A hairstyle, hairdo, haircut or coiffure refers to the styling of hair, usually on the human head but sometimes on the face or body. The fashioning of hair can be considered an aspect of personal grooming, fashion, and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.
Tonsure is the practice of cutting or shaving some or all of the hair on the scalp as a sign of religious devotion or humility. The term originates from the Latin word tonsura and referred to a specific practice in medieval Catholicism, abandoned by papal order in 1972. Tonsure can also refer to the secular practice of shaving all or part of the scalp to show support or sympathy, or to designate mourning. Current usage more generally refers to cutting or shaving for monks, devotees, or mystics of any religion as a symbol of their renunciation of worldly fashion and esteem.
Dreadlocks, also known as dreads or locs, are a hairstyle made of rope-like strands of hair. This is done by not combing the hair and allowing it to mat naturally or by twisting it manually. Over time, the hair will form tight braids or ringlets.
A wig is a head covering made from human or animal hair, or a synthetic imitation thereof. The word is short for "periwig". Wigs may be worn to disguise baldness, to alter the wearer's appearance, or as part of certain professional uniforms.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion.
The hennin was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. They were most common in Burgundy and France, but also elsewhere, especially at the English courts, and in Northern Europe, Hungary and Poland. They were little seen in Italy. It is unclear what styles the word hennin described at the time, though it is recorded as being used in French areas in 1428, probably before the conical style appeared. The word does not appear in English until the 19th century. The term is therefore used by some writers on costume for other female head-dresses of the period.
A lock of hair is a piece or pieces of human hair that are usually bunched or tied together in some way. A lock of hair can be on a person's head, or have been cut from the head. When attached to the head, a lock of hair generally refers to a tress, curl, or ringlet of hair. When cut from the head, a lock of hair may be kept for its symbolic value.
A queue or cue is a hairstyle worn by the Jurchen and Manchu peoples of Manchuria, and was later required to be worn by male subjects of Qing China. Hair on top of the scalp is grown long and is often braided, while the front portion of the head is shaved. The distinctive hairstyle led to its wearers being targeted during anti-Chinese riots in Australia and the United States.
Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
In Ancient Egyptian society, hair was an embodiment of identity. It could carry religious and erotic significance and portray information about gender, age, and social status. During the New Kingdom, more elaborate hairstyles for men and women, incorporating curls and plaits, began to be favored over the traditional, simple hairstyles of the Old and Middle Kingdoms.
Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period. For a period of several centuries, people in many countries dressed differently depending on whether they identified with the old Romanised population, or the new populations such as Franks, Anglo-Saxons, Visigoths. The most easily recognisable difference between the two groups was in male costume, where the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume, coming below the knee, and often to the ankles. By the end of the period, these distinctions had finally disappeared, and Roman dress forms remained mainly as special styles of clothing for the clergy – the vestments that have changed relatively little up to the present day.
In the earliest times the Greeks wore their κόμη long, and thus Homer constantly calls them κᾰρηκομόωντες (long-haired).
Hairstyle fashion in Rome was ever changing, and particularly in the Roman Imperial Period there were a number of different ways to style hair. As with clothes, there were several hairstyles that were limited to certain people in ancient society. Styles are so distinctive they allow scholars today to create a chronology of Roman portraiture and art; we are able to date pictures of the empresses on coins or identify busts depending on their hairstyles.
The history of Italian fashion is a chronological record of the events and people that impacted and evolved Italian fashion into what it is today. From the Middle Ages, Italian fashion has been popular internationally, with cities in Italy producing textiles like velvet, silk, and wool. During the Middle Ages and Renaissance, Italian fashion for both men and women was extravagant and expensive, but the fashion industry declined during the industrialization of Italy. Many modern Italian fashion brands were founded in the late 19th and early 20th centuries, and in the 1950s and 1960s, Italian fashion regained popularity worldwide. While many clients of Italian fashion designers are celebrities, Italian fashion brands also focus on ready-to-wear clothes.
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.
In the Western world, the 1950s were a decade known for experimentation with new styles and culture. Following World War II and the austerity years of the post-war period, the 1950s were a time of comparative prosperity, which influenced fashion and the concept of glamour. Hairstylists invented new hairstyles for wealthy patrons. Influential hairstylists of the period include Sydney Guilaroff, Alexandre of Paris and Raymond Bessone, who took French hair fashion to Hollywood, New York and London, popularising the pickle cut, the pixie cut and bouffant hairstyles.
