| Joan Baez in Concert | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | September 1962 | |||
| Recorded | 1962 U.S. concert tour | |||
| Genre | Folk | |||
| Length | 49:08 | |||
| Label | Vanguard VSD-2122 | |||
| Producer | Maynard Solomon | |||
| Joan Baez chronology | ||||
| ||||
Joan Baez in Concert (later reissued as Joan Baez in Concert, Part 1) is a live album taken from Joan Baez's 1962 concert tours. It peaked at #10 on the Billboard Pop Albums chart.
It was Baez's version of "Babe, I'm Gonna Leave You" that brought the song to Jimmy Page and Robert Plant's attention;[ citation needed ] the song is now more commonly associated with Page and Plant's band Led Zeppelin. Malvina Reynolds' "What Have They Done to the Rain" (about nuclear fallout) was the first "topical" song Baez ever recorded. "Até Amanhã" is a Brazilian love song and is sung entirely in Portuguese.
Vanguard released most of this album plus its subsequent companion album Joan Baez in Concert, Part 2 on CD in 1988 under this same title, Joan Baez in Concert. Length constraints required dropping some tracks; the CD reissue includes just 20 of the 28 tracks on the two vinyl releases. Dropped from the single CD release were "Babe, I'm Gonna Leave You", "Pretty Boy Floyd", "Lady Mary", "Até Amanhã", "Matty Groves", "Three Fishers", "Hush Little Baby" and "Battle Hymn of the Republic". [1]
A 2002 Vanguard reissue includes the original Part 1 vinyl tracklist plus three previously unreleased tracks, "Streets of Laredo", "My Good Old Man" and "My Lord What A Morning." [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| Gaslight Records |   [4] |
In his Allmusic review, music critic Tom Semioli wrote the album's reissue "captures the undisputed queen of folk music at the onset of her fabled career. Featuring 20-bit remastering from the original analog tapes, exact replicas of the original artwork and liner notes, previously unreleased cuts, and additional liner notes, this installment of Vanguard's Original Master Series is a historic collection of contemporary and traditional folk." [3]
All songs traditional, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Babe I'm Gonna Leave You" | Anne Bredon | 2:38 |
| 2. | "Geordie" (Child no. 209) | 3:22 | |
| 3. | "Copper Kettle" | Albert Frederick Beddoe | 2:27 |
| 4. | "Kumbaya" | 2:55 | |
| 5. | "What Have They Done to the Rain" | Malvina Reynolds | 2:26 |
| 6. | "Black Is the Color of My True Love's Hair" | Traditional; arranged by John Jacob Niles | 2:33 |
| 7. | "Danger Waters (Hold Me Tight)" | Jacob Browne, Arthur S. Alberts | 3:16 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 8. | "Gospel Ship (When We're Traveling Through the Air)" | Herbert Buffum | 2:55 |
| 9. | "The House Carpenter" (Child no. 243) | 5:08 | |
| 10. | "Pretty Boy Floyd" | Woody Guthrie | 4:17 |
| 11. | "Lady Mary" | 2:41 | |
| 12. | "Até Amanhã" ("Until Tomorrow") | 2:12 | |
| 13. | "Matty Groves" (Child no. 81) | 7:44 | |
| Total length: | 49:09 | ||
| No. | Title | Length |
|---|---|---|
| 14. | "Streets of Laredo" | 2:41 |
| 15. | "My Good Old Man" | 3:23 |
| 16. | "My Lord, What a Morning" | 4:00 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Once I Had a Sweetheart" | 3:12 | |
| 2. | "Jack-a-Roe" | 3:06 | |
| 3. | "Gospel Ship (When We're Traveling Through the Air)" | 2:55 | |
| 4. | "The House Carpenter" | 5:08 | |
| 5. | "Copper Kettle" | 2:27 | |
| 6. | "Kumbaya" | 2:55 | |
| 7. | "What Have They Done to the Rain" | 2:26 | |
| 8. | "Black Is the Color of My True Love's Hair" | 2:33 | |
| 9. | "Danger Waters (Hold Me Tight)" | 3:16 | |
| 10. | "Long Back Veil" | 3:05 | |
| 11. | "Fennario" | 4:01 | |
| 12. | "Nu Bello Cardillo" ("The Beautiful Goldfinch") | 2:57 | |
| 13. | "Don't Think Twice, It's All Right" | Bob Dylan | 3:11 |
| 14. | "We Shall Overcome" | Guy Carawan, Lee Hamilton, Zilphia Horton, Pete Seeger | 3:31 |
| 15. | "Portland Town" | Derroll Adams | 2:48 |
| 16. | "Queen of Hearts" | 2:31 | |
| 17. | "Manhã de Carnaval" ("Morning of Carnival") | Luiz Bonfá, Antônio Maria | 4:50 |
| 18. | "Te Ador" ("I Adore You") | 2:24 | |
| 19. | "Geordie" | 3:22 | |
| 20. | "With God on Our Side" | Dylan | 6:14 |
| Year | Chart | Position |
|---|---|---|
| 1962 | Billboard Pop Albums | 10 |
| Region | Certification | Certified units/sales |
|---|---|---|
| United States (RIAA) [5] | Gold | 500,000^ |
^ Shipments figures based on certification alone. | ||
Joan Chandos Baez is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums.
