Boy Meets Girl | |
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![]() theatrical release poster | |
Directed by | Lloyd Bacon |
Screenplay by | Bella Spewack Sam Spewack |
Based on | Boy Meets Girl 1935 play by Bella Spewack and Sam Spewack |
Produced by | Samuel Bischoff |
Starring | James Cagney Pat O'Brien |
Cinematography | Sol Polito |
Edited by | William Holmes |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 86 minutes |
Country | United States |
Language | English |
Boy Meets Girl is a 1938 American screwball comedy film directed by Lloyd Bacon and starring James Cagney and Pat O'Brien. The supporting cast features Marie Wilson, Ralph Bellamy, Frank McHugh, Dick Foran and Ronald Reagan. [1] [2] The screenplay by Bella and Sam Spewack is based on their 1935 stage play of the same name, [3] [4] [5] which ran for 669 performances on Broadway. [6] The two zany screenwriters played by Cagney and O'Brien were based on Ben Hecht and Charles MacArthur, while Ralph Bellamy's part as the producer was based on Darryl Zanuck of 20th Century Fox. [7]
Two screenwriters, Law and Benson (James Cagney and Pat O'Brien), are in need of a story for cowboy star Larry Toms (Dick Foran). When studio waitress Susie Seabrook (Marie Wilson) faints in the office of producer C.F. Friday (Ralph Bellamy) because she is pregnant, the writers get an idea for a story about a cowboy and a baby, and cast Susie's unborn baby Happy in the part. The story will be the classic Hollywood tale: Boy meets girl, boy loses girl, boy gets girl. When they all leave to sell the idea to their boss, Susie meets and is intrigued by, Rodney Bowman (Bruce Lester), a good-looking young Englishman who is an extra on one of the studio's films.
Larry is tired of having a scene-stealing baby as a co-star, and his agent, Rossetti (Frank McHugh), devises a scheme to have Larry woo Susie in order to marry her and, as Happy's father, get him out of show business and into a normal life. When they hear about this, Benson and Law hire Rodney, unaware that Susie knows him, to pretend to be Susie's long-lost husband, Happy's father; Rodney thinks it's just an acting job, and is not in on the deception. Their plan works, and Larry disavows any planned future with Susie, but an unwanted result is that Baby Happy is fired due to the scandal.
When their plot is exposed, the two writers are fired, and Law makes plans to move to Vermont to suffer and write the Great American Novel, but Benson, whose wife has just left him, is too deep in debt to leave - so they come up with another plan. They have a friend in London send a wire to B.K. (Pierre Watkin), the head of the studio, with an offer from a British studio to buy it, as long as Baby Happy is under contract. Under the circumstances, Happy, Benson and Law are all re-hired.
Just then, Rodney bursts into the office and asks Susie to marry him and come to England. Benson and Law try to persuade Susie that Rodney is a no-good cheat and philanderer only after her money, but the American representative of the British studio shows up to identify him as the son of an English lord. The rep also reveals that the plan to purchase the studio is a fraud. Producer C.F. wants to fire Benson and Law again, but their new contracts are iron-clad. Susie leaves with Rodney, heading for England, and C.F. learns that his wife is pregnant.
According to The Hollywood Reporter Marion Davies was originally considered to play Susie. The media has speculated on several reasons for the change in casting. One is that Davies' lover, William Randolph Hearst, rejected the film for Davies because he thought it was too racy for her. [8] Another is that Hearst rejected the film because his Cosmopolitan Productions was severing relations with Warner Bros. Another possible reason is that Davies rejected the role herself, upset with cast changes for the film or with the size of her part. In any case, Davies did not do the picture, and never made another film. [7]
Boy Meets Girl was Cagney's eighth picture with comedy-specialist director Lloyd Bacon, out of the nine they would eventually make together; it was also Pat O'Brien's eighth out of an eventual ten with Bacon, and the fifth of nine to pair Cagney and O'Brien. Cagney, O'Brien, their Boy Meet Girl co-stars Ralph Bellamy and Frank McHugh, along with Spencer Tracy and Frank Morgan, called themselves "The Boys Club" and had dinner together on Thursday nights. [7]
In the scene which takes place at a glitzy Hollywood movie premiere, with Ronald Reagan – newly signed to Warner Bros. – playing the radio announcer, the name of the film is given as The White Rajah, starring Errol Flynn. This was the name of a script actually written by Flynn, but rejected for production as being too weak. Supposedly, Flynn was not happy with the in-joke. [7]
Reviewers at the time of release thought that the requirements of the Hays Office censors regarding Susies's pregnancy caused the satire of the original play to be less effective in the film. [8]
Boy Meets Girl was presented on Old Gold Comedy Theatre May 20, 1945. The 30-minute adaptation starred Ann Sothern, Chester Morris, and Lee Tracy. [9]
James Francis Cagney Jr. was an American actor, dancer and film director. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances. Cagney is remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), The Roaring Twenties (1939), City for Conquest (1940) and White Heat (1949), finding himself typecast or limited by this reputation earlier in his career. He was able to negotiate dancing opportunities in his films and ended up winning the Academy Award for his role in the musical Yankee Doodle Dandy (1942). In 1999 the American Film Institute ranked him eighth on its list of greatest male stars of the Golden Age of Hollywood. Orson Welles described him as "maybe the greatest actor who ever appeared in front of a camera".
