A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
Mayan or Maya mythology is part in of Mesoamerican mythology and comprises all of the Maya tales in which personified forces of nature, deities, and the heroes interacting with these play the main roles. The legends of the era have to be reconstructed from iconography. Other parts of Mayan oral tradition are not considered here.
In Maya mythology, Cabaguil was a solar god who assisted in the creation of human beings.
The Tupi-Guarani mythology is the set of narratives about the gods and spirits of the different Tupi-Guarani peoples, ancient and current. Together with the cosmogonies, anthropogonies and rituals, they form part of the religion of these peoples.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways.
The cosmic egg, world egg or mundane egg is a mythological motif found in the cosmogonies of many cultures and civilizations, including in Proto-Indo-European mythology. Typically, there is an egg which, upon "hatching", either gives rise to the universe itself or gives rise to a primordial being who, in turn, creates the universe. The egg is sometimes lain on the primordial waters of the Earth. Typically, the upper half of the egg, or its outer shell, becomes the heaven (firmament) and the lower half, or the inner yolk, becomes the Earth. The motif likely stems from simple elements of an egg, including its ability to offer nourishment and give rise to new life, as is reflected by the Latin proverb omne vivum ex ovo.
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions.
Georgian mythology refers to the mythology of pre-Christian Georgians, an indigenous Caucasian ethnic group native to Georgia and the South Caucasus. The mythology of the Kartvelian peoples is believed by many scholars to have formed part of the religions of the kingdoms of Diauehi, Colchis and Iberia.
Tupã or Tupan is the word for God in the Tupi and Guarani languages, including the Guarani creation myth.
Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world. The Pyramid Texts, tomb wall decorations, and writings, dating back to the Old Kingdom have provided the majority of information regarding ancient Egyptian creation myths. These myths also form the earliest recorded religious compilations in the world. The ancient Egyptians had many creator gods and associated legends. Thus, the world or more specifically Egypt was created in diverse ways according to different parts of ancient Egypt. Some versions of the myth indicate spitting, others masturbation, as the act of creation. The earliest god, Ra and/or Atum, emerged from a chaotic state of the world and gave rise to Shu (air) and Tefnut (moisture), from whose union came Geb (earth) and Nut (sky), who in turn created Osiris, Isis, Set, and Nephthys. An extension to this basic framework was the Osiris myth involving Osiris, his consort Isis, and their son Horus. The murder of Osiris by Set, and the resulting struggle for power, won by Horus, provided a powerful narrative linking the ancient Egyptian ideology of kingship with the creation of the cosmos.
Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.
A cosmic ocean, primordial waters, or celestial river is a mythological motif that represents the world or cosmos enveloped by a vast primordial ocean. Found in many cultures and civilizations, the cosmic ocean exists before the creation of the Earth. From the primordial waters the Earth and the entire cosmos arose. The cosmic ocean represents or embodies chaos. The concept of a watery chaos also underlies the widespread motif of the worldwide flood that took place in early times. The emergence of earth from water and the curbing of the global flood or underground waters are usually presented as a factor in cosmic ordering.
Mbombo, also called Bumba, is the creator god in the religion and mythology of the Kuba people of Central Africa in the area that is now known as Democratic Republic of the Congo. In the Mbombo creation myth, Mbombo was a giant in form and white in color. The myth describes the creation of the universe from nothing.
The Ainu historically have their own language and a rich repertoire of oral literature. The stories are particularly delivered through the genre of Kamui Yukar, which are long narratives of heroic exploits involving spiritual beings such as animals, plants, and natural phenomena. As result of assimilation, most of the Ainu people are Japanese speakers and do not speak the Ainu language. The literature now exists in forms of written texts which have been fixed but still remain to be many versions of the same tales. The Ainu creation myths are the traditional creation accounts of the Ainu peoples of Japan. These myths reflect the Ainu worldview that attributes subjectivity and agency to nonhuman entities, considering them as conscious beings with the ability to communicate and interact with humans. Although Ainu mythology has characteristics in common with the Japanese, whom they have interacted with for since the early 19th century, their creation myth remains their own.
Akongo is a Creator God in African mythology. He is worshipped by the Ngombe people of the Congo.
The creation of life from clay can be seen as a miraculous birth theme that appears throughout world religions and mythologies. It can also be seen as one of gods who craft humans out of earthly materials. As such, this class of story falls within a larger set of divine or cosmogonic origin stories about creation, whether through divine emergence or divine craft.
The Slavic creation myth is a cosmogonic myth in Slavic mythology that explains how the world was created, who created it, and what principles guide it. This myth, in its Christianized form, survived until the nineteenth and twentieth century in various parts of the Slavdom in chronicles or folklore. In the Slavic mythology there are three versions of this myth: the first version is the so-called earth-diver myth, which intertwines two main motifs: the dualistic motif – the cooperation of God and the Devil is required to create the world, and the oceanic motif – the pre-existence water, where the seed of the Earth comes from; the second version speaks about the origin of the universe and the world from the Cosmic Egg and the World Tree; the third one about creation from a dismemberment of a primordial being.
Nzame is the supreme creator god featured in the mythologies of the Fang people of Equatorial Guinea, Gabon, and Cameroon. The name is used to refer to a trinity of deities, which included Nzame, Mebere and Nkwa and is also used in reference to Nzame, one of the members of this trinity.
