Yusef Lateef's Little Symphony | ||||
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Studio album by | ||||
Released | 1987 | |||
Recorded | June 1987 | |||
Genre | ||||
Length | 32:53 | |||
Label | Rhino Atlantic | |||
Producer | Yusef Lateef | |||
Yusef Lateef chronology | ||||
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Yusef Lateef's Little Symphony is an album by Yusef Lateef, released through the record label Rhino Atlantic in 1987. The album, which Billboard described as "an atmospheric four-movement classical/jazz composition", was produced by Lateef, recorded, mixed and mastered by Norman Blain, and remastered by Dennis King. Lateef provided all instrumentation that appears on the album. In 1988, Yusef Lateef's Little Symphony earned Lateef the Grammy Award for Best New Age Album despite having no prior association with the genre.
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Lateef played all of the instruments that appear on Yusef Lateef's Little Symphony, which Billboard described as "an atmospheric four-movement classical/jazz composition". [3] [4] The album was produced by Lateef, recorded, mixed and mastered by Norman Blain, and remastered by Dennis King. [5]
In 1988, the album earned Lateef the Grammy Award for Best New Age Album despite having no prior association with new-age music. [6] [7] Known for disliking the term "jazz", Lateef has stated he has no problem with the New Age classification and believes the genre has no "negative connotations at all". [7]
All songs by Yusef Lateef.
Credits adapted from AllMusic. [8]
Yusef Abdul Lateef was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in the United States.
Eastern Sounds is a studio album by the jazz multi-instrumentalist and composer Yusef Lateef. It was released in April 1962 through Prestige Records on their Moodsville imprint. The recording was made in September 1961. The album features Lateef's continued exploration of Middle Eastern music, which were incorporated into his version of hard bop with a quartet featuring Barry Harris on piano. The opening track features Lateef on Chinese globular flute, generally called xun. The fusing of musical genres was not a new thing in jazz or for Lateef as his 1957 album Prayer to the East incorporated the shehnai and Middle Eastern influences in playing jazz standards. In addition to original compositions by Lateef, Eastern Sounds includes covers of themes from the films Spartacus and The Robe, which have been sampled by producers Nujabes and Blockhead, respectively.
Afro Blue Impressions is an album of a performance by jazz musician John Coltrane that was recorded live in 1963. The album was originally released many years later, in 1977, on the Pablo label, as a double LP.
Psychicemotus is a 1965 album by Yusef Lateef.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
88 Basie Street is a 1983 studio album by Count Basie.
Live at Pep's is a 1964 album by the American Jazz tenor saxophonist and flautist Yusef Lateef. Other participating musicians in this album were bassist Ernie Farrow, pianist Mike Nock, drummer James Black and trumpeter Richard Williams. This live album was recorded at Pep's Lounge in Philadelphia, Pennsylvania.
The Golden Flute is an album by American jazz multi-instrumentalist Yusef Lateef featuring performances recorded in 1966 for the Impulse! label.
Something You Got is an album by American flugelhornist Art Farmer featuring performances with Yusef Lateef and the David Matthews Big Band recorded in 1977 and released on the CTI label.
Autophysiopsychic is an album by American multi-instrumentalist and composer Yusef Lateef, recorded in 1977 and released on the CTI label. The record was recorded in October 1977 at Electric Lady Studios in New York, United States. The title comes from Lateef's preferred term for his form of music.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
The Centaur and the Phoenix is an album by multi-instrumentalist Yusef Lateef recorded in 1960 and released on the Riverside label.
Other Sounds is an album by multi-instrumentalist Yusef Lateef recorded in 1957 and released on the New Jazz label.
Cry! – Tender is an album by American multi-instrumentalist Yusef Lateef recorded in 1959 and released on the New Jazz label.
The Blue Yusef Lateef is an album by multi-instrumentalist Yusef Lateef recorded in 1968 and released on the Atlantic label.
Yusef Lateef's Detroit is an album by multi-instrumentalist Yusef Lateef recorded in 1969 and released on the Atlantic label.
Uhuru Afrika is an album by American jazz pianist Randy Weston recorded in 1960 and originally released on the Roulette label. The album features lyrics and liner notes by the poet Langston Hughes and was banned in South Africa in 1964, at the same time as was Lena Horne's Here's Lena Now!, with copies of the albums being seized in Johannesburg and Cape Town.
Color Changes is an album by trumpeter Clark Terry featuring performances recorded in the early 60s and originally released on the Candid label.
Kwanza (The First) is an album by drummer Albert Heath featuring performances recorded in 1973 and originally released on the Muse label.