Wheelin' and Dealin' | ||||
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Studio album by | ||||
Released | July 1976 | |||
Recorded | March – April 1976 | |||
Studio | Woodland Sound Studio (Nashville, Tennessee) | |||
Genre | ||||
Length | 32:56 | |||
Label | Capitol Nashville | |||
Producer | Tommy Allsup | |||
Asleep at the Wheel chronology | ||||
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Singles from Wheelin' and Dealin' | ||||
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Wheelin' and Dealin' is the fourth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Woodland Sound Studio in Nashville, Tennessee, it was released in July 1976 as the group's second album on Capitol Nashville. It is the band's first album to feature a second fiddler, Bill Mabry, as well as saxophonist Link Davis Jr. The album was a commercial success, charting on the US Billboard 200 and reaching the top 20 of the Top Country Albums chart.
After achieving commercial success for the first time on 1975's Texas Gold , Asleep at the Wheel worked again with producer Tommy Allsup for Capitol, which marked the first time the group had produced two albums for the same label. The record featured a range of new guest musicians, including former Bob Wills guitarist Eldon Shamblin and mandolinist Tiny Moore, and was the last album by the group for several years to feature recurring guests Johnny Gimble and Bucky Meadows.
Wheelin' and Dealin' was a critical and commercial success. It was the second of the band's albums to chart in the US, peaking at number 179 on the Billboard 200 and number 19 on the Top Country Albums chart. The collection's lead single – a recording of Bobby Troup's "(Get Your Kicks on) Route 66" – reached number 48 on the Hot Country Songs chart, while its follow-up "Miles and Miles of Texas" (originally by Jim McGraw and the Western Sundowners) broke into the top 40.
For the recording of their fourth album, Asleep at the Wheel again enlisted Tommy Allsup as producer, with whom they had previously worked on 1973's Comin' Right at Ya and 1975's Texas Gold . [2] Recording took place between March and April 1976, and the album was released in July. [3] [4] The album was the band's last to feature Scott Hennige on drums, who had joined in time for the recording of Texas Gold. [5] He was replaced by Chris York in August 1976. [6]
Upon its release, Wheelin' and Dealin' debuted at number 189 on the US Billboard 200, and at number 38 on the Top Country Albums chart. [7] [8] After several weeks on the charts, the album peaked at number 179 on the main albums chart and number 19 on the country chart. [9] [10] Aside from the Billboard charts, Wheelin' and Dealin' reached number 13 on the Cash Box Top Country Albums chart, [11] and peaked at number 20 on the Record World Country Album Chart. [12]
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B [13] |
Tom Hull – on the Web | B+ ( ) [14] |
Media response to Wheelin' and Dealin' was generally positive. Cash Box magazine hailed the album as "a strong indicator that people want to get back to good-time music", praising "Route 66" and "Shout Wa Hey" in particular. [15] Radio & Records also highlighted the two tracks, alongside "Cajun Stripper" and "They Raided the Place", in a short review which recognised the record as featuring "Great country swing music, ballads and boogie woogie". [16] Canadian music magazine RPM wrote that the album's "Repertoire is dynamite" and noted that it included "Lots of surprises", suggesting that the release was the band's "tightest LP to date". [17]
In a retrospective review of the album for website AllMusic, James Chrispell awarded the album three and a half out of five stars and stated: "Combining old-fashioned swing, western swing, country ballads, Cajun and good ol' rock & roll, Asleep at the Wheel turns a wonderful performance on Wheelin' and Dealin'." [1] Robert Christgau awarded the album a B rating, slightly lower than its predecessor Texas Gold , noting that "this LP singles out no really striking nonoriginals". [13]
"Route 66" was nominated for the Grammy Award for Best Country Vocal Performance by a Duo or Group. [18]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Route 66" (originally recorded by the King Cole Trio ) | Bobby Troup | 2:50 |
2. | "Miles and Miles of Texas" (originally recorded by Jim McGraw and the Western Sundowners) |
| 3:03 |
3. | "The Trouble with Loving Today" | Kevin Farrell | 3:33 |
4. | "Shout Wa Hey" |
| 2:46 |
5. | "Blues for Dixie" (originally recorded by Bob Wills and His Texas Playboys ) | Oliver Wendell Mayo | 3:58 |
6. | "The Cajun Stripper" (originally recorded by Rusty and Doug ) | 2:27 | |
7. | "If I Can't Love You" | Preston | 2:54 |
8. | "Lost Mind" (originally recorded by Percy Mayfield ) | Percy Mayfield | 3:46 |
9. | "They Raided the Place" (originally recorded by Hot Lips Page and His Orchestra ) | 4:05 | |
10. | "We've Gone as Far as We Can Go" | Linda Hargrove | 2:49 |
Total length: | 32:56 |
Asleep at the Wheel
| Additional personnel
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Chart (1976) | Peak position |
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US Billboard 200 [9] | 179 |
US Hot Country LPs ( Billboard ) [10] | 19 |
Asleep at the Wheel is an American western swing group that was formed in Paw Paw, West Virginia, United States, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.
