"Did It Again" | ||||
---|---|---|---|---|
Single by Kylie Minogue | ||||
from the album Impossible Princess | ||||
B-side | "Tears" | |||
Released | 24 November 1997 | |||
Studio | Real World (Box, England) [1] | |||
Genre | ||||
Length | 4:22 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
| |||
Kylie Minogue singles chronology | ||||
| ||||
Music video | ||||
"Did It Again" on YouTube |
"Did It Again" is a song by Australian recording artist Kylie Minogue, originally featured on her sixth studio album Impossible Princess (1997). The song was released as the album's second single on 24 November 1997 through Mushroom, Deconstruction, and BMG. Minogue had written the track with Steve Anderson and Dave Seaman, and it was produced by Minogue in collaboration with Brothers in Rhythm. Backed by guitars and drum, "Did It Again" is a pop rock track in which Minogue sings about her self-consciousness and self-hatred.
Critical response to "Did It Again" was mostly positive; some critics praised the song's composition and highlighted it as a career stand out track. In Australia, "Did It Again" peaked at number 15 on the Australian Singles Chart and was certified gold by the Australian Recording Industry Association (ARIA). In the United Kingdom, it peaked at 14 on the UK Singles Chart. Pedro Romhanyi directed the song's music video, which features Minogue battling it out as four separate personas designated by the media; 'Cute Kylie', 'Dance Kylie', 'Sex Kylie' and 'Indie Kylie'.
To promote "Did It Again", Minogue performed the track on The National Lottery Live and MTV UK. It was later included on her 1998 concert tour Intimate and Live Tour. The song was subsequently included on Minogue's compilation albums Ultimate Kylie (2004) and Step Back in Time: The Definitive Collection (2019).
In 1997, the British media reported that she was anorexic, labelling her "Kylie Thinogue". Minogue had been told about the rumours and, as a response, wrote the track "Did It Again". [2] Interviewed by Company magazine that year, she was questioned on her weight and the song, and she explained "It's a bit of a girl's song, with me telling myself off and never learning my lesson, particularly with men. It's me looking myself in the eye and saying 'You fool, stop being too clever and over-neurotic.' She had begun writing the song whilst British tabloids published rumors about her private life, and the poor reception that Impossible Princess' lead single "Some Kind of Bliss" received. However, she re-wrote the original lyrics with Anderson and Seaman and Minogue said it told a "different meaning". [2] [3] [4] The song discusses telling herself off when she does not learn from her past mistakes. She commented that "Some of the songs from Impossible Princess are close to the heart, but this song was a little voice on my shoulder." [2] The song was originally titled "Clever Girl (Did It Again)". [5]
"Did It Again" was recorded at Real World, Sarm West and DMC Studios in England, and was mixed by Alan Bremnar at Real World. [6] Greg Bone and Anderson played the guitars, while Anderson played the drums and keyboards. [6] Produced by Brothers in Rhythm and Minogue, "Did It Again" is a pop rock song. [6] Michael Dwyer from Western Australia magazine commented on Minogue's departure from dance music and bubblegum pop and her maturity since her work with Stock, Aitken and Waterman, stating "Some Kind of Bliss and Did It Again have already proved our Kylie has more tricks up her sleeve this time than Stock, Aitken and Waterman ever dreamed of and her sixth album harbours more strings to her carefully-cultivated bow." [7] British writer Sean Smith, author of Kylie (2014), commented that "Did It Again" was another track, along with "I Don't Need Anyone", from Impossible Princess that "didn't really sound like Kylie". He further commented that "Did It Again" was "a blend of drums and electric guitar that might have found its way onto The Beatles' famous Revolver album." [8] Reviewing her compilation album Greatest Hits 87–97 (2003), Michael Paoletta from Billboard magazine viewed the composition as progressive rock. [9] The single version edits the intro of the song and is slightly faster in tempo.
