Exodus | ||||
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Released | September 8, 2004 | |||
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Length | 54:15 | |||
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Utada chronology | ||||
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Singles from Exodus | ||||
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Exodus is the second English-language album (fifth overall) by Japanese-American singer-songwriter Hikaru Utada,released on September 8,2004 by Island Records under the moniker Utada. Her first English-language album called Precious was released under the name "Cubic U". After being discovered in North America by Island CEO Lyon Cohen when she contributed to the Rush Hour 2 soundtrack,he was very interested in signing Utada to his record label and she eventually accepted the offer. She traveled to Los Angeles to sign the contract and began recording the studio album straight after her signing. However,during the time frame from 2002 to 2003,Utada was diagnosed with a benign ovarian tumour that needed surgery and treatment. She also married her then-husband Kazuaki Kiriya,which stopped recording temporarily.
Musically,Exodus incorporates several musical genres including dance music and electronic music,whilst also incorporating several elements from electronica,avant-garde,alternative and glitch music. Exodus is her first studio album to have full English-language tracks since her album Precious under the alias Cubic U. The majority of the tracks on the album were written,composed and produced by Utada herself but also received help from American rapper Timbaland,Danja and Utada's father Teruzane Utada. Lyrically,the album deals with several human-related stories from a third-person perspective. Themes incorporated inside the album are love,prostitution,lust,her own mixed heritage,and break-ups.
Upon its release,Exodus received positive reviews from most contemporary music critics. Many critics complimented the composition experimentation and Utada's vocal deliveries on certain tracks. However,critics were divided towards the lyrical content and felt the production and album was only trying to attract a wider audience through the Western market. Exodus was a commercial success in Japan,peaking at number one and sold over one million units in the country,making it Utada's highest-selling English studio album there. It was certified one million by the Recording Industry Association of Japan (RIAJ). In North America,Exodus peaked at number 160 on the Billboard 200.
Four singles were released from the album. The first single "Easy Breezy" failed to gain success in both Eastern and Western territories,but the following single "Devil Inside" peaked at number one on the US Hot Dance Club Songs,making it her highest charting effort regarding any Billboard chart. The final North American single "Exodus '04" charted moderately in America overall,while the lead UK single "You Make Me Want to Be a Man" failed to achieve higher success in that region as well. To promote the album,Utada had commenced her Utada Hikaru In Budokan 2004 tour.
Utada,who was under her birth name Hikaru Utada in the Japanese market,is one of the most successful musicians inside of Japan. [1] Utada had previously released three Japanese-language studio albums; First Love , Distance and Deep River . All three studio albums achieved massive success inside of Japan,all listed as one of the biggest selling albums in Japan with the debut release being the most successful Japanese album of all time,selling seven million units in Japan and an additional three million worldwide. [2] [3] [4] Several singles from each album sold over one million units and tallied up to seven of her singles having sold over one million units,with her debut single "Automatic/Time Will Tell" selling over two million. [4] [5]
In 2001,Utada was approached by American label Island Def Jam to record a track titled "Blow My Whistle" with American rapper Foxy Brown for the American film Rush Hour 2 . [6] The track was written by Utada herself,alongside Pharrell Williams and Chad Hugo. The song is included on Def Jam's Rush Hour 2 soundtrack,which peaked at the 11th spot on both the Billboard 200 and the Top R&B/Hip-Hop Albums,also hitting number 1 on the Top Soundtracks chart. "Blow My Whistle" was produced by the Neptunes. [7]
Then,in 2003,Island CEO Lyon Cohen was interested in signing Utada to his label and she eventually accepted his recommendation and signed her first deal in 2004. [6] Utada had flown to Los Angeles to meet Cohen and Universal Music Group CEO Doug Morris with her mother Keiko Fuji and father Teruzane Utada to support them there. [6] Her record label Toshiba-EMI had also released her material worldwide like Island,but Cohen commented that Island would support her choices throughout the American audience. [6] According to Steve McClure from Billboard ,Utada and her father were originally approached by EMI Music and Virgin Records beforehand and were also interested in signing Utada to their label. [6] A source from the article commented;"People at [Virgin] were kissing up to her dad and promising him that they were definitely going to launch her internationally." [6] However,he later commented "But with the complete meltdown [...] Everybody the Utadas knew is gone," [6] noting the discontinuity in the label's support for them.