Wheelin' & Dealin' is an album by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Art Taylor released in April 1958 by Prestige Records. It was later reissued on New Jazz Records in 1964. On a small number of reissues, it is credited to "The Prestige All Stars", a name used by Prestige for various combinations of musicians who were under contract to the label. The compact disc reissue adds two alternate takes that did not appear on the initial vinyl releases.
Lucky Oceans is an American pedal steel guitarist and a former member of country and Western swing band Asleep at the Wheel. From 1995 to 2017 he was a broadcaster in Perth, Western Australia with the Australian Broadcasting Corporation.
"Miles and Miles of Texas" is a song originally recorded by Jim McGraw And The Western Sundowners in 1961. It was used as the B-side of their single, "Crazy Dreams."
Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
Texas Gold is the third album by American country band Asleep at the Wheel. Produced by Tommy Allsup primarily at Jack Clement Studios in Nashville, Tennessee, it was released in August 1975 as the group's first album on Capitol Nashville. The album was the band's first commercial success, charting on the US Billboard 200 and reaching the top ten of the Top Country Albums chart. Lead single "The Letter That Johnny Walker Read" also reached the Hot Country Songs top ten.
The Wheel is the fifth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Sumet-Bernet Studios in Dallas, Texas, it was released on March 14, 1977 as the group's third album on Capitol Nashville. Unlike the band's previous releases, all of which included covers of songs originally recorded by popular country and jazz artists, The Wheel features entirely original material, most of which was written by band member LeRoy Preston.
Collision Course is the sixth album by American country band Asleep at the Wheel. Produced by Joel Dorn at Regent Sound Studios in New York City, it was released in June 1978 as the group's fourth and final studio album on Capitol Nashville. After 1977's The Wheel featured all original material, Collision Course features only two tracks written by members of the band. The remaining recordings are covers of compositions originally by popular Western swing, Cajun and jazz artists.
Served Live is the first live album by American country band Asleep at the Wheel. Recorded over two nights at the Austin Opry House in Austin, Texas in January 1979, it was produced by the band's frontman Ray Benson with Chuck Flood, and released on June 11, 1979 as the group's final album on Capitol Nashville. Neither the album nor its sole single, "Choo Choo Ch'Boogie", registered on the US Billboard record charts – the band's first album since 1974 not to do so.
Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980 as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.
Pasture Prime is the eighth studio album by American western swing band Asleep at the Wheel. Produced by Ray Benson at Austin Recording and Bee Creek Studios in Austin, Texas, and by Benson and Willie Nelson at Pedernales Recording Studio in Briarcliff, Texas, it was released in April 1985 by Demon Music Group in the UK and Stony Plain Records in Canada. The album was later repackaged in the US with three fewer tracks and released under the title Asleep at the Wheel.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Western Standard Time is the tenth studio album by American country band Asleep at the Wheel. Recorded at various studios in Austin, Dallas, Briarcliff and San Marcos, Texas it was produced solely by the band's frontman Ray Benson and released in August 1988 as the group's second album back on Epic Records. Western Standard Time is the band's first album to feature no original material, relying on recordings of compositions originally by popular swing, R&B and big band artists.
Keepin' Me Up Nights is the 11th studio album by American western swing band Asleep at the Wheel. Recorded primarily in Nashville, Tennessee, it was produced by the band's frontman Ray Benson with Barry Beckett, Tim DuBois and Scott Hendricks, and released in July 1990 as the group's first album on Arista Records. Unlike its 1988 predecessor Western Standard Time, Keepin' Me Up Nights features almost all original material, with just one cover version included.
Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993 by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.
The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995 by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999 as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
The discography of Asleep at the Wheel (AATW), an American country band, consists of 25 studio albums, 16 live albums, 21 compilation albums, seven extended plays (EPs), 37 singles, four video albums and 17 music videos.