When the Bough Breaks | |
---|---|
Directed by | Lawrence Huntington |
Screenplay by | Peter Rogers uncredited: Muriel Box Sydney Box |
Based on | an original story by Moie Charles Herbert Victor |
Produced by | Betty E. Box |
Starring | Patricia Roc Rosamund John Bill Owen |
Cinematography | Bryan Langley |
Edited by | Gordon Hales |
Music by | Clifton Parker |
Production company | |
Distributed by | General Film Distributors |
Release date |
|
Running time | 78 minutes |
Country | United Kingdom |
Language | English |
Budget | less than £125,000 [1] |
Box office | £125,000 (by July 1953) [2] |
When the Bough Breaks is a 1947 film directed by Lawrence Huntington and starring Patricia Roc and Rosamund John. It is an adaptation of an original storyline by Herbert Victor on adoption and the competing ties of one child's birth and foster family. [3]
After learning that her husband is a bigamist who already had a wife, new mother Lily Gardner (Patricia Roc) resolves to raise her baby, Jimmy, on her own under her maiden name of Lily Bates rather than give him up for adoption. Each day Lily leaves Jimmy at a day nursery while she works as a shopgirl at a department store, and then cares for Jimmy herself at night. Frances Norman (Rosamund John), a middle-class married woman who works at the day nursery to be around children after losing her own baby, is drawn to Jimmy. When Lily, under stress from her demanding schedule, becomes ill with flu, Frances persuades Lily to let her and her husband look after Jimmy temporarily. When Lily recovers, she visits Jimmy at the Normans' comfortable home. Seeing that Jimmy is happy and is receiving better food and care than she was able to manage, Lily agrees to let the Normans raise Jimmy, although she refuses to sign any legal document formally allowing them to adopt Jimmy. Lily eventually gives up on staying in touch with the Normans and drops out of Jimmy's life, although she misses him. The Normans do not tell Jimmy he is adopted and he regards them as his parents.
Eight years pass, during which time Lily rises to the level of manager at the department store and falls in love with a kind shopkeeper, Bill Collins (Bill Owen), who marries her and is willing to accept Jimmy as his own. Lily visits the Normans to reclaim Jimmy, now that she has the resources to take care of him, but the Normans refuse to give him up since Lily has not been part of Jimmy's life and he does not know he is not the Normans' natural child. A legal battle ensues, and the court awards custody of Jimmy to Lily due to the lack of any formal adoption agreement. Jimmy goes to live with Lily and Bill, but has trouble adjusting to life in a working-class household, and runs away in an attempt to return to the Normans, whom he considers his true "mummy and daddy". Bill, seeing that Jimmy is unhappy, persuades Lily to let him return to the Normans. Lily and Bill then have a baby of their own and are shown happily celebrating his birthday, while Jimmy celebrates his birthday with the Normans.
The film was the second in four films produced by Betty Box for Gainsborough with a total budget of £600,000. The first was Dear Murderer . [4]
It was less glamorous than the typical Gainsborough melodrama, with no outfit worn by Patricia Roc costing more than £5. [5] Roc played a working class role. [6]
The house featured in the film was based on the real life house of Sydney Box. [7]
The film received negative reviews. [8] However it was popular and made a profit. [1] Trade papers called the film a "notable box office attraction" in British cinemas in 1948. [9]
Stewart Granger was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
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Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Betty Evelyn Box was a prolific British film producer, usually credited as Betty E. Box.
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Patricia Roc was an English film actress, popular in the Gainsborough melodramas such as Madonna of the Seven Moons (1945) and The Wicked Lady (1945), though she only made one film in Hollywood, Canyon Passage (1946). She also appeared in Millions Like Us (1943), Jassy (1945), The Brothers (1947) and When the Bough Breaks (1947).
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The Brothers is a 1947 British film melodrama directed by David MacDonald and starring Patricia Roc, Will Fyffe and Maxwell Reed. It was adapted from the novel of the same title by L. A. G. Strong.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 that conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films that had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume dramas, such as The Man in Grey (1943) and The Wicked Lady (1945), and modern-dress dramas, such as Love Story (1944) and They Were Sisters (1945). The popularity of the films with audiences peaked mid-1940s when cinema audiences consisted primarily of women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
Love Story is a 1944 British black-and-white romance film directed by Leslie Arliss and starring Margaret Lockwood, Stewart Granger, and Patricia Roc. Based on a short story by J. W. Drawbell, the film is about a concert pianist who, after learning that she is dying of heart failure, decides to spend her last days in Cornwall. While there, she meets a former RAF pilot who is going blind, and soon a romantic attraction forms. Released in the United States as A Lady Surrenders, this wartime melodrama produced by Gainsborough Pictures was filmed on location at the Minack Theatre in Porthcurno in Cornwall, England.
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Two Thousand Women is a 1944 British comedy-drama war film about a German internment camp in Occupied France which holds British women who have been resident in the country. Three RAF aircrewmen, whose bomber has been shot down, enter the camp and are hidden by the women from the Germans.
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