"Good Vibrations" is a song by American group Marky Mark and the Funky Bunch featuring Loleatta Holloway. It was released in July 1991 as the lead single from their debut album, Music for the People (1991). The song became a number-one hit in the United States, Denmark, Sweden and Switzerland.
Seal is the eponymous title of the debut studio album by Seal, released in 1991. It contains the singles "Crazy", "Future Love Paradise", "The Beginning", "Killer" and "Violet". The album debuted at number one in the UK and went on to win Best British Album at the 1992 Brit Awards. Seal's following album, released in 1994, was also named Seal. It is usually referred to as Seal II.
"Another Day in Paradise" is a song written and recorded by English drummer and singer Phil Collins. Produced by Collins along with Hugh Padgham, it was released as the first single from his number-one album ...But Seriously (1989). As with his song for Genesis, "Man on the Corner", the track has as its subject the problem of homelessness and paradise; as such, the song was a substantial departure from the dance-pop music of his previous album, No Jacket Required (1985).
"Kiss from a Rose" is a song from British singer-songwriter Seal's second eponymous album (1994). The song was first released as a single in July 1994 by ZTT, Sire and Warner Bros., and included in the film The NeverEnding Story III that year.
"Joyride" is a song by Swedish pop duo Roxette. Written by Per Gessle, it was released on 25 February 1991 by EMI as the lead single from their third studio album, Joyride (1991). It became one of Roxette's biggest hits and was one of the most successful singles of 1991, topping multiple record charts across Europe, as well as in Australia, Canada, and the United States. The song's accompanying music video, directed by Doug Freel, received heavy rotation on MTV Europe.
"Let the Beat Control Your Body" is a song by Belgian/Dutch Eurodance band 2 Unlimited. It was released in January 1994 by Byte, ZYX and PWL as the fifth and final single from the band's second album, No Limits (1993). The album version is largely instrumental and contains just a few spoken words from bandmembers Ray Slijngaard and Anita Doth. The single version contains full verses rapped by Slijngaard and a new chorus sung by Doth, which were co-written by them both. The song enjoyed chart success in many European countries, peaking at number two in the Netherlands and within the top 10 in Belgium, Finland, France, Germany, Ireland, Spain and the United Kingdom. It was nominated in the category for Best Song on MTV Awards. Nigel Simpkiss directed the music video for "Let the Beat Control Your Body", which received heavy rotation on both MTV Europe and VIVA.
"Spending My Time" is a song by Swedish duo Roxette, released as the fourth single from their third studio album, Joyride (1991). It was written by Per Gessle and Mats Persson, and produced by Clarence Öfwerman. The single attained moderate success, reaching the top 10 in Germany and Italy, and the top 20 in Australia, Austria, Belgium, Canada, Finland, Sweden and Switzerland, while peaking at number 22 on the UK Singles Chart and 32 on the Billboard Hot 100 in the United States. Its music video was directed by Wayne Isham.
"Ring Ring Ring (Ha Ha Hey)" is a song by American hip hop trio De La Soul, released in May 1991 by Tommy Boy Records as the lead single from their second album, De La Soul Is Dead (1991). It is a party jam about overzealous fans who pursue the group with demo tapes in their efforts to obtain an endorsement from the group. The song was inspired by one overzealous fan in particular, Breakestra frontman Miles Tackett, who was shopping demo tapes to the group (note "demo tapes by the miles" in the song's subtitle). It was very successful on the charts in Europe, reaching number one in Finland, Greece and Switzerland, as well as on the UK Dance chart. Additionally, the song was a top-10 hit also in Australia, Austria, Belgium, Denmark, Germany, the Netherlands, New Zealand and the UK. Its music video was directed by Mark Romanek.
"Sealed with a Kiss" is a song written and composed by Peter Udell and Gary Geld. The original recording of "Sealed with a Kiss" was by the Four Voices which was released as a single in May 1960 without becoming a hit. It first became a hit in 1962 for Brian Hyland. Jason Donovan later had an international number one hit with the song in 1989.
"Killer" is a song by British DJ and record producer Adamski. It was written by Adamski and British singer-songwriter Seal, who also provided vocals. It was released in March 1990 by MCA Records as the first single from Adamski's second album, Doctor Adamski's Musical Pharmacy (1990), and reached number one on the UK Singles Chart. The single spent four weeks at the top in May and June 1990 and sold over 400,000 copies in the UK, earning it gold certification. It also reached number one in Belgium and Zimbabwe and number two in the Netherlands and West Germany.
