Established | 6 April 1975 |
---|---|
Location | Sarajevo, Bosnia and Herzegovina |
Coordinates | 43°52′N18°25′E / 43.867°N 18.417°E |
Type | Art Museum |
Collection size | 16,000 |
Website | www.collegium.ba |
Collegium Artisticum is a contemporary art gallery in Sarajevo, Bosnia and Herzegovina. [1] It was established on 6 April 1975 and was named after the short lived artistic movement of the same name which existed in Sarajevo from 1939 to the start of the Second World War. [2] It was founded as the gallery of Bosnia and Herzegovina’s three major Art Associations – Association of Artists (ULUBIH), Association of Applied Arts and Design (ULUPUBIH) and Association of Architects (AABIH). [3] Today it functions as an Public Institution City Gallery Collegium Artisticum and hosts the annual Collegium Artisticum exhibition. [4]
The Kingdom of Yugoslavia was, from its inception, closely tied to the Allies of World War I and especially to France. By the mid-1930s, France, internally divided, was increasingly unable to play an important role in Eastern Europe and to politically support Yugoslavia, which had suffered badly from the economic crisis of that period. By contrast, Nazi Germany was increasingly willing to get into barter agreements with the countries of southeastern Europe. In the process those countries felt it was against their interests to closely follow France.
An additional motive to improve relations with Italy and Germany was the fact that Italy supported the Croatian fascist-separatist Ustashe movement. As head of the Croatian Peasant Party (HSS), Vlatko Maček, openly courted fascist Italy in the hope of receiving Italian support for Croatian secession from Yugoslavia. [5] First Regent Prince Paul of Yugoslavia judged closer relations with Italy were inevitable. In an effort to rob the HSS of potential Italian support, a treaty of friendship was signed between the two countries in 1937. This in fact diminished the Ustashe threat somewhat since Mussolini jailed some of their leaders and temporarily withdrew financial support. [6]
In 1938, Germany, annexing Austria, became a neighbour of Yugoslavia. The feeble reaction of France and Britain, later that year, during the Sudeten Crisis convinced Belgrade that a European war was inevitable and that it would be unwise to support France and Britain. Instead, Yugoslavia officially tried to stay aloof but unofficially instigated a pro-fascist domestic policy spearheaded by the Milan Stojadinović-led government and populist political organizations such as the Yugoslav National Movement headed by Dimitrije Ljotić, this in spite of Paul's personal sympathies for Britain and Serbia's establishment's predilections for France. [7] In the meantime, Germany and Italy tried to exploit Yugoslavia's domestic problems, and so did Maček. In the end, the regency agreed to the formation of Banovina Hrvatska in August 1939 which abolished Bosnia and Herzegovina's territorial integrity and historical borders. [8] Numerous antisemitic measures enacted by Yugoslav minister of the interior, Anton Korošec, quickly followed. [9]
The Collegium Artisticum movement was established the same year as a reaction to the Kingdom's political climate. It was founded as part of the Sarajevo Philharmonic Orchestra and was headed by a group of leftist public intellectuals and artists that included painter Vojo Dimitrijević, composer Oskar Danon and architect Jahiel Finci. [10] The movement openly professed anti-fascism while boycotting state-sponsored art projects and programmes. Furthermore, it organized clandestine exhibitions and leftist conferences in Sarajevo, aligning itself with the illegal Communist Party of Yugoslavia. The movement was banned by the government in 1940, with some of its members being jailed. [11]
With the end of the Second World War a number of Bosnian artists established the annual Collegium Artisticum exhibition in 1947. [12] The initial founders were all former members of the Collegium Artisticum movement and included Ismet Mujezinović, Vojo Dimitrijević, Mica Todorović, Vojislav Hadžidamjanović, Roman Petrović, Behaudin Selmanović, Sigo Summerecker, Petar Šain and Hakija Kulenović. [13] On the 30th anniversary of the Liberation of Sarajevo in 1975 the City Assembly in cooperation with the Association of Artists (ULUBIH), Association of Applied Arts and Design (ULUPUBIH) and the Association of Architects (AABIH) founded the Collegium Artisticum contemporary art museum. [14] [15]
Over its more than four decades of existence, Collegium Artisticum has hosted over a thousand exhibitions. The gallery has featured works from all prominent artists from Bosnia and Herzegovina, as well as notable figures from the former Yugoslavia. The Grand Prix awarded by Collegium Artisticum at its annual April 6th Exhibition is regarded as one of the most prestigious art awards in the region. [16]
Three artistic associations operate within Collegium Artisticum’s space: ULUBiH (Association of Fine Artists), ULUPUBiH (Association of Applied Artists), and AABiH (Association of Architects of Bosnia and Herzegovina). These associations contribute to the gallery’s vibrant role in supporting and showcasing artistic expression in Bosnia and Herzegovina. [17]
The Croatian Peasant Party is an agrarian political party in Croatia founded on 22 December 1904 by Antun and Stjepan Radić as Croatian Peoples' Peasant Party (HPSS). The Brothers Radić believed that the realization of Croatian statehood was possible within Austria-Hungary, but that it had to be reformed as a Monarchy divided into three equal parts – Austria, Hungary and Croatia. After the creation of Kingdom of Yugoslavia in 1918, the Party requested for the Croatian part of the Kingdom to be based on self-determination. This brought them great public support which culminated in 1920 parliamentary election when HPSS won all 58 seats assigned to Croatia.
