Blue Hawaii | ||||
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Studio album / Soundtrack by Elvis Presley | ||||
Released | October 20, 1961 | |||
Recorded | March 21–23, 1961 | |||
Genre | Pop, Hawaiian music | |||
Length | 32:02 | |||
Label | RCA Victor | |||
Producer | Steve Sholes | |||
Elvis Presley chronology | ||||
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Singles from Blue Hawaii | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
MusicHound | |
The Rolling Stone Album Guide | |
Rough Guides |
Blue Hawaii is the fourteenth album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2426, on October 20, 1961. [5] It is the soundtrack to the 1961 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on March 21, 22, and 23, 1961. [6] In the United States, the album spent 20 weeks at the number one slot and 39 weeks in the Top 10 on Billboard's Top Pop LPs chart. It was certified Gold on December 21, 1961, Platinum and 2x Platinum on March 27, 1992 and 3x Platinum on July 30, 2002 by the Recording Industry Association of America. [7] On the US Top Pop Albums chart Blue Hawaii is second only to the soundtrack of West Side Story as the most successful album of the 1960s.
Elvis Aaron Presley was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as the "King of Rock and Roll" or simply "the King".
Monaural or monophonic sound reproduction is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers. Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is "panned" to the center. In the final stage, the various center-panned signal paths are usually mixed down to two identical tracks, which, because they are identical, are perceived upon playback as representing a single unified signal at a single place in the soundstage. In some cases, multitrack sources are mixed to a one-track tape, thus becoming one signal. In the mastering stage, particularly in the days of mono records, the one- or two-track mono master tape was then transferred to a one-track lathe intended to be used in the pressing of a monophonic record. Today, however, monaural recordings are usually mastered to be played on stereo and multi-track formats, yet retain their center-panned mono soundstage characteristics.
Blue Hawaii is a 1961 American musical romantic comedy film set in the state of Hawaii and starring Elvis Presley. The screenplay by Hal Kanter was nominated by the Writers Guild of America in 1962 in the category of Best Written American Musical. The movie opened at no. 2 in box office receipts for that week and despite mixed reviews from critics, finished as the 10th top-grossing movie of 1961 and 14th for 1962 on the Variety national box office survey, earning $5 million. The film won a fourth place prize Laurel Award in the category of Top Musical of 1961.
RCA and Presley's manager, Colonel Tom Parker, had initially planned a schedule of one soundtrack and one popular music release per year for Presley, in addition to the requisite four singles. [8] To coincide with the location of the film, touches of Hawaiian music were included, from instrumentation to the traditional song "Aloha 'Oe". [9] The title song was taken from the 1937 Bing Crosby film Waikiki Wedding , and "Hawaiian Wedding Song" dates from a 1926 operetta. [10]
Thomas Andrew "Colonel Tom" Parker was the Dutch-born manager of Elvis Presley. Their partnership was uniquely successful, Elvis being an entirely new force in popular music, and Parker an entrepreneurial genius able to market him.
A soundtrack, also written sound track, can be recorded music accompanying and synchronized to the images of a motion picture, book, television program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronized recorded sound.
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences.
The songs "Can't Help Falling in Love" and "Rock-A-Hula Baby" were pulled off the album for two sides of a single released on November 21, 1961. [11] The A-side "Can't Help Falling in Love," which would become the standard closer for an Elvis Presley concert in the 1970s, went to number two on the Billboard Hot 100, while the b-side charted independently at number 23. [12]
"Can't Help Falling in Love" is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc.. The song was initially written for a woman as "Can't Help Falling in Love with Him", which explains the first and third line ending on "in" and "sin" rather than words rhyming with "you".
"Rock-A-Hula Baby ("Twist" Special)" is a 1961 song recorded by Elvis Presley and performed in the 1961 movie Blue Hawaii. The song was also released as a single.