Musically,Exodus is a dance-oriented album that incorporates several electronic genres. The album was co-produced by Utada herself. [8] Utada made the majority of the album alone,saying she 'locked herself away'. During an interview in the United States while promoting This Is the One in 2009,when asked about Exodus,Utada said that Exodus was "a very experimental album. I was like a mad scientist working away in an underground laboratory",going on to say "I had the time of my life but it was a very intense,introverted process". [9] In the review by AllMusic,they commented on the music,stating Exodus "delivers a diverse collection of urbane,modern,and,at times,almost avant-garde electronica and dance music [...] A true fusion of Western and Eastern music's edgier elements thrown together in an after-hours disco melting pot." [10]
The majority of the album deals with dance music and traditional J-pop. "Devil Inside" incorporates several electronic dance genres including progressive house and dark pop. The song features drum machines and synthesizers and Rob Carolan from Stylus Magazine compared it to Super Mario games during their intro sequences. [11] [10] Carolan had originally labelled the album's musical composition as "strange" and exemplified "Hotel Lobby" as an example for incorporating J-pop. [11] "The Workout" was compared to Gwen Stefani's 2005 track "Hollaback Girl" for its instrumentation of colossal drums and horn parts but was often criticized for being "darker" and "demented." [11] The Timbaland co-written [8] single "Exodus 04" takes homage towards the album title and was compared to the composition by American rapper and singer Aaliyah,with instrumentation of string samples and piano,while "Let Me Give You My Love" incorporates more fast forward "future funk music" that was also compared to Aaliyah. [11]
Exodus was noted by several critics for its experimentation of genres. "Kremlin Dusk" features a dark "bizarre neo-industrial symphony" that also references American poet Edgar Allan Poe's story The Raven with the lyric ("In the words of Mr. Edgar Allan Poe/Now I'm sober and nevermore/Will the Raven come to bother me at home.") [11] "Animato" includes several electronic instrumentation's including synthesizers and keyboards to create an "alien-like" sound and composition. Throughout the track,"it synthesized mournful choirs and oppressive alien electronics,pushes pop to its most avant garde extremes." [11]
Like the rest of her previous studio albums,Utada had written the entire album by herself. [8] In a press conference of her record label signing,Utada stated that she had written all the songs,including Japanese tracks,in English;"Most of my lyrics come out in English,which I then rewrite in Japanese [...] so this project will save a little bit of time in songwriting,which I'll be needing,to give the best of both [Hikaru Utada] and [Utada Hikaru.]" [12]
The introduction track and interlude titled "Opening" and "Crossover Interlude" incorporate the same lyrics in different composition. [8] The tracks feature the lyric ("I don't wanna cross over between this genre,that genre,") which talks about the different composition of each track and also incorporates her interpretation of Western crossover to J-pop. [11] [13] On her single "Easy Breezy",the song talks about a past relationship with a man. In the lyrics,she mocks her Asian-American heritage that was often noted as "dumb" or "silly" which they specify;("You're easy breezy / And I'm Japaneezy"). [13]
In the song "Animato",the track references several music genres including dance,hip-hop and pop;it also comments about a woman having an extra-marital affair. [13]
After Utada signed to the record label in 2002,Cohen and Morris had high hopes in releasing Exodus during the end of 2002 or early 2003 in North America,with a release date already being confirmed. [14] However,after Utada had promoted her third Japanese studio album Deep River,she underwent surgery after being diagnosed with a benign ovarian tumor, [15] causing Utada to put her promotional activities on hold and the release of Exodus to be delayed. She was still persistent in a 2002 release,but Utada had announced her marriage to director Kazuaki Kiriya and then delayed the studio album release. [14] [16]
Then,Billboard announced the release of Exodus in Spring 2004. [14] Utada told Billboard about Asian artists like herself making it into the Western market;"Maybe the fruit has always been ripe,but so far,Asian artists who reached for it were a few inches short." [17] The album was released on September 8,2004,by Island Records in Japan,and worldwide on October 5,2004. The album was re-released by Mercury Records in the UK over a year later on September 25,2005. This is Utada's debut English language studio album (not including Precious ). Exodus was released in North America nearly a month after its release in Japan,on October 5,2004,two months later in Brazil, [18] on November 17,2004,and the UK version was released about a year after on September 26,2005. Exodus was re-released on September 20,2006,in Japan,under Universal International,parent company of Island Def Jam.