Blaž "Baka" Slišković is a Bosnian professional football manager and former player. He is regarded as one of the most successful Bosnian football managers.
Slobodan "Braco" Dimitrijević is a former Yugoslav and French conceptual artist. His works deal mainly with history and the individual's place in it. He lives and works in Paris, France since 1980s.
Jovan Divjak was a Bosnian army general who served as the Deputy Commander of the Bosnian army's general staff until 1994, during the Bosnian War.
Nesim Tahirović was a Bosnian painter. He studied art (painting) in Belgrade under professor Kosta Hakman.
The Cvetković–Maček Agreement, also known simply as the Sporazum in English-language histories, was a political compromise on internal divisions in the Kingdom of Yugoslavia. It was settled on August 26, 1939, by Yugoslav prime minister Dragiša Cvetković and by Vladko Maček The agreement established the Banovina of Croatia, with boundaries drawn to include as many ethnic Croats as possible. This effectively created within unitary Yugoslavia an autonomous Croatian sub-state, a demand of Croat politicians since the 1918 founding of the Kingdom of Serbs, Croats and Slovenes (Yugoslavia). The Banovina later provided a model for eventual post-war constitutional arrangements in Federal Yugoslavia (1943–1945).
The State Anti-fascist Council for the National Liberation of Bosnia and Herzegovina, commonly abbreviated as the ZAVNOBiH, was convened on 25 November 1943 in Mrkonjić Grad during the World War II Axis occupation of Yugoslavia. It was established as the highest representative and legislative body in the territory of Bosnia and Herzegovina under control of the Yugoslav Partisans.
Damir Nikšić is a Bosnian conceptual artist, standup comedian, blogger and politician. He has served as member of the Federal House of Representatives since 2022.
Gligor Stefanov is a sculptor and environmental installations artist, who lives in Windsor, Ontario, Canada.
Florijan Mićković was a Bosnian Croat sculptor living and working in Mostar and Međugorje.
Yugoslavism, Yugoslavdom, or Yugoslav nationalism is an ideology supporting the notion that the South Slavs, namely the Bosniaks, Croats, Macedonians, Montenegrins, Serbs and Slovenes, but also Bulgarians, belong to a single Yugoslav nation separated by diverging historical circumstances, forms of speech, and religious divides. During the interwar period, Yugoslavism became predominant in, and then the official ideology of the Kingdom of Yugoslavia. There were two major forms of Yugoslavism in the period: the regime favoured integral Yugoslavism promoting unitarism, centralisation, and unification of the country's ethnic groups into a single Yugoslav nation, by coercion if necessary. The approach was also applied to languages spoken in the Kingdom. The main alternative was federalist Yugoslavism which advocated the autonomy of the historical lands in the form of a federation and gradual unification without outside pressure. Both agreed on the concept of National Oneness developed as an expression of the strategic alliance of South Slavs in Austria-Hungary in the early 20th century. The concept was meant as a notion that the South Slavs belong to a single "race", were of "one blood", and had shared language. It was considered neutral regarding the choice of centralism or federalism.
Daniel Kabiljo was a Bosnian Jewish artist. His lithographs of Sephardi life were published in 1924 but the originals are lost.
Džafer Kulenović, often referred to as Džafer-beg Kulenović, was a Bosnian Muslim and Yugoslav politician who led the Yugoslav Muslim Organization in the Kingdom of Yugoslavia, and was briefly Minister of Forestry and Mining in the pre-war Yugoslav governments of Dragiša Cvetković and Dušan Simović. During World War II, he served as the Vice President of the Axis puppet state the Independent State of Croatia.
The SOS Design Festival is an annual graphics and product design festival held in Sarajevo, Bosnia and Herzegovina. It was established by the Academy of Fine Arts in cooperation with the National Gallery of Bosnia and Herzegovina and the International Council of Design. It is primarily an educational platform, while also being as an exhibitory event that was originally conceived by the students of the Department of Graphic and Product design of the Academy of Fine Arts in Sarajevo.
Sarajevo, the capital of Bosnia and Herzegovina has gained international notoriety for its diverse range of street art and associated subcultures. The city has a long history of street art that was first tied to various subcultures in the 1970s and 1980s. During the Bosnian war political and anti-war street art was one of the main artistic focal points of the besieged city. Today, Sarajevo is a European center for street art and hosts two international festivals dedicated to the art form.
The Duplex Art Gallery is a private art gallery in Sarajevo, Bosnia and Herzegovina. It was established in 2004 by French artist Pierre Courtin. The twin galleries Galerija10m2 and Duplex100m2, that are run under the Duplex banner, have organized more than 200 exhibitions in Sarajevo and over 25 multimedia projects in Belgrade, Zagreb, Paris, Budapest, Athens, New Orleans, New York, Vienna, Lyon, Stockholm and Montreal.
The Gallery 11/07/95 is a memorial art gallery located in Sarajevo, Bosnia and Herzegovina. It is a public institution dedicated to preserving the memory of the Srebrenica genocide. It was established on 12 July 2012 by a team headed by Bosnian photographer Tarik Samarah in cooperation with the governments of the Sarajevo Canton and the Republic of Turkey. The gallery is housed in an Austro-Hungarian building overlooking the Sacred Heart Cathedral.
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