The terms A-side and B-side refer to the two sides of 78, 45, and 331⁄3 rpm phonograph records, or cassettes, whether singles, extended plays (EPs), or long-playing (LP) records. The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side is a secondary recording that has a history of its own: some artists released B-sides that were considered as strong as the A-side and became hits in their own right. Others took the opposite approach: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
The Blue Hawaii soundtrack was nominated for a Grammy Award in 1961 in the category of Best Sound Track Album or Recording of Original Cast from a Motion Picture or Television. [13]
A Grammy Award, or Grammy, is an award presented by The Recording Academy to recognize achievements in the music industry. The annual presentation ceremony features performances by prominent artists, and the presentation of those awards that have a more popular interest. The Grammys are the second of the Big Three major music awards held annually.
The success of this soundtrack and its predecessor G. I. Blues , both of which sold in much greater quantity than Presley's two regular releases of the time, Elvis Is Back! and Something for Everybody , set the pace for the rest of the decade. [14] Parker and Presley would focus on Elvis' film career, non-soundtrack albums taking a back seat with only six during the 1960s against sixteen full-length soundtrack albums among 27 movies and the comeback special. Five songs from this album appear on the 1995 compendium soundtrack box set Command Performances: The Essential 60s Masters II : "Can't Help Falling in Love", "Rock-a-Hula Baby", "Blue Hawaii," "Hawaiian Wedding Song," and "Beach Boy Blues." [15]
Elvis Is Back! is the fourth studio album by American rock and roll singer Elvis Presley. It was released by RCA Victor in mono and stereo in April 1960. Recorded over two sessions in March and April, the album marked Presley's return to recording after his discharge from the U.S. Army. It was Presley's first album of new material since Elvis' Christmas Album (1957).
Something for Everybody is the sixth studio album by American singer and musician Elvis Presley, released on RCA Victor in mono and stereo, LPM/LSP 2370, in June 1961. Recording sessions took place on November 8, 1960, at Radio Recorders in Hollywood, and on March 12, 1961 at RCA Studio B in Nashville, Tennessee. In the United States, it peaked at number 1 on Billboard's Top Pop LPs chart. It was certified Gold on July 15, 1999 by the Recording Industry Association of America.
Blue Hawaii was reissued on compact disc in 1997 and again in 2008. The latter edition was a deluxe 2-disc release on the Follow That Dream label that featured numerous alternate takes. It also corrected the error with the 1997 issue that incorrectly reversed the stereo channels. [16]
Compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony and released in 1982. The format was originally developed to store and play only sound recordings (CD-DA) but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. The first commercially available audio CD player, the Sony CDP-101, was released October 1982 in Japan.
Side one | ||||
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No. | Title | Writer(s) | Recording date | Length |
1. | "Blue Hawaii" | Leo Robin and Ralph Rainger | March 22, 1961 | 2:36 |
2. | "Almost Always True" | Ben Weisman and Fred Wise | March 22, 1961 | 2:25 |
3. | "Aloha 'Oe" | Queen Lydia Lili'uokalani | March 21, 1961 | 1:53 |
4. | "No More" | Don Robertson, Hal Blair and Sebastián Iradier | March 21, 1961 | 2:22 |
5. | "Can't Help Falling in Love" | George David Weiss, Hugo Peretti, Luigi Creatore | March 23, 1961 | 3:01 |
6. | "Rock-A-Hula Baby" | Ben Weisman, Fred Wise, Dolores Fuller | March 23, 1961 | 1:59 |
7. | "Moonlight Swim" | Ben Weisman and Sylvia Dee | March 22, 1961 | 2:20 |
Side two | ||||
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No. | Title | Writer(s) | Recording date | Length |
1. | "Ku-U-I-Po" | George David Weiss, Hugo Peretti, Luigi Creatore | March 21, 1961 | 2:23 |
2. | "Ito Eats" | Sid Tepper and Roy C. Bennett | March 22, 1961 | 1:23 |
3. | "Slicin' Sand" | Sid Tepper and Roy C. Bennett | March 21, 1961 | 1:36 |
4. | "Hawaiian Sunset" | Sid Tepper and Roy C. Bennett | March 21, 1961 | 2:32 |
5. | "Beach Boy Blues" | Sid Tepper and Roy C. Bennett | March 23, 1961 | 2:03 |
6. | "Island of Love" | Sid Tepper and Roy C. Bennett | March 22, 1961 | 2:41 |
7. | "Hawaiian Wedding Song" | Al Hoffman, Charles King, Dick Manning | March 22, 1961 | 2:48 |
On April 29, 1997, RCA released a remastered and expanded version for compact disc. Tracks 1-7 were the seven songs from side one of the original LP and tracks 8-14 were from side two. Tracks 15-22 are bonus tracks, all of which had been recorded during the original album sessions and were previously unreleased except for "Steppin' Out of Line" which had originally appeared on the LP Pot Luck with Elvis (1962).
