Adam Feeney | |
---|---|
Birth name | Adam King Feeney |
Also known as | Ging fka Frank Dukes |
Born | Toronto, Ontario, Canada | September 12, 1983
Genres | |
Occupation(s) |
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Years active | 2000–2021 (as Frank Dukes) [1] 2021–present (as Ging) |
Labels | Sony Publishing [2] |
Website | kingswaymusiclibrary ghostoffrankdukes |
Adam King Feeney (born September 12, 1983), better known as Ging and by his former stage name Frank Dukes, is a Canadian musician, record producer, and songwriter. [3] [4] [5] [6] A prolific producer, he has worked with artists including Lorde for Melodrama , Camila Cabello ("Havana," "Never Be the Same," "My Oh My"), Post Malone ("Congratulations," "Better Now," Circles") and The Weeknd ("Call Out My Name"). Following a two decade production career, he retired as Frank Dukes in 2021 to pursue his own music and art as Ging; he released his debut solo album We're Here, My Dear in 2022.
In his early career, Feeney established himself as a producer by working with a number of members of Wu-Tang Clan and G-Unit as well as young Toronto talent like BADBADNOTGOOD. He came to prominence in the 2010s as a composer and beatmaker whose work was utilized by prominent record producers to sample in their own productions; many of his samples have been used in songs for major artists including Drake (with Feeneys' major placement, "0 to 100"), Travis Scott, Taylor Swift, and Kanye West, with some drawing from the Kingsway Music Library, a popular sample library which he has run since 2011. [7] Feeney has helped produce over thirty platinum singles since 2014. Among other awards and nominations, Feeneys' work has won four Grammy Awards from 32 nominations. He is considered one of Canada's top producers having been awarded Songwriter of the Year by SOCAN four times and has received similar honors from BMI, the Juno Awards, Variety, and Jaxsta.
Adam King Feeney was born on September 12, 1983, in Toronto, Ontario, Canada, and was raised in the city's northern suburb of Thornhill. [8] His first exposure to creating music was piano lessons at age five; however, he quit lessons after three years due to losing interest in it. He later taught himself to play guitar, bass and drums. [6] [9]
As a teenager, he spent a lot of time skateboarding and gained more interest in music, particularly New York hip hop, becoming a DJ at 15 years old. [10] [11] In 1999, at age 16, Feeney began collecting records from the 1960s and 1970s in an effort to understand how they were made. [6] This habit got him into record production and he bought an MPC the following year. He graduated from St. Robert Catholic High School in Thornhill in 2001. [12] Feeney has stated that he had no intention to make music his profession. [10] [13]
Feeney began producing music seriously in the early 2000s. He chose the stage name Frank Dukes as a teenager, inspired by the character of Frank Dux in the martial arts film Bloodsport, and competed in a number of local DJ contents. [14] [11] His first production credit was a 2003 remix for Philadelphia rapper Hezekiah and he later had his first paid placement with a Toronto artist named General Too Smooth. [11] [15]
In 2005, he connected with Toronto-based music manager Mo' Jointz who found Duke placements with Toronto and New York-area hip hop artists, including Slaughterhouse's Joell Ortiz, Kool G Rap, and Choclair. [15] Feeney was one of the first producers to work with Drake, producing the track "Money" off his debut mixtape Room for Improvement , released in 2006. [16] [17] [18] Feeney's relationship with producer Boi-1da, who would become one of the in-house producers for Drake's OVO Sound label, has led to many collaborations for Drake since this time. [19]
In 2008 and 2009, he took part in the Red Bull Big Tune producer competition; at these events, he connected with a number of artists and their A&R, most notably G-Unit, Danny Brown, and Wu-Tang Clan's Ghostface Killah. [11] [20] In the late 2000s, Feeney would produce a number of tracks for G-Unit rappers Lloyd Banks and 50 Cent. This included his first paid placement for a major artist, the song "Sooner or Later (Die 1 Day)" on Banks' third studio album H.F.M. 2 (The Hunger for More 2) , for which Feeney was $5,000 paid in 2008, among other tracks released years later. [21]
Creative relationships and album production
At the end of the 2000s, Feeney connected with Wu-Tang member Ghostface Killah, producing three tracks for his 2010 album Apollo Kids . The two met after Feeney won the Red Bull Big Tune championship in 2009; Feeney had also given Ghost a beat tape the previous year. [13] [22] Feeney performed as his and Cappadonna's tour DJ; [23] active as a DJ in Toronto, [24] [25] [26] [27] Feeney also played sets during their tour as well as at the 2010 CMJ Music Marathon in New York City. [28] [29]
