"Joey" | |
---|---|
Song by Bob Dylan | |
from the album Desire | |
Released | January 5, 1976 |
Recorded | July 30, 1975 (basic track) August 11, 1975 (overdub session) [1] |
Studio | Columbia Recording Studios, New York City |
Genre | Folk rock |
Length | 11:05 |
Label | Columbia |
Songwriter(s) | |
Producer(s) | Don DeVito |
Desire track listing | |
9 tracks
|
"Joey" is an epic story-song from Bob Dylan's 1975 album Desire . It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. Like another long song on the album, "Hurricane", "Joey" is biographical. It tells the story of the life and death of mobster Joey Gallo, who was killed on his birthday at Umberto's Clam House in Little Italy, on April 7, 1972. [2] [3] [4] The song was produced by Don DeVito.
"Joey" treats its titular protagonist sympathetically, despite his violent history. [2] [3] Gallo had been accused of at least two murders and had been convicted of several felonies. [3] But the song gives him credit for distrusting guns, being reluctant to kill hostages and shielding his family when he was being killed, and makes him appear to be an unwilling participant in the crimes of his henchmen, thus not deserving his fate. [3] [4] Besides his status as an outsider, Dylan was likely also drawn to Gallo's best friends in prison being black men. [5] In addition Gallo was able to gain sympathy in artistic circles by passing himself off as a cultured person victimized by the "system". [3]
The song has been described as including a demonstration of "the weak view of providence" in Dylan's songs, [6] that is, a view that God usually allows humans to act as they want, but occasionally intervenes when a grave injustice has been done or a special plan needs to be carried out. [6] In "Joey", this is demonstrated in the lines:
In a 2009 interview with Bill Flanagan, Dylan claimed that Levy wrote all the words to this song. [7] This, however, contradicts what Levy had told critic Lester Bangs at the time of Desire's release. [8]
As a result of Dylan's sympathetic treatment of Gallo, critics such as Lester Bangs harshly criticized the song upon its release. Bangs described it as "repellent romanticist bullshit". [3] However, Dylan claims that he always thought of Gallo as a kind of hero and an underdog fighting against the elements. [9]
The song's legacy remains mixed: a USA Today article ranking "all of Bob Dylan's songs" called it "forgettable" and lamented that it had replaced "Abandoned Love" on Desire 's final track list [10] but in a readers' poll conducted by Mojo , "Joey" was rated the 74th most popular Bob Dylan song of all time. [11]
Jerry Garcia, who was responsible for getting Dylan to start performing it live in 1987, considered it a "great song" [12] and Dylan himself characterized it as "Homeric" when discussing his Nobel Prize in Literature win with Edna Gundersen in 2016. [13] Critic Paul Zollo, writing in American Songwriter magazine, called it a "beautifully detailed and cinematic" song and a "masterpiece" in 2021. [14]
According to his official website, Dylan has played the song 82 times in concert between 1987 and 2012. It is the only song from Desire that he performed with any regularity after 1976. [15] A live version from 1987 appears on the live album Dylan and the Dead . [2]
Italian-American outlaw musician Johnny Thunders recorded an abbreviated acoustic version on his album Hurt Me (1983). During their rise to popularity, Old Crow Medicine Show played the song often as part of encore sets. St. Louis garage-punk-blues band The Cripplers recorded a cover of Thunders' cover on their 2001 album One More for the Bad Guys.
The Brazilian singer Vitor Ramil has released a version named "Joquim" on his 1987 album Tango.
"Desolation Row" is a 1965 song by the American singer-songwriter Bob Dylan. It was recorded on August 4, 1965, and released as the closing track of Dylan's sixth studio album, Highway 61 Revisited. The song has been noted for its length (11:21) and surreal lyrics in which Dylan weaves characters into a series of vignettes that suggest entropy and urban chaos.
Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year. Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.
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Biograph is a 53-track box set compilation spanning the career of American singer-songwriter Bob Dylan, released on November 7, 1985, by Columbia Records. Consisting of 53 released and unreleased tracks from 1962 to 1981, the box set was released as a five-LP set, a three-cassette tape set, and a three-compact disc set. Biograph reached No. 33 on the Billboard 200 in the U.S. and has been certified platinum by the RIAA.
Dylan & the Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989, by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. The album was produced by Jerry Garcia and John Cutler.
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"Ballad of a Thin Man" is a song written and recorded by Bob Dylan, and released in 1965 on his sixth studio album, Highway 61 Revisited.
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Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters in history, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
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Howard Pyle Wyeth, also known as Howie Wyeth, was an American drummer and pianist. Wyeth is remembered for work with the saxophonist James Moody, the rockabilly singer Robert Gordon, the electric guitarist Link Wray, the rhythm and blues singer Don Covay, and the folk singer Christine Lavin. Best known as a drummer for Bob Dylan, he was a member of the Wyeth family of American artists.
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