Alex Boyd | |
|---|---|
| Born | 15 July 1984 |
| Nationality | Scottish / German |
| Education | University of Glasgow, and Northumbria University. |
| Occupation | Photographer |
| Website | http://www.alex-boyd.com/ |
Alexander Boyd FRSA (born 15 July 1984) is a Scottish photographer and writer. He has published several books, and his work is included in both public and private collections including the Scottish National Portrait Gallery, [1] The Yale Center for British Art, [2] and the Royal Photographic Society collection held at the V&A.
Boyd holds an MA (Hons) in History of Art from the University of Glasgow in 2007, and an MSc in Archival and Museum Studies from the Humanities and Advanced Technology and Information Institute (HATII) from the same institution in 2009. [3] In 2023 Boyd was awarded a PhD from the University of Northumbria. [4]
Boyd has worked on several long-term landscape photography projects that have concentrated on depictions of the Scottish and Irish landscape, with a particular focus on conservation, archaeology and issues such as the presence of the military in remote places. [5]
The series Sonnets, a collaboration with Scottish Makar (Poet Laureate) Edwin Morgan [6] made headlines in 2008 when Boyd had several of his works projected 84 metres high onto Europe's largest building, the Palace of the Parliament in Bucharest, [7] and covered the entire University Square as part of the "White Night in Bucharest" Festival. [8] In March 2010 Boyd's work was featured in a solo exhibition at the Scottish Parliament Building, where it was celebrated in a Parliamentary motion. [9] In 2014 the series was displayed at the Museum of the Image in the Netherlands, and was the subject of a short film by director Michael Prince. [10] In 2009 Boyd also worked with Edwin Morgan when he participated in Anthony Gormley's One and Other in Trafalgar Square in London. [11]
In 2012 Boyd began work on The Point of the Deliverance when he was appointed a Fellow of the Ballinglen Arts Foundation in the Republic of Ireland. The series documents a special area of conservation and the issues facing it due to the development of the Corrib Gas project, which resulted in the Corrib Gas Controversy. With an antique field camera, Boyd worked intensively for 3 months across the area, using the wet-plate collodion process to document local people and landscapes, paying special attention to sites of archaeological and historical significance. [12]
A labour-intensive process, using wet-plate collodion required Boyd to carry equipment over several miles of moorland, including chemicals, a dark tent, and the camera itself. Images from the series were exhibited at the Royal Ulster Academy, and would form the basis an ongoing project to document the edges of the Irish Gaeltacht and the Scottish Gàidhealtachd. [13] Boyd was announced as the Royal Scottish Academy's Artist in Residence at Sabhal Mor Ostaig on the Isle of Skye in Scotland for 2012–13, a role which would see his work explore Scottish Gaelic culture and landscape. Working with acclaimed Japanese photographer Takeshi Shikama, Boyd made work focusing on the Cuillin mountain range and the Quiraing, as well as the clearance villages of Skye. The series also took Boyd to the Outer Hebrides, documenting the landscapes of Lewis and Harris as well as the remote archipelago of St Kilda. The resultant large-scale prints were displayed prominently at the Royal Scottish Academy as part of their Resident 13 Exhibition in Winter 2013. [14]
The series was released as a publication by Kozu Books in 2023, with extensive coverage in National Geographic , [15] The British Journal of Photography, [16] The Times, [17] The BBC [18] and Black and White magazine [19] among others. It features contributions from writer David Gange, poet Moya Cannon and artist Will Maclean.