This relationship led to a series of Wu-Tang-related collaborations over the following five years, including producing more than half the tracks for the RZA-produced The Man with the Iron Fists album in 2012. He also worked on his own unreleased album, collaborating with Danny Brown and Willie the Kid, among others. [30] [31] During the same period, Feeney met the Canadian hip hop/jazz group BADBADNOTGOOD at their first live show in 2011. Feeney and the group became close collaborators, even sharing a studio for many years; [32] the band members play on many of the samples Feeney produced during the decade and, in turn, Feeney produced their first original album III , released in 2014. Feeney' work with Ghostface and BBNG culminated in their shared 2015 record, Sour Soul . [33]
Kingsway Music Library and sample composition
During the first half of the decade, Feeney began writing music that he could use and manipulate as samples in his own work, much like the traditional record sampling he took part in as a hip hop producer. Inspired in part by his experiences working in 2010/2011 with the Menahan Street Band, a contemporary funk and soul ensemble that employ vintage recording techniques (and achieve the 1960s/1970s sound and style so often sought after in hip hop samples), [34] Feeney began recording his compositions similarly, using vintage and analog equipment. [35] Observing the sample clearance issues and poor royalty splits he experienced while working with 50 Cent and Ghostface, [34] [35] Feeney had the idea of using his body of work as samples for other record producers to use, much like the traditional library music model, and began sharing his work with the likes of Vinylz, DJ Dahi, and Boi-1da; [36] beginning in 2013, he packaged a portion of his compositions into various volumes for a collection titled Kingsway Music Library which he sells with the clearance of his samples guaranteed. [6] [10] [37]
This sample production work created acclaim for Feeney in 2014 when a composition he wrote was given to Boi-1da and flipped into the Drake single "0 to 100." [38] [34] From this point forward, he was inspired to grow Kingsway Music Library into an established platform for original music for sampling. He continues to distribute a limited amount of his music this way and invites up-and-coming musicians to collaborate or contribute whole volumes to his platform. In 2019, he spearheaded a collaboration between Kingsway Music Library and Toronto's Regent Park School of Music. Called Parkscapes, all tracks are performed by students of the music program, and all proceeds, including licensing and royalty payments, help fund the school's programs. [17] As of 2021, Feeney has personally released fifteen volumes of music through Kingsway.
His compositions, including those designated for Kingsway Music, have led to him working with record producers such as Boi-1da, Metro Boomin, Vinylz, DJ Dahi, and more, landing him prominent placements for Kanye West, Mac Miller, Drake, Eminem, Jeremih, Tory Lanez and Rihanna, among others. [39]
Hitmaker
Feeney began growing in notability in 2013/2014 and started working more often with major artists in the studio. [40] [41] He met producer Louis Bell and Post Malone in 2015–2016 and worked on tracks for Post Malone's debut album Stoney (including "Congratulations"); [42] Feeney also worked extensively on Post's 2019 album Hollywood's Bleeding . In 2017, he produced a string of singles for Frank Ocean and Blonded Radio ("Chanel", "Biking", "Lens").
In 2018, three albums that Feeney executive produced were released: the debut solo album of frequent collaborator Matty from BadBadNotGood; The Weeknd's My Dear Melancholy EP, which included the single "Call Out My Name"; and Camila Cabello's debut album Camila . Feeney met Cabello in November 2016, beginning what would be her debut album. [43] Notably, he produced her wildly successful single "Havana." During this period until around 2020, he was represented by Electric Feel Management. [44] [45] [46]
In total, Feeney was a credited producer or songwriter on over 300 tracks during the decade, including multiple tracks for artists Mac Miller, Amine, Drake, Lorde, and Travis Scott, among others. By the end of the decade, he was generally considered one of the top producers/songwriters; [47] [48] [49] he was also named or nominated as Songwriter of the Year by multiple music industry organizations including BMI, SOCAN, the Juno Awards, and the iHeartRadio Music Awards.
