"Always Look on the Bright Side of Life" | ||||
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Single by Monty Python | ||||
from the album Monty Python's Life of Brian soundtrack | ||||
A-side | "Brian" (double A-side) | |||
Released | 16 November 1979 21 November 1988 (reissue) 23 September 1991 (2nd reissue) | |||
Recorded | 1979 Chappell Studios Bond Street – Friar Park Studio, Henley-On-Thames | |||
Genre | Comedy music | |||
Length | 3:23 | |||
Label | Virgin | |||
Songwriter(s) | Eric Idle | |||
Producer(s) |
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Monty Python singles chronology | ||||
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"Always Look on the Bright Side of Life" is a comedy song written by Monty Python member Eric Idle that was first featured in the Python film Life of Brian and has gone on to become a common singalong at public events such as football matches as well as funerals. [1] [2]
Written in the British music hall tradition, the song touches on stoicism and the "stiff upper lip" spirit in the face of adversity, so often associated with British people. It became immensely popular, reaching No. 3 on the UK Singles Chart in 1991. [3] Idle performed the song live to a global audience at the 2012 Summer Olympics closing ceremony during the one-hour symphony of British Music segment. [4]
Whilst trying to come up with a way of ending the film Monty Python's Life of Brian , Eric Idle wrote an original version of the song on a Gibson J-50 guitar using only jazz chords he learnt from a course by Mickey Baker. [5] Originally the song was sung in a more straight fashion, [5] which the other Python members eventually agreed would be good enough for the end of the film. However, Michael Palin noted in his diary for 16 June 1978 that during a script meeting, "Eric's two songs—'Otto' and the 'Look on the Bright Side' crucifixion song—are rather coolly received before lunch." [6] Despite being initially underwhelmed, the group warmed to Idle's efforts and the song was retained. While practising during a break in filming, Idle found that it worked better if sung in a more cheeky manner by a character of his called "Mr Cheeky", which in turn was based on the film's Cockney lighting crew. This new version was used in the film and became one of Monty Python's most famous compositions.[ citation needed ]
The song appears at the end of the film. The film's lead character Brian Cohen (played by Graham Chapman) has been crucified for his part in a kidnap plot. After a succession of apparent rescue opportunities all come to nothing, a character on a nearby cross (played by Eric Idle) attempts to cheer him up by singing "Always Look on the Bright Side of Life". As the song progresses, many of the other crucifixion victims (140 in all, according to the script, though twenty-three crosses are actually seen on screen) begin to dance in a very restricted way and join in with the song's whistled hook. [7] The song continues as the scene changes to a long-shot of the crosses and the credits begin to roll. An instrumental version plays over the second half of the credits. Its appearance at the end of the film, when the central character seems certain to die, is deliberately ironic.
"Always Look on the Bright Side of Life" was arranged and conducted by John Altman and recorded at Chappell's Studio [5] with a full orchestra and the Fred Tomlinson Singers. [5] The whistling was performed by Neil Innes. [8] The song appeared on the film soundtrack album, listed as "Look on the Bright Side of Life (All Things Dull and Ugly)". The subtitle does not appear in the actual song, and is only used on the soundtrack album. "All Things Dull and Ugly" was also the title of an unrelated track on Monty Python's Contractual Obligation Album (released the following year) which is a parody of the popular hymn "All Things Bright and Beautiful". The song was also released as a Double A side single with "Brian", the film's opening theme (performed by Sonia Jones).
The song touched a chord with the British trait of stoicism and the "stiff upper lip" in the face of disaster, and became immensely popular. When the destroyer HMS Sheffield was struck by an Exocet anti-ship missile on 4 May 1982 in the Falklands War, her crew sang it while waiting to be rescued from their sinking ship, [9] as did the crew of HMS Coventry. [10]
When Chapman died on 4 October 1989, the five remaining Pythons, as well as Chapman's close friends and family, came together at his public memorial service to sing "Always Look on the Bright Side of Life" as part of Idle's eulogy. In 2005, a survey by Music Choice showed that it was the third-most popular song Britons would like played at their funerals. [1] By 2014, it was the most popular. [11]
When performing the song live in a (solo) sketch within special events, Idle re-wrote one verse of the song to fit the particular occasion, and on one occasion sung a parody of the song with entirely different lyrics. What follows are two such examples of the former, and the latter.
"If Spamalot is hot
And you like it, or per'aps not
A bunch of knights in search of Holy Grails;
When you're 60 years of age
And your mum won't leave the stage,
It's good to know that you're still Prince of Wales!"