In 2017 Boyd released the Saltire Award shortlisted book St Kilda - The Silent Islands, a study of the North Atlantic islands that are home to a World Heritage Site and an active military base using a camera which once used to photographer Fay Godwin. [20] This work served as the foundation for Tìr an Airm, a study of Scotland's military training areas, the Defence Training Estate. Exhibited at Stills Gallery in Edinburgh in 2021, the series concentrated on the bombing ranges of Cape Wrath, Tain Air Weapons Range, Kirkcudbright Training Centre, and the Dundrennan Range, the site of Depleted Uranium testing. [21] An accompanying film featured a narration in Gaelic by Mary Ann Kennedy. [22]
A commission for the 'Year of Natural Scotland' and Cape Farewell, a series of artists were asked to respond to the peatland landscape of the Isle of Lewis, celebrating the role which the blanket bog moorland plays towards global climate regulation. [23] Boyd spent several weeks working on and in the landscape, visiting Shielings at the heart of the moorland while recording archaeological finds, and learning about life on the moor from artist and resident Anne Campbell. [24] The resultant series of work Stacashal was exhibited throughout Scotland in 2013, most notably at the Royal Botanics in Edinburgh, and was made using the photogravure process. [25] A second body of work called The Isle of Rust (An t-Eilean Ruadh) was also exhibited, utilising rust from abandoned moorland machinery to produce images of Lewis using the collodion process. [26] Boyd would later publish the series as a book in 2019, featuring an introductory essay by writer and critic Jonathan Meades and academic Dan Hicks. [27]
In 2011 as part of the Glasgow Film Festival a short film 'Sonnets' about Boyd's work was shown at the GFT. In 2012 Boyd appeared in a BBC series about Victorian photographer Francis Frith alongside presenter John Sergeant, explaining and demonstrating the wet-plate collodion process at Stirling Castle. [28] In 2013 Boyd worked alongside notable fashion photographer Rankin discussing the work of early photographic pioneers Hill & Adamson on the ITV programme Britain's Secret Homes. Using the same Edinburgh studio used by Robert Adamson, a calotype portrait of Rankin was created by Boyd and Fionnbharr Ó Súilleabháin during a snowstorm. [29] More recently Boyd appeared on the BBC series Grand Tours of Scotland's Lochs talking to presenter Paul Murton about photographer George Washington Wilson. [30]
Boyd has worked as an academic, producing several peer-reviewed articles. [31] He has also worked as a Museum Curator, and in 2012 was congratulated by the Scottish Parliament for his work in increasing access to heritage and archaeological objects in the South West of Scotland. [32] He was involved in the campaign for Scottish Independence, and was an early member of arts organisation National Collective, being named as one of their Cultural Ambassadors in 2012. [33] His images were included in the publication 'Inspired by Independence' with a body of work titled 'Shadow on the Landscape' examining the role of RNAD Coulport, home of the UK's strategic nuclear deterrent. [34] Boyd is a Fellow of the Winston Churchill Memorial Trust, a member of Accademia Apulia, [35] and a Fellow of the Royal Society of Arts.
In 2014 Boyd worked with artist and composer Hanna Tuulikki on her project Away With the Birds for the 2014 Commonwealth Games, as well as providing album artwork for BBC Folk singer of the year Bella Hardy. [36] [37]
In 2021 Boyd released two books to raise money for charity. The first ‘The Broken Land’ with Australian musician and writer Nick Cave, and the second ‘Hallaig’ featured the work of poet Sorley Maclean. [38] [39]
Throughout 2022 and 2023, Boyd has been actively involved in "Looking North Through Art," a public engagement platform. As part of the program, he has delivered two talks, [40] contributing to the platform's mission of fostering dialogue about landscape and energy ethics in Scotland and beyond.
According to the John Muir Trust, Boyd is currently writing and researching a book on the cultural history of Scotland's mountain landscapes. [41] He is also a regular contributor to Archipelago magazine. [42]
Boyd's work is held by the following public collections:
Solo exhibitions
Group exhibitions
| International | |
|---|---|
| National | |
| Artists | |
David Octavius Hill was a Scottish painter, photographer and arts activist. He formed Hill & Adamson studio with the engineer and photographer Robert Adamson between 1843 and 1847 to pioneer many aspects of photography in Scotland.
Benno Schotz was an Estonian-born Scottish sculptor, and one of Scotland's leading artists during the twentieth century.
Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy of Arts.
Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art.