Into the 2020s, Feeney continued to work with artists like Rosalía and The Weeknd in addition to producing a number of tracks for Don Toliver and Shawn Mendes. Throughout 2020, he worked with Canadian artist Mustafa (who had previously co-written a number of pop hits with Feeney) on his debut album When Smoke Rises , released May 2021; the album was short-listed for Canada's 2021 Polaris Music Prize. His collaborations with Rosalía were released in March 2022 on her album Motomami . [50] In March 2022, he was named the world's fifth most successful producer by Jaxsta, which considered a number of factors in their metric for the previous twelve months. He followed Jack Antonoff, Louis Bell, Mike Dean, and Finneas. [51]
In September 2021, he partnered with Tracklib on which he distributes hundreds of masters and stems. [52] [53] The following month, Feeney announced The Prince, a signature synths plug-in, created with the software company Cradle. [54] [55]
On November 16, 2021, Feeney released his beat tape The Way of Ging. The album was released as NFTs and available to stream on SoundCloud for one week; it was later released on streaming services. [56] Three days later, he announced his retirement as Frank Feeney on social media. [57] He indicated that he would continue working on new music projects under the name of Ging (a variation of his middle name King). [58] Since that time, he has released generative music and art and has been vocal about artistic innovation like the use of Web3. [59] In 2022, he began releasing and performing his original studio music.
His debut album We're Here, My Dear was released in November 2022. [60]
During his early career, Feeney worked within the East Coast hip hop and boom bap sound, with some contemporary and progressive influences. [20] In the early 2010s, he embraced a more retro analog sound which has since evolved into his oft-imitated eclectic and effects-heavy style. [35] [15] [61] SPIN noted that Feeney' production aesthetic is informed by 'shimmering pop nostalgia' and the 'luxurious hollows' of the New Toronto sound and inspired by disparate genres. [62] On his writing style, Ryan Tedder observed, "Frank Feeney likes weird chord progressions. He doesn't like anything to sound clean or normal." [63]
Feeney is known for achieving his sound through live instrumentation and analog equipment. [6] To achieve this, he often collaborates with an informal group of Toronto-based musicians and songwriters which includes Mustafa Ahmed, Kaan Güneşberk, and the members of instrumental group BADBADNOTGOOD; Feeney and the band shared an analog recording studio in Toronto for much of the 2010s. [32] At times, he has also written music for other artists with fellow Torontonians Daniel Caesar, River Tiber, and Charlotte Day Wilson, as well as with New York-based retro soul musicians Thomas Brenneck and Homer Steinwiess; of note, Feeney and Steinweiss formed a short-lived production duo under the name Silver & Gold and worked with a number of New York soul and funk artists in the early 2010s. [64] [35] Outside of this group, Feeney has frequently collaborated with producers Louis Bell, Boi-1da, [65] Vinylz, [12] and Metro Boomin, [66] among others.
Feeney has two sons. He resides in Los Angeles, California, having moved from Mississauga, Ontario. [67] [6]
Singles certified RIAA Platinum
Albums executive produced
ASCAP hosts a series of annual awards which honor achievement in American songwriting, composition, and publishing. Feeney has received honors at ASCAP's Pop Music, Latin, and Rhythm & Soul Awards ceremonies.
Year | Ceremony | Category | Work | Result | Ref(s) |
---|---|---|---|---|---|
2015 | Rhythm & Soul Awards | Award Winning R&B/Hip-Hop Songs | "0 to 100 / The Catch Up" (Drake) | Won | [62] |
2016 | "Planez" (Jeremih Featuring J. Cole) | Won | [68] | ||
2017 | Pop Music Awards | Award Winning Songs | "Needed Me" (Rihanna) | Won | [69] |
Rhythm & Soul Awards | Top R&B/Hip-Hop Song | Won | [70] | ||
2018 | Award Winning R&B/Hip-Hop Songs | Won | [71] | ||
"Sex with Me" (Rihanna) | Won | ||||
"Fake Love" (Drake) | Won | ||||
Award Winning Rap Songs | Won | ||||
Pop Music Awards | Award Winning Songs | Won | [72] | ||
2019 | Rhythm & Soul Awards | Award Winning R&B/Hip-Hop Songs | "Broken Clocks" (SZA) | Won | [73] |
2020 | Latin Music Awards | Award Winning Songs | "Yo X Ti, Tú X Mi" (Rosalía) | Won | [74] |
BMI hosts a series of annual awards which honor achievements by songwriters, composers, and publishers, based on tracks performance time. Feeney has received honors at ASCAP's Pop, R&B/Hip-Hop, and London Awards ceremonies.
