Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the fields of study within philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.
Immanuel Kant was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy. He has been called the "father of modern ethics", the "father of modern aesthetics", and for bringing together rationalism and empiricism, he has earned the title of "father of modern philosophy".
The Critique of Pure Reason is a book by the German philosopher Immanuel Kant, in which the author seeks to determine the limits and scope of metaphysics. Also referred to as Kant's "First Critique", it was followed by his Critique of Practical Reason (1788) and Critique of Judgment (1790). In the preface to the first edition, Kant explains that by a "critique of pure reason" he means a critique "of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience" and that he aims to decide on "the possibility or impossibility of metaphysics".
The Critique of Judgment, also translated as the Critique of the Power of Judgment, is a 1790 book by the German philosopher Immanuel Kant. Sometimes referred to as the "third critique", the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788).
Absolute music is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony.
What Is Art? is a book by Leo Tolstoy. It was completed in Russian in 1897 but first published in English in 1898 due to difficulties with the Russian censors.
In aesthetics, the sublime is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation.
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant.
In aesthetics, the concept of taste has been the interest of philosophers such as Plato, Hume, and Kant. It is defined by the ability to make valid judgments about an object's aesthetic value. However, these judgments are deficient in objectivity, creating the 'paradox of taste'. The term 'taste' is used because these judgments are similarly made when one physically tastes food.
This is an alphabetical index of articles about aesthetics.
This is a history of aesthetics.
Wissenschaft is a German-language term that embraces scholarship, research, study, higher education, and academia. Wissenschaft translates exactly into many other languages, e.g. vetenskap in Swedish or nauka in Polish, but there is no exact translation in modern English. The common translation to science can be misleading, depending on the context, because Wissenschaft equally includes humanities (Geisteswissenschaft), and sciences and humanities are mutually exclusive categories in modern English. Wissenschaft includes humanities like history, anthropology, or arts at the same level as sciences like chemistry or psychology. Wissenschaft incorporates scientific and non-scientific inquiry, learning, knowledge, scholarship, and does not necessarily imply empirical research.
Common sense is "knowledge, judgement, and taste which is more or less universal and which is held more or less without reflection or argument". As such, it is often considered to represent the basic level of sound practical judgement or knowledge of basic facts that any adult human being ought to possess. It is "common" in the sense of being shared by nearly all people. The everyday understanding of common sense is ultimately derived from historical philosophical discussions. Relevant terms from other languages used in such discussions include Latin sensus communis, Ancient Greek κοινὴ αἴσθησις, and French bon sens. However, these are not straightforward translations in all contexts, and in English different shades of meaning have developed. In philosophical and scientific contexts, since the Age of Enlightenment the term "common sense" has been used for rhetorical effect both approvingly and disapprovingly. On the one hand it has been a standard for good taste, good sense, and source of scientific and logical axioms. On the other hand it has been equated to conventional wisdom, vulgar prejudice, and superstition.
Georg Friedrich Meier was a German philosopher and aesthetician. A follower of Alexander Gottlieb Baumgarten, he reformed the philosophy of Christian Wolff by introducing elements of John Locke's empiricist theory of knowledge.
The following outline is provided as an overview of and topical guide to aesthetics:
Hannah Ginsborg is Willis S and Marion Slusser Professor of Philosophy at the University of California, Berkeley.
Karl W. Aschenbrenner was an American philosopher, translator and prominent American specialist in analytic philosophy and aesthetics, author and editor of more than 48 publications including five monographs, 27 articles and 16 book reviews. His principal academic post was at the University of California, Berkeley in the Department of Philosophy. Aschenbrenner co-edited, with Arnold Isenberg, a collection of essays on the subject of aesthetic theory. As co-translator with William B. Holther, Aschenbrenner published the principal work of Alexander Gottlieb Baumgarten and, with Donald Nicholl, assisted in completing the second edition of an important work of the Polish philosopher Joseph M. Bocheński. He is particularly noted for his authoritative commentary on the Kritik der Reinen Vernunft of Immanuel Kant as well as the commentary he and Nicholl supplied in their translation of Baumgarten's "Meditationes philosophicae de nonnullis ad poema pertinentibus" introducing that work. Except for his sabbaticals, Aschenbrenner resided in Berkeley, California from 1943 to 1986 and in Los Angeles from 1986 to 1988. During sabbatical leaves Aschenbrenner taught at the Universität Wien, University College London and the Ludwig-Maximilians-Universität München. He remained Professor Emeritus at the University of California at Berkeley until his death in 1988. Aschenbrenner died in Budapest while doing research and is buried in Farkasréti Cemetery in that city. The Aschenbrenner papers are held by the Doe Library of the University of California at Berkeley.
Ancient aesthetics refers to the perception of beauty and form in the ancient world and the importance it was given in many ancient cultures.
