A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
A cherub is one of the heavenly beings who directly attend to God, according to Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden.
In the Abrahamic religions, Gabriel is an archangel with the power to announce God's will to mankind. He is mentioned in the Hebrew Bible, the New Testament, the Quran and the Kitáb-i-Aqdas. Many Christian traditions – including Eastern Orthodoxy, Catholicism, Lutheranism, and Anglicanism – revere Gabriel as a saint.
Archangels are the second-lowest rank of angel in the Christian hierarchy of angels, put forward by Pseudo-Dionysius the Areopagite in the 5th or 6th century in his book De Coelesti Hierarchia. The word "archangel" itself is usually associated with the Abrahamic religions, but beings that are very similar to archangels are found in a number of other religious traditions.
A seraph is a celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam.
Raphael is an archangel first mentioned in the Book of Tobit and in 1 Enoch, both estimated to date from between the 3rd and 2nd century BCE. In later Jewish tradition, he became identified as one of the three heavenly visitors entertained by Abraham at the Oak of Mamre. He is not named in either the New Testament or the Quran, but later Christian tradition identified him with healing and as the angel who stirred waters in the Pool of Bethesda in John 5:2–4, and in Islam, where his name is Israfil, he is understood to be the unnamed angel of Quran 6:73, standing eternally with a trumpet to his lips, ready to announce the Day of Judgment. In Gnostic tradition, Raphael is represented on the Ophite Diagram.
Michael, also called Saint Michael the Archangel, Archangel Michael and Saint Michael the Taxiarch is an archangel in Judaism, Christianity, Islam, and the Baha'i faith. The earliest surviving mentions of his name are in third- and second-century-BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels, and he is the guardian prince of Israel and is responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael.
In Christianity, angels are the messengers of God.
In Islam, angels are believed to be heavenly beings, created from a luminous origin by God. The Quran is the principal source for the Islamic concept of angels, but more extensive features of angels appear in hadith literature, Mi'raj literature, Islamic exegesis, theology, philosophy, and mysticism.
The angel Jophiel, also called Iophiel, Iofiel, Jofiel, Yofiel, Youfiel, Zophiel and Zuriel, is an archangel in Christian and Jewish angelology. Jophiel is associated with beauty, art, and wisdom.
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity.
Siyer-i Nebi is an Ottoman epic on the life of Muhammad, completed around 1388, written by Mustafa, a Mevlevi dervish on the commission of Sultan Barquq, the Mamluk ruler in Cairo. The text is based on the 13th-century writings of Abu’l Hasan al-Bakri and Ibn Hisham. This epic would later be illustrated by Mustafa ibn Vali in the late 16th century, as commissioned by his patron, Sultan Murad III.
The Kariye Mosque is a medieval Greek Orthodox church building, mostly used as a mosque since the 16th century, in the Edirnekapı neighborhood of Fatih district, Istanbul, Turkey. It is mainly famous for its outstanding Late Byzantine mosaics and frescos.
In the angelology of different religions, a hierarchy of angels is a ranking system of angels. The higher ranking angels have greater power and authority than lower ones, and different ranks have differences in appearance, such as varying numbers of wings or faces.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
In Abrahamic religious traditions and some sects of other belief-systems like Hinduism and Buddhism, an angel is a heavenly supernatural or spiritual being. In monotheistic belief-systems, such beings are under service of the supreme deity.
The permissibility of depictions of Muhammad in Islam has been a contentious issue. Oral and written descriptions of Muhammad are readily accepted by all traditions of Islam, but there is disagreement about visual depictions. The Quran does not explicitly or implicitly forbid images of Muhammad. The ahadith present an ambiguous picture, but there are a few that have explicitly prohibited Muslims from creating visual depictions of human figures. It is agreed on all sides that there is no authentic visual tradition as to the appearance of Muhammad, although there are early legends of portraits of him, and written physical descriptions whose authenticity is often accepted.
The Annunciation has been one of the most frequent subjects of Christian art. Depictions of the Annunciation go back to early Christianity, with the Priscilla catacomb in Rome including the oldest known fresco of the Annunciation, dating to the 4th century.
Archangel Michael may be depicted in Christian art alone or with other angels such as Gabriel or saints. Some depictions with Gabriel date back to the 8th century, e.g. the stone casket at Notre Dame de Mortain church in France. He is very often present in scenes of the Last Judgement, but few other specific scenes, so most images including him are devotional rather than narrative. The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