"Did It Again" received positive reviews from most music critics. [10] Allmusic's Chris True, who also reviewed the parent album, highlighted it as a stand out track from her career. [11] MacKenzie Wilson from Allmusic also selected "Did It Again" as a stand out from her compilation Hits+ . [12] Jack Foley from Indielondon.co.uk called "Did it Again" one of Minogue's "chart-busters" that "continue to fill the dancefloors despite being relentlessly over-played in their heyday." [13] Darrin Farrant from The Age said "Best of the Impossible Princess bunch was clearly Did It Again, Minogue smiling and strutting, the crowd joining her to sing every word." [14] Gary James from Entertainment Focus praised all her co-written and self-penned tracks. [15] Avoledo from BlogCritics.org described the song as blunt, but said it is a "cunning and self-aware look at celebrity without even mentioning fame." [16] Guillermo Alonso, from the Spanish edition of Vanity Fair , compared Minogue's vocals to those of Shirley Manson and named "Did It Again" her 39th best single. [17]
A reviewer from Music Week magazine awarded "Did It Again" three stars out of five, stating that Minogue's vocals "takes a stroppy edge", but "it's not strong enough to do much better than the modest performance of Some Kind of Bliss." [18] Natasha Tripney from musicOMH said: "'Did It Again' reminds you of her valiant but wildly misjudged attempt to morph into Indie Kylie circa 1997, only really serving to highlight the limitations of her voice in the process." [19] Michael R. Smith from Daily Vault felt the song represented the album "perfectly" and had labelled the songs as "undiscovered gems". [20] Smith felt the song was "another underrated song" from the Impossible Princess album and labelled it an "indie classic". [8] In the annual 1997 Triple J Hottest 100 list, "Did It Again" was 81. [21] At the 1998 ARIA Music Awards, "Did It Again" was nominated for Single of the Year but lost to Natalie Imbruglia's single "Torn," respectively. [22] [23]
"Did It Again" entered at number 21 on the Australian Singles Chart. The song peaked at 15, her highest charting and first top 20 single from Impossible Princess. [24] [25] The song lasted 17 weeks in the top 50, one of her longest spanning singles in the chart. [26] The song was certified gold by the Australian Recording Industry Association (ARIA) with shipments of 35,000 units. [27] In the United Kingdom, "Did It Again" entered and peaked at 14 on the UK Singles Chart. [28] It stayed in the top 100 for eight weeks and became highest charting single from the album alongside "Breathe". [29]
An accompanying music video was directed by Pedro Romhanyi in London, England. [2] It was filmed over a two-day period and was required to shoot each character individually. Minogue and long-term collaborator and friend, William Baker, designed the clothing for each character: Sex Kylie, Cute Kylie, Indie Kylie, and Dance Kylie. Each character represented a different appearance and persona; Baker labelled Sex Kylie as a "drag queen" with a "bitchy" attitude and "slutty" appearance. [30] Dance Kylie had, according to Baker, an "irritating frothiness", while Cute Kylie had violet-coloured hot pants and a bra. [30] The original costume was blue, but quickly changed due to blue screen issues. [30] The outfit for Indie Kylie, which was red three-quarter pants with a high-collar shirt, was inspired by Star Trek films that was assisted by British fashion design, Pellicano. [30]
Frances Whiting from Sunday Mail discussed the music video with Minogue, where she mentioned that the video was a "fun" way to portray her media images throughout her career. Regarding her "Indie Kylie" phase, Minogue commented "I don't mind being labelled Indie Kylie, I've had so many labels, but labels are a bit silly because I'm so many things, we all are." [31] The concept for the video was created by Romanhi after discovering several articles and magazines in the 1980s and early-mid 1990s of Minogue, along with his influence of the American film Usual Suspects , but Minogue was sceptical on the final result. [32] In an interview with MTV Australia, Minogue revealed the video was based on her life as a celebrity, stating;
Basically we were having a laugh at a lot of the different articles that were appearing at that time in different magazines and papers, and they were talking about 'Pop Kylie, Dance Kylie, Sex Kylie' and, you know, with every different release of a single they'd say 'What Kylie is it now?' and it was just becoming a joke. So he, Pedro, cunningly picked up on that and said we should make a video with all the different Kylies, which I was more then[ sic ] happy about, because it was stating the obvious and having a laugh at the same time. [32]
