"Epitaph" | |
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Song by King Crimson | |
from the album In the Court of the Crimson King | |
Released | 10 October 1969 |
Recorded | 30 July 1969 |
Genre | |
Length | 8:47 |
Label | Atlantic |
Composer(s) | |
Lyricist(s) | Peter Sinfield |
Producer(s) | King Crimson |
"Epitaph" | ||||
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Single by King Crimson | ||||
from the album A Young Person's Guide to King Crimson | ||||
B-side | "21st Century Schizoid Man" | |||
Released | February 1976 [2] | |||
Length | 8:47 | |||
Label | Atlantic | |||
King Crimson singles chronology | ||||
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"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King . It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield.
The song is noted for its heavy use of the Mellotron. [3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War. [3] [5]
The song's title was used as the name for a live album of recordings done by the original King Crimson, Epitaph . [6] Epitaph Records also took its name from the song. [7]
Emerson, Lake & Palmer would later incorporate an excerpt from this song after the "Battlefield" portion of the live version of their song "Tarkus", from the Tarkus album, as documented in the live album Welcome Back My Friends to the Show That Never Ends... Ladies and Gentlemen .
In 1976, "Epitaph" was released as a single with "21st Century Schizoid Man" as the B-side, a companion to the compilation A Young Person's Guide to King Crimson (1976).
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969, by Island Records. The album is considered one of the earliest and most influential of the progressive rock genre, with the band combining musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the last of two albums by the band to feature Gordon Haskell and the band's only album to feature drummer Andy McCulloch.
Live at Plymouth Guildhall is a live album by the band King Crimson, released through the King Crimson Collectors' Club on the Discipline Global Mobile label in December 2000. The album was recorded at the Guildhall in Plymouth, UK on 11 May 1971.
Live at Jacksonville is a live album by the band King Crimson, released through the King Crimson Collectors' Club in December 1998.
Live at the Marquee is a live album by the band King Crimson, released through the King Crimson Collectors' Club in October 1998.
Live in Detroit, MI is a live album by the band King Crimson, released by the Discipline Global Mobile through the King Crimson Collectors' Club in October 2001. Recorded in Detroit, Michigan at the Eastown Theatre on 13 November 1971. The packaging erroneously credits the CD as being from 13 December 1971.
King Crimson Live in Hyde Park is a live album by the band King Crimson, released through the King Crimson Collectors' Club in September 2002.
King Crimson Live at Summit Studios is a live album of radio session recordings by the band King Crimson, released by the Discipline Global Mobile label through the King Crimson Collectors' Club in February 2000. The album was recorded at Summit Studios in Denver, Colorado on 12 March 1972 during one of the band's American tours. The performance was notable for the absence of the band's trademark Mellotron, resulting in an unusual setlist and the inclusion of two lengthy collective improvisations.
Ladies of the Road is a live two CD set by the band King Crimson, recorded in 1971 & 1972, released in 2002, and reissued in 2008 in Japan. It is named after a song on the Islands album.
Heartbeat: The Abbreviated King Crimson is a compilation by the band King Crimson, originally intended for radio stations as a promo vehicle to accompany Frame by Frame: The Essential King Crimson 4-CD boxed set. It was released in 1991. The medley was prepared to present an intensive overview of the catalogue to Virgin Records.
Frame by Frame: The Essential King Crimson is a 4-CD box set by the band King Crimson, released in 1991.
Ian Richard McDonald was an English musician, composer and multi-instrumentalist, best known as a founding member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
Giles, Giles and Fripp were an English rock group, formed in Bournemouth, Dorset in August 1967. It featured brothers Michael Giles on drums and vocals and Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. The band's music showed an eclectic mix of pop, psychedelic rock, folk, jazz, and classical influences. The group eventually evolved into pioneering progressive rock band King Crimson.
Live in Japan is the second "Official Bootleg" release by the 21st Century Schizoid Band. It was released on CD and DVD, the DVD containing the extra tracks "Tomorrow's People" and "If I Was", as well as bonus features.
Live in Italy is the third installment of the "Official Bootleg" series from the 21st Century Schizoid Band. It is the first album to feature new drummer Ian Wallace, who replaced Michael Giles earlier that year.
"21st Century Schizoid Man" is a song by the progressive rock band King Crimson, released in 1969 as the opening track on their debut album In the Court of the Crimson King. Often regarded as the group's signature song, it has been described by Rolling Stone as "a seven-and-a-half-minute statement of purpose: rock power, jazz spontaneity, and classical precision harnessed in the service of a common aim."
"The Court of the Crimson King", sometimes billed "In the Court of the Crimson King", is the titular fifth and final track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King. Released as a single, it reached No. 80 on the Billboard Hot 100 chart, the only King Crimson single to chart on the Hot 100.
The 21st Century Guide to King Crimson – Volume One – 1969–1974 is the first of two 4-CD sets of compilation albums, showcasing the entire production of the British progressive rock band King Crimson. This set of discs contains both studio and live performances ranging from the beginnings of the band in 1969 to their first dissolution in 1974.
The Compact King Crimson is a compilation of songs by the British progressive rock band King Crimson, selected by Robert Fripp from the then-two different eras of the band.
The Condensed 21st Century Guide to King Crimson is a compilation by progressive rock band King Crimson, released in 2006. It contains select studio tracks from the two box sets, The 21st Century Guide to King Crimson – Volume One – 1969–1974 and The 21st Century Guide to King Crimson – Volume Two – 1981–2003.