"Killer" | ||||
---|---|---|---|---|
Single by Adamski | ||||
from the album Doctor Adamski's Musical Pharmacy | ||||
B-side |
| |||
Released | 21 March 1990 | |||
Recorded | 1989–1990 [1] | |||
Genre | ||||
Length |
| |||
Label | MCA | |||
Songwriter(s) |
| |||
Producer(s) | Adamski | |||
Adamski singles chronology | ||||
| ||||
Seal singles chronology | ||||
|
"Killer" is a song by British DJ and record producer Adamski. It was written by Adamski and British singer-songwriter Seal, who also provided vocals. It was released in March 1990 by MCA Records as the first single from Adamski's second album, Doctor Adamski's Musical Pharmacy (1990), and reached number one on the UK Singles Chart. The single spent four weeks at the top in May and June 1990 and sold over 400,000 copies in the UK, earning it gold certification. It also reached number one in Belgium and Zimbabwe and number two in the Netherlands and West Germany.
The song's music video was directed by Don Searll. Melody Maker ranked "Killer" the ninth-best single of the year. [5] In 1991, Seal re-recorded "Killer" for his debut studio album, Seal , produced by Trevor Horn. Seal's version reached number eight in the UK and number 100 on the US Billboard Hot 100.
Adamski recounted that Seal saw him perform in 1989 at an illegal rave at the Santa Pod Raceway. Seal afterwards handed a demo tape to Adamski's MC, Daddy Chester, with which both were impressed. Seal had previously been singing in blues bands but a year spent travelling in Asia had changed his view of life and he had since become involved in the rave scene. [6]
Adamski and Seal later happened to meet on New Year's Eve 1989 at a club named Solaris in London, and Seal was invited to work on one of a number of pieces that Adamski was performing at that time. Adamski had an instrumental track he called "The Killer" because he felt that it sounded 'like the soundtrack to a movie murder scene'. According to Adamski, Seal's vocals were recorded against this track on 27 January 1990: coincidentally the same day that 10,000 people gathered in Trafalgar Square (not far from the studio where they were working) for the 'Freedom to Party' demonstration against a government crackdown on rave culture, which Adamski himself attended.
Musically, the song is characterized by a distinctive opening bassline and keyboard melody during the chorus. The track makes use of only two instruments – Ensoniq SQ80 Synthesizer and a Roland TR-909 drum machine – and occupied only eight tracks of a 48-track mixing console. [6]
Both Adamski and Seal recalled that they were in financial trouble at the time of recording. Seal was almost penniless and was living in a squat. Although Adamski had his own following as a DJ and was enjoying success with his previous single "N-R-G", he was on a government scheme which paid his rent and allowed him £40 a week. Both Adamski and Seal were struck by the popularity of "Killer" following its release on 21 March 1990. The song topped the UK Singles Chart and reached the top 10 in many European countries. Adamski recounted his surprise at people singing the memorable bassline to him in the street and, in particular, at hearing the track played at a wedding in a hotel at which he stayed following a performance in Cambridge. Seal recalled, "within a week, I went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name." [6]
Seal explained that the words he provided for "Killer" were intended as an exhortation to freedom and overcoming; that "the lyrics are about transcending whatever holds you back". [6] The song's line "Racism in amongst future kids can only lead to no good, besides, all our sons and daughters already know how that feels" was re-used in Seal's 1991 song "Future Love Paradise". The introduction to the Seal version also contains the line "It's the loneliness that's the killer", which does not occur in the Adamski version.
"Killer" debuted within the UK Singles Chart top 40 at number 39 on 14 April 1990. [7] Although the track was credited solely to Adamski by the Official Charts Company, various publications credited Seal's contribution to the song as a featured artist. It reached the top 10 during its fourth week on the chart before reaching number one on 12 May. After a four-week run at the top, the track fell one place to number two, being replaced in pole position by "World in Motion" by New Order. It spent 16 weeks in the top 40.
