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The Church of the Nativity of the Theotokos (Serbian : Црква рођења пресвете Богородице, romanized: Crkva rođenja presvete Bogorodice) in Sremska Kamenica is a Serbian Orthodox church in Sremska Kamenica, Vojvodina, Serbia. Church is dedicated to Nativity of the Theotokos and was built between 1737 and 1758. The church is a single-nave building with a semi-shaped vault, and rectangular choir areas, large altar apse. [1] The original iconostasis (1753) and frescos (1754) were painted by Jov Vasilijevich and Vasa Ostojić in which they combine traditional Orthodox iconography with Baroque style. [1] The church as protected as a cultural heritage by the authorities of the Autonomous Province of Vojvodina in 1949. [2]
The church is known for the st. Michael icon in front of which conspirators of the 1903 May Coup swore that they will overthrow Alexander I of Serbia. [2]
The Cathedral Church of the Nativity of the Theotokos is the largest Serbian Orthodox church in Sarajevo and one of the largest in the Balkans. The cathedral is designated National Monument of Bosnia and Herzegovina by the KONS.
Religious architecture in Novi Sad is very diverse. Majority of the believers in Novi Sad are from Serbian Orthodox Church, while others are from Roman Catholic Church, many Protestant churches, and Jewish community. Stari Grad is the place with the majority of churches and temples, and they were all built in the 18th and 19th century.
The Serbian Orthodox Church of the Holy Prince Lazar, also known as Lazarica (Лазарица), is a Serbian Orthodox church located at Cob Lane in Bournville, Birmingham, England and was built for political refugees from Yugoslavia after World War II, with the support of the exiled Prince Tomislav of Yugoslavia. Serbs have been associated with Bournville since Dame Elizabeth Cadbury sponsored thirteen Serbian refugee children of World War I.
The Serbian Orthodox Eparchy of Düsseldorf and all of Germany, officially renamed in 2018, and formerly known as Serbian Orthodox Eparchy of Central Europe, is a Serbian Orthodox Church diocese in Germany. It has its headquarters in Düsseldorf, Germany.
Eparchy of Osječko polje and Baranja is an eparchy (diocese) of the Serbian Orthodox Church encompassing easternmost areas of Croatia, with seat in Dalj.
The Church of the Nativity of the Most Holy Mother of God is a Serbian Orthodox Church in Obiliq, Kosovo. As of 2008, it serves some 2,200 Serbs in the municipality of Obiliq. It is ecclesiastically part of the Eparchy of Raška and Prizren.
Church of the Dormition of the Theotokos in Negoslavci is Serbian Orthodox church in eastern Croatia. The church is dedicated to the Dormition of the Theotokos. Beside the church is new parish house. The building and its inventory are separately listed in Register of Cultural Goods of Croatia. The construction activities were completed in 1757.
The Church of the Holy Annunciation is a Serbian Orthodox church in Dubrovnik, south Croatia. It was built in 1877.
Church of the Nativity of the Theotokos in Gaboš is Serbian Orthodox church in eastern Croatia. Restoration of church in Gaboš were funded by the Ministry of Religion of Serbia, Ministry of culture from Croatia and donations.
Church of the Presentation of the Blessed Virgin Mary was a Serbian Orthodox Church located in the village of Belo Polje, in the municipality of Peja, Kosovo and Metohija.
The Church of the Nativity of Christ, also known as The Old Church, is a Serbian Orthodox church building located in Pirot in the district of the same name in southeastern Serbia. It is listed as a Protected Monument of Culture.
Church of St. Nicholas in Mikluševci is Serbian Orthodox church in eastern Croatia. The church was constructed in period between 1758 and 1766 at the site of an earlier wooden Orthodox church which in 1756 served 31 Orthodox household in the village. This wooden church was dedicated to St. Nicholas as well. From the 19th century onward the village was settled by Greek Catholic Pannonian Rusyns settlers from Carpathian Ruthenia which changed religious structure of the settlement. In 1880 out of 712 inhabitants 467 were Greek Catholic, 227 Eastern Orthodox, 11 Roman Catholic and 7 Jewish. Parrish Hall of the Church of St. Nicholas was destroyed two times in history, once during the World War II and in 1991 again during the Croatian War of Independence. Iconostasis, which is the main property of the Church of St. Nicholas, is since Croatian War of Independence kept and under restoration of Matica srpska in Novi Sad. Today the village of Mikluševci are not an independent Serbian Orthodox parish but are part of the Sotin parish.
Church of the Nativity of Saint John the Baptist in Ostrovo is Serbian Orthodox church in eastern Croatia dedicated to the Nativity of Saint John the Baptist. The church was constructed between 1747 and 1752. Before the current building was constructed there was a wooden church at the same site at least since the 1733 when it was reported in a historical document. This older church was dedicated to Pentecost. The current church was blessed by Parteniy Pavlovich on 18 June 1752. Over the years church changed its iconostasis on three occasions. The building was reconstructed in 1899, 1934, 1984 and 2005. The last reconstruction followed after the damage that occurred during the Croatian War of Independence. Prior to reconstruction, the building was included in the list of preventively protected heritage of the Register of Cultural Goods of Croatia where it stayed until 2007.
The Church of St. Nicholas in Erdevik is Serbian Orthodox church in Vojvodina, Serbia. The church was constructed in 1804. The building is one of three churches in the village with the second one being Roman Catholic church from 1890 and the third Slovak Evangelical Church from 1902. Iconostasis of the church was painted in 1807 by Georgije Bakalović. The church is a single-nave building with a semicircular altar apse in the east, and a representative bell tower. The Institute for the Protection of Cultural Monuments of Sremska Mitrovica adopted the initial decision on protection of 8 December 1977 while the building was listed as a protected cultural heritage of Serbia in 1997.
Church of the Transfer of the Relics of the Holy Father Nicholas is a Serbian Orthodox church in Turija, in Vojvodina, Serbia. The church was built in 1754 and since 1991 it is inscribed as an immovable cultural heritage monument. The iconostasis of the church was painted by the academic artist Jovan Kljajić in 1841.
Church of the Epiphany of the Lord is a Serbian Orthodox church in Srbobran, in Vojvodina, Serbia. The church was built between 1787 and 1807 and is today listed as a part of the Immovable Cultural Heritage of Great Importance. It was erected at the highest point in the town.
The Church of St. Nicholas in Irig is Serbian Orthodox church in Vojvodina, Serbia. It is one of three Serbian Orthodox churches in Irig. The Church of St. Nicholas was built in 1732 in the tradition of Serbian medieval architecture combined with baroque elements. It represents a cultural monument of great importance. The building was built as a one-nave temple, vaulted with a semi-circular vault, has a dome over the central part supported by four free columns and a five-sided apse. The iconostasis originates from 1760s and it was reconstructed in 1827.
The Church of St. John the Baptist in Bačka Palanka, dedicated to the Nativity of St. John the Baptist, was constructed between 1783 and 1787. Built in the late baroque style by architects Josif Cigler and Ernest Harle, the church features a single nave with a semi-circular apse, a rectangular choir wider than usual for the region, and a tall baroque bell tower. The church has entrances on the west, north, and south facades.
The Church of St. George in Tovariševo is Serbian Orthodox church in Vojvodina, Serbia. Built from 1783 to 1785, the church is dedicated to St. George and serves as the orthodox parish church of Tovariševo. The building is a state-protected cultural monument. The church represents a typical example of Orthodox church architecture in Vojvodina from the second half of the 18th century to the first half of the 19th century, utilizing stylistic elements ranging from advanced Baroque to Classicism.