"When you're stuck on the world's stage
With lots of loonies half your age,
And everything is starting to go wrong,
It’s too late to run away,
You might as well just stay,
Especially when they play your silly song!"
In 2018, Idle made a guest appearance on The Late Late Show with James Corden ; he and Corden begin to perform a duet of the song to distract from the abundance of bad-natured current events, but after they are interrupted multiple times by notifications on their cell phones where they are aghast at even more upsetting news, they instead sing a parody of the song titled "We Are Probably All Going to Die", which ends with a reprise of the original song's chorus. [12]
"Always Look on the Bright Side of Life" was first issued as a single as a double A-side with "Brian" in the UK on 16 November 1979 to promote Monty Python's Life of Brian and its soundtrack album, but did not chart. Nine years later when the film was released on VHS, the song was reissued on 21 November 1988 in an edited form to remove profanity, with a full version of "Brian" on the B-side. Once again it failed to chart.
The song became particularly popular in the early 1990s. The film had retained a cult status in the intervening years. Around 1990, BBC Radio 1 DJ Simon Mayo, whose breakfast show had a track record of reviving old novelty songs, began playing the original version on his show, [13] which led to Virgin reissuing the track as a single on 23 September 1991. [14]
The 7-inch single was backed with two tracks from Contractual Obligation, "I Bet You They Won't Play This Song on the Radio" and "I'm So Worried", while the cassette and CD singles added a German-language version of "The Lumberjack Song" taken from the first Fliegender Zirkus episode. The single reached the top ten in October and prompted a deliberately chaotic performance by Idle on Top of the Pops . Despite some predictions, it did not manage to bring an end to Bryan Adams's unprecedented run at the top of the UK Singles Chart with "(Everything I Do) I Do It for You", instead peaking at number 3 and leading to a re-promotion for the 1989 compilation Monty Python Sings , which the song opens. However, the single did get to Number 1 in Ireland on 13 October 1991, despite Life of Brian having been banned in Ireland, and the soundtrack on Warners withdrawn when released after protests. Following this attention, the song became more popular than ever. Two cover versions, by Tenor Fly (incorporating the piano riff from Nina Simone's "My Baby Just Cares for Me"), and the cast of Coronation Street (with main vocals by Bill Waddington, [15] who played Percy Sugden in the show), both reached the charts in 1995, with The Coronation Street Single version reaching number 35. [16] [17]
Eric Idle recorded alternative lyrics for the radio version, with the swearing censored, and the comments about the end of the film replaced with references to the end of the record, and continued rants about old people. This version was released on CD, cassette and vinyl via the compilation album Now 20 in November 1991 and as a b-side on a reissue of "Galaxy Song" (where it is billed as "1991 version") on 2 December 1991. For this radio version, the line "Life's a piece of shit" was altered to "Life's a piece of spit". In recognition of Simon Mayo's contribution to making the record a hit, a special version was also created, in which Idle addresses him by name. Mayo still uses this version when the song is played on his show. This version is also included as the penultimate track on Now That's What I Call Music! 1991 – The Millennium Series, released in 1999.
On 14 July 2014 another version of the song was issued, this time as a 12" single where it was promoted as "The Unofficial England Football Anthem". The track featured a new vocal from Eric Idle and some alternate lyrics about the World Cup.
1979 7"
1988 7"
1991 7"
2014 12"
Harry Nilsson performed "Always Look on the Bright Side of Life" as the closing track on his 1980 album, Flash Harry . In 1997, the song was recorded by Art Garfunkel and included in the soundtrack of James L. Brooks' film As Good as It Gets . [18] In the film itself, Jack Nicholson sings the song fleetingly with the minor addition of "your" in "brighter side of [your] life". [19] Garfunkel's version replaced the risqué phrase "Life's a piece of shit" with the more family-friendly "Life's a counterfeit" ("Life is hit or miss" has also replaced the lyric as with wedding bands and live radio). The song has also been performed by Bruce Cockburn and released on his 1990 live CD.
The Brobdingnagian Bards recorded the song for their CD A Faire to Remember . American musician Emilie Autumn performed a harpsichord cover of the song for her compilation album A Bit o' This & That . Heavens Gate recorded a metal cover of "Always Look on the Bright Side of Life" for the album Hell for Sale!. Green Day has used it in their rendition of "Shout" on their concert DVD Bullet in a Bible .
