Silver Dagger (song)

Last updated
"Silver Dagger"
Song by Joan Baez
from the album Joan Baez
Language English
Released1960 (1960)
Genre Folk
Label Vanguard
Composer(s) Traditional
.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:#f9f9f9;display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}
.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}
Silver Dagger
Midi file of the score above, one of a number of different melodies used for the song.
Problems playing this file? See media help. Silver Dagger melody.png

"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others (Laws M4 & G21, Roud 2260 & 2261), is an American folk ballad, whose origins lie possibly in Britain. [2] [3] These songs of different titles are closely related, and two strands in particular became popular in commercial Country music and Folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.

Contents

In "Silver Dagger", the female narrator turns away a potential suitor, as her mother has warned her to avoid the advances of men in an attempt to spare her daughter the heartbreak that she herself has endured. The 1960 recording by Joan Baez features only a fragment of the full ballad. [4] "Katy Dear" uses the same melody but different lyrics, telling a similar story from a male perspective. [5]

History

Origin

The song exists in a large number of variations under many different titles, and with lyrics that may show a mixture of different songs. Steve Roud observes on one version of the song titled "O! Molly Dear Go Ask Your Mother":

"A whole book could be written on this song and its connections with other songs which involve young men at their sweethearts' windows at night, disapproving parents and silver daggers. Hugely popular with North American traditional singers, 'Drowsy Sleeper' was also collected regularly in Britain and appeared on broadsides there from at least the 1820s" [6]

Of interest are early versions of two songs, "Silver Dagger" and "Drowsy Sleeper", that are related thematically and may share a common origin in the older theme of night visit in traditional English songs, [7] [8] but they differ in lines, verse rhythm and outcome in their lyrics. [9] The plot of "Silver Dagger" is similar to that of "Drowsy Sleeper" whereby the parents object to a match between a boy and a girl, except that in "Silver Dagger" the dagger is used as a suicide weapon by the young lovers, while in "Drowsy Sleeper" the couple elope. [9] [10] However, at some point in the 19th century, there also appears to have been a fusion of these two different songs whereby the tragic ending of "Silver Dagger" becomes attached to "Drowsy Sleeper", giving rise to some later variations of the song. [9]

The earliest known text of "Drowsy Sleeper" in Britain may be dated to 1817, and the first verse of a variant of the song appears in a songbook of American folk songs first published in 1855, John G. McCurry's The Social Harp. [10] [11] Early publications of "Silver Dagger" in the US may be found in Spirit of the Times and Gazette of the Union, Golden Rule and Odd-fellows' Family Companion in 1849. [12] [13] A version of "Drowsy Sleeper" published in a broadside as "Who's at My Bedroom Window?" by H. J. Wehman in 1890 shows a mixture of "Silver Dagger" and "Drowsy Sleeper". [14] A version collected in Kentucky was printed in The Journal of American Folk-Lore in 1907, and three versions were collected by Henry M. Belden in 1908. [15] [16] Cecil Sharp published an English version from Somerset in 1908 as "Arise! Arise!". [17] Sharp also collected a version of the song in the United States as "Awake, awake", sung by Mary Sands in Madison County, North Carolina on August 1, 1916. [10] [18]

The differences in titles and some lyrics may also be a result of the song being handed down through the unwritten oral tradition, or adapting from different sources, and where each performer may add their own verses and nuances to the song. [19] These songs have been sung using different tunes. Relation to other songs such as "Old Virginny"/"Man of Constant Sorrow" and "Come All You Fair and Tender Ladies" have also been noted. [7] [10]

Early recordings

The only traditional recording of the song according to the Vaughan Williams Memorial Library was a 1939 Herbert Halpert recording of James Taylor Adams and Finley Adams in Dunham, Kentucky, [20] where the song was called "Poor Goins".

The song was recorded commercially as "O! Molly Dear Go Ask Your Mother" by Kelly Harrell in 1926, as "Sleepy Desert" by Wilmer Watts And The Lonely Eagles in 1929, and as "Wake Up You Drowsy Sleeper" by The Oaks family in 1930. As "Katie Dear (Silver Dagger)" it was recorded by the Callahan Brothers in 1934, and as "Katie Dear" by the Blue Sky Boys in 1938. [10] (Country music authority Bill C. Malone states that the Callahan Brothers learned traditional ballads like "Katie Dear" from their mother). In 1956 it was recorded by the Louvin Brothers. [21] The song was part of the repertoire of the Country Gentlemen, who toured both the bluegrass and folk music circuits during the 1950s and 1960s. In the early 1960s, "Katie Dear" was recorded by folk revival musicians, including Joan Baez, and Ian & Sylvia. Today it is commonly performed and recorded by bluegrass musicians.

