The ancient history of Afghanistan, also referred to as the pre-Islamic period of Afghanistan, dates back to the Helmand Civilization around 3300–2350 BCE and the Oxus Civilization around 2400–1950 BCE. Archaeological exploration began in Afghanistan in earnest after World War II and proceeded until the late 1970s during the Soviet–Afghan War. Archaeologists and historians suggest that humans were living in Afghanistan at least 50,000 years ago, and that farming communities of the region were among the earliest in the world. Urbanized culture has existed in the land from between 3000 and 2000 BC. Artifacts typical of the Paleolithic, Mesolithic, Neolithic, Bronze, and Iron ages have been found inside Afghanistan.
Kanishka I, also known as Kanishka the Great, was an emperor of the Kushan dynasty, under whose reign the empire reached its zenith. He is famous for his military, political, and spiritual achievements. A descendant of Kujula Kadphises, founder of the Kushan empire, Kanishka came to rule an empire extending from Central Asia and Gandhara to Pataliputra on the Gangetic plain. The main capital of his empire was located at Puruṣapura (Peshawar) in Gandhara, with another major capital at Mathura. Coins of Kanishka were found in Tripuri.
The Kushan Empire was a syncretic empire formed by the Yuezhi in the Bactrian territories in the early 1st century. It spread to encompass much of what is now Tajikistan, Uzbekistan, Afghanistan, Pakistan, Eastern Iran and Northern India, at least as far as Saketa and Sarnath, near Varanasi, where inscriptions have been found dating to the era of the Kushan emperor Kanishka the Great.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
The National Museum of Afghanistan is a two-story building located across the street from the Darul Aman Palace in the Darulaman area of Kabul, Afghanistan. It was once considered to be one of the world's finest museums. There have been reports about expanding the museum or building a new larger one.
The Kushano-Sasanian Kingdom was a polity established by the Sasanian Empire in Bactria during the 3rd and 4th centuries. The Sasanian Empire captured the provinces of Sogdia, Bactria and Gandhara from the declining Kushan Empire following a series of wars in 225 CE. The local Sasanian governors then went on to take the title of Kushanshah or "King of the Kushans", and to mint coins. They are sometimes considered as forming a "sub-kingdom" inside the Sasanian Empire.
Buddhism, a religion founded by Gautama Buddha, first arrived in modern-day Afghanistan through the conquests of Ashoka, the third emperor of the Maurya Empire. Among the earliest notable sites of Buddhist influence in the country is a bilingual mountainside inscription in Greek and Aramaic that dates back to 260 BCE and was found on the rocky outcrop of Chil Zena near Kandahar.
The Peshawar Museum is a museum located in Peshawar, capital of Pakistan's Khyber Pakhtunkhwa province. The museum houses a collection of Buddhist artwork from the ancient Gandhara region.
Tillya tepe, Tillia tepe or Tillā tapa is an archaeological site in the northern Afghanistan province of Jowzjan near Sheberghan, excavated in 1978 by a Soviet-Afghan team led by the Soviet archaeologist Viktor Sarianidi. The hoard found there is often known as the Bactrian gold.
Khalchayan is an archaeological site, thought to be a small palace or a reception hall, located near the modern town of Denov in Surxondaryo Region of southern Uzbekistan. It is located in the valley of the Surkhan Darya, a northern tributary of the Oxus.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes.
Takht-i Sangin is an archaeological site located near the confluence of the Vakhsh and Panj rivers, the source of the Amu Darya, in southern Tajikistan. During the Hellenistic period it was a city in the Greco-Bactrian kingdom with a large temple dedicated to the Oxus, which remained in use in the following Kushan period, until the third century AD. The site may have been the source of the Oxus Treasure.
Located on the strategic crossroads of Iran, India, China and Central Asia, Afghanistan boasts a diverse cultural and religious history. The soil is rich with archaeological treasures and art that have for decades come under threat of destruction and damage. Archaeology of Afghanistan, mainly conducted by British and French antiquarians, has had a heavy focus on the treasure filled Buddhist monasteries that lined the silk road from the 1st c. BCE – 6th c. AD. Particularly the ancient civilizations in the region during the Hellenistic period and the Kushan Empire. The world's oldest-known oil paintings, dating to the 7th c. AD, were found in caves in Afghanistan's Bamiyan Valley. The valley is also home to the famous Buddhas of Bamiyan.
The Begram ivories are a group of over a thousand decorative plaques, small figures and inlays, carved from ivory and bone, and formerly attached to wooden furniture, that were excavated in the 1930s in Bagram (Begram), Afghanistan. They are rare and important exemplars of Kushan art of the 1st or 2nd centuries CE, attesting to the cosmopolitan tastes and patronage of local dynasts, the sophistication of contemporary craftsmanship, and to the ancient trade in luxury goods.
Afghanistan is uniquely situated as a throughway of cultures throughout its history due to it geographic placement in South Asia. Afghanistan's location lends porous borders to trade routes between the East and West, while the Silk Road providing a vector for Buddhism and Hellenistic culture and even Egyptian influences from the west, renders an amalgamation of culture and art. Perpetual invasion and conflict has rendered a cyclic continuum of renaissance and destruction of art and culture in Afghanistan.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Gandhāran Buddhism refers to the Buddhist culture of ancient Gandhāra which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad. The region has yielded the Gandhāran Buddhist texts written in Gāndhārī Prakrit the oldest Buddhist manuscripts yet discovered. Gandhāra was also home to a unique Buddhist artistic and architectural culture which blended elements from Indian, Hellenistic, Roman and Parthian art. Buddhist Gandhāra was also influential as the gateway through which Buddhism spread to Central Asia and China.
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture, and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek and Bactrian, which they used together with the Indian Brahmi script.
Tapa Shotor, also Tape Shotor or Tapa-e-shotor, was a large Sarvastivadin monastery near Hadda, Afghanistan, and is now an archaeological site. According to archaeologist Raymond Allchin, the site of Tapa Shotor suggests that the Greco-Buddhist art of Gandhara descended directly from the art of Hellenistic Bactria, as seen in Ai-Khanoum. Alexander the Great and Herakles are represented together with the Buddha as Vajrapani in niches V2 and V3, thus according to Lucas Christopoulos, demonstrating the adoption of Buddhism by the Indo-Greeks in a context of an "Helleno-Buddhist Universalism." The site of Tapa Shotor was destroyed by arson and looted in 1992.
The Treasure of Begram or Begram Hoard is a group of artifacts from the 1st-2nd century CE discovered in the area of Begram, Afghanistan. The French Archaeological Delegation in Afghanistan (DAFA) conducted excavations at the site between 1936 and 1940, uncovering two walled-up strongrooms, Room 10 and Room 13. Inside, a large number of bronze, alabaster, glass, coins, and ivory objects, along with remains of furniture and Chinese lacquer bowls, were unearthed. Some of the furniture was arranged along walls, other pieces stacked or facing each other. In particular, a high percentage of the few survivals of Greco-Roman enamelled glass come from this discovery.