On February 23,2005,Utada did a one-night-only showcase at the Skylight Studios,New York. There she sang a few songs from Exodus,including "You Make Me Want to Be a Man" and "Kremlin Dusk". [19]
In an interview,Elton John stated that:
In terms of surprises, there's an interesting girl, Utada, who's a pop star in Japan and who released an album late last year called Exodus [Island]. It's really interesting dance and pop music. She could be the first Japanese recording artist to really make it in the West. [20]
Review scores | |
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Source | Rating |
About.com | [21] |
AllMusic | [10] |
AnimeFringe | [22] |
MSN Music | [23] |
Stylus Magazine | B [24] |
USA Today | [25] |
Exodus received generally favorable reviews from most music critics. AllMusic gave three out of five stars, highlighting the two first tracks from the album and "Exodus 04", stating that Exodus "Delivers a diverse collection of urbane, modern, and, at times, almost avant-garde electronica and dance music", and concluding with "Exodus heralds the American arrival of an unusual and challenging artist." Rob Carolan from Stylus Magazine gave it a positive review, stating "So there you have it. It's not a pop masterpiece but it's a decidedly good record. Few J-Pop artists ever attempt to make such a bold and risky record, but with Exodus, Utada has established herself as an individual who can proudly stand aside from the rest of the identikit J-Pop idols. Hopefully she'll keep on getting better, but even if she falls into the machine, she will always have Exodus, and that's enough." [26] Isaac McCalla from Dancemusic on About.com gave it a positive review, complimenting the album's process, calling some songs "radio-friendly" and then the rest more "chilled-out". He later concluded saying "[...] Utada is definitely an up and comer; she's beautiful, writes good songs with intelligent lyrics, and has a keen electronic sensibility." [27]
Elysa Gardner from USA Today gave it three stars out of four. She said "Utada Hikaru crafts slick, electronically fueled tracks that could, on their surface, pass as background music for nightclubs and loft parties. Luckily, this young singer/songwriter is more than a ghost in her own machine." She compared Utada to an early stage of Madonna saying she is "girlish yearning that transcends her vocal limitations and melts the cool sheen of her arrangements." JPop-Go gave the album a positive review saying "This is Utada's 'Exodus' from overly-polished, commercial pop; her two fingers up at the music industry. Existing fans with more eclectic tastes will be pleasantly surprised, while hardcore J-pop junkies might be disappointed at the changes." [28]
Exodus is the largest debut selling foreign language album in Japanese history (debut with 523,761 units). It is the 247th best selling album of all time in Japan. [29] On September 8, 2004, Universal Music Japan shipped 1 million copies of the album, breaking a record that was previously held by Mariah Carey (she had sold 500,000). [30] However, the album did not achieve a lot of success in the US, reaching number 160 on the US Billboard 200 chart, and has sold in excess of 55,000 units in the territory according to Nielsen SoundScan. [31] The album did however have success on the US Top Heatseekers albums chart, peaking at number five, making Utada's first album to debut on both charts. [32]
"Easy Breezy" was released as the first single of the album. This is the first single to debut her name "Utada" which she uses for her English releases. The song received generally positive reviews from music critics,[ citation needed ] however the song did not chart on any singles chart. The song however sold more than 2000 copies in Japan. The second single of the album, "Devil Inside", was released on September 14, 2004, and received generally mixed reviews from music critics. The song was released physically in the United States. No music video was produced. The song remained Utada's biggest hit in the United States, as it peaked at number one on the Hot Dance Club Play chart.
The third single "Exodus '04" received generally positive reviews from music critics,[ citation needed ] and was released in 2005, a late release on the album. No music video was produced for the single. The song received little attention yet again, but did peak at number twenty-four on the Hot Dance Club Play. The fourth and last single, "You Make Me Want to Be a Man", was released as the only UK single. The song received little success as well, but peaked at number 227 on the UK Singles Chart.
All tracks are written by Utada, except where noted
No. | Title | Length |
---|---|---|
1. | "Opening" | 1:50 |
2. | "Devil Inside" | 3:58 |
3. | "Exodus '04" (Utada, Timbaland) | 4:32 |
4. | "The Workout" | 4:01 |
5. | "Easy Breezy" | 4:03 |
6. | "Tippy Toe" | 4:15 |
7. | "Hotel Lobby" | 4:30 |
8. | "Animato" | 4:31 |
9. | "Crossover Interlude" | 1:18 |
10. | "Kremlin Dusk" | 5:14 |
11. | "You Make Me Want to Be a Man" | 4:37 |
12. | "Wonder 'Bout" | 3:48 |
13. | "Let Me Give You My Love" (Utada, Timbaland) | 3:38 |
14. | "About Me" | 4:00 |
No. | Title | Length |
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15. | "You Make Me Want to Be a Man" (Bloodshy & Avant Mix) | 4:03 |
16. | "You Make Me Want to Be a Man" (Junior Jack Mix) | 6:44 |
Daily and weekly charts
| Yearly charts
Sales
|
Country | Date | Distributing label |
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Japan | September 8, 2004 | Universal Music Japan |
United States | October 5, 2004 | Island |
Luxembourg | October 5, 2004 | Universal Music |
Germany | October 5, 2004 | |
New Zealand | October 14, 2004 | |
Brazil | November 17, 2004 | |
United Kingdom | September 26, 2005 | Mercury |
Worldwide | October 5, 2004 | Universal Music |
Hikaru Utada, also known by the mononym Utada, is a Japanese singer, songwriter and producer. Utada is one of the most influential and best-selling musical artists in Japan.