Lyrics

Recordings and performances

The song has also been widely performed and recorded by bluegrass musicians, as many songs thought of as traditionally bluegrass songs actually trace back to what is now known as "old-time" music.

20th century

21st century

Adaptations

See also

Related Research Articles

<span class="mw-page-title-main">Barbara Allen (song)</span> Traditional ballad

"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.

"Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, listed as number 957 in the Roud Folk Song Index. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the West. He catches Mary being unfaithful to him, and, in a fit of rage, stabs the man she is with, and is subsequently imprisoned. In spite of this, he finds himself still in love with her. In the original version, the Lily testifies in his defense and he is freed, though they do not resume their relationship.

"The Cherry-Tree Carol" is a ballad with the rare distinction of being both a Christmas carol and one of the Child Ballads. The song itself is very old, reportedly sung in some form at the Feast of Corpus Christi in the early 15th century.

"Banks of the Ohio", also known as "Down on the Banks of the Ohio" and "I'll Never Be Yours", is a 19th-century murder ballad, written by unknown authors. The lyrics tell of "Willie" who invites his young lover for a walk during which she rejects his marriage proposal, and once they are alone on the river bank, he murders the young woman.

<i>The First Ten Years</i> (Joan Baez album) 1970 greatest hits album by Joan Baez

The First Ten Years is the second compilation album by Joan Baez, released in October 1970. It rounds up highlights of her first decade with the Vanguard label.

<i>The Grass Is Blue</i> 1999 studio album by Dolly Parton

The Grass Is Blue is the thirty-seventh solo studio album by American singer-songwriter Dolly Parton. It was released on October 26, 1999, by Sugar Hill and Blue Eye Records. The album won a Grammy for Best Bluegrass Album and "Travelin' Prayer" was nominated for Best Female Country Vocal Performance.

<span class="mw-page-title-main">The Twa Sisters</span> Traditional song

"The Twa Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "Two Sisters", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index ., Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.

"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.

"The Knoxville Girl" is an Appalachian murder ballad.

"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.

"The Trees They Grow So High" is a British folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".

The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".

George Malcolm Laws was a scholar of traditional British and American folk song.

"One Night As I Lay On My Bed" is a traditional folksong.

<i>Tragic Songs of Life</i> 1956 studio album by The Louvin Brothers

Tragic Songs of Life is the debut album by American country music duo The Louvin Brothers, released in 1956. "Knoxville Girl" was released as a single three years later and reached number 19 on the Billboard Country Singles chart.

<i>Satan Is Real</i> 1959 studio album by The Louvin Brothers

Satan Is Real is a gospel bluegrass album by American country music duo The Louvin Brothers, released in 1959.

<i>Heaven Help the Child</i> 1973 studio album by Mickey Newbury

Heaven Help the Child is a 1973 studio album by country singer-songwriter Mickey Newbury. The album was Newbury's third consecutive release recorded at Cinderella Studios. Noted for its dramatic remakes of four previous Newbury songs: "Sweet Memories" and "Good Morning Dear" from Harlequin Melodies, "Sunshine" from Sings His Own, and "San Francisco Mabel Joy" from Looks Like Rain, the album is considered equal among Newbury's acclaimed Looks Like Rain and Frisco Mabel Joy. Apart from its definitive versions of three of Newbury's early songwriting hits, the album is also acclaimed for its title track, with its multi-generational narrative, the haunting "Cortelia Clark", and the bluegrass classic "Why You Been Gone So Long". In his AllMusic review of the LP, Thom Jurek declares, "Newbury, for the third time in as many recording sessions, came up with a record that defies categorization. And for the third time in a row, he had done the impossible, created a masterpiece, a work of perfection."

<span class="mw-page-title-main">The Butcher's Boy (folk song)</span> Song

"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".

"Down in the Willow Garden", also known as "Rose Connelly" is a traditional Appalachian murder ballad about a man facing the gallows for the murder of his lover: he gave her poisoned wine, stabbed her, and threw her in a river. It originated in the 19th century, probably in Ireland, before becoming established in the United States. The lyrics greatly vary among earlier versions, but professional recordings have stabilized the song in a cut-down form. First professionally recorded in 1927, it was made popular by Charlie Monroe's 1947 version, and it has been recorded dozens of times since then.

