Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
The Third of May 1808 in Madrid is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. In the work, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808 in the Peninsular War. Along with its companion piece of the same size, The Second of May 1808, it was commissioned by the provisional government of Spain at Goya's own suggestion shortly after the ousting of the French occupation and the restoration of King Ferdinand VII.
Lady María Josefa de Borja Pimentel y Téllez-Giróniure uxorisDuchess of Osuna, suo jure12th Duchess of Benavente, was a Spanish Salonnière, famous as a patron of artists, writers and scientists and an important figure of the Spanish Age of Enlightenment. She was the first female (honorary) member of the royal Sociedad Económica de Amigos del País de Madrid as well as the first president of the royal Junta de Damas de Honor y Mérito.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Luis Paret y Alcázar was a Spanish painter of the late-Baroque or Rococo period.
Juan Ribalta was a Spanish painter of the Baroque period. He was born and died in Valencia. His father, Francisco Ribalta, was a famous painter, active in the style of Caravaggio. Some sources said he was born in Madrid and later moved to Valencia. His mother Inés Pelayo died in 1601. Juan's works and style are similar to that of his father. He later painted Saint Sebastian at the Valencia Cathedral in 1616, later the small Adoration of the Shepherds and St. Peter, he also painted portraits including the poet Gaspar de Aguilar.
Witches' Sabbath or The Great He-Goat are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It depicts a Witches' Sabbath. It evokes themes of violence, intimidation, ageing and death; Satan hulks in the form of a goat in moonlit silhouette over a coven of terrified old witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress.
Charles IV in his Hunting Clothes is an oil on canvas painting of 1799 by the Spanish artist Francisco Goya, the second of his two portraits of King Charles IV of Spain.
Witches' Sabbath is a 1798 oil painting on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It depicts a Witches' Sabbath.
Two Old Ones Eating Soup or Two Witches is one of the fourteen Black Paintings created by Francisco Goya between 1819 and 1823. By this time, Goya was in his mid-70s and deeply disillusioned. He painted the works on the interior walls of the house known as the Quinta del Sordo. They were not intended for public display. Two Old Men Eating Soup likely occupied a position above the main door to the house, between La Leocadia and Two Old Men.
The Black Paintings is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity. In 1819, at the age of 72, Goya moved into a two-story house outside Madrid that was called Quinta del Sordo. Although the house had been named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of an unknown illness he had suffered when he was 46. The paintings originally were painted as murals on the walls of the house, later being "hacked off" the walls and attached to canvas by owner Baron Frédéric Émile d'Erlanger. They are now in the Museo del Prado in Madrid.
The Bewitched Man is a painting completed c. 1798 by Francisco José de Goya y Lucientes. It is an oil painting on canvas and depicts a scene from a play by Antonio de Zamora called The man bewitched by force. The painting shows the protagonist, Don Claudio, who believes he is bewitched and that his life depends on keeping a lamp alight. It is held by the National Gallery, in London.
The Duke and Duchess of Osuna and their Children is a family group painting by the Spanish painter Francisco Goya. It is held in the Museo del Prado, in Madrid.
The Drunk Mason is an oil on canvas painted by Francisco de Goya, then reputed painter of tapestries for the royal palaces. It belonged to the fifth series undertaken by Goya, and, like all the pieces that compose it, was painted between 1786 and 1787.
Self-Portrait at 69 Years is an oil painting by the Spanish painter Francisco Goya. Two original versions of this work have been preserved. One of the paintings, painted on canvas, is housed in the collections of the Prado Museum. The other, created on wood panel, is located in the Real Academia de Bellas Artes de San Fernando in Madrid. Both paintings were created in 1815, in the post-war period, and depict a very similar image of the artist. This is one of the most sincere and direct self-portraits of the painter.
Josefa Bayeu or Leocadia Zorrilla is an oil painting by the Spanish painter Francisco Goya. It is currently housed in the Museo del Prado.
The Witches' Kitchen is a painting by the Spanish artist Francisco Goya, located in a private collection in Mexico. It is part of a series of six cabinet paintings, each measuring approximately 43 × 30 cm, with the theme of witchcraft. The paintings do not together form a single narrative and do not share a common meaning, so it is appropriate to interpret each one individually. The entire series was owned by the Dukes of Osuna and adorned their summer residence, Alameda de Osuna. In addition to The Witches' Kitchen, the series includes: Witches' Sabbath, Witches' Flight, The Incantation, The Bewitched Man, and Don Juan and the Commendatore. Four of the paintings are in various public collections, one in a private collection, and the last is considered lost.
Don Juan and the Commendatore is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme. The paintings do not form a single narrative and have no shared meaning, so each one is interpreted individually. The entire series was owned by the Dukes of Osuna and adorned their summer residence in Alameda de Osuna. In addition to Don Juan and the Commendatore, the series includes Witches' Sabbath, Witches' Flight, The Incantation, The Bewitched Man, and The Witches' Kitchen. Four of these paintings are housed in various public collections, one in a private collection, and Don Juan and the Commendatore is considered lost.
The Incantation is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme. The paintings do not form a single narrative and have no shared meaning, so each one is interpreted individually. The entire series was owned by the Dukes of Osuna and adorned their summer residence in Alameda de Osuna. In addition to The Incantation, the series includes Witches' Sabbath, Witches' Flight, Don Juan and the Commendatore, The Bewitched Man, and The Witches' Kitchen. Four of the paintings are held in various public collections, one in a private collection, and the last is considered lost.