German fun metal band JBO made a version of the song with changed lyrics ("Always Look on the Dark Side of Life") for their album Sex Sex Sex. German fun punk band Heiter bis Wolkig also made a version with changed lyrics called "Versuch's mal von der breiten Seite zu seh'n". The British duo Amateur Transplants made a parody version of "Always Look on the Bright Side of Life" as well, with lyrics in which only the name and the chorus of the original song are retained.
Green Day did a short version of the song on their Revolution Radio tour in 2017 in Brisbane, Australia. They also covered "(I Can't Get No) Satisfaction" and "Hey Jude" after playing "King for a Day" and "Shout".
Scooter used a shortened version, also titled "Always Look on the Bright Side of Life", on their Scooter Forever album (2017), giving the song a techno version.
The song appears twice in the Broadway musical Spamalot , based on Monty Python and the Holy Grail – once in Act II and again during the curtain call.
The song is used at the end of Not the Messiah (He's a Very Naughty Boy) , the comedic oratorio written by Eric Idle and collaborator John Du Prez.
The metal band Iron Maiden are known to play the song at the end of their concerts.
The song would make an appearance on season 8 of The Masked Singer , where Idle sung it as his encore song after being unmasked as the Hedgehog.
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [35] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Monty Python's Life of Brian is a 1979 British black comedy film starring and written by the comedy group Monty Python. It was directed by Jones. The film tells the story of Brian Cohen, a young Judaean man who is born on the same day as—and next door to—Jesus, and is subsequently mistaken for the Messiah.
Monty Python were a British comedy troupe formed in 1969 consisting of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. The group came to prominence for the sketch comedy series Monty Python's Flying Circus, which aired on the BBC from 1969 to 1974. Their work then developed into a larger collection that included live shows, films, albums, books, and musicals; their influence on comedy has been compared to the Beatles' influence on music. Their sketch show has been called "an important moment in the evolution of television comedy".
Eric Idle is an English actor, comedian, songwriter, musician, screenwriter and playwright. He was a member of the British comedy group Monty Python and the parody rock band the Rutles. Idle studied at Pembroke College, Cambridge, and joined Cambridge University Footlights.
The Rutles were a rock band that performed visual and aural pastiches and parodies of the Beatles. This originally fictional band, created by Eric Idle and Neil Innes for a sketch in Idle's mid-1970s BBC television comedy series Rutland Weekend Television, later toured and recorded, releasing two studio albums and garnering two UK chart hits. The band toured again from 2002 until Innes's death in 2019.
Neil James Innes was an English writer, comedian and musician. He first came to prominence in the comedy rock group the Bonzo Dog Doo-Dah Band and later became a frequent collaborator with the Monty Python troupe on their BBC television series and films, and is often called the "seventh Python" along with performer Carol Cleveland. He co-created the Rutles, a Beatles parody/pastiche project, with Python Eric Idle, and wrote the band's songs. He also wrote and voiced the 1980s ITV children's cartoon adventures of The Raggy Dolls.
Monty Python Sings is a compilation album of songs by English comedy troupe Monty Python. Released in 1989 to celebrate their 20th anniversary, it contains popular songs from their previous albums and films. The album was dedicated to the memory of founding member Graham Chapman, who died two months before its release.
Spamalot is a stage musical with score by John Du Prez and Eric Idle, with lyrics and book by Idle. Based on the 1975 film Monty Python and the Holy Grail, the musical offers a highly irreverent parody of Arthurian legend, with the title being a portmanteau of Spam and Camelot.
"Galaxy Song" is a Monty Python song written by Eric Idle and John Du Prez.
John Du Prez is a British musician, conductor and composer. He was a member of the 1980s salsa-driven pop band Modern Romance and has since written several film scores including Oxford Blues (1984), Once Bitten, Teenage Mutant Ninja Turtles (1990), and the final Carry On film, Carry On Columbus (1992). He contributed to The Wild (2006) soundtrack.
Monty Python's Previous Record is the third album by Monty Python. Released in 1972, it marked the group's first collaborations with regular sound engineer Andre Jacquemin as well as musician Neil Innes, who had previously appeared with future members of the Python team on Do Not Adjust Your Set. The album contains many sketches from the third series of Flying Circus, one from the second as well as an abridged version of "The Tale of Happy Valley" from the second German show. The album was released midway through the broadcast of Series 3, whose sketches featured on the album were all from its first half, with the exception of "Dennis Moore" which aired a month later and therefore made its debut here. The oldest sketch on the album, Eric Idle's "Radio Quiz Game", dates back to I'm Sorry, I'll Read That Again, where it was performed by Graeme Garden – Idle having subsequently performed the sketch himself on two editions of Do Not Adjust Your Set. The rest of the material was specially written for the album.
