Come from the Shadows | ||||
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Studio album by | ||||
Released | May 1972 | |||
Recorded | 1972 | |||
Studio | Quadrafonic Sound (Nashville, Tennessee) | |||
Genre | Folk, country folk, Americana | |||
Length | 41:38 | |||
Label | A&M | |||
Producer | Joan Baez | |||
Joan Baez chronology | ||||
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Come from the Shadows is the thirteenth studio album (and fifteenth overall) by Joan Baez, released in 1972. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M and attempted to point her career in a slightly more "commercial" direction (though the album still had overtly political overtones). In addition to her own compositions such as "Prison Trilogy","Love Song to a Stranger", "Myths", and "To Bobby" (addressed to Bob Dylan), Baez included John Lennon's "Imagine", Anna Marly's "Song of the Partisan", and Mimi Fariña's "In the Quiet Morning (for Janis Joplin)".
"In the Quiet Morning" and "Love Song to a Stranger" were released as singles. The album was recorded at Quadrafonic Sound Studios in Nashville. The cover photo features an elderly couple being arrested at an anti-war protest, holding hands and flashing peace signs as they are led away.
The album's liner notes feature a Baez quote: "...In 1972 if you don't fight against a rotten thing you become a part of it."
Noel Coppage from Stereo Review was underwhelmed by the album, finding much of it "merely generally pleasant" and "poorly constructed". [1] Robert Christgau gave Come from the Shadows a "C+" in Creem magazine. He mocked Baez's attempt at populist politics and her cultivated vocabulary, singling out the lyrics to "Myths": "I don't know about The People, but just plain people say 'scattered upon the four winds,' not 'upon the four winds scattered.' Actually they don't say 'scattered upon the four winds' either". [2] AllMusic's William Ruhlmann later gave it three out of five stars. [3]
All tracks composed by Joan Baez; except where noted.
Joan Chandos Baez is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums.
Paul Simon is the second solo studio album by American singer-songwriter Paul Simon. It was released in January 1972, nearly two years after he split up with longtime musical partner Art Garfunkel. His first solo album was recorded in England in 1965 but remained unreleased in the U.S. until 1981, when it appeared in the 5-LP Collected Works boxed set. Originally released on Columbia Records, Paul Simon was then issued under the Warner Bros. label and is now back with Columbia through Sony. The album topped the charts in the United Kingdom, Japan and Norway and reached No. 4 on the U.S. Billboard Pop Albums. In 1986 it was certified platinum.
Pretzel Logic is the third studio album by American rock band Steely Dan, released by ABC Records on February 20, 1974. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Comes a Time is the ninth studio album by Canadian-American singer-songwriter Neil Young, released by Reprise Records in October 1978. The album is largely performed in a quiet folk and country style. It features backing harmonies sung by Nicolette Larson and additional accompaniment by musicians that had accompanied Young on his commercial pinnacle, Harvest. Like Harvest, the lyrics to many of its songs are inspired by relationships. In his memoir, Waging Heavy Peace, Young describes Comes a Time as one of his best albums ever.
Where Are You Now, My Son? is the fourteenth studio album by Joan Baez, released in 1973. One side of the album featured recordings Baez made during a US bombing raid on Hanoi over Christmas 1972. Included on the recording are the voices of Barry Romo, Michael Allen and human rights attorney Telford Taylor, with whom Baez made her famous 1972 visit to North Vietnam.
Ring Them Bells is a live album taken from Joan Baez' April 1995 shows at New York's The Bottom Line. In addition to her own solo set, the album featured collaborations with other female artists including Mary Chapin Carpenter, Mimi Fariña, Dar Williams, the Indigo Girls and Mary Black. Though Baez and many of the collaborating artists were admirers of one another, this album marked the first time many of them had worked together. Baez' manager, Mark Spector, served as producer.
David's Album is the tenth studio album by Joan Baez, recorded in Nashville and released in 1969. It peaked at number 36 on the Billboard Pop Albums chart.
Joan Baez in Concert, Part 2 was a second installment of live material, recorded during Joan Baez' concert tours of early 1963. It peaked at number 7 on the Billboard Pop Albums chart.
One Day at a Time is the 11th studio album by Joan Baez, released in January 1970. Recorded in Nashville, the album was a continuation of Baez' experimentation with country music, begun with the previous year's David's Album. It is significant in that it was the first to include Baez' own compositions, "Sweet Sir Galahad" and "A Song for David", the former song a ballad for her younger sister Mimi Fariña, and the latter song being for her then-husband, David Harris, at the time in prison as a conscientious objector. One Day at a Time also included work by The Rolling Stones, Willie Nelson, and Pete Seeger.
Joan is the seventh studio album by Joan Baez, released in 1967. Having exhausted the standard voice/guitar folksong format by 1967, Baez collaborated with arranger-conductor Peter Schickele, on an album of orchestrated covers of mostly then-current pop and rock and roll songs. Works by Donovan, Paul Simon, Tim Hardin, the Beatles, and Richard Fariña were included, as well as selections by Jacques Brel and Edgar Allan Poe.
Margarita Mimi Baez Fariña was an American singer-songwriter and activist, the youngest of three daughters of mother Joan Chandos Bridge and Mexican-American physicist Albert Baez. She was the younger sister of the singer and activist Joan Baez.
Rare, Live & Classic is a 1993 box set compilation by Joan Baez. Released on Vanguard, where Baez had recorded her most influential work during the first twelve years of her career, the set also included material from her subsequent record labels, A&M, Columbia and Gold Castle Records, as well as a number of previously unreleased studio and live recordings. Bob Dylan, Bob Gibson, Mimi Fariña, Judy Collins, Odetta and Kris Kristofferson are among those who make guest appearances on the various tracks; also included were two tracks from a never-released album recorded in 1981 with the Grateful Dead.
Joan Baez: Classics is a 1986 compilation, focusing on her A&M period (1972–76). Released in the mid-1980s, the album was significant for being the first Joan Baez compilation to appear on CD, and remains one of the more comprehensive collections of her 1970's work. The CD was part of A&M's series of compilations from artists associated with their label to commemorate their 25th anniversary.
Richard George Fariña was an American folksinger, songwriter, poet and novelist.
The Best of Joan C. Baez is a Joan Baez compilation that A&M put together shortly after Baez left the label in 1977. Selections from five of her six A&M albums were included, with the emphasis on material from 1975's Diamonds & Rust album. Liner notes were written by John L. Wasserman of the San Francisco Chronicle.
"Sweet Sir Galahad" is a song written by Joan Baez that she famously performed at the Woodstock Festival in August 1969, after having debuted it during an appearance in a Season Three episode of The Smothers Brothers Comedy Hour, which aired on March 30, 1969. A recording of the song, first released as a single in late 1969, would lead off Baez's 1970 album One Day at a Time.
Moonshot is a studio album by American singer-songwriter Buffy Sainte-Marie, released in 1972 by Vanguard Records.
Against the Grain is the fifth album by singer-songwriter Phoebe Snow, released in 1978.
The Big Sur Folk Festival, held from 1964 to 1971 in California, was an informal gathering of prominent and emerging folk artists from across the United States. Nancy Jane Carlen (1941–2013) was working at the Esalen Institute when Joan Baez was asked to lead workshops on music. Carlen was a good friend of Baez, and they decided to invite other artists, which turned into the first festival.
"Morgan the Pirate" is a song by Richard Fariña, written in 1966 and released on the 1968 Richard and Mimi Fariña album Memories. Richard Fariña was dead by the time the song and album were released.