"I Should Be So Lucky" | ||||
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Single by Kylie Minogue | ||||
from the album Kylie | ||||
Released | 29 December 1987 | |||
Studio | PWL (London) | |||
Genre | ||||
Length | 3:28 | |||
Label | PWL | |||
Songwriter(s) | ||||
Producer(s) | Stock Aitken Waterman | |||
Kylie Minogue singles chronology | ||||
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Alternative cover | ||||
Music video | ||||
"I Should Be So Lucky" on YouTube |
"I Should Be So Lucky" is a 1987 song performed by Australian singer and songwriter Kylie Minogue from her debut studio album Kylie (1988). Released on 29 December 1987 by Mushroom Records and PWL Records,the song became a worldwide breakthrough hit;its image of Minogue on the front cover was shot by David Levine. The song was written and produced by Stock Aitken Waterman for Minogue,and they went on to produce Minogue's first four studio albums.
The song received positive reviews from contemporary music critics,although some dismissed the lyrical content. Despite this,it received commercial attention around the world,topping charts in countries such as the United Kingdom,Australia,and Germany,and peaked in the top ten in countries including New Zealand and Japan,and on the Dance charts in the U.S. Minogue voiced a special rendition of "I Should Be So Lucky" for BBC Sport's opening film to front England's semi-final match against Australia at the 2023 FIFA Women's World Cup. [1] [2]
After the success of her debut single "Locomotion" in Australia,Minogue traveled to London to work with Stock Aitken Waterman,a successful British writing and production team. They knew little of Minogue and had forgotten that she was arriving;as a result,they wrote "I Should Be So Lucky" in forty minutes while she waited outside the recording studio. [3] Mike Stock wrote the lyrics for the song in response to what he had learned about Minogue prior to her arrival. He believed that although she was a successful soap star in Australia and very talented,there must be something wrong with her and figured that she must be unlucky in love. [3] Minogue recorded the song in less than an hour,which Stock attributes to her good ear for music and her quick memorization skills. However,she left the studio angry,not knowing what the song sounded like after she was fed it to sing line by line. [4]
After Minogue finished the recording session,she returned home to Australia to continue work on the soap opera, Neighbours . [3] The track was then shelved and forgotten about by the producers,and was only mixed and completed after threats by Mushroom Records general manager Gary Ashley to fly to the UK. [4] Stock later told The Guardian:"We had to get the song together in about 40 minutes and she left not having had a happy experience. We didn’t know we had a hit on our hands and so when it went to No 1 for five weeks,someone said:'What’s the follow-up?' We didn't have one. So I went out to Australia at the start of 1988 and met her in a bar with Jason and her manager. I basically crawled 100 yards on my knees and apologised profusely." [5]
"I Should Be So Lucky" is a pop and hi-NRG song which features elements of bubblegum pop and new wave music. According to the music sheet on MusicNotes.com,which was published by Universal Music Publishing Group,the song is set in the key of C major. [6] Minogue's vocals span from D4 to C5. The song is set in common time and moves at a moderate tempo of 116 beats per minute. Instrumentation of the song features synthesizers,keyboards and guitars. According to PopMatters,the song features "numerous orchestra hits to the uncomfortably thin sounding drum machine." [7] Waterman has said the tune was inspired by Pachelbel's Canon, [8] but Stock and Aitken said this was not the case. [4] Stock told The Guardian :"Anyone who thinks 'I Should Be So Lucky' is easy should try to play it. It's in four keys,all of them really awkward,and you can't even strum it unless you're a really good musician." [9]
"I Should Be So Lucky" garnered positive reviews from some music critics. Nick Levine from Digital Spy called it a "standout track". [10] Chris True from AllMusic had reviewed the album,and highlighted the song as an album standout. [11] But as a separate rating,they gave the single three stars out of five. [12] In the review of The Best of Kylie Minogue (2012),Tim Sendra highlighted it as an album standout. [13] Hunter Felt from PopMatters gave it a positive review,stating "something about Kylie’s innocent yet forceful vocals and the sheer catchiness of the song itself [...] So the song became a beloved secret,and I never bothered to try to tune my friends in on "I Could Be So Lucky",or,crazier yet,proclaim that this "has-been" would be a critical and commercial darling in a few years time." However,he did say the song was cliché. [7] However,Mark Edwards from Stylus Magazine gave it a scathing remark by saying "Listening to the first tracks on Ultimate Kylie,you want to skip straight through,because early songs like "I Should Be So Lucky" and "Locomotion" are unlistenable—Stock,Aitken and Waterman songs they produced in the 80s by stating "[the songs] transport the listener back to a time when every single in the UK charts was either written by Stock,Aitken and Waterman or sung by an Aussie soap star,or both." [14] James Hamilton of Record Mirror called the song a "typically catchy shrill 115+1⁄2 bpm rinky tinky canterer from Stock Aitken Waterman's Bananarama reject pile", adding that "as by now everyone must be sick of hearing" Minogue. [15] OK! called the song a "classic". [16] Retrospectively, in 2021, British magazine Classic Pop ranked it number 11 in their list of "Top 40 Stock Aitken Waterman songs". [17] In 2023, Robert Moran of Australian daily tabloid newspaper The Sydney Morning Herald ranked the song as Minogue's 56th best song (out of 183), adding that "the peppy overproduction masks a melancholy yearning... Those diva-ish adlibs at the end are hilariously thin, but that's just part of the charm". [18]