Here Comes the Navy is a 1934 American romantic comedy film written by Earl Baldwin and Ben Markson and directed by Lloyd Bacon. The film stars James Cagney, Pat O'Brien, Gloria Stuart and Frank McHugh. Stuart was Oscar-nominated 63 years later for another nautical epic, Titanic (1997).
Footlight Parade is a 1933 American pre-Code musical film starring James Cagney, Joan Blondell, Ruby Keeler and Dick Powell and featuring Frank McHugh, Guy Kibbee, Hugh Herbert and Ruth Donnelly. The film was written by Manuel Seff and James Seymour based on a story by Robert Lord and Peter Milne, and was directed by Lloyd Bacon, with musical numbers created and directed by Busby Berkeley. The film's songs were written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics), and include "By a Waterfall", "Honeymoon Hotel" and "Shanghai Lil".
Meet Me in St. Louis is a 1944 American Christmas musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis leading up to the opening of the Louisiana Purchase Exposition in the spring of 1904. The film stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll.
Clara Lou "Ann" Sheridan was an American actress and singer. She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
Ralph Rexford Bellamy was an American actor whose career spanned 65 years on stage, film, and television. During his career, he played leading roles as well as supporting roles, garnering acclaim and awards, including a Tony Award for Best Actor in a Play for Sunrise at Campobello as well as Academy Award for Best Supporting Actor nomination for The Awful Truth (1937).
Alan Hale Sr. was an American actor and director. He is best remembered for his many character roles, in particular as a frequent sidekick of Errol Flynn, as well as films supporting Lon Chaney, Wallace Beery, Douglas Fairbanks, James Cagney, Clark Gable, Cary Grant, Humphrey Bogart, and Ronald Reagan. Hale was usually billed as Alan Hale and his career in film lasted 40 years. His son, Alan Hale Jr., also became an actor and remains most famous for playing "the Skipper" on the television series Gilligan's Island.
Lloyd Francis Bacon was an American screen, stage and vaudeville actor and film director. As a director he made films in virtually all genres, including westerns, musicals, comedies, gangster films, and crime dramas. He was one of the directors at Warner Bros. in the 1930s who helped give that studio its reputation for gritty, fast-paced "torn from the headlines" action films. And, in directing Warner Bros.' 42nd Street, he joined the movie's song-and-dance-number director, Busby Berkeley, in contributing to "an instant and enduring classic [that] transformed the musical genre."
William Joseph Patrick O'Brien was an American film actor with more than 100 screen credits. Of Irish descent, he often played Irish and Irish-American characters and was referred to as "Hollywood's Irishman in Residence" in the press. One of the best-known screen actors of the 1930s and 1940s, he played priests, cops, military figures, pilots, and reporters. He is especially well-remembered for his roles in Knute Rockne, All American (1940), Angels with Dirty Faces (1938), and Some Like It Hot (1959). He was frequently paired onscreen with Hollywood star James Cagney. O'Brien also appeared on stage and television.
John Elmer Carson, known as Jack Carson, was a Canadian-born American film actor. Carson often played the role of comedic friend in films of the 1940s and 1950s, including The Strawberry Blonde (1941) with James Cagney and Arsenic and Old Lace (1944) with Cary Grant. He appeared in such dramas as Mildred Pierce (1945), A Star is Born (1954), and Cat on a Hot Tin Roof (1958). He worked for RKO and MGM, but most of his notable work was for Warner Bros.
John Nicholas "Dick" Foran was an American actor, known for his performances in Western musicals and for playing supporting roles in dramatic pictures.
Francis Curry McHugh was an American stage, radio, film and television actor.
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The Irish in Us is a 1935 American comedy film directed by Lloyd Bacon and starring James Cagney, Pat O'Brien, and Olivia de Havilland. Written by Earl Baldwin based on a story by Frank Orsatti, the film is about an Irish family consisting of a mother and three sons: a cop, a fireman, and a boxing promoter. Encouraged to find a real job, the boxing promoter makes one last attempt by promoting a fighter he believes will bring him a fortune. The Irish in Us was released in the United States by Warner Bros. Pictures on August 3, 1935. The supporting cast features Frank McHugh and J. Farrell MacDonald.
Over the Wall is a 1938 American drama film directed by Frank McDonald and written by Crane Wilbur and George Bricker, based on a story by Lewis E. Lawes. The film stars Dick Foran, June Travis, John Litel, Dick Purcell, Veda Ann Borg and George E. Stone. The film was released by Warner Bros. on April 2, 1938.
Indianapolis Speedway is a 1939 American drama film directed by Lloyd Bacon and written by Sig Herzig and Wally Kline.The film stars Ann Sheridan, Pat O'Brien, John Payne, Gale Page, Frank McHugh and Grace Stafford. The film was released by Warner Bros. on August 5, 1939.
Boy Meets Girl is a three-act, seven-scene play, written by Bella and Samuel Spewack, staged and produced by George Abbott. It is a farce with a large cast, fast pacing, two settings and a film sequence. The action centers around two scenarists at the Royal Studios in Hollywood, their volatile producer, the fading western actor they write for, and a pregnant single waitress whose baby they turn into a film star. The play's title comes from a trope common to early film plots: Boy Meets Girl, Boy Loses Girl, Boy Gets Girl. Though not original to the play, the phrase received a boost in popular usage as a result.