Folktales were told by Raconteurs, who could tell tales lasting several hours, or even tell a story over the course of several evenings. [1] Christian beliefs and superstitions are present in most Quebec folklore. La chasse-galerie (the flying canoe) is a well-known folktale about a group of lumberjacks who make a pact with the devil. Demons, witches, and werewolves were common folk motifs. [2] The tales themselves were referred to by the name contes. The traditional conte form of story-telling has been adapted to the modern novel by writers such as Roch Carrier and Joseph Jean Jacques Ferron. [3] Some folktales are classified under the traditional genre Märchen (fairy tales). [4]
The Devil at the Dance is an example in which the Devil was used to reinforce Christian ideals. It is the story of a young couple in love. The girl's parents, who are Heretics, refuse the young man as a suitor after discovering he is Christian. When the daughter protests, her mother announces that she would rather have the Devil himself courting her daughter than the young Christian. The following Sunday afternoon, a stranger comes to call: the Devil himself. The three of them– mother, father and daughter, are converted by a priest, and the young couple are then married. [5]
There are various versions of this tale: One paints the young girl as being very disobedient and flirtatious. Although her parents warn her of the evils of selfishness, her actions do not change. Thus, the Devil was able to enter her home because of her Unchristian behavior. She is saved once again by the Priest, and converts to Christianity. Another version has the tale happening in a remote village in New Brunswick, but with the same basic storyline. Clearly, the tale evolved depending on what message the storyteller was trying to portray. Regardless of the version, the vast influence of the Catholic Church is clearly noticeable.
A number of lumberjack heroes were made famous through stories told by itinerant lumberjacks throughout Central Canada and the northern United States. These lumberjack heroes were of French-Canadian origin, and became the basis for many Paul Bunyan stories. They include tales about Joseph Montferrand ("Joe Muffreau" or "Big Joe Mufferaw"), Julius Neville, Louis Cyr, and Napoleon La Rue. [6]
Other aspects of Quebec folklore include superstitions surrounding objects, events, and dreams. In essence, these stem from the belief in both white magic and black magic, where the former is seen to be beneficial and seeks to bring about positive outcomes, and the latter being essentially malicious, sinister, and all-around evil (sometimes also called witchcraft). [7] Although Christianity had slowly chipped away at most forms of magic, the populace still held on to its various superstitions for generations. Where religion provides Quebec with a societal structure, these beliefs sought to predict the future, to help alleviate fear of the unknown. [7]
Listed below are objects along with a brief description of the superstition associated with them. [7]
Interest in researching and classifying folklore began during the late 19th century. Marius Barbeau established himself as one of Canada's foremost folklorists during the early 20th century. Luc Lacourcière founded the Folklore Archives at Laval University in Quebec City. [8] Laval University offers an academic folklore studies program. [9] The Folklore Studies Association of Canada has also done extensive work related to preserving Quebec folklore.
The Association Québécoise des Loisirs Folkloriques, based in Montreal, runs a number of programs for the public year-round, as well as publishing literature and recordings of folklore. The Canadian Museum of History in Gatineau, the McCord Museum in Montreal, and the Musée Pop in Trois-Rivières have extensive holdings related to Quebec folklore and folk artifacts.
American folklore encompasses the folklore that has evolved in the present-day United States mostly since the European colonization of the Americas. It also contains folklore that dates back to the Pre-Columbian era.
Paul Bunyan is a giant lumberjack and folk hero in American and Canadian folklore. His tall tales revolve around his superhuman labors, and he is customarily accompanied by Babe the Blue Ox, his pet and working animal. The character originated in the oral tradition of North American loggers, and was later popularized by freelance writer William B. Laughead (1882–1958) in a 1916 promotional pamphlet for the Red River Lumber Company. He has been the subject of various literary compositions, musical pieces, commercial works, and theatrical productions. His likeness is displayed in a number of oversized statues across North America.
The Brothers Grimm, Jacob (1785–1863) and Wilhelm (1786–1859), were German academics who together collected and published folklore. The brothers are among the best-known storytellers of folktales, popularizing stories such as "Cinderella", "The Frog Prince", "Hansel and Gretel", "Town Musicians of Bremen", "Little Red Riding Hood", "Rapunzel", "Rumpelstiltskin", "Sleeping Beauty", and "Snow White". Their first collection of folktales, Children's and Household Tales, began publication in 1812.
A fairy tale is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments.
Little Red Riding Hood is a European fairy tale about a young girl and a sly wolf. Its origins can be traced back to several pre-17th-century European folk tales. The two best known versions were written by Charles Perrault and the Brothers Grimm.
English folklore consists of the myths and legends of England, including the English region's mythical creatures, traditional recipes, urban legends, proverbs, superstitions, and folktales. Its cultural history is rooted in Celtic, Christian, Nordic and Germanic folklore.
La Chasse-galerie, also known as "The Bewitched Canoe" or "The Flying Canoe", is a popular French-Canadian tale of lumberjacks from camps working around the Gatineau River who make a deal with the devil, a variant of the Wild Hunt. Its best-known version was written by Honoré Beaugrand (1848–1906). It was published in The Century Magazine in August 1892.
E Bukura e Dheut is a character in Albanian mythology and folklore, depicted in some traditions as a crafty fairy, and in other traditions as a chthonic/earth goddess, the counterpart of e Bukura e Detit and i Bukuri i Qiellit. In some Albanian traditions she is regarded as the sister of e Bukura e Detit and the consort of Baba Tomor.
Fortunatus is a German proto-novel or chapbook about a legendary hero popular in 15th- and 16th-century Europe, and usually associated with a magical inexhaustible purse.
Joseph "Jos" Montferrand was a French-Canadian logger, strongman, and folk hero of the working man and was the inspiration for the legendary Ottawa Valley figure Big Joe Mufferaw.
Graciosa and Percinet is a French literary fairy tale by Madame d'Aulnoy. Andrew Lang included it in The Red Fairy Book.
Folklore of the Low Countries, often just referred to as Dutch folklore, includes the epics, legends, fairy tales and oral traditions of the people of Belgium, Netherlands and Luxembourg. Traditionally this folklore is written or spoken in Dutch or in one of the regional languages of these countries.
The Sleeping Prince is a Greek fairy tale collected by Georgios A. Megas in Folktales of Greece.
Grateful dead is both a motif and a group of related folktales present in many cultures throughout the world.
Folklore of Russia is folklore of Russians and other ethnic groups of Russia.
Canadian folklore is the traditional material that Canadians pass down from generation to generation, either as oral literature or "by custom or practice". It includes songs, legends, jokes, rhymes, proverbs, weather lore, superstitions, and practices such as traditional food-making and craft-making. The largest bodies of folklore in Canada belong to the aboriginal and French-Canadian cultures. English-Canadian folklore and the folklore of recent immigrant groups have added to the country's folk.
The Calumniated Wife is a motif in traditional narratives, numbered K2110.1 in Stith Thompson's Motif-Index of Folk-Literature. It entails a wife being falsely accused of, and often punished for, some crime or sin. This motif is at the centre of a number of traditional plots, being associated with tale-types 705–712 in the Aarne–Thompson–Uther Index of tale-types.
Blanche Lucile Macdonell (1853–1924) was a Canadian author and folklorist, whose writing was described as 'full-blooded and instinct with Canadian life and thought.'
Les Princes et la Princesse de Marinca is a French-Canadian fairy tale from Gaspésie published by Canadian folklorist Carmen Roy. It is related to the motif of the calumniated wife and classified in the international Aarne-Thompson-Uther Index as type ATU 707, "The Three Golden Children".