Upon the release, Bill Coleman from Billboard found that this "enchanting techno-hip-house charmer from the keyboardist's Liveandirect project sports a languid vocal to complement the instrumentation." [8] Dave Jennings from Melody Maker wrote, "This is much like it. "Killer" isn't the brutish thin its title suggests. It's a medium-paced dance track built around a rock-solid bassline, laced with eerie synthetics and topped with the plaintive voice of guest singer Seal — who sounds firmly in the grip of lovely desolution. "Killer" shifts more than enough to fit on the dancefloor, but it might also suit your mood if you have to go home alone when the club has closed. Emotive and effective." [9] David Giles from Music Week called it a "strange release", adding, "It sounds as though a bluesy soul vocalist has become trapped inside a throbbing piece of machinery; it actually takes a fair while to warm up into the familiar pace of house rhythm." He also stated that "Adamski seems to be plotting a move towards the soul world but is still overawed by technology." [10]
Ian McCann from NME declared it as "a perfect pop moment, if Adamski never makes another record half as good it will stand as a testament to its time like Bowie's, Numan's and Human League's best." [11] Tom Doyle from Smash Hits remarked that the song is "a bit of surprise", complimenting Seal, "who turns in a fine soul-singing". He explained that the song "builds up from a slow Depeche Mode-sounding beginning into a full-blown "rave" record and then drops down for the moody bit again at the end. A complete success." [12]
In a retrospective review, John Bush from AllMusic stated that the songs like "Killer" "still have an inkling of the freshness they must have possessed back in 1989". [13] In 2010, Tom Ewing of Freaky Trigger commented, "What was startling about the record in 1990—and what lets it keep its charge now—is that the music simply refuses to get out of Seal's way. In fact, if you only knew Seal from the rolling smoothness of his latterday career 'Killer' would come as a real shock: here he is, making his debut not as a highfalutin' loverman but as an isolated paranoid battling through a tangle of wires and buzz. Adamski is truly as much the star here, putting together a tense, crisp piece of house music which doesn't actually need his singer to be memorable (though surely needed him to reach number one)." [14]
In 2020, The Guardian ranked "Killer" number 87 in their list of "The 100 greatest UK No. 1s". [15] They added, "Every part of Adamski’s production is perfectly designed: the sad chords, the funkily interrupted alien transmission of the synths, the prodding bassline with its edges almost imperceptibly corroded by acid. Most beautiful of all is Seal: half activist, half oracle." In December 1990, Melody Maker ranked it number nine in their list of "Singles of the Year", saying, "A superlative fusion single in a year in which the word 'fusion' was glibly overused. 'Killer' was 1990's postscript to Marvin Gaye's 'What's Goin' On?'. Adamski's low-key techno-dub proved the perfect backdrop for Seal's mournful vocals." [5] In February 2022, Classic Pop ranked "Killer" number 11 in their list of the top 40 dance tracks from the 90's. [16]
The accompanying music video for "Killer" was directed by Don Searll. [17]
No. | Title | Length |
---|---|---|
1. | "Killer" | 4:10 |
2. | "Bass Line Changed My Life" | 3:53 |
No. | Title | Length |
---|---|---|
1. | "Killer" | 5:35 |
2. | "Bass Line Changed My Life" | 4:39 |
3. | "I Dream of You" | 4:45 |
No. | Title | Length |
---|---|---|
1. | "Killer" (remix) | 6:27 |
2. | "Bassline Changed My Life" | 4:50 |
3. | "The N-R-G Symphony in F. Minor" | 8:27 |
No. | Title | Length |
---|---|---|
1. | "Killer" (remix) | 6:27 |
2. | "Killer" | 5:35 |
No. | Title | Length |
---|---|---|
1. | "Killeremix" | 6:27 |
2. | "Killer" | 5:35 |
3. | "N.R.G." (12-inch mix) | 6:22 |
4. | "The N.R.G. Symphony in F. Minor" | 8:27 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [48] | Gold | 400,000^ |
^ Shipments figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 21 March 1990 |
| MCA | [49] |
Japan | 25 July 1990 | Mini-CD | [50] |
"Killer" | ||||
---|---|---|---|---|
Single by Seal | ||||
from the album Seal | ||||
B-side |
| |||
Released | 4 November 1991 [51] | |||
Length |
| |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | Trevor Horn | |||
Seal singles chronology | ||||
| ||||
| ||||
Music video | ||||
"Killer" on YouTube |
In 1991,Seal re-recorded "Killer" for his debut album, Seal ,produced by Trevor Horn. Seal's version,released in November 1991 by ZTT Records,reached number eight in the United Kingdom, [52] number 100 on the US Billboard Hot 100, [53] and number nine on the US Billboard Hot Dance Club Play chart with a remix by William Orbit. [54]
The music video for Seal's version was produced and directed by Don Searll,and used computer-generated science-fiction themed imagery,largely built around a partial re-creation of the M. C. Escher print Another World . The song won British Video of the Year at the 1992 Brit Awards.