Year | Ceremony | Category | Work | Result | Ref(s) |
---|---|---|---|---|---|
2018 | R&B/Hip-Hop Awards | Award Winning Songs | "Congratulations" (Post Malone) | Won | [75] |
2019 | Pop Awards | Songwriter of the Year [upper-alpha 1] | Won | [76] | |
Award Winning Songs | "Havana" (Camila Cabello) | Won | |||
"Never Be the Same" (Camila Cabello) | Won | ||||
"Better Now" (Post Malone) | Won | ||||
R&B/Hip-Hop Awards | Won | ||||
"Be Careful" (Cardi B) | Won | ||||
"Pray for Me" (The Weeknd & Kendrick Lamar) | Won | ||||
2020 | Pop Awards | "Sucker" (Jonas Brothers) | Won | [77] | |
"Wow." (Post Malone) | Won | ||||
R&B/Hip-Hop Awards | Won | [78] | |||
London Awards | "Never Be the Same" (Camila Cabello) | Won | [79] | ||
Song of the Year | Won | ||||
2021 | Latin Awards | Most-Performed Songs | "Con Altura" (Rosalía & J Balvin) | Won | [80] |
"Yo X Ti, Tu X Mi" (Rosalía & Ozuna) | Won | ||||
Pop Awards | "My Oh My" (Camila Cabello feat. DaBaby) | Won | [81] |
Feeney' work has been included in the Grammy Award nominations every year since 2015. From 32 nominations, he has won four awards; all of his wins are for track production credits on an awarded album. The following works are for his role as producer unless otherwise noted.
Year | Category | Nominated Work | Result | Notes | Ref(s) |
---|---|---|---|---|---|
2015 | Best Rap Album | The Marshall Mathers LP 2 (Eminem) | Won | Produced "Groundhog Day" [a] | |
Oxymoron (Schoolboy Q) | Nominated | Co-produced "Grooveline Pt. 2" [a] | |||
Best Rap Song | "0 to 100 / The Catch Up" (Drake) | Nominated | Producer | ||
Best Rap Performance | Nominated | Producer [a] | |||
2016 | Best Rap Album | If You're Reading This It's Too Late (Drake) | Nominated | Produced 3 tracks [a] | |
Best R&B Performance | "Planez" (Jeremih) | Nominated | Producer [a] | ||
2017 | Album of the Year | Views (Drake) | Nominated | Produced track "Pop Style" [a] | [82] |
Best Rap Album | Nominated | ||||
The Life of Pablo (Kanye West) | Nominated | Produced track "Real Friends" [a] | |||
Major Key (DJ Khaled) | Nominated | Produced track "Work For It" [a] | |||
Blank Face LP (Schoolboy Q) | Nominated | Produced track "Overtime" | |||
Best Urban Contemporary Album | ANTI (Rihanna) | Nominated | Produced 2 tracks [a] | ||
Best Rap Performance | "Pop Style" (Drake) | Nominated | Producer [a] | ||
2018 | Album of the Year | Melodrama (Lorde) | Nominated | Produced 5 tracks [a] | |
Best Urban Contemporary Album | Starboy (The Weeknd) | Won | Produced track "Attention" [a] | ||
2019 | Album of the Year | Beerbongs & Bentleys (Post Malone) | Nominated | Produced 3 tracks [a] | |
Black Panther | Nominated | Produced 2 tracks [a] | |||
Invasion of Privacy (Cardi B) | Nominated | Produced track "Be Careful" [a] | |||
Best Rap Album | Won | ||||
Astroworld (Travis Scott) | Nominated | Produced 3 tracks | |||
Best Pop Vocal Album | Camila (Camila Cabello) | Nominated | Album producer | ||
Best Pop Solo Performance | "Havana (Live)" (Camila Cabello) | Nominated | Producer [a] | ||
"Better Now" (Post Malone) | Nominated | Producer [a] | |||
Best Rap Performance | "Be Careful" (Cardi B) | Nominated | Producer [a] | ||
2020 | Best Pop Vocal Album | Lover (Taylor Swift) | Nominated | Produced 3 tracks [a] | |
Best Pop Duo/Group Performance | "Sucker" (Jonas Brothers) | Nominated | Producer [a] | ||
2021 | Album of the Year | Hollywood's Bleeding (Post Malone) | Nominated | Album producer, songwriter | [83] |
Song of the Year | "Circles" (Post Malone) | Nominated | Songwriter | ||
Record of the Year | Nominated | Producer | |||
2022 | Best Rap Album | The Off-Season (J. Cole) | Nominated | Produced track "Let Go My Hand" | |
2023 | Best Reggae Album | Gifted (Koffee) | Nominated | Produced track "Gifted" | [84] |
Best Latin Rock or Alternative Album | Motomami (Rosalía) | Won | Produced 4 tracks |
^[a] Grammy Certificate-eligible contributions as per award category specifications on contribution playing time. [85] [86]
The iHeartRadio Music Awards is an annual awards that honors music played across American radio.
