Book rebinding

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A book whose pages have been restored, which is now ready for rebinding Knjiga nakon procesa restauracije, spremna za prepovez.JPG
A book whose pages have been restored, which is now ready for rebinding

Book rebinding is the renewal or replacement of the cover of a book. Typically, this requires restitching or renewal of the glue which holds the pages in place.

Contents

Libraries may rebind books for durability or archival purposes, or for repair.

Collectors of antique books such as incunabula have often had items rebound. This might be done to improve their appearance by rebinding in a more fashionable colour or to assert ownership by having the book rebound in uniform covers which were stamped with an insignia such as a coat of arms. One prominent collector who had this done was Earl Spencer. For example, when he acquired a medieval psalter of 1457, which was bound in pigskin on wooden boards, he had it rebound in mauve velvet over cardboard. The Bodelian Library rebound additions to its collection for functional reasons—to indicate value and importance. The Bibliothèque nationale de France requested 6600 francs for bookbinding in the eighth year of the revolutionary calendar, "those which come from our conquests in Germany and Italy, and while infinitely precious, they have arrived to us in a deplorable state". [1]

Notable examples

Birds of America

One of the plates painted by Audubon -- Dendroica auduboni Dendroica auduboni (Audubon).jpg
One of the plates painted by Audubon — Dendroica auduboni

The four-volume copy of Audubon's Birds of America held in the Royal Collection was rebound in 2011 by conservators at Windsor Castle. The volumes are especially large and heavy, being printed on double elephant paper of about 50 by 28 inches, and weighing over 50 pounds. The plates, which were published loose, had been originally bound by the royal bookbinder, James Mackenzie, around 1840. That leather cover had perished and the tight sewing of the pages made viewing difficult as the pages might tear. The rebinding was done in nine stages: [2]

  1. the volumes were taken apart by cutting away the spine, cords, and stitching, and removing the glue
  2. the plates were separated, cleaned, repaired and pressed flat
  3. paper guards were added to the spinal edge of the plates—strips of paper which would bear the new sewing
  4. the plates were grouped into sections of four which were then sewn to linen tapes
  5. the spines of the plates assembled for a volume were then rounded by beating with a hammer
  6. new headbands of linen-covered vellum were added
  7. new covers were made in the original style—boards covered with book cloth and leather reinforcement on the spine and corners
  8. the original pastedowns and endpapers of marbled paper were restored for the inside of the cover
  9. the leather of the cover was then tooled with hot brass and gold leaf to restore the titles and decoration in the style of the original binding

Related Research Articles

Hardcover Book bound with a rigid protective cover

A hardcover, hard cover, or hardback book is one bound with rigid protective covers. It has a flexible, sewn spine which allows the book to lie flat on a surface when opened. Following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk.

Library binding can be divided into the two major categories of "original" and "after market". The original category is as it says: the book was originally bound with the idea that it would be used in a library setting where the book would receive harder use than those usual trade editions sold to the public.

Dust jacket Paper wrapper for a book

The dust jacket of a book is the detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that hold it to the front and back book covers.

Treasure binding

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book-covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

Traditional Chinese bookbinding

Traditional Chinese bookbinding, also called stitched binding, is the method of bookbinding that the Chinese, Koreans, Japanese, and Vietnamese used before adopting the modern codex form.

Dos-à-dos binding Type of book binding

In bookbinding, a dos-à-dos binding is a binding structure in which two separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both. When shelved, the spine of the book to the right faces outward, while the spine of the book to the left faces the back of the shelf; the text of both works runs head-to-tail.

Bindery

Bindery refers to a studio, workshop or factory where sheets of (usually) paper are fastened together to make books, but also where gold and other decorative elements are added to the exterior of books, where boxes or slipcases for books are made and where the restoration of books is carried out.

John Ratcliff of the seventeenth century is the first identifiable bookbinder in America, known for binding Eliot's Indian Bible in 1663. Ratcliff, who came from London, England, worked as a bookbinder in Boston, Massachusetts for about twenty years, from approximately 1662–1682.

Coptic binding

Coptic binding or Coptic sewing comprises methods of bookbinding employed by early Christians in Egypt, the Copts, and used from as early as the 2nd century AD to the 11th century. The term is also used to describe modern bindings sewn in the same style.

