Future Shock | ||||
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Studio album by | ||||
Released | August 1983 | |||
Recorded | 1983 | |||
Studio | OAO Studios, New York City RPM Studios, New York City Garage Sale Recording, Los Angeles | |||
Genre | ||||
Length | 38:00 (original LP) 44:18 (remastered edition with bonus track) | |||
Label | Columbia CK 38814 | |||
Producer | Material Herbie Hancock | |||
Herbie Hancock chronology | ||||
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Future Shock is the twenty-ninth album by American jazz pianist Herbie Hancock, released in August 1983 by Columbia Records. It was his first release from his electro-funk era and an early example of instrumental hip hop. Participating musicians include bass guitarist Bill Laswell (who co-produced), guitarist Pete Cosey and drummer Sly Dunbar.
Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982, as a precursor to recording the follow-up album to Material's One Down album (on which Whitney Houston was the lead singer on a cover of the Soft Machine song "Memories"). Hancock was approached to collaborate on this recording that would go towards a postmodern direction, instead of his usual jazz-fusion. The result was a hip-hop influenced album, released under Hancock's name, which combined Hancock's keyboard playing with Laswell's arrangements and Grand Mixer DXT's turntablism.
According to 1999 re-issue's liner notes, when Laswell went to buy speakers at a music equipment store he would insist on testing them by playing the demos of "Rockit" and "Earth Beat". While those songs were played through the speakers, passing by customers apparently liked what they heard and danced to the music. Soon after Laswell let Hancock know about the incident, eventually telling him – "We got something good here."
Future Shock is the title name from Hancock's remake of the Curtis Mayfield song from ten years earlier, also featured here.
"Rockit", the album's big hit, was accompanied by one of the most successful music videos of the era. The video, directed by Godley and Creme of 10cc fame, featured dancing robots made by Jim Whiting, moving around to the beat of the music and the turntable scratching. Hancock won several MTV Music Video awards in 1984, as well as the Grammy award for best R&B performance.
The album's cover art was derived from "Approach", a work created by David Em. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Robert Christgau | B+ [4] |
The Penguin Guide to Jazz Recordings | [5] |
People | (favourable) [6] |
PopMatters | [7] |
Rolling Stone | [8] |
The Rolling Stone Jazz Record Guide | [9] |
Giving the album a B+ rating, Robert Christgau commented that "As a guy who likes his funk obvious, I think those who esteem "Rockit" as highly as Head Hunters are too kind to Head Hunters. Small thanks to Herbie, lots to Material and Grand Mixer D.ST, it's the best novelty instrumental in years and the best pop of Hancock's life. Elsewhere various bright ideas, such as Pete Cosey, are obscured by the usual aura of set-piece dink — jumpy enough and often fun, but fusoid nevertheless." [10] Richard S. Ginell of AllMusic wrote how "Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables—and the immediate result was "Rockit," which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can't help but inject a subversive funk element when he comps along to the techno beat—and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of "Auto Drive." [3]
All tracks written by Herbie Hancock, Michael Beinhorn and Bill Laswell, except where noted.
Remastered CD Bonus Tracks
Musicians
Production
Charts | Peak position |
---|---|
United Kingdom (Official Charts) [11] | 27 |
Australia (Kent Music Report) [12] | 79 |
Certifications | Peak position |
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United States (RIAA) [13] | Platinum |
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Nu jazz is a genre of jazz and electronic music. The music blends jazz elements with other musical styles, such as funk, electronic music, and free improvisation.
"Rockit" is a composition recorded by American jazz pianist Herbie Hancock and produced by Bill Laswell and Michael Beinhorn. Hancock released it as a single from his studio album Future Shock (1983). The selection was composed by Hancock, Laswell, and Beinhorn.
Material was an American band formed in 1979 and operating until 1999, led by producer and bassist Bill Laswell.
Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, and the first DJ to use the turntable as a musical instrument.
Dave Jerden is an American record producer, engineer, and mixer who has worked with artists in various genres including alternative rock, punk rock and metal. However, Jerden has stated that he dislikes the term "producer", preferring to refer to himself primarily as an engineer.