Year | Category | Work | Result | Notes | Ref(s) |
---|---|---|---|---|---|
2019 | Producer of the Year | Nominated | |||
Songwriter of the Year | Won | ||||
2020 | Songwriter of the Year | Nominated | |||
2021 | Producer of the Year | Nominated | [87] |
The Juno Awards are Canada's most popular music industry awards. As per Juno regulations, performing producers and songwriters do not receive honors for their nominated work. As such, Feeney has one nomination.
Year | Category | Work | Result | Notes | Ref(s) |
---|---|---|---|---|---|
2019 | Songwriter of the Year | Nominated | "Be Careful", "Better Now", "Call Out My Name" | [88] |
Feeney has received six nominations and three awards at the Latin Grammy Awards.
Year | Category | Work | Result | Notes | Ref(s) |
---|---|---|---|---|---|
2018 | Best Contemporary Tropical Album | Golden (Romeo Santos) | Nominated | Produced "Imitadora" [a] | |
2019 | Best Urban Song | "Con Altura" (Rosalía & J Balvin) | Won | Songwriter | [89] |
2020 | Best Pop/Rock Song | "Dolerme" (Rosalía) | Nominated | Songwriter | [90] |
2022 | Record of the Year | "La Fama" (Rosalía feat. The Weeknd) | Nominated | Producer | [91] |
Album of the Year | Motomami (Rosalía) | Won | Producer and songwriter | ||
Best Alternative Music Album | Won |
The Red Bull Big Tune competition is an annual series in which hip hop producers battle head-to-head, much like DJ competitions. Feeney competed from 2007 to 2009, at which point he was crowned the national champion. [92]
The SOCAN Awards are Canadian music industry awards, honoring achievement of its members in songwriting, composing, and publishing. Feeney has thrice been awarded Songwriter of the Year.
Year | Category | Nominated Work | Result | Ref(s) |
---|---|---|---|---|
2018 | Songwriter of the Year – Producer | Won | [96] | |
Rap Music Awards | "Fake Love" (Drake) | Won | ||
"Congratulations" (Post Malone) | Won | |||
Pop Music Awards | "Havana" (Camila Cabello) | Won | ||
2019 | Songwriter of the Year – Producer | Won | ||
Pop Music Awards | "Better Now" (Post Malone) | Won | ||
"Pray for Me" (The Weeknd & Kendrick Lamar) | Won | |||
2020 | Songwriter of the Year – Producer | Won | [97] | |
Pop Music Awards | "Sucker" (Jonas Brothers) | Won | ||
"Wow." (Post Malone) | Won | |||
2021 | Songwriter of the Year – Producer | Won | [98] | |
Pop Music Awards | "My Oh My" (Camila Cabello feat. DaBaby) | Won | ||
"Monster" (Shawn Mendes & Justin Bieber) | Won |
Year | Ceremony | Category | Work | Result | Ref(s) |
---|---|---|---|---|---|
2016 | Soul Train Music Awards | The Ashford And Simpson Songwriter's Award | "Needed Me" (Rihanna) | Nominated | |
2017 | Spotify's Secret Genius Awards | Secret Genius: Hip-Hop [upper-alpha 2] | Himself | Nominated | |
2018 | Producer of the Year [upper-alpha 3] | Himself | Nominated | [99] | |
Secret Genius: Social Message | "Pray For Me" (The Weeknd & Kendrick Lamar) | Nominated | |||
2018 | Soul Train Music Awards | The Ashford And Simpson Songwriter's Award | "Broken Clocks" (SZA) | Nominated | |
2018 | Black Reel Awards | Best Original or Adapted Song | "Pray for Me" ( Black Panther ) | Nominated | |
2018 | Variety's Hitmakers | Producer-Songwriter | Himself | Won | [100] [101] |
2019 | APRA Awards | International Work of the Year | "Havana" (Camila Cabello) | Nominated | |
2019 | Variety's Hitmakers | Producer-Songwriter | Himself | Won | [102] [103] |
2022 | The Jaxsta Honors List | World's Most Successful Producers | Himself | 5th | [51] |
Notes