<span class="mw-page-title-main">Rain and Snow</span> American folksong

"Rain and Snow", also known as "Cold Rain and Snow", is an American folksong and in some variants a murder ballad. The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic.

References

  1. Matteson, Richard L.; Jr. (2010). Bluegrass Picker's Tune Book, p.204. Mel Bay. ISBN   9781609745523. and (2012). Acoustic Music Source Book, p.194. Mel Bay. ISBN   9781619110991.
  2. "Roud Folk Song Index - search result for 711". Vaughan Williams Memorial Library entry - Roud Folk Song Index . Archived from the original on 2007-09-27.
  3. Robert B. Waltz; David G. Engle. "Silver Dagger (I), The [Laws G21]". The Ballad Index. Archived from the original on 2016-08-05. Retrieved 2016-05-29.
  4. "Silver Dagger". The Contemplator's Folk Music and Carolan Resource Center.
  5. Lyle Lofgren. "Remembering The Old Songs: KATIE DEAR (Laws G21)." 2002-03. Inside Bluegrass. Retrieved 2010-12-15.
  6. Roud, Steve, 2015, Song notes to My Bonnie Lies Over The Ocean: British Songs in the USA (CD boxset), Nehi Records NEH3X1.
  7. 1 2 Norman Cazden; Herbert Haufrecht; Norman Studer (June 1983). Folk Songs of the Catskills (annotated ed.). State University of New York Press. pp. 196–198. ISBN   978-0-87395-580-5.
  8. Charles Read Baskervill (December 1921). "English Songs on the Night Visit". PMLA. Modern Language Association. 36 (4): 565–614. doi:10.2307/457352. JSTOR   457352. S2CID   164106481.
  9. 1 2 3 Norman Cazden; Herbert Haufrecht; Norman Studer (June 1983). Folk Songs of the Catskills (annotated ed.). State University of New York Press. p. 195. ISBN   978-0-87395-580-5.
  10. 1 2 3 4 5 6 Matteson Jr., Richard L., Richard Matteson (2006). Bluegrass Picker's Tune Book. Mel Bay Music. p. 204. ISBN   978-1-60974-552-3.{{cite book}}: CS1 maint: multiple names: authors list (link)
  11. John G. McCurry. Daniel W. Patterson; John F. Garst (eds.). The Social Harp (PDF). University of Georgia Press. p. xix.
  12. "Spirit of the Times: A Chronicle of the Turf, Agriculture, Field Sports, Literature". New York City.
  13. Gazette of the Union, Golden Rule and Odd-fellows' Family Companion. Vol. 10–11. New York, N.Y. 1849. p. 66.
  14. John Harrington Cox, ed. (1925). Folk-Songs of the South. Pelican Publishing Company. p. 350. ISBN   978-1-56554-592-2.
  15. The Journal of American Folk-Lore. pp. 338–339.{{cite book}}: |work= ignored (help)[ permanent dead link ]
  16. G. L. Kittredge (1917). "Ballads and Songs". The Journal of American Folklore. 30 (117): 283–369. doi:10.2307/534379. JSTOR   534379.
  17. "Folk Songs from Somerset (Sharp, Cecil)".
  18. "A Nest of Singing Birds: Cecil Sharp, Mary Sands and the Madison County Song Tradition". Musical Traditions.
  19. "Arise Arise / Awake Awake / The Drowsy Sleeper / Silver Dagger / Waking Dreams". Mainly Norfolk: English Folk and Other Good Music.
  20. "Poor Goins (Roud Folksong Index S263561)". The Vaughan Williams Memorial Library. Retrieved 2020-11-15.
  21. 1 2 "The Louvin Brothers: Tragic Songs Of Life".
  22. "Victor matrix BVE-35667. O! Molly dear, go ask your mother / Kelly Harrell". Discography of American Historical Recordings.
  23. "Victor matrix BVE-39735. Oh Molly dear / B. F. Shelton". Discography of American Historical Recordings.
  24. "Victor matrix BVE-62575. Wake up, you drowsy sleeper / Oaks Family". Discography of American Historical Recordings.
  25. James E. Perone (October 17, 2012). The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations. Praeger. pp. 1–2. ISBN   978-0-313-37906-2.
  26. John Nogowski (July 30, 2008). Bob Dylan: A Descriptive, Critical Discography and Filmography, 1961-2007 (2nd Revised ed.). McFarland. p. 167. ISBN   978-0-7864-3518-0.
  27. Dino Valenti Archived 2016-01-25 at the Wayback Machine
  28. In Concert - The Eagles. BBC. April 5, 1973. Event occurs at 21:40–26:40.