No. | Title | Writer(s) | Recording date | Length |
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15. | "Steppin' Out of Line" (originally issued on the Pot Luck With Elvis LP) | Ben Weisman, Fred Wise, Dolores Fuller | March 22, 1961 | 1:53 |
16. | "Can't Help Falling in Love" (movie version) | George David Weiss, Hugo Peretti, Luigi Creatore | March 23, 1961 | 1:54 |
17. | "Slicin' Sand" (alternate take 4) | Sid Tepper and Roy C. Bennett | March 21, 1961 | 1:45 |
18. | "No More" (alternate take 7) | Don Robertson and Hal Blair | March 21, 1961 | 2:35 |
19. | "Rock-A-Hula Baby" (alternate take 1) | Ben Weisman, Fred Wise, Dolores Fuller | March 23, 1961 | 2:15 |
20. | "Beach Boy Blues" (movie version) | Sid Tepper and Roy C. Bennett | March 23, 1961 | 1:58 |
21. | "Steppin' Out of Line" (movie version) | Ben Weisman, Fred Wise, Dolores Fuller | March 22, 1961 | 1:54 |
22. | "Blue Hawaii" (alternate take 3) | Leo Robin and Ralph Rainger | March 22, 1961 | 2:40 |
The Original Album | ||
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No. | Title | Length |
1. | "Blue Hawaii" | 2:37 |
2. | "Almost Always True" | 2:24 |
3. | "Aloha Oe" | 1:55 |
4. | "No More" | 2:24 |
5. | "Can't Help Falling In Love" | 3:04 |
6. | "Rock-A-Hula Baby" | 2:01 |
7. | "Moonlight Swim" | 2:22 |
8. | "Ku-U-I-Po" | 2:23 |
9. | "Ito Eats" | 1:25 |
10. | "Slicin' Sand" | 1:37 |
11. | "Hawaiian Sunset" | 2:35 |
12. | "Beach Boy Blues" | 2:05 |
13. | "Island Of Love" | 2:41 |
14. | "Hawaiian Wedding Song" | 2:53 |
New Bonus Tracks | ||
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No. | Title | Length |
15. | "Steppin' Out Of Line" (movie version) | 1:56 |
16. | "Beach Boy Blues" (movie version) | 1:59 |
17. | "Can't Help Falling In Love" (movie version) | 1:54 |
18. | "Moonlight Swim" (undubbed master) | 2:25 |
19. | "Steppin' Out Of Line" (record version) | 1:57 |
First Takes | ||
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No. | Title | Length |
20. | "Blue Hawaii" (takes 1,2,3) | 3:54 |
21. | "Almost Always True" (take 3) | 2:33 |
22. | "Aloha Oe" ([section 2] take 1) | 1:20 |
23. | "No More" (take 7) | 2:36 |
24. | "Can't Help Falling In Love" (take 13) | 2:38 |
25. | "Rock-A-Hula Baby" (takes 1, 2, 3) | 3:41 |
26. | "Moonlight Swim" (take 2) | 2:38 |
27. | "Ku-U-I-Po" (take 1) | 2:34 |
28. | "Ito Eats" (takes 1, 2) | 2:36 |
29. | "Slicin' Sand" (takes 1, 2, 3) | 2:59 |
30. | "Hawaiian Sunset" (take 1) | 2:42 |
31. | "Island Of Love" (take 8) | 3:02 |
32. | "Hawaiian Wedding Song" (take 1) | 3:00 |
Alternate Takes | ||
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No. | Title | Length |
1. | "Hawaiian Sunset" (take 2) | 2:46 |
2. | "Hawaiian Sunset" (takes 6, 3) | 3:18 |
3. | "Aloha Oe" ([section 2] take 6) | 1:19 |
4. | "Aloha Oe" ([section 2] takes 7/5) | 0:55 |
5. | "Ku-U-I-Po" (takes 2, 4, 5) | 3:55 |
6. | "Ku-U-I-Po" (takes 6, 7) | 2:51 |
7. | "No More" (takes 1, 2, 4, 8) | 6:15 |
8. | "No More" (takes 11, 15 [insert ending]) | 3:16 |
9. | "Slicin' Sand" (take 4) | 1:43 |
10. | "Slicin' Sand" (takes 5, 6, 7) | 3:32 |
11. | "Slicin Sand" (takes 8, 13, 15, 16, 14) | 4:06 |
12. | "Blue Hawaii" (takes 4, 5, 6) | 4:39 |
13. | "Ito Eats" (takes 4, 6, 5) | 2:21 |
14. | "Island Of Love" (takes 1, 2, 4, 6) | 4:31 |