The characters were Sex Kylie, Cute Kylie, Indie Kylie and Dance Kylie, characters which had contributed to Minogue's image throughout her career. Minogue commented that it took "longer than expected" because Romanhi wanted the outcome to be "precise". [33] Although Minogue said that "Indie Kylie" was the winner of fight, she felt "Cute Kylie" represented herself more than the other three characters. [33] The video opens with Sex Kylie singing and Cute Kylie pushes her. Indie Kylie appears and Dance kylie bumps her out of the way. Throughout the video, all four characters fight and cuss towards each other. The end finishes with Cute Kylie holding a baseball bat, declaring that she was the winner of all four of them. [34] Despite the ending and Minogue commenting that Cute Kylie amused her the most in the video, Minogue said that Indie Kylie was the winner. [32]
The video received positive reviews, and won the Australian Video entry at the 1998 MTV Video Music Awards. [35] Erika Brooks Adickman from Idolator said that "the tongue-in-cheek video had the pop icon acknowledging all the ways she had reinvented herself over the years". [36] American website BuzzFeed hosted a poll for online viewers to vote their best Kylie in the "Did It Again" video. As a result, Indie Kylie won with 36% (2,926 votes), Cute Kylie came second with 26% (2,083 votes), Dance Kylie came third with 20% (1,628 votes), and Sex Kylie came fourth with 18% (1,510 votes). [37] During an interview Minogue gave to Jetstar Airways magazine, journalist Simon Price stated that the four different Kylies were "brilliantly" satirised in the video. [38]
Costumes from the video, along with accessories spanning Minogue's career, became part of an exhibition at the National Portrait Gallery in Australia, during May 2005. [39] [40] They were also displayed in another exhibition with the same theme in February 2007. [41] A still with the four Kylies, standing together, was drawn by Jill Lamarina and added into the comic book Female Force: Kylie Minogue, published by Bluewater Comics. [42] Media theorist Lee Barron, author of Social Theory in Popular Culture, discussed the Impossible Princess period and further stated "The Impossible Princess phase represented a period of diminished commercial success, marking the moment in which Minogue consciously began to engage in a playful awareness of image construction and referentiality ... This was unmistakably manifest in the promotional video 'Did it Again', which featured four Kylies, each defined by the labels that the media created for her". Barron felt neither of the characters in the video won, but rather "the construction of an entirely new one" and concluded "Because, although Minogue was now reflexively alluding to her identity-shredded progression, 'Indie Kylie' did not gel with the wider recording-buying public, and consequently 'Indie Kylie' was discarded for 'Camp Kylie'"; Camp Kylie was a media label for her efforts around Light Years ' release. [43]
Minogue performed "Did It Again" on The National Lottery Live , and performed the song alongside "Some Kind of Bliss" and "I Don't Need Anyone" on her performance with MTV on 4 October 1997. [44] [45] After the single charted in the UK, she performed it on Top of the Pops on 5 December 1997, where she wore the 'IndieKylie' outfit from the video whilst three drag queens represented the other three personas from the video. [46] Minogue included the song on the set list for her 1998 concert tour Intimate and Live. The performance was recorded on 30 June and 1 July at Capitol Theatre in Sydney, and appeared on the related CD and DVD. [47] [48] It was performed at selected shows on her 2001 On a Night Like This tour. [49]
"Did It Again" has been featured on many of Minogue's compilation albums. Its first appearance was on her 2000 Deconstruction compilation Hits+ and on her 2001 BMG greatest hits compilation album Confide in Me , a compilation of the majority of her singles and tracks from her Deconstruction period; Heather Phares from Allmusic praised the Impossible Princess tracks including "Did It Again". [50] [51] It then appeared on her 2004 compilation albums Artist Collection and, which included most of her Impossible Princess era, Ultimate Kylie through Parlophone and on the first disc of Confide in Me: The Irresistible Kylie released in July 2007 by UK independent label Music Club. [52] [53] The song's last appearance was on the third disc of Step Back in Time: The Definitive Collection released in November 2019 by BMG. [54] The Trouser Enthusiasts' Goddess of Contortion remix and Razor n Go remix appeared on her 1998 remix compilations Mixes and Impossible Remixes . [55] [56]
Australian and UK CD1 [57] [58]
Australian and UK CD2 [59] [60]
| Australian and UK cassette single [61] [62]
Australian VHS single [63]
|
Personnel are adapted from both maxi-single liner notes. [64]
Chart (1997–1998) | Peak position |
---|---|
Australia (ARIA) [65] | 15 |
Europe (Eurochart Hot 100) [66] | 58 |
Scotland (OCC) [67] | 9 |
UK Singles (OCC) [68] | 14 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [27] | Gold | 35,000^ |
^ Shipments figures based on certification alone. |
Hits + is a compilation album by Australian recording artist Kylie Minogue, which was released on 7 November 2000 by Deconstruction Records. The album was the last compilation album which was released by the record label at the time, because Minogue had released her then Parlophone album Light Years (2000). The album peaked at number sixty-three in Australia on the ARIA albums chart.