A new single release of "Killer",containing new remixes of both this and another Seal hit,"Crazy",was released in January 2005. This brought the single back to the Billboard Hot Dance Club Play chart,where it reached number one. [54]
|
|
Chart (1991–1992) | Peak position |
---|---|
Australia (ARIA) [55] | 95 |
Europe (European Dance Radio) [56] | 13 |
Ireland (IRMA) [57] | 6 |
Netherlands (Single Top 100) [58] | 75 |
UK Singles (OCC) [52] | 8 |
UK Dance ( Music Week ) [59] | 15 |
US Billboard Hot 100 [60] | 100 |
US Dance Club Songs ( Billboard ) [61] | 9 |
US Hot Dance Music/Maxi-Singles Sales ( Billboard ) [62] | 14 |
Chart (2005) | Peak position |
---|---|
US Dance Club Songs ( Billboard ) [61] P. Rauhofer/Morel/DJ Monk/J. Albert mixes | 1 |
US Hot Dance Singles Sales ( Billboard ) [62] | 3 |
"Killer" / "Papa Was a Rollin' Stone" | ||||
---|---|---|---|---|
Single by George Michael | ||||
from the album Five Live | ||||
Released | 17 May 1993 [63] | |||
Recorded | 22 March 1991 | |||
Venue | Wembley Arena (London) | |||
Length |
| |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | George Michael | |||
George Michael singles chronology | ||||
| ||||
Music video | ||||
"Killer" / "Papa Was a Rollin' Stone" on YouTube |
In 1991,English singer-songwriter George Michael performed "Killer" live at the Wembley Arena in a version that was released on the 1993 EP Five Live . "Papa Was a Rollin' Stone" was also recorded and released on the same album. The two songs were blended together in the live performance,then remixed several times. The P.M. Dawn extended and radio remix for the "Killer" / "Papa" combination was released in 1993. Michael shot a video for the release,in which he did not appear personally. It was directed by German director Marcus Nispel.
Chart (1993) | Peak position |
---|---|
Canada Top Singles ( RPM ) [64] | 19 |
Iceland (Íslenski Listinn Topp 40) [65] | 4 |
UK Airplay ( Music Week ) [66] | 43 |
UK Dance ( Music Week ) [67] | 56 |
US Billboard Hot 100 [68] | 69 |
Hot Dance Club Songs ( Billboard ) [68] | 5 |
US Cash Box Top 100 [69] | 77 |
"Killer 2000" | ||||
---|---|---|---|---|
Single by ATB | ||||
from the album Movin' Melodies | ||||
Released | 31 May 1999 | |||
Length | 4:04 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
| |||
ATB singles chronology | ||||
|
German DJ ATB recorded a version of "Killer" in 1999,released as a single on 31 May 1999 in Germany and on 19 September 2000 in the United States. Featuring vocals by Drue Williams,it was the producer's first fully vocal-based song under the ATB name. The song uses elements from both Adamski and Seal's versions,updated with more contemporary production techniques. The UK radio edit differs from others in that it includes ATB's signature guitar sound. This version of "Killer" peaked at number four on the UK Singles Chart and number 36 on the Billboard Hot Dance Club Play chart.
The song featured on the acclaimed [70] 2000 mix album CreamLive.
|
|
Weekly charts
| Year-end charts
|
An instrumental version of "Killer" was used as the Goal of the Tournament backing music for the BBC's Italia 90 coverage. It also featured in the 1991 Only Fools and Horses Christmas special, Miami Twice . It has also been used in video games DJ Hero 2 (as a remix by Tiësto) and Forza Horizon 3 (on the in-game radio station "Bass Arena"). A short fragment of the song was played in the first scene of the first episode of Bancroft . It was also used in a May 2018 episode of ITV soap opera Emmerdale ,playing on the radio in Charity Dingle's car,and triggering memories of when she was raped at age 14 by Detective Inspector Mark Bails in 1990. Most recently,it has been used by BT in a 2018 advertising campaign.
The music video for the George Michael version of the song appeared in an episode of Beavis and Butthead ,called "The Trial".