Odds & Sods is an album of studio outtakes by British rock band the Who. It was released by Track Records in the UK and Track/MCA in the US in October 1974. Ten of the recordings on the original eleven-song album were previously unreleased. The album reached No. 10 on the UK charts and No. 15 in the US.
"Babe I'm Gonna Leave You" is a folk song written by Anne Bredon in the late 1950s. Joan Baez, who learned the song from a student at Oberlin College, recorded the first published version for her 1962 album Joan Baez in Concert and a variety of musicians subsequently adapted it to a variety of styles, including the Association (1965), Quicksilver Messenger Service (1968), and Led Zeppelin (1969). Following the credit on Baez's 1962 release as "traditional, arranged by Baez", subsequent releases did not name Bredon until 1990 when, following Bredon's approach to Led Zeppelin, she received credit and royalties.
Farewell, Angelina is the sixth studio album by American folk singer Joan Baez, released in late 1965. It peaked at #10 on the Billboard Pop Albums chart.
Joan Baez, also known as Joan Baez, Vol. 1, is the debut solo album by folk singer Joan Baez. The album was recorded in the summer of 1960 and released the same year. The original release featured 13 traditional folk songs. Later reissues included three additional songs.
Joan Baez, Vol. 2 is the second studio album by Joan Baez. Released in 1961, the album, like her self-titled 1960 debut album, featured mostly traditional songs. The bluegrass band The Greenbriar Boys provided backup on two songs. Joan Baez, Vol. 2 peaked at #13 on the Billboard album chart and was nominated for a Grammy for "Best Contemporary Folk Performance".
Joan Baez/5 is the fifth solo album and third studio album by American folk singer Joan Baez, released in October 1964. It peaked at number 12 on the Billboard 200 chart. The single "There But for Fortune" reached number 50 on the Billboard Hot 100 in the U.S. and became a top-ten single in the UK.
Where Are You Now, My Son? is the fourteenth studio album by Joan Baez, released in 1973. One side of the album featured recordings Baez made during a US bombing raid on Hanoi over Christmas 1972. Included on the recording are the voices of Barry Romo, Michael Allen and human rights attorney Telford Taylor, with whom Baez made her famous 1972 visit to North Vietnam.
Play Me Backwards is an album by the American musician Joan Baez, released in 1992. The album was nominated for a Grammy for Best Contemporary Folk Recording. Baez supported it with an international tour.
David's Album is the tenth studio album by Joan Baez, recorded in Nashville and released in 1969. It peaked at number 36 on the Billboard Pop Albums chart.
Any Day Now is the ninth studio album by Joan Baez, released as double LP in 1968 and made up exclusively of Bob Dylan songs. It peaked at number 30 on the Billboard Pop Albums chart.
Joan Baez in Concert, Part 2 was a second installment of live material, recorded during Joan Baez' concert tours of early 1963. It peaked at number 7 on the Billboard Pop Albums chart.
The Contemporary Ballad Book was a 1974 Joan Baez compilation, released by Vanguard after the success of the Joan Baez Ballad Book. Unlike the first Ballad Book, this one focused on singer-songwriter material, rather than traditional folk. This new compilation contained one previously unreleased track, the Italian song, C'era un ragazzo che come me amava i Beatles e i Rolling Stones, taken from Baez' performance at the Isle of Wight Festival.
The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The album is the complete recording from the October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan.
The First Ten Years is the second compilation album by Joan Baez, released in October 1970. It rounds up highlights of her first decade with the Vanguard label.
Hedwig Grace "Hedy" West was an American folksinger and songwriter. She belonged to the same generation of folk revivalists as Joan Baez and Judy Collins. Her most famous song "500 Miles" is one of America's most popular folk songs. English folk musician A. L. Lloyd declared West to be "far and away the best of [the] American girl singers in the [folk] revival."
Eric Andersen is an American folk music singer-songwriter, who has written songs recorded by Johnny Cash, Bob Dylan, Judy Collins, Linda Ronstadt, the Grateful Dead,Rick Nelson and many others. Early in his career, in the 1960s, he was part of the Greenwich Village folk scene. After two decades and sixteen albums of solo performance, he formed Danko/Fjeld/Andersen with Rick Danko and Jonas Fjeld, which released two albums in the early 1990s.
"I Know You Rider" is a traditional blues song that has been adapted by numerous artists. It has appeared in folk, country, and rock guises.
America is an album by American folk musician John Fahey, released in 1971. Originally intended to be a double album, it was released as a single LP. The unreleased material was subsequently restored in later CD and vinyl reissues.
Keep the Dogs Away is the first studio album by the heavy metal band Thor, released in 1977. The album went gold shortly after it was released, selling 50,000 copies in Canada. In 2009 it was reissued on CD for the first time in a special 30th Anniversary Edition; It included a 16-page booklet and a few unreleased bonus tracks. In 2016 it was reissued once again with even more bonus content under Deadline Music in a deluxe 6-panel digipak CD with alternate cover art, liner notes from a longtime fan, author/producer Brian Kehew, 22 rare and unreleased bonus cuts on a separate disc, and a vintage 1984 London concert, that previously was limited to VHS, now on DVD. The first CD is the original album and all bonus content is put on the second disk. A faithful reissue of the original vinyl that had meticulously recreated the original pressing with the original cover art, foldout poster, and printed inner sleeve.
