No Reason to Cry is a 1976 album by Eric Clapton, released by RSO Records. The album was released in compact disc format on 25 October 1990.
Hip Young Guitar Slinger is a compilation album of Jimmy Page's pre-Led Zeppelin studio sessions, recorded between 1962 and 1966. It was released on 4 September 2000.
Disraeli Gears is the second studio album by the British rock band Cream. It was released in November 1967 and went on to reach No. 5 on the UK Albums Chart. It was also the group's American breakthrough, becoming a massive seller in 1968, and reaching No. 4 on the American charts. The album was No. 1 for two weeks on the Australian album chart and was listed as the No. 1 album of 1968 by Cash Box in the year-end album chart in the United States. The album features the two singles "Strange Brew" and "Sunshine of Your Love".
John Weldon "J. J." Cale was an American guitarist, singer, and songwriter. Though he deliberately avoided the limelight, his influence as a musical artist has been widely acknowledged by figures such as Mark Knopfler, Neil Young and Eric Clapton, who described him as "one of the most important artists in the history of rock". He is considered to be one of the originators of the Tulsa Sound, a loose genre drawing on blues, rockabilly, country, and jazz.
For Your Love is the first American album by English rock band the Yardbirds. Released in July 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.
Live Cream is a live compilation album by the British rock band Cream, released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by Eric Clapton.
The Great Lost Kinks Album is a 1973 LP of mostly unreleased material issued by Reprise Records after The Kinks had moved to RCA. The tracks were recorded between 1966 and 1970 and master tapes were shipped to the US Reprise Label in the early 1970s to fulfil contractual obligations with that label. Kinks leader and songwriter, Ray Davies, intended most of the songs to remain unreleased "collateral" tracks for Reprise. Several other songs from these "collateral" recordings had been released on the 1972 Reprise compilation The Kink Kronikles.
A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. It was first released by Blue Note Records as a 10" LP and then as a 12" LP containing material from the second 10" album. It was reissued for the first time on CD in 1987 with two additional tracks, previously released on a 2 LP Compilation in 1975 called Live Messengers (BN-LA473-J2). The CD was reissued again in 2001 as an "RVG Edition" remastered by Rudy Van Gelder with the tracks in a different order. The 1987 CD used the second 12" LP cover, the 2001 CD revived the original 10" LP cover.
Eric Clapton and the Powerhouse was a British blues rock studio group formed in 1966. They recorded three songs, which were released on the Elektra Records sampler album What's Shakin' in 1966. A possible fourth song remained unreleased.
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. A moderately slow number, it was inspired by an earlier blues song and became a number one U.S. R&B chart hit. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds who had a number 17 pop hit in the U.S. in 1965.
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979 ; this album was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 6 is a compilation album among the LP's in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP were released as English Freakbeat, Volume 6.
Michael William Hugh "Mike" Vernon is an English music executive studio owner, and record producer from Harrow, Middlesex. He produced albums for British blues artists and groups in the 1960s, working with the Bluesbreakers, David Bowie, Duster Bennett, Savoy Brown, Chicken Shack, Climax Blues Band, Eric Clapton, Fleetwood Mac, Peter Green, Danny Kirwan, John Mayall, Christine McVie and Ten Years After amongst others.
What's Shakin' is a compilation album released by Elektra Records in June 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
The All-Stars were a short-lived English blues combo active in the early-mid 1960s that later evolved into a studio supergroup. Originally known as the Cyril Davies (R&B) All-Stars, their later recordings are often credited to the Immediate All-Stars due to their strong ties to Immediate Records. In 1999, the group reformed as the Carlo Little All-Stars.
Santa Barbara Machine Head were a short-lived British electric blues combo that formed and disbanded in 1967. They recorded three instrumental songs together for Immediate Records; "Albert", "Porcupine Juice" and "Rubber Monkey", written by Jon Lord and Gus Dudgeon, released in 1968 on the compilation album Blues Anytime Vol. 3. All four members later went on to achieve success and notoriety with other bands.
Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
"A Certain Girl" is a rhythm and blues song written by Allen Toussaint, with the credit listed under his pen name Naomi Neville. New Orleans R&B singer Ernie K-Doe recorded it in 1961. Minit Records released the song as the B-side of "I Cried My Last Tear".
