Year 1507 (MDVII) was a common year starting on Friday of the Julian calendar.
This article contains information about the literary events and publications of 1510.
William Dunbar was a Scottish makar, or court poet, active in the late fifteenth and early sixteenth centuries. He was closely associated with the court of King James IV and produced a large body of work in Scots distinguished by its great variation in themes and literary styles. He was probably a native of East Lothian, as assumed from a satirical reference in The Flyting of Dumbar and Kennedie. His surname is also spelt Dumbar.
A chapbook is a small publication of up to about 40 pages, sometimes bound with a saddle stitch.
Gilbert Hay or Sir Gilbert the Haye, Scottish poet and translator, was perhaps a kinsman of the house of Errol.
The Aberdeen Breviary is a 16th-century Scottish Catholic breviary. It was the first full-length book to be printed in Edinburgh, and in Scotland.
The Flyting of Dunbar and Kennedie is the earliest surviving example of the Scottish version of the flyting genre in poetry. The genre takes the form of a contest, or "war of words", between two poets, each trying to outclass the other in vituperation and verbal pyrotechnics. It is not certain how the work was composed, but it is likely to have been publicly performed, probably in the style of a poetic joust by the two combatants, William Dunbar and Walter Kennedy, before the Court of James IV of Scotland.
The Eneados is a translation into Middle Scots of Virgil's Latin Aeneid, completed by the poet and clergyman Gavin Douglas in 1513.
The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace, also known as The Wallace, is a long "romantic biographical" poem by the fifteenth-century Scottish makar of the name Blind Harry, probably at some time in the decade before 1488. As the title suggests, it commemorates and eulogises the life and actions of the Scottish freedom fighter William Wallace who lived a century and a half earlier. The poem is historically inaccurate, and mentions several events that never happened. For several hundred years following its publication, The Wallace was the second most popular book in Scotland after the Bible.
Nationality words link to articles with information on the nation's poetry or literature.
The Complaint of the Black Knight is a poem by the English monk John Lydgate.
The Knightly Tale of Gologras and Gawain is a Middle Scots Arthurian romance written in alliterative verse of 1362 lines, known solely from a printed edition of 1508 in the possession of the National Library of Scotland. No manuscript copy of this lively and exciting tale has survived.
Androw Myllar was the first Scottish printer.
Remonstrance to the King is a Scots poem of William Dunbar composed in the early sixteenth century. The Remonstrance is one of Dunbar's many appeals to his patron James IV of Scotland asking for personal advancement. In this particular case, the unseemly personal pleading is combined with more dignified subject matter; lavish praise and pointed criticism of the King's court is delivered in an open manner.
Walter Chepman was a Scottish merchant, notary and civil servant active in the late fifteenth and early sixteenth centuries. Chepman served at the Scottish court during the reigns of James IV and James V. In partnership with Androw Myllar he established Scotland's first printing press in 1508. Chepman was also a significant patron of Saint Giles' Kirk in Edinburgh.
Robert Waldegrave or Walgrave, the son of Richard Waldegrave of Blockley, Worcestershire, was a 16th-century printer and publisher in England and Scotland. From 1578 to 1588 he printed numerous, mainly religious works in London, and from 1590 to 1603, more than 100 books in Scotland. In 1603, following King James I of England's accession to the English throne, he returned to England, but died later the same year.
Literature in early modern Scotland is literature written in Scotland or by Scottish writers between the Renaissance in the early sixteenth century and the beginnings of the Enlightenment and Industrial Revolution in mid-eighteenth century. By the beginning of this era Gaelic had been in geographical decline for three centuries and had begun to be a second class language, confined to the Highlands and Islands, but the tradition of Classic Gaelic Poetry survived. Middle Scots became the language of both the nobility and the majority population. The establishment of a printing press in 1507 made it easier to disseminate Scottish literature and was probably aimed at bolstering Scottish national identity.
Scots-language literature is literature, including poetry, prose and drama, written in the Scots language in its many forms and derivatives. Middle Scots became the dominant language of Scotland in the late Middle Ages. The first surviving major text in Scots literature is John Barbour's Brus (1375). Some ballads may date back to the thirteenth century, but were not recorded until the eighteenth century. In the early fifteenth century Scots historical works included Andrew of Wyntoun's verse Orygynale Cronykil of Scotland and Blind Harry's The Wallace. Much Middle Scots literature was produced by makars, poets with links to the royal court, which included James I, who wrote the extended poem The Kingis Quair. Writers such as William Dunbar, Robert Henryson, Walter Kennedy and Gavin Douglas have been seen as creating a golden age in Scottish poetry. In the late fifteenth century, Scots prose also began to develop as a genre. The first complete surviving work is John Ireland's The Meroure of Wyssdome (1490). There were also prose translations of French books of chivalry that survive from the 1450s. The landmark work in the reign of James IV was Gavin Douglas's version of Virgil's Aeneid.
St. Lesmo of Glen Tanar is the name given to a holy hermit who it is believed lived in Glen Tanar Aberdeenshire Scotland in the eighth century. He is recorded by Thomas Dempster as a "saint" in the seventeenth century. His claimed Saints’ Day is 9 December.
The 1604 Book of Common Prayer, often called the Jacobean prayer book or the Hampton Court Book, is the fourth version of the Book of Common Prayer as used by the Church of England. It was introduced during the early English reign of James I as a product of the Hampton Court Conference, a summit between episcopalian, Puritan, and Presbyterian factions. A modest revision of the 1559 prayer book, the Jacobean prayer book became the basis of the 1662 Book of Common Prayer, a still-authorized liturgical book within the Church of England and global Anglicanism.