"Killer" has been recorded and performed by numerous other artists over the years:
"No Diggity" is a song by American R&B group Blackstreet as the first single for their second studio album,Another Level (1996),featuring Dr. Dre and Queen Pen. Released on July 29,1996 by Interscope,the song reached number one on the US Billboard Hot 100 and in Iceland and New Zealand. It ended "Macarena"'s 14-week reign atop the Billboard Hot 100. In the United Kingdom,the song peaked at number nine. "No Diggity" was the final number-one single of Cash Box magazine. The track sold 1.6 million copies in 1996 and won the 1998 Grammy Award for Best R&B Performance by a Duo or Group with Vocals. It uses samples from Bill Withers's "Grandma's Hands". The music video for the song was directed by Hype Williams.
"Somebody Told Me" is a song by American rock band the Killers. It was released as the second official single from the group's debut studio album Hot Fuss (2004),and was written by band members Brandon Flowers,Mark Stoermer,Dave Keuning and Ronnie Vannucci Jr. In an interview with Rolling Stone,Brandon Flowers said:"This is the story of trying to meet someone in a club." It is written in the key of B-flat minor.
"Policy of Truth" is a song by the English electronic music band Depeche Mode,released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the US Billboard Hot 100 chart than on the UK Singles Chart,and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
"Dance for Me" is a song by American singer Mary J. Blige featuring American rapper Ahkim Miller from Blige's fifth studio album,No More Drama (2001). Produced by Dame Grease,the track was written by the artists alongside Bruce Miller with an additional writing credit going to Sting for the sampling of the 1979 song "The Bed's Too Big Without You" by English rock band the Police. For the No More Drama 2002 re-release,the version featuring Ahkim Miller was replaced with the more widely-known version featuring Common. The subsequent single release was the version with Common.
"Real Love" is a song by American singer Mary J. Blige from her debut studio album,What's the 411? (1992). Based on real life experiences,it was written and produced by Cory Rooney and Mark Morales,and samples Audio Two's 1987 song "Top Billin'". The song was issued as the album's second single on July 28,1992 by Uptown and MCA. It became Blige's first top-10 hit,peaking at number seven on the US Billboard Hot 100. It also topped the Billboard Hot R&B/Hip-Hop Songs and Rhythmic charts and was certified Gold by the Recording Industry Association of America (RIAA) on November 4,1992. Marcus Raboy directed the song's music video. Rolling Stone included "Real Love" in their list of "500 Best Songs of All Time" in 2021 at number 327.
"You Remind Me" is a song by American singer-songwriter Mary J. Blige. It served as Blige's first single from her debut album,What's the 411? (1992). Written by Eric Milteer and produced by Dave "Jam" Hall,it was originally used on the soundtrack of 1991 comedy film Strictly Business. The song marked Blige's first top forty hit,reaching number twenty-nine on the Billboard Hot 100 and number one on the Hot R&B Singles chart. The music video was released in 1992. The song also sampled Patrice Rushen’s 1982 song,‘Remind Me’.
"Walk On By" is a song written by Burt Bacharach and Hal David for singer Dionne Warwick in 1963. Warwick's recording of the song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording.
"You're Not Alone" is a song written by Tim Kellett and Robin Taylor-Firth and performed by British trip hop group Olive on their debut album,Extra Virgin (1996). First released as a single in August 1996,it found greater success in 1997 in a remixed version,reaching number one on the UK Singles Chart that May. The song has been covered by a number of artists,most notably by German trance DJ and producer ATB in 2002 and Danish singer-songwriter Mads Langer in 2009.
"Real Love" is a song by American singer Jody Watley from her second studio album,Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100,"Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"Straight Up" is a single by American singer-songwriter ChantéMoore,released in August 2000. It was written by R&B singer Lil' Mo and produced by Jermaine Dupri. The song served as the lead single for ChantéMoore's fourth album,Exposed (2000). "Straight Up" reached number 83 on the US Billboard Hot 100,number 22 on the Billboard Hot R&B/Hip-Hop Singles &Tracks,and number 11 on the UK Singles Chart. A music video directed by Bille Woodruff was created for the song.