Brian Dong Ho Lee is an American songwriter. He has co-written hits such as "Work from Home" by Fifth Harmony, "Let Me Love You" by DJ Snake and Justin Bieber, "Havana" by Camila Cabello, and "Goodbyes" by Post Malone. Lee also co-wrote "Wolves" by Selena Gomez and Marshmello and "Good Time" by Owl City and Carly Rae Jepsen, and contributed to Lady Gaga's 2011 Born This Way album, co-writing "Americano" and providing back-up vocals on "Government Hooker".
Louis Russell Bell is an American record producer, vocal producer, songwriter, and mixing engineer. Bell's work includes production for Post Malone, Camila Cabello, Halsey, Justin Bieber, Miley Cyrus, 5 Seconds of Summer, Taylor Swift, Juice Wrld, DJ Khaled, Kanye West and Frank Dukes among others. A producer and writer specializing in various genres, Bell has 18 US top 10 hits to his credit, including eight number ones, all since 2018. Billboard called Bell's impact on the top of the charts "historic" and labeled him "pop's most prolific, accomplished and untethered freelancer of 2019".
"Sex with Me" is a song recorded by Barbadian singer Rihanna for her eighth studio album, Anti (2016); it is one of three bonus tracks included on the deluxe edition. She wrote the song in collaboration with PartyNextDoor, Chester Hansen, Boi-1da, Frank Dukes and Vinylz, and it was produced by the latter three. Kuk Harrell was also enlisted as Rihanna's vocal producer. On February 3, 2017, Rihanna released a five-track EP which included remixes of "Sex with Me" by MK, Salva, John Blake, Addal and DEVAULT.
Camila is the debut solo studio album by Cuban-American singer and songwriter Camila Cabello. It was released on January 12, 2018, through Epic Records and Syco. Work on the album began in January 2017, following Cabello's departure from the girl group Fifth Harmony. The project was originally titled The Hurting. The Healing. The Loving., with Cabello's debut solo single "Crying in the Club" intended as the lead single. The album was later retitled Camila with "Havana" serving as its official lead single due to the rising success of the song, and "Crying in the Club" was cut from the final track listing. "Havana" became an international success, topping the charts of multiple countries including Australia, Brazil, Canada, France, the UK, and the US, and reaching the top 10 of several others. Primarily a pop record, it also incorporates elements of R&B, Latin, reggaeton, dancehall and hip hop. Camila was produced by Frank Dukes, Skrillex and T-Minus, among others.
Tommy Paxton-Beesley, also known as River Tiber, is a Canadian singer, songwriter, multi-instrumentalist and record producer. He released his debut studio album Indigo in 2016. As a songwriter, Paxton-Beesley has frequently collaborated with producer Frank Dukes and artists including Kaytranada, Daniel Caesar, and BadBadNotGood. He has co-written the charting songs "No Tellin'" by Drake, "Broken Clocks" by SZA, "AstroThunder" by Travis Scott, and "I Keep Calling" by James Blake.
"Real Friends" is a song recorded by Cuban-American singer-songwriter Camila Cabello for her debut solo studio album, Camila (2018). Written by Cabello, William Walsh, Louis Bell, Brian Lee and its producer, Frank Dukes, it was released as a promotional single with "Never Be the Same" on December 7, 2017. "Real Friends" has an acoustic guitar foundation. In its lyrics, Cabello reflects on her life and asks for an honest friendship. The song's minimalist production has elements of reggae, Latin and tropical music. The reimagined version of the song featuring American musician Swae Lee was released on August 16, 2018.
