As You Desire Me (film)

Last updated

As You Desire Me
As you desire me.jpeg
Original film poster
Directed by George Fitzmaurice
Written by Gene Markey
Luigi Pirandello (play)
Produced by George Fitzmaurice
Irving Thalberg
Starring Greta Garbo
Melvyn Douglas
Erich von Stroheim
Owen Moore
Hedda Hopper
Cinematography William H. Daniels
Edited byGeorge Hively
Distributed by Metro-Goldwyn-Mayer
Release date
  • May 28, 1932 (1932-05-28)
Running time
70 minutes
CountryUnited States
LanguageEnglish
Budget$469,000
Box office$1,362,000 [1]

As You Desire Me is a 1932 American pre-Code film adaptation of the 1929 play by Luigi Pirandello released by Metro-Goldwyn-Mayer. It was produced and directed by George Fitzmaurice with Irving Thalberg as co-producer. The adaptation was by Gene Markey, the cinematography by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.

Contents

The film stars Greta Garbo and Melvyn Douglas, with Erich von Stroheim, Owen Moore and Hedda Hopper. The film's running time is about 70 minutes, making it the shortest of all Garbo's Hollywood films.

The film grossed $705,000 in the United States and grossed $657,000 elsewhere, it altogether grossed $1,362,000 and with a profit of $449,000. [2]

Plot

Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno. Maria, Tony claims, had her memory destroyed during a World War I invasion ten years ago. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a woman who is a mental case that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth.

Cast

Production

As You Desire Me is the first of three films teaming Garbo with actor Melvyn Douglas. It is also the only film in which Garbo appears as a blonde.

Related Research Articles

<i>Ninotchka</i> 1939 film by Ernst Lubitsch

Ninotchka is a 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas. It was written by Billy Wilder, Charles Brackett, and Walter Reisch, based on a story by Melchior Lengyel. Ninotchka marked the first comedy role for Garbo, and her penultimate film; she received her third and final Academy Award nomination for Best Actress. In 1990, Ninotchka was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2011, Time also included the film on the magazine's list of "All-Time 100 Movies".

<span class="mw-page-title-main">Greta Garbo</span> Swedish-American actress (1905–1990)

Greta Garbo was a Swedish-American actress and a premier star during Hollywood's silent and early golden eras. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic and somber screen persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema.

<span class="mw-page-title-main">Melvyn Douglas</span> American actor (1901–1981)

Melvyn Douglas was an American actor. Douglas came to prominence in 1929 as a suave leading man, perhaps best typified by his performance in the romantic comedy Ninotchka (1939) with Greta Garbo. Douglas later played mature and fatherly characters, as in his Academy Award-winning performances in Hud (1963) and Being There (1979) and his Academy Award–nominated performance in I Never Sang for My Father (1970). Douglas was one of 24 performers to win the Triple Crown of Acting. In the last few years of his life Douglas appeared in films with supernatural stories involving ghosts, including The Changeling in 1980 and Ghost Story in 1981, his last completed film role.

<span class="mw-page-title-main">John Gilbert (actor)</span> American actor and film director (1897–1936)

John Gilbert was an American actor, screenwriter and director. He rose to fame during the silent era and became a popular leading man known as "The Great Lover". His breakthrough came in 1925 with his starring roles in The Merry Widow and The Big Parade. At the height of his career, Gilbert rivaled Rudolph Valentino as a box office draw.

<span class="mw-page-title-main">Erich von Stroheim</span> Austrian-American actor and director

Erich Oswald Hans Carl Maria von Stroheim was an Austrian-American director, screenwriter, actor, and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film Greed is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema.

The decade of the 1920s in film involved many significant films.

<span class="mw-page-title-main">Hedda Hopper</span> American gossip columnist and actress (1885–1966)

Elda Furry, known professionally as Hedda Hopper, was an American gossip columnist and actress. At the height of her influence in the 1940s, over 35 million people read her columns.