First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Toshiba-EMI.
Distance is the third studio album by Japanese singer Hikaru Utada. Toshiba EMI released it on March 28, 2001, making it her second release with the label. Utada wrote and co-produced the majority of the album, alongside previous collaborators Akira Miyake and her father Teruzane Utada, as well as new collaborations with American producers Rodney Jerkins and Jimmy Jam & Terry Lewis. Distance, like its predecessor First Love (1999), is influenced by pop music and R&B, with additional hip-hop, rock music, reggae, and techno influences from Western music.
Deep River is the fourth studio album by Japanese-American singer Hikaru Utada. It was released via Toshiba EMI on June 19, 2002. Utada wrote and co-produced the majority of the record, and unlike her previous album Distance (2001), she worked primarily with Japanese collaborator Akira Miyake and her father Teruzane Utada. Musically, Deep River is widely noted as the transition state from Utada's earlier style, R&B, to ethereal pop.
"Passion" is a song recorded by Japanese-American singer-songwriter Hikaru Utada, taken as the fourth single from her studio album Ultra Blue (2006). It premiered on December 14, 2005, in two physical formats and for digital consumption, distributed by EMI Japan and EastWorld. "Passion", alongside its English counterpart "Sanctuary", were used as the national and international theme songs to the Square Enix video game Kingdom Hearts II (2005); the tracks serve as the successors to "Hikari" and its English counterpart, "Simple and Clean", which are found on Kingdom Hearts.
"You Make Me Want to Be a Man" is a song recorded by Japanese recording artist Utada for her fifth studio album and second English album, Exodus (2004). It was written and produced by Utada, with co-production by her father Teruzane Utada. The track was inspired by her relationship with her husband at the time, Kazuaki Kiriya. Its themes include sexism and understanding each other from a different perspective. "You Make Me Want to Be a Man" premiered on January 1, 2005 as the fourth and final single from the album. Self-described as an electronic and dance-pop song, it contains numerous elements including J-pop and techno.
"Hikari" is a song recorded by Japanese–American recording artist Hikaru Utada for her fourth studio and third Japanese language album, Deep River (2002). It premiered on March 20, 2002, as the third single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada, her father Teruzane Utada, and long-time collaborator Miyake Akira. The single, and a remix by Russell McNamara, was used as the official Japanese theme song for the 2002 action role-playing video game Kingdom Hearts, and appeared on its original soundtrack respectively. Musically, "Hikari" is a pop folk song. Lyrically, it is about mysteries in life and human activities.
"Traveling" is a song recorded by Japanese–American recording artist Hikaru Utada. It was released as the second single from her fourth studio and third Japanese language album, Deep River (2002). The track was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and long-time collaborator Akira Miyake. Musically, "Traveling" is a dance-pop song, influenced by house music. Lyrically, it discusses human activities and dreams.
"Wait & See (Risk)" is a song recorded by Japanese–American singer Hikaru Utada for her third studio and second Japanese language album, Distance (2001). It was released on April 19, 2000 as the second single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada and American duo Jimmy Jam & Terry Lewis. The single also included the two B-side tracks, "Hayatochiri" and "Fly Me to the Moon ", with the former song appearing on the parent album. Musically, "Wait & See (Risk)" is an R&B song, influenced by dance-pop and rock.
"Movin' On Without You" is a song recorded by Japanese–American singer and producer Hikaru Utada taken from her debut studio album First Love (1999). The song was written, arranged, and produced by Utada herself, and it became her first ever hit. "Movin' On Without You" was written, produced and composed while Utada was attending college in Tokyo, Japan, during 1997. Utada, who received a record contract by Toshiba-EMI, had written an English-language version of the song, but the song remains unreleased.