The song was also known to many in the late 1980s and early 1990s as one of Minogue's signature songs, which many critics entering the song on their best track or worst track list. And additionally, in 2011, "I Should Be So Lucky" was added to the National Film and Sound Archive of Australia's Sounds of Australia registry. [19] [20] "I Should Be So Lucky" later appeared on seven of Kylie's hit compilations including Greatest Hits (1992), Ultimate Kylie (2004), and Step Back in Time: The Definitive Collection (2019). The song won the Highest Selling Single award at the 3rd annual ARIA Awards. [21]
"I Should Be So Lucky" was released in the UK on 29 December 1987, and in Australia on 1 February 1988. [22] It was a commercial success, staying atop the Australian Kent Music Report chart for six consecutive weeks, and became her second number-one single in her home country, following "Locomotion". [23] The single was certified platinum by the Australian Recording Industry Association (ARIA) and ranked at number five on the year-end chart for 1988. [24] In New Zealand, the song entered at number 15 on New Zealand Top 40 and peaked at number three on 27 March 1988, spending twelve weeks on the chart. [25] "I Should Be So Lucky" entered at number 90 on the UK Singles Chart, climbing to number 54 the following week. Three weeks later it rose to number one, and remained at the top for five weeks. [26] It spent seventeen weeks on the chart. [26] It was certified gold by the British Phonographic Industry (BPI) for the shipment of 600,000 copies. [27] The song was one of the best-selling singles of 1988, with estimated sales of over 675,000. [28]
Elsewhere, "I Should Be So Lucky" peaked on both the Billboard Hot 100 and the Hot Dance Club Play. The song reached number 10 on the Hot Dance Club Songs chart on 4 June 1988 and number 28 on the Hot 100 on 16 July 1988. [29] [30] Across Europe, "I Should Be So Lucky" also topped the singles charts in Germany, Ireland, and Switzerland. [31] [32] [33] It became a top-five hit in Austria, France, and Norway, [33] as well as a top-thirty hit in Belgium, the Netherlands, and Sweden. [33] [34] It peaked at number one in Finland, Israel, and Hong Kong. [35] The song was certified silver by the Syndicat National de l'Édition Phonographique (SNEP) and gold in Germany. [36] [37]
The music video for "I Should Be So Lucky" was directed by Chris Langman and filmed during November 1987 at Channel 7 Studios in Melbourne, Australia. [38] The video features Minogue walking through her home, with scenes of her dancing in front of a colourful chalkboard background intercut throughout. It presented a cute, wholesome, young "girl-next-door" image of Minogue to the public, with scenes of her giggling and making funny faces to the camera.
Another version of the video was made for television promotion. This version of the video shows Kylie riding in a car through Sydney. In other parts of the video, she is in the park and passersby are waving to her as she walks by them. This video premiered in the UK on Christmas Day 1987 in a live broadcast from the British Telecom Tower (Christmas Morning With Noel Edmonds, BBC1). The official version of "I Should Be So Lucky" featured in the music video has been released commercially through multiple VHS and DVD collections. Its most recent inclusion is on the companion DVD to her 2012 greatest hits album, The Best of Kylie Minogue . Outtakes from the music video were used in Kylie: The Videos.
These are the formats and track listings of major single releases of "I Should Be So Lucky".
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(Not available at time of original release. Released for the first time as part of iTunes PWL archive release in 2009.)
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Minogue performed the song on the following concert tours:
The song was also performed on:
Credits adapted from Kylie album liner notes. [45]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [24] | Platinum | 70,000^ |
France (SNEP) [36] | Silver | 250,000* |
Germany (BVMI) [37] | Gold | 250,000^ |
Japan | — | 30,140 [59] |
United Kingdom (BPI) [79] | Gold | 702,850 [80] |
* Sales figures based on certification alone. |
Michael Stock is an English songwriter, record producer, musician, and member of the songwriting and production trio Stock Aitken Waterman. He has been responsible for over a hundred top-40 hits in the UK, including 16 Number One's and is recognised as one of the most successful songwriters of all time by the Guinness World Records. As part of Stock Aitken Waterman in the 1980s and 90s, he holds the UK record of 11 number one records with different acts. In the UK Singles Chart he has written 54 top-ten hits including 7 number ones.
Stock Aitken Waterman are an English songwriting and record production trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success from the mid-1980s through to the early 1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time, scoring more than 100 UK top-40 hits, selling over 150 million records and earning an estimated £60 million.
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