Buell Neidlinger was an American cellist and double bassist. He has worked with a variety of pop and jazz performers, prominently with iconoclastic pianist Cecil Taylor in the 1950s and '60s.
Eli's Chosen Six was the ensemble that appeared in the influential 1958 concert film Jazz On A Summer's Day playing Dixieland as they drove around Newport in a convertible jalopy. It was a famous Yale University Dixieland band of the 1950s that played the boisterous trad-jazz style of the day. The ensemble of white college-student jazz revivalists rose into popular prominence in the mid-1950s, when "college jazz" was a catchphrase. The sextet was founded and managed by Dick Voigt, and counted as members the later-legendary trombonist Roswell Rudd, bassists Buell Neidlinger, cornetist and cartoonist Lee Lorenz, clarinetist Pete Williams and drummer Lyman "House" Drake. With the help of the producer and Yale alumnus George Avakian, the band recorded an album for Columbia Records in 1955.
Denis Alphonso Charles was a jazz drummer.
New York City R&B is a 1961 free jazz album originally recorded at a session by bassist Buell Neidlinger but subsequently reissued under joint names with the pianist Cecil Taylor.
Archie Shepp Live in San Francisco is a live album by Archie Shepp released on Impulse! Records in 1966. The album contains a performance recorded by Shepp, trombonist Roswell Rudd, bassists Donald Garrett and Lewis Worrell and drummer Beaver Harris at the now defunct Both/And Club in San Francisco, CA, on February 19, 1966. The CD edition also contains an extended track that was released on LP as Three for a Quarter, One for a Dime in 1969.
Mama Too Tight is an album by Archie Shepp released on Impulse! Records in 1967. The album contains tracks recorded by Shepp, trumpeter Tommy Turrentine, trombonists Grachan Moncur III and Roswell Rudd, tuba player Howard Johnson, clarinetist Perry Robinson, bassist Charlie Haden and drummer Beaver Harris in August of 1966.
For Losers is an album by Archie Shepp released on Impulse! in 1970. The album contains tracks recorded from September 1968 to August 1969 by Shepp with three different ensembles. The AllMusic review by Rob Ferrier states "for anyone wishing to understand the music and career of this brilliant musician, this is an undervalued piece of the puzzle".
Air is an album by Cecil Taylor recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger, Denis Charles and Sunny Murray on alternate takes of material released on The World of Cecil Taylor (1960).
The World of Cecil Taylor is an album by Cecil Taylor recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Alternate takes from these sessions were released on Air in 1987. A 1971 reissue of the original album on the Barnaby label was also titled Air.
Cell Walk for Celeste is an album by Cecil Taylor recorded for the Candid label in January 1961 but not released until 1988. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Additional recordings from these sessions were released on New York City R&B in 1971 and Jumpin' Punkins in 1987.
Jazz Advance is the debut album by pianist Cecil Taylor, recorded for the Transition label in September 1956. The album features performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy.
At Newport is a live album by the Gigi Gryce–Donald Byrd Jazz Laboratory and the Cecil Taylor Quartet recorded for the Verve label at the Newport Jazz Festival in July 1957. The original LP album featured one side of performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy and the other by Gryce, Byrd, Hank Jones, Wendell Marshall, and Osie Johnson.
Into the Hot is an album released under the auspices of Gil Evans featuring a large ensemble under the direction of John Carisi and the Cecil Taylor Unit. The album was released on the Impulse! label in 1962.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Communication is the debut album by the Jazz Composer's Orchestra featuring compositions by Michael Mantler and Carla Bley performed by Paul Bley, Steve Lacy, Jimmy Lyons, Roswell Rudd, Archie Shepp, John Tchicai, Fred Pirtle, Willie Ruff, Ken McIntyre, Robin Kenyatta, Bob Carducci, Kent Carter, Steve Swallow, Milford Graves, and Barry Altschul. The album was released on the Fontana label in 1965. AllMusic described it as "one of the masterpieces of creative music in the '60s".
Charles Davis was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra.
Everywhere is an album by American jazz trombonist Roswell Rudd featuring studio performances recorded in July 1966 for the Impulse! label.
Archie Shepp discography.
In 1989, Archie Bleyer's early-1960s Candid Records catalog was bought by Black Lion Productions based in London, which reissued the label's legacy vinyl records into the Compact Disc format, and further adapted its distribution towards music download technology in the succeeding decades. The revitalized Candid Records (UK) subsequently produced new, contemporary jazz recordings to further expand its line.
Four Days in December was a four-day festival of new jazz music that took place at Judson Hall in New York City. Sponsored by the Jazz Composers Guild, it occurred from December 28–31, 1964, and was the group's most visible event. Along with the October Revolution in Jazz, held two months prior and organized by Bill Dixon, it led to a sense of optimism regarding the possibility of producing concerts via non-traditional means.