Long-stitch bookbinding

Longstitch is a bookbinding technique used for sewing together the sections of a book. There are different forms of longstitch sewings. Longstitch binding does not require glue, though there are methods that utilize glue. In his book Non Adhesive Bindings, Keith Smith describes the "Longstitch through a slotted cover" and it involves sewing each section directly through the cover where slots have been made at each sewing station. This sewing method creates a staggered line pattern visible on the spine. Keith Smith indicates that this type of longstitch was used as early as the 18th century in some parts of Europe, and possibly earlier.

Finishing (bookbinding)

In bookbinding, finishing refers to the process of decorating the outside of a book, including the lettering of the spine and covers, any additional tooling, and any inlays and onlays. Finishing can also include the gilding or other decoration of the edges of the book's pages.

Section (bookbinding)

In bookbinding, a section, gathering, or signature is a group of sheets folded in half, to be worked into the binding as a unit.

Oversewn bindings are a type of bookbinding produced by sewing together loose leaves of paper to form a text block. Threads pass through small holes that have been punched in the signature's gutter margin, forming overlock stitches that attach it to previously attached sections. This method of stitching is sometimes called stab sewing. A piece of linen is then glued to the text block spine for further support. The book's spine may be rounded and backed to keep it from caving in, but if the text block is too thick, the spine is sometimes left flat. A strip of cloth called a super is then often affixed to the spine of the text block and then to the boards of the case. Oversewing can be done by hand but is usually done with a machine in a bindery.

Felbrigge Psalter

The Felbrigge Psalter is an illuminated manuscript Psalter from mid-13th century England that has an embroidered bookbinding which probably dates to the early 14th century. It is the oldest surviving book from England to have an embroidered binding. The embroidery is worked in fine linen with an illustration of the Annunciation on the front cover and an illustration of the Crucifixion on the back.

Limp binding is a bookbinding method in which the book has flexible cloth, leather, vellum, or (rarely) paper sides. When the sides of the book are made of vellum, the bookbinding method is also known as limp vellum.

Bookbinding Process of assembling a book

Bookbinding is the process of physically assembling a book of codex format from an ordered stack of paper sheets that are folded together into sections called signatures or sometimes left as a stack of individual sheets. Several signatures are then bound together along one edge with a thick needle and sturdy thread. Alternative methods of binding that are cheaper but less permanent include loose-leaf rings, individual screw posts or binding posts, twin loop spine coils, plastic spiral coils, and plastic spine combs. For protection, the bound stack is either wrapped in a flexible cover or attached to stiff boards. Finally, an attractive cover is adhered to the boards, including identifying information and decoration. Book artists or specialists in book decoration can also greatly enhance a book's content by creating book-like objects with artistic merit of exceptional quality.

Bradel binding

A Bradel binding is a style of book binding with a hollow back. It most resembles a case binding in that it has a hollow back and visible joint, but unlike a case binding, it is built up on the book. Characteristic of the binding is that the material covering the outside boards is separate from that covering the spine. Many bookbinders consider the Bradel binding to be stronger than the Case binding.

Conservation and restoration of books, manuscripts, documents and ephemera

The conservation and restoration of books, manuscripts, documents and ephemera is an activity dedicated to the preservation and protection of items of historical and personal value made primarily from paper, parchment, and leather. When applied to cultural heritage, conservation activities are generally undertaken by a conservator. The primary goal of conservation is to preserve the lifespan of the object as well as maintaining its integrity by keeping all additions reversible. Conservation of books and paper involves techniques of bookbinding, restoration, paper chemistry, and other material technologies including preservation and archival techniques.

August Sandgren Danish bookbinder

August Sandgren was a Danish bookbinder. He was one of the best craftsmen of Denmark and a great designer who never compromised with the techniques of bookbinding.

Embroidered binding

Embroidered binding, also referred to as needlework or textile binding, describes a book bound in textile, decorated with a design on both covers created for the individual book.

References

  1. Jensen, Kristian (2011). "Commemorating and obliterating the past". Revolution and the Antiquarian Book: Reshaping the Past, 1780–1815. Cambridge University Press. pp. 137–175. ISBN   9781107000513.
  2. The rebinding of Audubon's 'Birds of America', Royal Collection Trust

See also