Creedence Clearwater Revival, commonly abbreviated as CCR, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive top 10 singles and five consecutive top 10 albums in the United States – two of which, Green River (1969) and Cosmo's Factory (1970), reached number one. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
Cosmo's Factory is the fifth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records on July 8, 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990. Rolling Stone ranked it number 413 on its 2020 list of the "500 Greatest Albums of All Time".
Creedence Clearwater Revival is the debut studio album by American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Bayou Country is the second studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969, and was the first of three albums CCR released in that year. Bayou Country reached number 7 on Billboard's album chart and produced the band's first No. 2 hit single, "Proud Mary".
Green River is the third studio album by American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in November.
Pendulum is the sixth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records on December 9, 1970. It was the second studio album the band released that year, arriving five months after Cosmo's Factory.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts. The song was covered by Little Richard.
"Fortunate Son" is a song by the American rock band Creedence Clearwater Revival, released on their fourth studio album, Willy and the Poor Boys in November 1969. It was previously released as a single, together with "Down on the Corner", in September 1969. It soon became an anti-war movement anthem and an expressive symbol of the counterculture's opposition to U.S. military involvement in the Vietnam War and solidarity with the soldiers fighting it. The song has been featured extensively in pop culture depictions of the Vietnam War and the anti-war movement.
"Lookin' out My Back Door" is a song recorded by the American band Creedence Clearwater Revival. Written by the band's lead singer, guitarist, and songwriter John Fogerty, it is included on their 1970 album Cosmo's Factory; this was the group's fifth album, and was also their fifth and final number-two Billboard hit, held off the top by Diana Ross's version of "Ain't No Mountain High Enough". It was their only Cash Box Top 100 number-one hit.
Creedence Country is a compilation album by American rock band Creedence Clearwater Revival (CCR). It was released by Fantasy Records in October 1981 with the purpose of infiltrating the country market.
"Who'll Stop the Rain" is a song written by John Fogerty and originally recorded by Creedence Clearwater Revival for their 1970 album Cosmo's Factory. Backed with "Travelin' Band", it was one of three double-sided singles from that album to reach the top five on the Billboard Pop Singles chart and the first of two to reach the No. 2 spot on the American charts, alongside "Lookin' Out My Back Door"/"Long As I Can See the Light". In 2004, Rolling Stone ranked it No. 188 on its "500 Greatest Songs of All Time" list.
"Lodi" is a song written by John Fogerty and performed by Creedence Clearwater Revival. Recorded in March 1969, it was released in April, four months before the album, as the B-side of "Bad Moon Rising", the lead single from Green River.
"Green River" is a song by American rock band Creedence Clearwater Revival. It was written by John Fogerty and released as a single in July 1969, one month before the album of the same name was released. "Green River" peaked at number two for one week, behind "Sugar, Sugar" by The Archies, and was ranked by Billboard as the No. 31 song of 1969.
"Long As I Can See the Light" is a song by American rock band Creedence Clearwater Revival, from the album Cosmo's Factory. Released as the flip side of the single "Lookin' Out My Back Door" in 1970, it reached number 57 on the Cash Box singles chart in the US, number 20 in the UK and number one in Norway.
Creedence Clearwater Revival Covers the Classics is a compilation album by American rock band Creedence Clearwater Revival. Released in 2009, the album contains cover versions of songs as recorded by the band.
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation, though Otis always denied it. It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead. Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the Billboard Rock Tracks chart.
"Commotion" is a song by Creedence Clearwater Revival from the album Green River, and was also the B-side of the single release of the album's title track. In 1980, "Tombstone Shadow" b/w "Commotion'" was released as a single in the United States. While released as a B-side, "Commotion" reached #30 in the United States on the Billboard Hot 100 and #16 in Germany. It was written by John Fogerty and recorded at Wally Heider's Studios in San Francisco in June 1969. The 45rpm was the debut session of the band at Wally Heider's and the first collaboration with engineer Russ Gary.
"It Came Out of the Sky" is a song written by John Fogerty that was included on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It was also released as a single in some countries and has appeared on several of the group's compilation albums. It was included occasionally in the group's live set even after John Fogerty left the group and the remaining members reformed as Creedence Clearwater Revisited.
"Don't Look Now " is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album Double Nickels on the Dime.
"Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album Bayou Country. The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist. The song popularized the neologism "chooglin'."