Thomas Annan (1829–1887) was a Scottish photographer, notable for being the first to record the bad housing conditions of the poor.
Wendy McMurdo specialises in photography and digital media. In 2018 she was named as one of the Hundred Heroines, an award created by the Royal Photographic Society to showcase global female photographic practice.
Edward Arthur Walton was a Scottish painter of landscapes and portraits, associated with the Düsseldorf school of painting.
Hill & Adamson was the first photography studio in Scotland, set up by painter David Octavius Hill and engineer Robert Adamson in 1843. During their brief partnership that ended with Adamson's untimely death, Hill & Adamson produced "the first substantial body of self-consciously artistic work using the newly invented medium of photography." Watercolorist John Harden, on first seeing Hill & Adamson's calotypes in November 1843, wrote, "The pictures produced are as Rembrandt's but improved, so like his style & the oldest & finest masters that doubtless a great progress in Portrait painting & effect must be the consequence."
James Allan Hawkins is an English painter and film maker associated with Scottish Highland landscape. He lives, works and exhibits at his open studio RhueArt in Rhue, three miles North of Ullapool.
Thomas Rodger was an early Scottish photographer. He studied at the University of St Andrews and was a protégé of Dr. John Adamson who also persuaded him to become a photographer. At age 14, he was apprenticed to Dr. James, a local chemist and druggist, whilst studying at Madras College. Adamson later taught him the calotype process which he had earlier taught his famous brother, Robert Adamson. Adamson persuaded him to assist Lord Kinnaird in his calotype studio at Rossie Priory. Rodger enrolled at the Andersonian College of Glasgow to study medicine, but Adamson persuaded him to set up a professional business in calotyping in St Andrews.
Robert Trotter was a Scottish actor, director, and photographer.
John Muir Wood, was a Scottish musician, piano maker, music publisher and an early amateur photographer.
Margaret Watkins (1884–1969) was a Canadian photographer who is remembered for her innovative contributions to advertising photography. She was also a pioneering modernist photographer; her still-life images of household objects arranged in compositions influenced by abstract art were highly innovative and influential.
Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.
Calum Colvin is a Scottish artist whose work combines photography, painting, and installation, and often deals with issues of Scottish identity and culture and with the history of art. He has had solo exhibitions at the Scottish National Gallery of Modern Art, Scottish National Portrait Gallery, and Royal Scottish Academy and has a number of works in the collections of the National Galleries of Scotland, Tate Galleries, and the British Council. He is also Professor of Fine Art Photography and Programme Director, Art & Media at Duncan of Jordanstone College of Art and Design, part of the University of Dundee.
David Eustace is an international artist and director, primarily known for his portrait photography. He has worked on campaigns for clients worldwide and travelled extensively. His photographic works are included in several collection, both private and public including the Scottish National Portrait Gallery, Glasgow Museum of Modern Art., Deutsche Bank Collection and The City of Edinburgh Art Collection.
The Quin is a luxury hotel in New York City. It is located on 57th Street and Sixth Avenue in Midtown Manhattan, two blocks south of Central Park.
Allan Pollok-Morris MSC FRSA is a documentary photographer, bookbinder and publisher.
Scotland played a major role in the technical development of photography in the nineteenth century through the efforts of figures including James Clerk Maxwell and David Brewster. Its artistic development was pioneered by Robert Adamson and artist David Octavius Hill, whose work is considered to be some of the first and finest artistic uses of photography. Thomas Roger was one of the first commercial photographers. Thomas Keith was one of the first architectural photographers. George Washington Wilson pioneered instant photography and landscape photography. Clementina Hawarden and Mary Jane Matherson were amongst the first female photographers. War photography was pioneered by James MacCosh, James Robertson, Alexander Graham and Mairi Chisholm.
Magnus Jackson was a Scottish landscape photographer from Perth. He was noted for his use of the collodion process in developing his photographic film. He left around 2,500 glass photographic negatives taken in Perth and the surrounding area between the late 1850s and 1890. These are now on permanent display at Perth Museum and Art Gallery.