"Buffalo Stance" is a song by Swedish singer-songwriter Neneh Cherry, released in November 1988 by Circa and Virgin as the first single from the singer's debut album, Raw Like Sushi (1989). The song peaked at No. 3 on both the UK Singles Chart and the US Billboard Hot 100, and it reached No. 1 in the Netherlands and in Cherry's native Sweden. An early version of the song appeared as the B-side on the 1986 Stock, Aitken, and Waterman-produced single "Looking Good Diving" by duo Morgan-McVey, which was made up of Jamie Morgan and Cherry's future husband Cameron McVey. The song, titled "Looking Good Diving with the Wild Bunch", was sung by Cherry.
"Got to Have Your Love" is a song by American hip hop and electro funk group Mantronix, featuring vocals from American recording artist Wondress. It was released by Capitol Records in December 1989 as the lead single from Mantronix's fourth studio album, This Should Move Ya (1990). The song is written by band members Bryce Wilson and Kurtis Mantronik along with Johnny D. Rodriguez, and produced by Mantronix. It reached number four in the UK, number seven in Finland and number eight in Ireland. It is recognized as the group's signature song.
"Left to My Own Devices" is a song by English synth-pop duo Pet Shop Boys, released in November 1988 by Parlophone as the second single from their third studio album, Introspective (1988). It was also the first track of the album. The song fared better than the album's lead single, "Domino Dancing", charting three positions higher on the UK Singles Chart, at number four. It became the first track that Pet Shop Boys recorded with an orchestra, arranged by Richard Niles. Since its release, it has become a staple of Pet Shop Boys live performances. Eric Watson directed its music video.
"Now That We Found Love" is a song written by Kenneth Gamble and Leon Huff and originally recorded by American R&B/soul vocal group The O'Jays for their seventh album, Ship Ahoy (1973).
"The Beginning" is a song by English singer-songwriter Seal, released in July 1991 by ZTT, Warner UK and Sire as the third single from his debut album, Seal (1991). The song was edited for the UK release, but the US release saw a completely new remix produced for the single. It was a top 20-hit in Finland, Ireland and the Netherlands. In the UK, it peaked at number 24.
"Gonna Catch You" is a song by American Hi-NRG singer Lonnie Gordon, written and produced by Italian group Black Box. First released around Europe in April 1991, it became the singer's second top 40 hit in the UK. It would also be Gordon's last release with her UK label, Supreme Records, which folded soon after. Months later, the single was featured in the 1991 film Cool as Ice. SBK Records signed Gordon and released the single in the US, making it her debut solo single in her homeland. It became the first of three number one dance singles in a row for Gordon in the US. The single also made the Billboard Hot 100, peaking at #79, and was Gordon's only hit on the soul singles chart peaking at #30.
"1-2-3" is the debut single of British dance music trio the Chimes, written by group members Pauline Henry, Mike Peden, and James Locke. Along with the track "Underestimate", their debut single reached number one for two weeks on the US Billboard Dance Club Songs chart and is also their biggest single. "1-2-3" was the Chimes' only Billboard Hot 100 hit, peaking at number 82. Although the song stalled at number 60 in the band's native UK, it found chart success in New Zealand, where it peaked at number four. In 1990, the song was featured on their debut and only album, The Chimes.
"Heaven" is a song by Scottish band the Chimes, released on 20 November 1989 by CBS as the second single from their only album, The Chimes (1990). It reached number one on the US Billboard Hot Dance Club Play chart, staying at the top for one week. The song also peaked at number 54 on the Billboard Hot Black Singles chart, but failed to appear on the Billboard Hot 100. "Heaven" also reached number 24 on the UK Singles Chart and number five in New Zealand.
"Dirty Cash (Money Talks)" is a song by British dance music act the Adventures of Stevie V. It was first released in December 1989 on the Mercury record label, then again in 1990 both on 7-inch vinyl. The 1990 release peaked at number two on the UK Singles Chart, number one in the Netherlands, and topped the US and Canadian dance charts. The song features vocals by Melody Washington, a music teacher from Georgia living in the United Kingdom and teaching for the US Air Force, who met Stevie V. while she was playing in a local club near his home. Mick Walsh and Stevie V composed the track.
"Move Me No Mountain" is a song written by Jerry Ragovoy and Aaron Schroeder. It was originally recorded in 1974 by Love Unlimited, a group organized and produced by Barry White. In 1975, Ragovoy arranged and produced a recording of the song by American singer Dionne Warwick. Warwick's version used a slightly different melody in the song's chorus than the melody sung by Love Unlimited, and this variation has been used on subsequent recordings of the song. In 1980, American singer Chaka Khan recorded a version of the song with production by Arif Mardin.