15. | "Island Of Love" (takes 7, 9) | 3:16 |
16. | "Steppin' Out Of Line" ([movie version] takes 4, 5, 7/8) | 3:22 |
17. | "Steppin' Out Of Line" ([record version] takes 10, 11, 16, 15) | 4:08 |
18. | "Steppin' Out Of Line" ([tag for movie] takes 18/19) | 1:15 |
19. | "Always Almost True" (takes 2, 4, 5) | 5:11 |
20. | "Almost Always True" (takes 7, 6) | 2:52 |
21. | "Moonlight Swim" (takes 1, 4) | 3:54 |
22. | "Can't Help Falling In Love" (takes 14, 15, 16) | 3:08 |
23. | "Can't Help Falling In Love" (takes 17, 19, 20, 21, 22, 24) | 4:27 |
24. | "Can't Help Falling In Love" (takes 25, 26) | 2:15 |
Year | Chart | Position |
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1961 | Billboard Pop Albums (Billboard 200) (mono and stereo) | 1 |
1962 | UK Albums Chart [17] | |
Billboard Pop Albums (Billboard 200) (mono and stereo) | ||
Norway Albums Chart |
A Date with Elvis is a compilation album by American singer and musician Elvis Presley, issued on RCA Victor Records in July 1959. The album compiled a selection of previously released material from multiple sessions at Sun, an August 1956 recording session at 20th Century Fox Stage One and two from Radio Recorders in Hollywood. The album reached #32 on the Billboard Top Pop Albums chart.
His Hand in Mine is the fifth studio album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2328, in November 1960. It was the first of three gospel music albums that Presley would issue during his lifetime. Recording sessions took place on October 30 and 31, 1960, at RCA Studio B in Nashville, Tennessee. It peaked at #13 on the Top Pop Albums chart. It was certified Gold on April 9, 1969 and Platinum on March 27, 1992 by the Recording Industry Association of America.
Elvis' Gold Records Volume 4 is a greatest hits album by American rock and roll singer Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3921, in January 1968, with recording sessions taking place over an eight-year span at RCA Studio B in Nashville, Tennessee, and at RCA Studios and Radio Recorders in Hollywood. It is a compilation of hit singles released between 1961 and 1967, peaking at number 33 on the Billboard 200. It was certified Gold on March 27, 1992 by the Recording Industry Association of America.
Pot Luck with Elvis is the seventh studio album by American singer and musician Elvis Presley, released on RCA Victor in mono and stereo, LPM/LSP 2523, in June 1962. Recording sessions took place on March 22, 1961, at Radio Recorders in Hollywood, and on June 25 and October 15, 1961, and March 18 and March 19, 1962, at RCA Studio B in Nashville, Tennessee. It peaked at number 4 on the Billboard Top LP's chart.
Loving You is the first soundtrack album by American rock and roll singer Elvis Presley. It was released by RCA Victor Records in mono, LPM 1515, in July 1957 to accompany his first starring film, Loving You (1957). Recording sessions took place on January 15, 16, 17, and 18, 1957, at the Paramount Pictures Scoring Stage, and on January 12, 13, 19, and February 23 and 24, 1957, at Radio Recorders in Hollywood. These are the first sessions where Steve Sholes is officially listed as producer. It spent ten weeks at No. 1 on the Billboard Top Pop Albums chart. It was certified Gold on April 9, 1968 by the Recording Industry Association of America.