Confide in Me is a compilation album by Australian recording artist Kylie Minogue, which was released in November 2001. Released on 18 November 2002 by BMG, the album collects work from Minogue's Deconstruction period, including the albums Kylie Minogue (1994) and Impossible Princess (1997). The album was ineligible to chart on the main U.K. albums chart due to being considered a budget album, but had a chart run on the Budget Albums Chart from 2002 to 2005, peaking at #4 in 2003. It received mixed reviews from music critics; whilst they praised the tracks from Deconstruction period, they felt that the album was too similar to the compilation album Hits+.
Impossible Princess is the sixth studio album by Australian singer Kylie Minogue, released on 22 October 1997, by Deconstruction, BMG and Mushroom Records. The singer asserted greater creative control over the project — writing every song on the album and producing material for the first time — compared to her previous work, assisted by Brothers in Rhythm, Manic Street Preachers, David Ball and Rob Dougan.
Intimate and Live is the debut live album by Australian singer and songwriter Kylie Minogue. It was released on 30 November 1998 as a double CD set, and on 23 July 2002 as a DVD through BMG, Mushroom Records and Warner Vision. The concert was filmed at Capitol Theatre on 1 July 1998 from the Intimate and Live concert tour. Produced by David Wilson and directed by Mark Adamson and Michael Williams, both the album and DVD features twenty-one songs from the concert and spawned a promotional single, "Dancing Queen".
"Come into My World" is a song recorded by Australian singer Kylie Minogue for her eighth studio album, Fever (2001). Written and produced by Cathy Dennis and Rob Davis, "Come into My World" is a dance-pop song in which the singer pleads to her lover to come into her world. "Come into My World" was released as the fourth and final single from Fever on 4 November 2002.
"Spinning Around" is a song by Australian singer Kylie Minogue for her seventh studio album, Light Years (2000). Written by Ira Shickman, Osborne Bingham, Kara DioGuardi and Paula Abdul, the song was initially meant to be recorded by Abdul for her own album, but was given to Minogue after the plan never came to fruition. Produced by Mike Spencer, the disco-influenced dance-pop song was then released in Australia and the UK as the lead single from Light Years on 19 June 2000, through Mushroom Records and Parlophone. Lyrically, the song addresses the theme of reinvention, with Minogue claiming that she has changed as a person and learned from the past.
Impossible Remixes is the fourth remix album by Australian singer and songwriter Kylie Minogue. It was released on 8 July 1998 by Mushroom Records. The album was materialized while on her Intimate and Live Tour (1998) and contains remixes from her sixth studio album Impossible Princess (1997). Originally scheduled for a 1999 release, Mushroom released Impossible Remixes in Australia in July 1998 after releasing the UK counterpart Mixes (1998) earlier than its original date.
"Confide in Me" is a song by Australian singer Kylie Minogue from her self-titled fifth studio album (1994). It was released as the album's lead single on 29 August 1994 by Deconstruction, Imago, and Mushroom Records. The track was written by Steve Anderson, Dave Seaman, and Owain Barton, whilst production was handled by British trio Brothers in Rhythm. It was recorded in London, United Kingdom at DMC and Sarm West Studios. Musically, it is a pop song that incorporates elements of indie music, dance-pop, and Middle Eastern instrumentation such as strings and percussion, whilst the lyrical content talks about Minogue's earnest of seduction and manipulating people to confide into her.
"Put Yourself in My Place" is a song recorded by Australian singer Kylie Minogue, taken from her fifth and eponymous studio album (1994). It was released as the record's second single on 14 November 1994, and was distributed by Deconstruction and Mushroom as a CD single, cassette tape and 12-inch vinyl. The track was written, arranged, and produced by Jimmy Harry, and was recorded in New York City with the parent album's engineer Doug Deangelis. A ballad that discusses themes of ending a relationship and moving on, the song's sound incorporates musical elements of trip hop and pop music.
"Where Is the Feeling?" is a song by Australian singer-songwriter Kylie Minogue from her fifth studio album, Kylie Minogue (1994). The song was written by Wilf Smarties and Jayn Hanna, while production was handled by Brothers in Rhythm. It was released on 10 July 1995 as the third and final single from the album, by Deconstruction and Mushroom Records, seven months after the release of the second single. A new version was recorded for the single release, featuring spoken vocals by Minogue.
"Some Kind of Bliss" is a song by Australian recording artist Kylie Minogue, for her sixth studio album, Impossible Princess (1997). The song was released as the lead single from the album on 8 September 1997 through BMG, Deconstruction and Mushroom. Minogue co-wrote the track with James Dean Bradfield and Sean Moore while Bradfield and Dave Eringa produced it. Backed by guitar and drum instruments, "Some Kind of Bliss" is a Britpop track in which Minogue sings about feeling happy.
