today's headlines. [2]
— Jim DeRogatis
The Washington Post 's Bill Friskics-Warren shared a similar sentiment in his review, writing "Staples reinvests… with the moral authority to speak to social and economic injustices that persist today" and "rarely have 'remakes' sounded so tonic or inspired". [10] The album received an A rating from the Boston Herald , which wrote "In the course of celebrating a landmark, Staples and Cooder make one of their own". [16] We'll Never Turn Back also received perfect ratings from The Independent and NOW magazine. [5] [17] LA Weekly 's Ernest Hardy gave it a rave review and lauded the album's sound, writing "Powerfully raw, suggestive blues is the foundation of the CD, but that root allows the collaborators to sprawl through other genres, reminding you of the connections between them all — blues and gospel, spirituals and jazz". [18]
We'll Never Turn Back was named one of the best albums of 2007 by several music writers and publications, including PopMatters (number 11) and The Austin Chronicle (number five). [19] [20] The album was ranked number 48 on Rolling Stone magazine's list of the Top 50 Albums of 2007. [21] Los Angeles Times columnist Todd Martens named We'll Never Turn Back the second best album of the year, [22] and Greg Kot of the Chicago Tribune ranked it number one on his list of the best albums of 2007. [23]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Down in Mississippi" | J. B. Lenoir | 4:57 |
2. | "Eyes on the Prize" | Traditional | 4:06 |
3. | "We Shall Not Be Moved" | Traditional | 4:31 |
4. | "In the Mississippi River" | M. Jones | 4:26 |
5. | "On My Way" | Traditional | 4:10 |
6. | "This Little Light of Mine" | Ry Cooder, Traditional | 3:22 |
7. | "99 and 1/2" | Ry Cooder, Mavis Staples, Traditional | 4:46 |
8. | "My Own Eyes" | D. Bartlett, Ry Cooder, Mavis Staples | 7:18 |
9. | "Turn Me Around" | Traditional | 3:52 |
10. | "We'll Never Turn Back" | Bertha Gober | 4:06 |
11. | "I'll Be Rested" | Ry Cooder, Joachim Cooder, Mavis Staples | 5:44 |
12. | "Jesus Is on the Main Line" | Mavis Staples, Traditional | 6:31 |
Credits for We'll Never Turn Back adapted from liner notes. [24]
|
|
Chart | Provider(s) | Peak position | Certification | Sales/ shipments |
---|---|---|---|---|
Billboard 200 (U.S.) [25] | Billboard | 180 | Not certified | N/A |
Billboard Independent Albums (U.S.) [25] | 20 | |||
Billboard Top R&B/Hip-Hop Albums (U.S.) [25] | 99 |
The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck "Pops" Staples, the patriarch of the family, formed the group with his children Cleotha, Pervis, and Mavis. Yvonne replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits "Respect Yourself", "I'll Take You There", "If You're Ready ", and "Let's Do It Again". While the family name is Staples, the group used "Staple" commercially.
12 Songs is the second studio album by American singer-songwriter Randy Newman, released in April 1970 by Reprise Records. It features a swampy style of roots music with introspective, satirical songwriting. "Have You Seen My Baby?", the album's only single, was released in May.
Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Buena Vista Social Club is a 1999 documentary film directed by Wim Wenders about the music of Cuba. It is named for a danzón that became the title piece of the album Buena Vista Social Club. The film is an international co-production of Germany, the United States, the United Kingdom, France, and Cuba.
Good Old Boys is the fourth studio album by American musician Randy Newman, released on September 10, 1974, on Reprise Records, catalogue number 2193. It was Newman's first album to obtain major commercial success, peaking at number 36 on the Billboard 200 and number 58 in Canada. The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.
Roebuck "Pops" Staples was an American gospel and R&B musician. A "pivotal figure in gospel in the 1960s and 1970s", he was an accomplished songwriter, guitarist and singer. He was the patriarch and member of singing group The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. The final track, "Ditty Wah Ditty," showcases a duet between Cooder and jazz pianist Earl "Fatha" Hines. It was produced by Russ Titelman and Lenny Waronker. The album reached #167 on the Billboard 200.
Mavis Staples is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family's band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles "I'll Take You There" and "Let's Do It Again". In 1969, Staples released her self-titled debut solo album.