G.I. Blues is the third soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 2256, in October 1960. It is the soundtrack to the 1960 film of the same name in which he starred. Recording sessions took place on April 27 and 28, and May 6, 1960, at RCA Victor Studio C and Radio Recorders in Hollywood, California. The album topped the Billboard Top Pop Album chart. It was certified Gold on March 13, 1963 and Platinum on March 27, 1992 by the Recording Industry Association of America.
Double Trouble is the fifteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3787, in June 1967. It is the soundtrack to the 1967 film of the same name starring Presley. Recording sessions took place at Radio Recorders and at Metro-Goldwyn-Mayer studios in Hollywood, California, on June 28, 29, and 30, 1966. It peaked at number 47 on the Billboard 200.
Roustabout is the ninth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2999, in October 1964. It is the soundtrack to the 1964 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on March 2 and 3, and April 29, 1964. It peaked at number one on the Billboard Top LP's chart. It was certified Gold on May 20, 1988 by the Recording Industry Association of America. The album would be Presley's final soundtrack to reach number one and his last number one album until 1973's Aloha From Hawaii: Via Satellite.
King Creole is the second soundtrack album by American singer and musician Elvis Presley, issued by RCA Victor, LPM 1884 in mono in September 1958, recorded in four days at Radio Recorders in Hollywood. It contains songs written and recorded expressly for the 1958 film of the same name starring Presley, and peaked at No. 2 on the Billboard Top Pop Albums chart. It followed the film's release by over ten weeks. It was certified Gold on July 15, 1999 by the Recording Industry Association of America.
Girls! Girls! Girls! is the fifth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2426, in November 1962. It accompanied the 1962 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on March 26, 27, and 28, 1962. It peaked at number three on the Top LP's chart. It was certified Gold on August 13, 1963 by the Recording Industry Association of America.
It Happened at the World's Fair is the sixth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 2697, in April 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on August 30 and September 22, 1962. It peaked at number four on the Billboard Top Pop Albums chart.
Fun in Acapulco is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in November 1963 – the November 1 date is disputed. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 27, 1963. It peaked at number three on the Billboard Top Pop Albums chart. The album, along with the accompanying film, would be Presley's last release before the arrival of Beatlemania.
Girl Happy is the tenth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3338, in March 1965 – the March 1 date is disputed. It is the soundtrack to the 1965 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on June 10, 11, 12, and vocal overdubs by Presley on June 15, 1964. It peaked at number eight on the Top LP's chart. It was certified Gold on July 15, 1999 by the Recording Industry Association of America.
Harum Scarum is the eleventh soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3468, in November 1965. It is the soundtrack to the 1965 film of the same name starring Presley. Recording sessions took place at RCA Studio B in Nashville, Tennessee, on February 24, 25, and 26, 1965. It peaked at number eight on the Top LP's chart.
Frankie and Johnny is the twelfth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3553, on March 1, 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on May 12, 13, and 14, 1965. It peaked at number 20 on the Top LP's chart. It was certified Gold and Platinum on January 6, 2004 by the Recording Industry Association of America.
Paradise, Hawaiian Style is the thirteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3643, in June 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at number 15 on the Top LP's chart.
Spinout is the fourteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3702, on October 31, 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on February 16 and 17, 1966. It peaked at number 18 on the Top Pop Albums chart.
Clambake is the sixteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3893, in October 1967. It is the soundtrack to the 1967 film of the same name starring Presley. He entered RCA Studio B in Nashville, Tennessee on February 21, 1967 for Recording sessions for his twenty fifth film. Supplemental material sessions took place on September 10 and 11, 1967. It peaked at number 40 on the Billboard 200.
Speedway is the seventeenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3989, in mid 1968. It serves as the soundtrack album for the 1968 film Speedway starring Presley. Recording sessions took place at Metro-Goldwyn-Mayer studios in Hollywood, California, on June 20 and 21, 1967. It peaked at number 82 on the Billboard 200.