"Better the Devil You Know" is a song by Australian singer-songwriter Kylie Minogue, taken from her third studio album Rhythm of Love (1990). The song was written and produced by Stock Aitken Waterman and was released as the album's lead single on 30 April 1990 by PWL and Mushroom Records. "Better the Devil You Know" is known as the song that re-invented Minogue with more sex appeal, as her previous albums were presented with her "girl next door" persona. Her music onwards presented a more independent approach.
"Cowboy Style" is a song recorded by Australian singer and songwriter Kylie Minogue, for her sixth studio album Impossible Princess (1997). The song was released as the fourth and final single in Australia only on 5 October 1998 through Mushroom Records. Minogue wrote the track with Steve Anderson and Dave Seaman while Brothers in Rhythm produced it. Backed by guitars, synthesisers and drum instruments, "Cowboy Style" is a Celtic pop track in which Minogue sings about her relationship with her then-boyfriend, French director Stephane Sednaoui. Critical response to "Cowboy Style" was positive, with praise driven to Minogue's songwriting and the song's composition; some critics highlighted it as a career stand-out track. Released in Australia and New Zealand, the song charted at number 39 on the Australian Singles Chart.
Mixes is the fifth remix album by Australian recording artist Kylie Minogue. It was released on 3 August 1998, by Deconstruction Records. The album contains remixes of tracks from her sixth studio album, Impossible Princess (1997). The remixes were done by DJs such as Brothers in Rhythm, Junior Vasquez, and Todd Terry. The remixes was influenced by various genres of dance music, such as electronica and dance-pop. The album was originally scheduled for a 1999 release, but Deconstruction pre-poned the release date of Mixes in the United Kingdom to August 1998, since the Australian counterpart, Impossible Remixes (1998), had been released earlier than its original date. With favourable critical reception, Mixes charted in the United Kingdom at number sixty-three on the UK Albums Chart, her highest remix album at the time. The Brothers in Rhythm remix of "Too Far" was released as a promotional single in the UK and North America.
"Breathe" is a song by Australian singer Kylie Minogue, from her sixth studio album, Impossible Princess (1997). It was released on 16 March 1998 as the third single from the album, and her final one for the Deconstruction Records label. "Breathe" was co-written by Minogue with Ball and Vauk and produced by Dave Ball and Ingo Vauk. Backed by synthesisers and keyboards, it is an electronica track. The lyrics revolve around contemplation and calmness. "Breathe" received mostly positive reviews from music critics, some of whom highlighted the track as an album stand-out and commended the lyrical and vocal delivery.
Intimate and Live was the fifth concert tour by Australian recording artist Kylie Minogue, in support of her sixth studio album, Impossible Princess (1997). The tour marked a return to touring for Minogue, with her previous tour Let's Get to It Tour (1991) taking place seven years prior.
Stephen John Anderson is a British musician, songwriter and record producer. He is best known for his work with Kylie Minogue on her tours and albums, and as part of the production group Brothers in Rhythm. He has also worked on songs and albums for many recording artists such as Britney Spears, Westlife, Christophe Willem, Judie Tzuke and Susan Boyle.
Greatest Hits: 87–99 is a 2003 compilation album by Australian singer Kylie Minogue. The album was a budget release, released only in Australia around the same time as Minogue's ninth studio album Body Language. The track list is an extension of her 1992 Greatest Hits compilation, adding the singles released during the Deconstruction period (1994–1998). The album also includes a cover of Russell Morris' song "The Real Thing", recorded in 1999. The accompanying DVD features every Minogue music video released during the PWL and Deconstruction years. However, some videos, like the Australian video for "Locomotion" and the full-length version of "Where Is The Feeling?” are not featured.
"Too Far" is a song by Australian recording artist Kylie Minogue, taken from her sixth studio album Impossible Princess (1997). It was written and produced by Minogue, with additional production credits to Brothers in Rhythm. The song is a drum and bass song where Minogue describes her anger and frustration through its lyrics. It contains elements of club music and breakbeat music, and employs spoken word techniques.
{{cite AV media notes}}
: CS1 maint: year (link){{cite AV media notes}}
: CS1 maint: year (link){{cite AV media notes}}
: CS1 maint: year (link){{cite AV media notes}}
: CS1 maint: year (link){{cite AV media notes}}
: CS1 maint: year (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: year (link)