"Holy Holy" | ||||
---|---|---|---|---|
Single by David Bowie | ||||
B-side | "Black Country Rock" | |||
Released | 15 January 1971 | |||
Recorded | 9, 13–16 November 1970 [1] | |||
Studio | Island (London) | |||
Genre | ||||
Length | 3:13 | |||
Label | Mercury | |||
Songwriter(s) | David Bowie | |||
Producer(s) | Blue Mink | |||
David Bowie singles chronology | ||||
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Alternative cover | ||||
"Holy Holy" is a song by the English singer-songwriter David Bowie, originally released as a single in January 1971. It was recorded in November 1970, [2] after the completion of The Man Who Sold the World , in the perceived absence of a clear single from that album. Like Bowie's two previous singles, it sold poorly and failed to chart.
At the time Marc Bolan's Tyrannosaurus Rex was a significant source of inspiration for Bowie. On this track, according to NME editors Roy Carr and Charles Shaar Murray, "Bolan's influence is so much in the ascendant that it virtually amounts to a case of demonic possession". [3] The single's B-side was another Tyrannosaurus Rex flavoured song called "Black Country Rock" from The Man Who Sold the World. Bowie performed "Holy Holy" on Britain's Granada Television wearing a dress, [4] which he would also wear on the cover of the soon-to-be-released UK edition of The Man Who Sold the World.
A more energetic version of the song was recorded in late 1971 for The Rise and Fall of Ziggy Stardust and the Spiders from Mars . [4] It was dropped from the album, but subsequently appeared as the B-side to "Diamond Dogs" in 1974. This version was also released as a bonus track on the Rykodisc reissue of The Man Who Sold the World in 1990 (despite the sleeve notes referring to it as the original cut), as well as on the Ziggy Stardust – 30th Anniversary Reissue bonus disc in 2002. Bowie himself vetoed the inclusion of the original at a late stage (in favour of the remake), and the single remained the only official release of the 1970 recording until 2015, when it was included on Re:Call 1, part of the Five Years (1969–1973) compilation.
All tracks written by David Bowie. [5] [6]
Credits according to biographer Chris O'Leary. [7]
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: CS1 maint: others in cite AV media (notes) (link)Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).
The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 10 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of future Spiders from Mars members Mick Ronson and Mick Woodmansey.
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"Diamond Dogs" is a 1974 single by English singer-songwriter David Bowie, the title track of the album of the same name.
"1984" is a song by the English musician David Bowie, from his 1974 album Diamond Dogs, released as a single in the United States and Japan. Written in 1973, it was inspired by George Orwell's Nineteen Eighty-Four and, like much of its parent album, originally intended for a stage musical based on the novel, which was never produced because permission was refused by Orwell's widow Sonia.
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