Future 2 Future is the forty-third album by Herbie Hancock. Hancock reunited with producer Bill Laswell. The two tried to repeat the success of the three previous albums that combine jazz with electronic music.
Michael Beinhorn is a North American record producer, composer, author, and musician. He has produced albums for Red Hot Chili Peppers, Soundgarden, Hole, Korn, and Marilyn Manson.
Thrust is the fourteenth studio album by American jazz-funk musician Herbie Hancock, released in September 1974 on Columbia Records. The album reached No. 2 on the Billboard Top Soul Albums chart and No. 13 on the Billboard 200 chart. It is the second album featuring The Headhunters: saxophonist Bennie Maupin, bass guitarist Paul Jackson, drummer Mike Clark and percussionist Bill Summers.
Celluloid Records, a French/American record label, founded by Jean Georgakarakos operated from 1976 to 1989 in New York City, and produced a series of eclectic and ground-breaking releases, particularly in the early to late 1980s, largely under the auspices of de facto in-house producer Bill Laswell.
Peter Palus Cosey was an American guitarist who played with Miles Davis' band between 1973 and 1975. His fiercely flanged and distorted guitar invited comparisons to Jimi Hendrix. Cosey kept a low profile for much of his career and released no solo recorded works. He appeared on Davis's albums Get Up with It (1974), Agharta (1975), Pangaea (1976), Dark Magus (1977), and The Complete On the Corner Sessions (2007).
Sound-System is the thirtieth album by jazz pianist Herbie Hancock and the second of three albums co-produced by Bill Laswell with the ‘Rockit’ Band. Guest artists include saxophonist Wayne Shorter, guitarist Henry Kaiser, kora player/percussionist Foday Musa Suso and drummer Anton Fier.
Perfect Machine is the thirty-seventh album by jazz pianist Herbie Hancock. It was the third and final album in Hancock’s series co-produced by Bill Laswell. Guests include bassist Bootsy Collins.
Jeff Bova is an American musician. He has been active in the music industry since the mid-1970s, contributing to recordings by significant mainstream artists like Celine Dion, Michael Jackson, Blondie, Eric Clapton, Joe Cocker, Cyndi Lauper, Bill Laswell and Herbie Hancock, Bernard Edwards and Tony Thompson, Meat Loaf, Missing Persons, Iron Maiden and Billy Joel among others.
Village Life is an album by jazz pianist Herbie Hancock and Mandinka griot Foday Musa Suso. It was recorded in Japan and released in 1985. Hancock and Suso had worked together as part of a larger ensemble for Hancock's 1984 album Sound-System, and Village Life was recorded shortly after a world tour. There are no overdubs, Village Life was recorded live in the studio. The album was coproduced by Bill Laswell.
The discography of the American jazz artist Herbie Hancock consists of forty-one studio albums, twelve live albums, sixty-two compilation albums, five soundtrack albums, thirty-eight physical singles, nine promo singles and four songs not released as singles, but that charted due to downloads. This article does not include re-issues, unless they are counted separately from the original works in the charts, furthermore because of the enormous amount of material published, this discography omits less notable appearances in compilations and live albums. The discography shows the peak weekly main chart positions of eight selected countries: United States, France,[a] Germany, Japan,[b] Netherlands, Sweden,[c] Switzerland and United Kingdom. Positions also listed on United States are R&B / hip hop, dance / club, jazz[d] and bubbling under charts.[e] The peaks do not refer necessarily to the position that a record reached when it was first released. Also included are certifications from the Recording Industry Association of America (RIAA)[f] and the Bundesverband Musikindustrie (BVMI).[g]
This is a list of releases by Material.
Panthalassa: The Music of Miles Davis 1969–1974 is a remix album by Miles Davis, released on February 16, 1998, by Sony Records. It contains compositions from prior albums, including In a Silent Way (1969), On the Corner (1972), and Get Up With It (1974), remixed by Bill Laswell; it is subtitled "Reconstruction and Mix Translation by Bill Laswell". The album was composed as a dark, continuous tone poem divided by four sections of Davis' jazz fusion recordings. Panthalassa received generally positive reviews from music critics and sold well, charting at number four on the Billboard Top Jazz Albums.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.