<i>Hollywood</i> (British TV series) 1980 documentary series

Hollywood is a British television documentary miniseries produced by Thames Television and originally broadcast on ITV in 1980. Written and directed by film historians Kevin Brownlow and David Gill, it explored the establishment and development of the Hollywood studios and their cultural impact during the silent film era of the 1910s and 1920s. At the 1981 BAFTA TV Awards, the series won for Best Original Television Music and was nominated for Best Factual Series, Best Film Editing and Best Graphics.

<span class="mw-page-title-main">William Daniels (cinematographer)</span> American cinematographer

William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).

<i>Alraune</i> (1952 film) 1952 West German film

Alraune, later renamed Unnatural: The Fruit of Evil, is a 1952 black and white West German science fiction film, directed by Arthur Maria Rabenalt and starring Hildegard Knef and Erich von Stroheim. The film is based on the 1911 novel Alraune by German novelist Hanns Heinz Ewers. The plot involves a scientist who creates a woman (Knef) who is beautiful yet soulless, lacking any sense of morality.

<i>Anna Christie</i> (1930 English-language film) 1930 film

Anna Christie is a 1930 Metro-Goldwyn-Mayer pre-Code film adaptation of the 1921 play of the same name by Eugene O'Neill. It was adapted by Frances Marion, produced and directed by Clarence Brown with Paul Bern and Irving Thalberg as co-producers. The cinematography was by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.

<i>Va savoir</i> 2001 film

Va savoir is a 2001 French romantic comedy-drama film directed by Jacques Rivette. It stars Jeanne Balibar, Sergio Castellitto, Marianne Basler, Hélène de Fougerolles, and Catherine Rouvel. The widely distributed theatrical version is 154 minutes. It was entered into the 2001 Cannes Film Festival.

<i>That Forsyte Woman</i> 1949 film by Compton Bennett

That Forsyte Woman is a 1949 American romantic drama film directed by Compton Bennett and starring Greer Garson, Errol Flynn, Walter Pidgeon, Robert Young and Janet Leigh. It is an adaptation of the 1906 novel The Man of Property, the first book in The Forsyte Saga by John Galsworthy.

<i>The Sun Also Rises</i> (1957 film) 1957 film by Henry King

The Sun Also Rises is a 1957 American drama film adaptation of the 1926 Ernest Hemingway novel of the same name directed by Henry King. The screenplay was written by Peter Viertel and it starred Tyrone Power, Ava Gardner, Mel Ferrer, and Errol Flynn. Much of it was filmed on location in France and Spain as well as Mexico in Cinemascope and color by Deluxe. A highlight of the film is the famous "running of the bulls" in Pamplona, Spain and two bullfights.

<i>Foolish Wives</i> 1922 film

Foolish Wives is a 1922 American erotic silent drama film produced and distributed by Universal Pictures under their Super-Jewel banner and written and directed by Erich von Stroheim. The drama features von Stroheim, Rudolph Christians, Miss DuPont, Maude George, and others.

<span class="mw-page-title-main">Rafaela Ottiano</span> Italian-American actress

Rafaela Ottiano was an Italian-American actress. She was best known for her role as Suzette in Grand Hotel (1932) and as Russian Rita in She Done Him Wrong (1933).

<i>Cry Wolf</i> (1947 film) 1947 film by Peter Godfrey

Cry Wolf is a 1947 American mystery film noir directed by Peter Godfrey and starring Errol Flynn, Barbara Stanwyck and Geraldine Brooks. It was produced and distributed by Warner Bros. It is based on the 1945 novel of the same name by Marjorie Carleton.

Hollywood Without Make-Up is a 1963 American film produced by Ken Murray and directed by Rudy Behlmer, Loring d'Usseau and Ken Murray (uncredited).

Photoplay Productions is an independent film company, based in the UK, under the direction of Kevin Brownlow and Patrick Stanbury. Is one of the few independent companies to operate in the revival of interest in the lost world of silent cinema and has been recognised as a driving force in the subject.

Jeanne Spencer was an American film editor active from the 1920s to the 1930s. Her younger sister, Dorothy, was also a film editor.

References

  1. The American Film Institute Catalog Feature Films: 1931-40 by The American Film Institute, c. 1993
  2. "As You Desire Me".