World Circuit is a British world-music record label, established in London in the mid-1980s, that specializes in Cuban and West African recording artists, among other international music stars. The label's founding principle was to be an artist-led company with all aspects of each release tailored to the artist. This continues to be the label's way of working. World Circuit celebrated its 20th anniversary in 2006 by releasing World Circuit Presents..., a 2-disc retrospective compilation album. In 2018, World Circuit was acquired by BMG Rights Management.
Bop Till You Drop is Ry Cooder's eighth album, released in 1979. The album was the first digitally recorded major-label album in popular music, recorded on a digital 32-track machine built by 3M.
Mr. Lucky is a 1991 album by American blues singer, songwriter and guitarist John Lee Hooker. Produced by Ry Cooder, Roy Rogers and Carlos Santana under the executive production of Mike Kappus, the album featured musicians including Keith Richards, Blues Hall of Fame inductee Johnny Winter; and three inductees of the Rock and Roll Hall of Fame, Van Morrison, Booker T. Jones and Johnnie Johnson. And also Chester D. Thompson, who once played with Santana, on keyboards, has collaborated on writing a song on the album. Released on Virgin Records, including on its imprint label Classic Records, Mr. Lucky peaked at #101 on the "Billboard 200". Chester D. Thompson should not be mistaken with Chester Cortez Thompson, a drummer who also played with Santana, Frank Zappa and The Mothers of Invention, Weather Report, Genesis and Phil Collins.
My Name Is Buddy: Another Record by Ry Cooder is the thirteenth studio album by Ry Cooder. It is the second social-political concept album by Ry Cooder. Cooder has described it as the second in a trilogy that began with Chávez Ravine and concluded with I, Flathead. The album is packaged in a small booklet that includes a brief story and drawing to accompany each song. Both the songs and the stories relate tales from the viewpoint of the characters, Buddy Red Cat, Lefty Mouse, and Reverend Tom Toad. The liner notes ask listeners/readers to join them as they "Journey through time and space in days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos, and trains... the America of yesteryear."
Performance is a 1970 soundtrack album to the film Performance by Donald Cammell and Nicolas Roeg. It features music from Randy Newman, Merry Clayton, Ry Cooder, Jack Nitzsche, Buffy Sainte-Marie, The Last Poets and Mick Jagger.
Ghostdini: Wizard of Poetry in Emerald City is the eighth studio album by American rapper and Wu-Tang Clan-member Ghostface Killah, released September 29, 2009 on Def Jam Recordings in the United States. He first announced the album in a May 2008 interview, describing it as an R&B-inspired album, similar to his previous work with such artists as Ne-Yo and Jodeci. The album spawned four singles; "Baby", a slow-tempo R&B song with auto-tune vocals by Raheem "Radio" DeVaughn, "Forever", "Let's Stop Playin'" featuring John Legend, and "Guest House", featuring Fabolous & Shareefa. Upon its release, Ghostdini: Wizard of Poetry in Emerald City received generally positive reviews from music critics. As of December 12, 2009, the album has sold 64,000 copies in the United States.
Borderline is an album by Ry Cooder, released in 1980. "The Way We Make a Broken Heart" is a cover of the John Hiatt song.
"I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a protest and union song of the Civil Rights Movement.
Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California. He played various instruments for the project while working alongside studio musicians such as Flaco Jiménez, Juliette Commagere, Robert Francis, and Jim Keltner.
Election Special is the 15th studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released on August 16, 2012, by Perro Verde and Nonesuch Records. Cooder recorded and produced the album mostly at Drive-By Studios in North Hollywood, performing all of the instrumentation, including bass, guitar, and mandolin, with the exception of drums, which were played by his son Joachim.
The Slide Area is the tenth studio album by Ry Cooder. It was released in 1982 and peaked at No. 105 on the Billboard 200.
Keys to the Kingdom is the sixth studio album by American band North Mississippi Allstars. It was released in 2011 through Songs of the South Records. It features contributions from Mavis Staples, Alvin Youngblood Hart, Spooner Oldham, Gordie Johnson, Ry Cooder, Jim Spake and Jack Ashford. The album peaked at number 175 on the US Current Album Sales, number 46 on the Top Rock Albums, number two on the Top Blues Albums, number 27 on the Independent Albums, number four on the Heatseekers Albums and number 14 on the Tastemakers.