The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail is the first film soundtrack album by Monty Python, released in 1975. It features selected scenes from Monty Python and the Holy Grail interspersed with a large volume of new studio material, much of which centers on a spoof screening of the film at the Classic Silbury Hill Theatre. Also among the new items is the "Marilyn Monroe" sketch, which Graham Chapman co-wrote with Douglas Adams – the pair having recently collaborated on the fourth series of Monty Python.
Monty Python's Life of Brian is the second soundtrack album by Monty Python, released in 1979 alongside the film of the same name. It contains scenes from the film interrupted by linking sections performed by Eric Idle and Graham Chapman, who also acted as producers following an aborted attempt at a soundtrack album by Michael Palin. The album opens with a brief rendition of "Hava Nagila" on Scottish bagpipes, which had earlier been considered for use in a scene later cut from the film.
Monty Python's Contractual Obligation Album is the final studio album by Monty Python, released in 1980. As the title suggests, the album was put together to complete a contract with Charisma Records. Besides newly written songs and sketches, the sessions saw re-recordings of material that dated back to the 1960s pre-Python shows I'm Sorry, I'll Read That Again, The Frost Report, At Last The 1948 Show and How To Irritate People. One track, "Bells", dates from the sessions for Monty Python's Previous Record, while further material was adapted from Eric Idle's post-Python series Rutland Weekend Television. The group also reworked material written but discarded from early drafts of Life Of Brian, as well as the initial scripts for what would eventually become The Meaning Of Life.
"Sit on My Face" is a short song written by Eric Idle and performed by the members of the comedy troupe Monty Python, which originally appeared on the album Monty Python's Contractual Obligation Album and later appeared on the compilation Monty Python Sings. The song's lyrics are sung to the melody of "Sing As We Go" (1934) by Harry Parr-Davies, made popular by Gracie Fields. The opening gives way to the voices of The Fred Tomlinson Singers singing "Sit on my face and tell me that you love me." The remaining lyrics contain numerous references to fellatio and cunnilingus, such as "when I'm between your thighs you blow me away" and "life can be fine if we both 69".
Not the Messiah (He's a Very Naughty Boy) is a comedic oratorio based on Monty Python's Life of Brian. It was written by former Monty Python cast member Eric Idle and collaborator John Du Prez, and commissioned by the Luminato festival.
"Brian Song" is the title song from the 1979 film Monty Python's Life of Brian. It was released as a single in the UK on 16 November 1979 as a Double A side with "Always Look on the Bright Side of Life". The song, which charts the growth of the Brian character to manhood, was composed by Andre Jacquemin and Dave Howman with lyrics by Michael Palin. It was performed by sixteen-year-old Sonia Jones with a string and brass accompaniment in the style of a John Barry film theme. It is included on the Monty Python's Life of Brian album and on the CD Monty Python Sings. In 2013 Martin Chilton, the culture editor for The Telegraph website, listed it as one of the five best Monty Python songs.
Monty Python Live (Mostly) (also billed as Monty Python Live (Mostly): One Down, Five to Go) was a variety show by the Monty Python comedy group at The O2 in London in July 2014. Planned as a single performance for 1 July, it was expanded to 10 shows due to the high demand for tickets. It was their first live performance together in 16 years, the second without member Graham Chapman (who died in 1989) and the last with Terry Jones (who died in 2020).
The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book is a compendium of songs by Monty Python, released in 1994 on the occasion of their 25th anniversary. The book contains the lyrics and musical scores for songs from the group's Flying Circus TV series, albums and films. Also included are "The Ferret Song" and "Rhubarb Tart Song", which originate from I'm Sorry, I'll Read That Again before appearing on At Last The 1948 Show. The musical scores were edited by regular Python collaborator, John Du Prez.
The Simon Mayo Breakfast Show was the weekday breakfast show on BBC Radio 1 between 23 May 1988 and 3 September 1993. The programme was broadcast on weekdays, apart from on bank holidays, and had three broadcast slots. Originally on air between 7 am and 9.30 am, it gained an extra 30 minutes on 3 April 1989 to coincide with an earlier start to Radio 1’s day. Finally, when Radio 1 began 24-hour transmissions on 1 May 1991, the programme was broadcast between 6 am and 9 am. The programme ended as part of the major shake-up of BBC Radio 1 schedule by Matthew Bannister, which saw Mayo move to the station’s mid-morning slot.