"Girlfriend" is a song by American singer Pebbles from her 1987 self-titled debut studio album. Written and produced by L.A. Reid and Babyface,"Girlfriend" was released as the album's lead single on October 26,1987,by record label MCA. The song charted in several countries,peaking at number five on the US Billboard Hot 100 and reaching the top 10 in Ireland and the United Kingdom.
"You Came" is a song by English singer Kim Wilde from her sixth studio album,Close (1988). It was released on 4 July 1988 as the album's second single. The song was written by Wilde and Ricky Wilde,after the birth of his first child,Marty.
"You Don't Have to Worry" is a song by American R&B singer Mary J. Blige. It was written by Kenny Greene and Edward "DJ Eddie F" Ferrell for the soundtrack of the film Who's the Man? (1993),while production was helmed by Ferrell,with co-production from Kenny "K-Smoove" Kornegay and Darin "Piano Man" Whittington. It contains a sample of "Papa Don't Take No Mess" by James Brown. Released as a single,it charted on the US Billboard Hot 100,peaking at number 63,while reaching number 11 on the Billboard Hot R&B/Hip-Hop Songs. A remix version featuring rapper Craig Mack was produced by Sean "Puffy" Combs and Tony Dofat and later included on Blige's remix album,What's the 411? Remix (1993).
"Be Happy" is a song by American singer Mary J. Blige. It was written by Blige,Sean "Puffy" Combs,Arlene DeValle,and Jean-Claude Olivier from duo Poke &Tone for her second studio album,My Life (1994),while production was helmed by Combs and Olivier. "Be Happy" contains an instrumental sample of the song "You're So Good to Me" (1979) by musician Curtis Mayfield and a re-sung vocal portion of the record "I Want You" (1976) by Marvin Gaye.
"I'm Going Down" is a song written and produced by Norman Whitfield,and performed by American soul and R&B group Rose Royce in 1976. It is from the film Car Wash and is featured on its soundtrack. In 1994,it was covered by American singer Mary J. Blige.
"The Lover in Me" is a song by Scottish singer Sheena Easton for her ninth studio album of the same name (1988). Released as the album's lead single on 11 October 1988,the song became Easton's first top-20 hit in the United Kingdom after a seven-year hiatus. The song was also Easton's final top-10 single on the US Billboard Hot 100.
"My Love" is a song by American R&B singer Mary J. Blige from her debut album,What's the 411? (1992). The song,released by Uptown and MCA,was co-written by singer-songwriter Kenny Greene and Dave Hall,who served as the song's original producer. It peaked at number 23 on the US Billboard Hot R&B/Hip-Hop Songs chart and at number 29 on the UK Singles Chart in 1994,becoming Blige's second single to reach the top 40 in the United Kingdom.
"Reminisce" is a song by American singer and songwriter Mary J. Blige from her debut album,What's the 411? (1992). It was co-written by Kenny Greene and Dave "Jam" Hall,who also produced it. Described as a new jack swing song inspired by 1970s soul music,it contains a sample of "Stop,Look,Listen" (1989) by American rapper MC Lyte. The single was released in October 1992 by Uptown and MCA,peaking at number fifty-seven on the US Billboard Hot 100 and number six on the Hot R&B/Hip-Hop Songs chart. A more uptempo and hip hop-inspired remix of the song,featuring duo Pete Rock &CL Smooth,later appeared on Blige's 1993 remix album of the same name. The accompanying music video for "Reminisce" was directed by Marcus Raboy.
"Love Train" is a song by English singer Holly Johnson,released on 9 January 1989 as the lead single from his debut solo album,Blast (1989). It was written by Johnson and produced by Andy Richards and Steve Lovell with additional production by Stephen Hague. The song reached No. 4 in the United Kingdom,spending 11 weeks on the chart,and was certified silver by British Phonographic Industry (BPI) in February 1989. In the United States,the song reached No. 65 on the Billboard Hot 100.
"Just a Dream" is a song recorded by American singer Donna de Lory for her eponymous debut studio album (1992). It was released as the album's second single on March 9,1993,by MCA Records. The song was written and produced by Madonna and Patrick Leonard while composing the former's fourth studio album,Like a Prayer (1989). Since Madonna felt "Just a Dream" would not suit her discography,she gave it to de Lory for recording. After release,the song received mixed review from critics. "Just a Dream" debuted and peaked at number 71 on the UK Singles Chart and reached number ten on the US Dance Club Songs and number 17 on the Dance Singles Sales charts,respectively.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)