"She Loves Control" is a song by Cuban-American singer Camila Cabello, included on her debut studio album Camila (2018). It was written by the singer, Ilsey Juber and Mustafa Ahmed and its producers Skrillex, Frank Dukes and Louis Bell. Musically, "She Loves Control" is an EDM and reggaeton track that uses elements of moombahton. The song received generally positive reviews from music critics, who commended its production. Commercially, it debuted in Norway and the United Kingdom, peaking at 36 and 40, respectively. Moreover, it charted in Switzerland, Spain, Canada, Sweden and the Netherlands, peaking at 59, 69, 77, 77 and 81, respectively. In the United Kingdom, "She Loves Control" received a silver certification for 200,000 copies sold in the country.
Allen Raphael Ritter is an American record producer and songwriter. He has produced for a variety of artists, most notably Drake ("Controlla"), Travis Scott, Kanye West, Rihanna ("Work"), and Nicki Minaj, among others.
"Cry for Me" is a song by Cuban-American singer Camila Cabello. It was released as the third single from Cabello's second studio album, Romance (2019), on October 4, 2019, by Epic Records and Syco Music.
"Easy" is a pop song by Cuban-American singer Camila Cabello from her second studio album Romance (2019). It was released as the fourth single from the album on October 11, 2019. Cabello co-wrote the song with Justin Tranter and its producers John Hill, Louis Bell, Frank Dukes, Carter Lang, and Westen Weiss. "Easy" debuted in the top 100 of several countries, including Australia, Canada, the UK, Slovakia, and Ireland. Although it did not enter the US Billboard Hot 100, it debuted at number ten on the Bubbling Under Hot 100 chart.
"Living Proof" is a song by Cuban-American singer Camila Cabello from her second studio album Romance (2019), on which it appears as the second track. The song was released as the album's fifth single on November 15, 2019, along with the pre-order for the album.
"My Oh My" is a song by Cuban-American singer Camila Cabello featuring American rapper DaBaby from the former's second studio album Romance (2019). It was written by the artists, Savan Kotecha, Ant Clemons, and producers Frank Dukes & Louis Bell. Due to a strong similarity to Peruvian reggae band Tierra Sur's 1992 song "Llaman a la puerta", group leader Alejandro "Pochi" Marambio received a writing credit. The song was released on adult contemporary radio stations in the United States on January 6, 2020, as the sixth single off the album.
"First Man" is a song by Cuban-American singer Camila Cabello from her second studio album Romance (2019), on which it appears as the fourteenth and final track. It was written by Cabello alongside Amy Wadge and Jordan Reynolds, the latter producing it with Finneas. The song was announced as the album's seventh and final single on June 21, 2020. An official music video for "First Man" was released the previous day, in celebration of Father's Day. It features clips from Cabello's childhood with many of the footage containing videos of her and her father.
Mustafa Ahmed, known as Mustafa, formerly known as Mustafa the Poet, is a Sudanese-Canadian poet, singer, songwriter, and filmmaker from Toronto. He released his debut studio album, When Smoke Rises, in May 2021.
Chester Anton Mathias Hansen is a Canadian musician and songwriter, best known as bassist of instrumental group BADBADNOTGOOD. As a Grammy Award-winning songwriter, Hansen often works with his bandmates and producer Frank Dukes and is credited for co-writing hit songs by Drake, Kendrick Lamar, Daniel Caesar, and Kali Uchis, among others.
Kaan Güneşberk, commonly anglicized Kaan Gunesberk, is a Canadian musician, songwriter, and composer. He is best known as a close collaborator of producer Frank Dukes, with whom he has penned hits for Post Malone and Camila Cabello ("Havana"). Among other awards, he was nominated for the Grammy Award for Song of the Year in 2020 for co-writing "Circles".
I think I was one of the first people to start working with Drake. I worked with him on his first mixtape, Room For Improvement.... the first Drake song I've ever heard ever was produced by Frank Dukes.
A who's who of underground producers pop up here: Frank Dukes...
I just sample my friends type shit... My boy Frank Dukes in Toronto, he's one of the dopest. That's my boy, but he send me samples all the time. You know what I'm saying?