Ultra Blue is the sixth album by Japanese–American singer Hikaru Utada, released on June 14, 2006, by EMI Music Japan. It is the first original Japanese language album under Hikaru Utada's name in four years since her third album Deep River (2002). While the arrangements for her album Deep River were done collaboratively, all but one of the songs on Ultra Blue were written, composed, and arranged solely by Utada, who also did the programming herself.
"Final Distance" is a song by Japanese recording artist Hikaru Utada for her third studio album Deep River (2002). Written by Utada herself, the song was produced and composed by long-time collaborators Akira Miyake, Utada's father Teruzane Utada and herself. "Final Distance" was originally recorded as "Distance" which was taken from the album with the same name, despite not being a single. The song was re-recorded, re-arranged, and dedicated to Rena Yamashita, a six-year-old victim of the Osaka school massacre who had written an essay about being inspired by Utada.
"Kiss & Cry" is a song recorded by Japanese American recording artist Hikaru Utada for their seventh studio and fifth Japanese album, Heart Station (2007). It was written, composed, and arranged by Utada, whilst production was handled by Utada, their father Teruzane Utada, and Akira Miyake. The single premiered on May 31, 2007 as the third single from the album in Japan. It was re-released as a double A-side single with "Beautiful World", which also appeared on the parent album on August 29 in Japan, and digitally worldwide. Musically, "Kiss & Cry" is an R&B song, influenced by pop and hip-hop music. Lyrically, it discusses both Utada's upbringing and social beliefs between both Western and oriental regions.
Heart Station is the seventh studio and fifth Japanese-language album by Japanese–American recording artist Hikaru Utada. It was released on March 19, 2008, by EMI Music in Japan, and globally on March 26, 2008. It is Utada's eighth consecutive studio album to be fully written and produced by her, with the help of her father Teruzane Utada and long-time collaborator Miyake Akira through the production. Recorded between 2006 and 2008, it was worked on whilst she was recording her ninth studio and second English-language studio album, This Is the One (2009). With the album artwork photographed by Japanese photographer Mitsuo, Heart Station was released in two formats: a physical CD, and as a digital download.
This Is the One is the third English studio album by Japanese American pop singer-songwriter Utada, released by Island Records in the United States digitally on March 24, 2009 and physically on May 12, 2009. The album was originally set to be released in Japan on March 4 but was pushed back to March 14. The album was only released in North America, Japan and some parts of Asia. In Japan, the album topped the Oricon's International Album chart and peaked at number three on the Weekly chart. In the United States, the album peaked at number 69 on the Billboard 200 chart. This Is the One was the supporting album of Utada's 2010 tour Utada: In the Flesh 2010. On December 21, 2009, the "Dirty Desire" remixes were released.
"Automatic" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard-size CD single and 12" vinyl. Additionally, the single included the A-side "Time Will Tell", which originally served as the B-side for these versions. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite working recording in English under the name Cubic U, "Automatic" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
"Time Will Tell" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard CD single and 12" vinyl. Additionally, the single was originally served as a B-side to "Automatic", but was changed into an A-side. The song was written and co-produced by Utada herself, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite working recording in English under the name Cubic U, "Time Will Tell" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
Fantôme is the sixth Japanese studio album by Japanese-American singer-songwriter Hikaru Utada. Although Utada announced an indefinite hiatus from the public eye in August 2010, she continued writing and composing material with her father, Utada Teruzane, and long-term collaborator, Miyake Akira. Musically, Fantôme contains a collection of tracks that utilizes acoustic and stripped-down instrumentations, alongside influences of pop, electronic, and R&B music. The lyrical content delves into themes of grief, sadness, love, and death—mostly influenced by the death of her mother, her second marriage, and the birth of her son in 2015.
"Face My Fears" is a song by Japanese-American singer Hikaru Utada and American DJ Skrillex. It was released on various formats by Epic and Sony Music Japan on January 18, 2019, and serves as the lead single from Utada's eleventh studio album, Bad Mode (2022). It was recorded in both English and Japanese and serves as the theme song for Square Enix's 2019 action role-playing game Kingdom Hearts III. After being approached by Square Enix to work on the video game, Utada asked Skrillex to remix "Don't Think Twice" for the game, but later decided to collaborate and create a new song.
One Last Kiss is an extended play by Japanese musician Hikaru Utada, which was released in the US on March 9, 2021. It was released for promotion of the Japanese animated film Evangelion: 3.0+1.0 Thrice Upon a Time around the time of the film's release. It contains all the previously released theme songs that were made for the Rebuild of Evangelion film series. It also contains the theme song "One Last Kiss", which was co-produced by A. G. Cook and released in conjunction with the film on March 10, 2021.